tag:blogger.com,1999:blog-49902275408405247532024-02-23T18:03:09.452-08:00Marco Casagrande_TEXTThird Generation CityUnknownnoreply@blogger.comBlogger208125tag:blogger.com,1999:blog-4990227540840524753.post-83836546887249049482023-10-23T08:05:00.007-07:002023-10-25T00:42:26.610-07:00Місто третього покоління<p> <span style="background-color: white; font-size: 18pt;">THIRD
GENERATION CITY</span></p>
<h1 style="background: white; margin-bottom: 15.0pt; margin-left: 0cm; margin-right: 0cm; margin-top: 0cm; margin: 0cm 0cm 15pt;"><span face=""Helvetica",sans-serif" style="color: black; font-size: 16.5pt; font-weight: normal; line-height: 115%; mso-color-alt: windowtext;">Місто третього покоління</span></h1>
<p class="MsoNormal" style="background: white; line-height: 150%; margin-bottom: 0cm;"><span face=""Calibri Light",sans-serif" lang="EN-US" style="color: black; mso-ansi-language: EN-US; mso-bidi-font-weight: bold; mso-color-alt: windowtext; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">Author: Marco Casagrande<sup>1</sup></span></p>
<p class="MsoNormal" style="background: white; line-height: 150%; margin-bottom: 0cm;"><sup><span face=""Calibri Light",sans-serif" lang="EN-US" style="color: black; mso-ansi-language: EN-US; mso-bidi-font-weight: bold; mso-color-alt: windowtext; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">1</span></sup><span face=""Calibri Light",sans-serif" lang="EN-US" style="color: black; font-size: 10pt; line-height: 150%; mso-ansi-language: EN-US; mso-bidi-font-style: italic; mso-color-alt: windowtext; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">Ruin
Academy, Casagrande Laboratory,<b> </b></span><span face=""Calibri Light",sans-serif" lang="EN-GB" style="color: black; font-size: 10pt; line-height: 150%; mso-ansi-language: EN-GB; mso-color-alt: windowtext;">O.M. Beketov
National University</span><span face=""Calibri Light",sans-serif" lang="EN-US" style="color: black; font-size: 10pt; line-height: 150%; mso-ansi-language: EN-US; mso-bidi-font-style: italic; mso-color-alt: windowtext; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">, and International Society of Bio-urbanism,
Finland</span><span face=""Calibri Light",sans-serif" lang="EN-GB" style="font-size: 12pt; line-height: 150%; mso-ansi-language: EN-GB; mso-bidi-font-weight: bold; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;"><o:p></o:p></span></p>
<p class="MsoNormal" style="background: white; line-height: 150%; margin-bottom: 0cm; text-align: justify;"><span face=""Calibri Light",sans-serif" lang="EN-US" style="font-size: 12pt; line-height: 150%; mso-ansi-language: EN-US; mso-bidi-font-weight: bold; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;"><o:p> </o:p></span></p>
<p class="MsoNormal" style="background: white; line-height: 150%; margin-bottom: 0cm; text-align: justify;"><b><span face=""Calibri Light",sans-serif" lang="EN-US" style="color: black; font-size: 12pt; line-height: 150%; mso-ansi-language: EN-US; mso-color-alt: windowtext; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">Abstract </span></b><b style="mso-bidi-font-weight: normal;"><span face=""Calibri Light",sans-serif" lang="EN-GB" style="font-size: 12pt; line-height: 150%; mso-ansi-language: EN-GB; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;"><o:p></o:p></span></b></p>
<p class="MsoNormal" style="line-height: 150%; margin-bottom: 0cm; text-align: justify;"><span face=""Calibri Light",sans-serif" lang="EN-US" style="font-size: 12pt; line-height: 150%; mso-ansi-language: EN-US; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">The crisis of urbanism is
analyzed as a vital phenomenon that prepares the Third Generation City—its
connection with nature and its flesh. The industrial city is, on the contrary,
fictitious. </span><span face=""Calibri Light",sans-serif" lang="EN-GB" style="font-size: 12pt; line-height: 150%; mso-ansi-language: EN-GB; mso-bidi-font-weight: bold;">The theory views the future urban development as the ruin of the
industrial city, an organic machine ruined by nature including human nature.</span><span face=""Calibri Light",sans-serif" lang="EN-GB" style="mso-ansi-language: EN-GB; mso-bidi-font-weight: bold;"> </span><span face=""Calibri Light",sans-serif" lang="EN-US" style="font-size: 12pt; line-height: 150%; mso-ansi-language: EN-US; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">The
example of the settlement of Treasure Hill, near Taipei, is given. As an
organic ruin of the industrial city, Treasure Hill is a bio-urban site of
resistance and an acupuncture point of Taipei, with its own design methodology
based on Local Knowledge. This ruin is the matter from which parasite urbanism
composts the modern city. Another example is offered by observing the
operations of the Ruin Academy, </span><span face=""Calibri Light",sans-serif" lang="EN-GB" style="background: white; color: #202122; font-size: 12pt; line-height: 150%; mso-ansi-language: EN-GB;">an independent cross-over
architectural </span><span face=""Calibri Light",sans-serif" lang="EN-GB" style="background: white; color: black; font-size: 12pt; line-height: 150%; mso-ansi-language: EN-GB; mso-color-alt: windowtext;">research centre </span><span face=""Calibri Light",sans-serif" lang="EN-GB" style="background: white; color: #202122; font-size: 12pt; line-height: 150%; mso-ansi-language: EN-GB;">focused on the research
of the urban ruining processes of that keep the city alive.</span><span face=""Arial",sans-serif" lang="EN-GB" style="background: white; color: #202122; font-size: 10.5pt; line-height: 150%; mso-ansi-language: EN-GB;"> </span><span face=""Calibri Light",sans-serif" lang="EN-US" style="font-size: 12pt; line-height: 150%; mso-ansi-language: EN-US; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;"> Urban acupuncture, the Third Generation City, and the conceptual model
of Paracity speak to the community that rests in the hands of its own people. </span><span face=""Calibri Light",sans-serif" lang="EN-GB" style="background: white; color: #202122; font-size: 12pt; line-height: 150%; mso-ansi-language: EN-GB;">Biourbanism happens,
when nature force takes the initiative, affects the design of industrial
society, and becomes co-architect. </span><span face=""Calibri Light",sans-serif" lang="EN-GB" style="font-size: 12pt; line-height: 150%; mso-ansi-language: EN-GB; mso-bidi-font-weight: bold;">By mixing environmentalism and urban design Ruin
Academy is developing methods of punctual manipulation of the urban energy
flows in order to create an ecologically sustainable urban development towards
the so-called Third Generation City.</span></p>
<p class="MsoNormal" style="background: white; line-height: 150%; margin-bottom: 0cm; text-align: justify;"><b><span face=""Calibri Light",sans-serif" lang="EN-US" style="color: black; font-size: 12pt; line-height: 150%; mso-ansi-language: EN-US; mso-bidi-font-style: italic; mso-color-alt: windowtext; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">Keywords</span></b><b style="mso-bidi-font-weight: normal;"><span face=""Calibri Light",sans-serif" lang="EN-US" style="color: black; font-size: 12pt; line-height: 150%; mso-ansi-language: EN-US; mso-color-alt: windowtext; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">:</span></b><span face=""Calibri Light",sans-serif" lang="EN-US" style="color: black; font-size: 12pt; line-height: 150%; mso-ansi-language: EN-US; mso-color-alt: windowtext; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;"> <i style="mso-bidi-font-style: normal;">urban acupuncture;
biourbanism; Third Generation City; ruins; parasite urbanism;</i></span><i style="mso-bidi-font-style: normal;"><span face=""Calibri Light",sans-serif" lang="EN-US" style="color: black; font-size: 12pt; line-height: 150%; mso-ansi-language: EN-GB; mso-color-alt: windowtext; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;"> </span></i><i style="mso-bidi-font-style: normal;"><span face=""Calibri Light",sans-serif" lang="EN-US" style="color: black; font-size: 12pt; line-height: 150%; mso-ansi-language: EN-US; mso-color-alt: windowtext; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">Paracity; Local Knowledge;
Ruin Academy</span></i><i style="mso-bidi-font-style: normal;"><span face=""Calibri Light",sans-serif" lang="EN-US" style="font-size: 12pt; line-height: 150%; mso-ansi-language: EN-US; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;"><o:p></o:p></span></i></p>
<p class="MsoNormal" style="background: white; line-height: 150%; margin-bottom: 0cm; text-align: justify;"><i style="mso-bidi-font-style: normal;"><span face=""Calibri Light",sans-serif" lang="EN-US" style="color: #0070c0; font-size: 12pt; line-height: 150%; mso-ansi-language: EN-US; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">Анотація<o:p></o:p></span></i></p>
<p class="MsoNormal" style="background: white; line-height: 150%; margin-bottom: 0cm; text-align: justify;"><i style="mso-bidi-font-style: normal;"><span face=""Calibri Light",sans-serif" lang="EN-US" style="color: #0070c0; font-size: 12pt; line-height: 150%; mso-ansi-language: EN-US; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">Криза урбанізму аналізується як життєво важливий
феномен, що готує місто третього покоління — його зв’язок із природою та її
плоттю. Промислове місто, навпаки, фіктивне. Теорія розглядає майбутній міський
розвиток як руїну індустріального міста, органічної машини, зруйнованої
природою, в тому числі людською. Наведено приклад поселення Пагорб скарбів поблизу
Тайбея. Будучи органічною руїною промислового міста, Пагорб скарбів є
біоміським місцем опору та акупунктурною точкою Тайбею з власною методологією
проектування, заснованою на місцевих знаннях. Ця руїна — речовина, з якої
урбанізм-паразит компостує сучасне місто. Іншим прикладом є спостереження за
діяльністю Ruin Academy, незалежного перехресного архітектурного дослідницького
центру, який зосереджується на дослідженні процесів руйнування міст, які
підтримують життя міста. </span></i><i style="mso-bidi-font-style: normal;"><span face=""Calibri Light",sans-serif" lang="RU" style="color: #0070c0; font-size: 12pt; line-height: 150%; mso-ansi-language: RU; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">Міська акупунктура, місто третього покоління та
концептуальна модель Парасіті говорять про громаду, яка знаходиться в руках її
власного народу. Біоурбанізм виникає, коли природна сила бере ініціативу,
впливає на дизайн індустріального суспільства та стає співархітектором.
Поєднуючи екологію та міський дизайн, </span></i><i style="mso-bidi-font-style: normal;"><span face=""Calibri Light",sans-serif" lang="EN-US" style="color: #0070c0; font-size: 12pt; line-height: 150%; mso-ansi-language: EN-US; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">Ruin</span></i><i style="mso-bidi-font-style: normal;"><span face=""Calibri Light",sans-serif" lang="EN-US" style="color: #0070c0; font-size: 12pt; line-height: 150%; mso-ansi-language: RU; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">
</span></i><i style="mso-bidi-font-style: normal;"><span face=""Calibri Light",sans-serif" lang="EN-US" style="color: #0070c0; font-size: 12pt; line-height: 150%; mso-ansi-language: EN-US; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">Academy</span></i><i style="mso-bidi-font-style: normal;"><span face=""Calibri Light",sans-serif" lang="RU" style="color: #0070c0; font-size: 12pt; line-height: 150%; mso-ansi-language: RU; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;"> розробляє
методи пунктуального маніпулювання міськими потоками енергії з метою створення
екологічно стійкого міського розвитку до так званого міста третього покоління.</span></i></p>
<p class="MsoNormal" style="background: white; line-height: 150%; margin-bottom: 0cm; text-align: justify;"><i style="mso-bidi-font-style: normal;"><span face=""Calibri Light",sans-serif" lang="RU" style="color: #0070c0; font-size: 12pt; line-height: 150%; mso-ansi-language: RU; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">Ключові слова: міська акупунктура; біоурбанізм; Місто
третього покоління; руїни; урбанізм паразитів; Парацітет; Місцеві знання;
Академія руїни<o:p></o:p></span></i></p>
<p class="MsoListParagraph" style="background: white; line-height: 150%; margin-bottom: 0cm; mso-add-space: auto; mso-list: l0 level1 lfo1; text-align: justify; text-indent: -18pt;"><!--[if !supportLists]--><b><span face=""Calibri Light",sans-serif" lang="EN-GB" style="font-size: 12pt; line-height: 150%; mso-ansi-language: EN-GB; mso-bidi-font-style: italic; mso-fareast-font-family: "Calibri Light"; mso-fareast-language: ZH-CN;"><span style="mso-list: Ignore;">1.<span style="font: 7pt "Times New Roman";">
</span></span></span></b><!--[endif]--><b><span face=""Calibri Light",sans-serif" lang="EN-GB" style="color: black; font-size: 12pt; line-height: 150%; mso-ansi-language: EN-GB; mso-bidi-font-style: italic; mso-color-alt: windowtext; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">Introduction</span></b></p>
<p class="MsoNormal" style="background: white; line-height: 150%; margin-bottom: 0cm; text-align: justify;"><span face=""Calibri Light",sans-serif" lang="EN-GB" style="color: black; font-size: 12pt; line-height: 150%; mso-ansi-language: EN-GB; mso-bidi-font-style: italic; mso-color-alt: windowtext; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">Labelled as cross-over architect, biourbanist
and social theorist my works move freely in-between architecture, environmental
art, and nature driven urbanism. They are based on interpreting local
knowledges and regarding nature as the co-architect. All together 96 realized
works in 16 different countries and 72 academic assignments in 28 countries,
including this one in Ukraine. Professorships in Taiwan, Estonia, and Norway.</span></p>
<p class="MsoNormal" style="background: white; line-height: 150%; margin-bottom: 0cm; text-align: justify;"><span face=""Calibri Light",sans-serif" lang="EN-GB" style="color: black; font-size: 12pt; line-height: 150%; mso-ansi-language: EN-GB; mso-bidi-font-style: italic; mso-color-alt: windowtext; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">The line or works have received the UNECO and
Locus Foundation Global Award for Sustainable Architecture, European Prize for
Architecture, Committee of International Architecture Critics CICA Award and a little
bit of this and that. The works have been selected 5 times to the Venice
Architecture Biennale and dozens of other international exhibitions. </span><span face=""Calibri Light",sans-serif" lang="EN-GB" style="font-size: 12pt; line-height: 150%; mso-ansi-language: EN-GB; mso-bidi-font-style: italic; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;"><o:p></o:p></span></p>
<p class="MsoNormal" style="background: white; line-height: normal; margin-bottom: 0cm; text-align: justify;"><span face=""Calibri Light",sans-serif" lang="EN-GB" style="color: #0070c0; font-size: 12pt; mso-ansi-language: EN-GB; mso-bidi-font-style: italic; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">1. Введення</span></p>
<p class="MsoNormal" style="background: white; line-height: normal; margin-bottom: 0cm; text-align: justify;"><span face=""Calibri Light",sans-serif" lang="EN-GB" style="color: #0070c0; font-size: 12pt; mso-ansi-language: EN-GB; mso-bidi-font-style: italic; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">Мої роботи, які називають перехресн</span><span face=""Calibri Light",sans-serif" lang="UK" style="color: #0070c0; font-size: 12pt; mso-ansi-language: UK; mso-bidi-font-style: italic; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">ою</span><span face=""Calibri Light",sans-serif" lang="EN-GB" style="color: #0070c0; font-size: 12pt; mso-ansi-language: EN-GB; mso-bidi-font-style: italic; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;"> архітекторо</span><span face=""Calibri Light",sans-serif" lang="UK" style="color: #0070c0; font-size: 12pt; mso-ansi-language: UK; mso-bidi-font-style: italic; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">ю</span><span face=""Calibri Light",sans-serif" lang="EN-GB" style="color: #0070c0; font-size: 12pt; mso-ansi-language: EN-GB; mso-bidi-font-style: italic; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">, біоурбані</span><span face=""Calibri Light",sans-serif" lang="UK" style="color: #0070c0; font-size: 12pt; mso-ansi-language: UK; mso-bidi-font-style: italic; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">зм</span><span face=""Calibri Light",sans-serif" lang="EN-GB" style="color: #0070c0; font-size: 12pt; mso-ansi-language: EN-GB; mso-bidi-font-style: italic; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">ом і соціальним</span><span face=""Calibri Light",sans-serif" lang="UK" style="color: #0070c0; font-size: 12pt; mso-ansi-language: UK; mso-bidi-font-style: italic; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">и</span><span face=""Calibri Light",sans-serif" lang="EN-GB" style="color: #0070c0; font-size: 12pt; mso-ansi-language: EN-GB; mso-bidi-font-style: italic; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;"> теор</span><span face=""Calibri Light",sans-serif" lang="UK" style="color: #0070c0; font-size: 12pt; mso-ansi-language: UK; mso-bidi-font-style: italic; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">іями</span><span face=""Calibri Light",sans-serif" lang="EN-GB" style="color: #0070c0; font-size: 12pt; mso-ansi-language: EN-GB; mso-bidi-font-style: italic; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">, вільно переміщуються
між архітектурою, екологічним мистецтвом і урбанізмом, орієнтованим на природу.
</span><span face=""Calibri Light",sans-serif" lang="RU" style="color: #0070c0; font-size: 12pt; mso-ansi-language: RU; mso-bidi-font-style: italic; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">Вони базуються на
інтерпретації місцевих знань і розгляді природи як співархітектора. Загалом 96
реалізованих робіт у 16 різних країнах та 72 академічні завдання у 28 країнах,
у тому числі й в Україні. Професури в Тайвані, Естонії та Норвегії.</span></p>
<p class="MsoNormal" style="background: white; line-height: normal; margin-bottom: 0cm; text-align: justify;"><span face=""Calibri Light",sans-serif" lang="RU" style="color: #0070c0; font-size: 12pt; mso-ansi-language: RU; mso-bidi-font-style: italic; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">Лінія або роботи отримали глобальну нагороду </span><span face=""Calibri Light",sans-serif" lang="EN-GB" style="color: #0070c0; font-size: 12pt; mso-ansi-language: EN-GB; mso-bidi-font-style: italic; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">UNECO</span><span face=""Calibri Light",sans-serif" lang="RU" style="color: #0070c0; font-size: 12pt; mso-ansi-language: RU; mso-bidi-font-style: italic; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;"> та </span><span face=""Calibri Light",sans-serif" lang="EN-GB" style="color: #0070c0; font-size: 12pt; mso-ansi-language: EN-GB; mso-bidi-font-style: italic; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">Locus</span><span face=""Calibri Light",sans-serif" lang="EN-GB" style="color: #0070c0; font-size: 12pt; mso-ansi-language: RU; mso-bidi-font-style: italic; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;"> </span><span face=""Calibri Light",sans-serif" lang="EN-GB" style="color: #0070c0; font-size: 12pt; mso-ansi-language: EN-GB; mso-bidi-font-style: italic; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">Foundation</span><span face=""Calibri Light",sans-serif" lang="RU" style="color: #0070c0; font-size: 12pt; mso-ansi-language: RU; mso-bidi-font-style: italic; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;"> за стійку архітектуру,
Європейську премію з архітектури, нагороду Комітету міжнародних архітектурних
критиків </span><span face=""Calibri Light",sans-serif" lang="EN-GB" style="color: #0070c0; font-size: 12pt; mso-ansi-language: EN-GB; mso-bidi-font-style: italic; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">CICA</span><span face=""Calibri Light",sans-serif" lang="RU" style="color: #0070c0; font-size: 12pt; mso-ansi-language: RU; mso-bidi-font-style: italic; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;"> та інш. Роботи 5 разів
відбиралися до Венеціанської архітектурної бієнале та на десятки інших
міжнародних виставок.</span></p>
<p class="MsoListParagraph" style="background: white; line-height: 150%; margin-bottom: 0cm; mso-add-space: auto; mso-list: l0 level1 lfo1; text-align: justify; text-indent: -18pt;"><!--[if !supportLists]--><b><span face=""Calibri Light",sans-serif" lang="EN-GB" style="font-size: 12pt; line-height: 150%; mso-ansi-language: EN-GB; mso-bidi-font-style: italic; mso-fareast-font-family: "Calibri Light"; mso-fareast-language: ZH-CN;"><span style="mso-list: Ignore;">2.<span style="font: 7pt "Times New Roman";">
</span></span></span></b><!--[endif]--><b><span face=""Calibri Light",sans-serif" lang="EN-GB" style="color: black; font-size: 12pt; line-height: 150%; mso-ansi-language: EN-GB; mso-bidi-font-style: italic; mso-color-alt: windowtext; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">Land(e)scape</span></b></p>
<p class="MsoNormal" style="background: white; line-height: 150%; margin-bottom: 0cm; text-align: justify;"><span face=""Calibri Light",sans-serif" lang="EN-GB" style="color: black; font-size: 12pt; line-height: 150%; mso-ansi-language: EN-GB; mso-bidi-font-style: italic; mso-color-alt: windowtext; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">Architecture is environmental art, otherwise
it is pollution. Architecture is the art of reality. There is no other reality
than nature.</span></p>
<p class="MsoNormal" style="background: white; line-height: 150%; margin-bottom: 0cm; text-align: justify;"><span face=""Calibri Light",sans-serif" lang="EN-GB" style="color: black; font-size: 12pt; line-height: 150%; mso-ansi-language: EN-GB; mso-bidi-font-style: italic; mso-color-alt: windowtext; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">We got disappointed to the desertion process
of the Finnish countryside, that time the fastest in Europe, and wanted to
comment on this. Together with countryside people are abandoning local
knowledges which are generated through centuries and generations. Local
knowledges that root the built human environment with the life-providing forces
of nature. </span><span face=""Calibri Light",sans-serif" lang="EN-GB" style="font-size: 12pt; line-height: 150%; mso-ansi-language: EN-GB; mso-bidi-font-style: italic; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;"><o:p></o:p></span></p>
<p class="MsoNormal" style="background: white; line-height: normal; margin-bottom: 0cm; text-align: justify;"><span face=""Calibri Light",sans-serif" lang="EN-GB" style="color: #0070c0; font-size: 12pt; mso-ansi-language: EN-GB; mso-bidi-font-style: italic; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">2. Ландшафт(е)пейзаж</span></p>
<p class="MsoNormal" style="background: white; line-height: normal; margin-bottom: 0cm; text-align: justify;"><span face=""Calibri Light",sans-serif" lang="EN-GB" style="color: #0070c0; font-size: 12pt; mso-ansi-language: EN-GB; mso-bidi-font-style: italic; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">Архітектура - це екологічне мистецтво, інакше це забруднення. </span><span face=""Calibri Light",sans-serif" lang="RU" style="color: #0070c0; font-size: 12pt; mso-ansi-language: RU; mso-bidi-font-style: italic; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">Архітектура – це
мистецтво реальності. Немає іншої реальності, крім природи.</span></p>
<p class="MsoNormal" style="background: white; line-height: normal; margin-bottom: 0cm; text-align: justify;"><span face=""Calibri Light",sans-serif" lang="RU" style="color: #0070c0; font-size: 12pt; mso-ansi-language: RU; mso-bidi-font-style: italic; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">Ми були розчаровані процесом дезертирства у фінській сільській
місцевості, на той час найшвидшим у Європі, і хотіли прокоментувати це. Разом
із сільською місцевістю люди відмовляються від місцевих знань, які генерувалися
століттями й поколіннями. Місцеві знання, які вкорінюють створене людське
середовище життєдайними силами природи.</span></p><p class="MsoNormal" style="background: white; line-height: normal; margin-bottom: 0cm; text-align: justify;"></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiH7r_dMLkQfH92nwRJk1oYxEACBxpYH6suWzquLWk-9mdSoNLD_ZzCOd-XYlG9A6cMgAp4TwMBR3dRWefMawhTxJ4tyzgL-xbPJLbEAa6j7ji4j7ClZyUUD6LC7fRTWFEc5KcI8SuHYigA9G0LPIQFTZC3ou4WI5r3jkByNmJcEBIwxvOReF9NDnBA-y5_/s1368/Land(e)scape%20by%20Casagrande%20&%20Rintala.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="882" data-original-width="1368" height="412" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiH7r_dMLkQfH92nwRJk1oYxEACBxpYH6suWzquLWk-9mdSoNLD_ZzCOd-XYlG9A6cMgAp4TwMBR3dRWefMawhTxJ4tyzgL-xbPJLbEAa6j7ji4j7ClZyUUD6LC7fRTWFEc5KcI8SuHYigA9G0LPIQFTZC3ou4WI5r3jkByNmJcEBIwxvOReF9NDnBA-y5_/w640-h412/Land(e)scape%20by%20Casagrande%20&%20Rintala.jpg" width="640" /></a></div><span style="font-size: 12pt;">We took three abandoned barn houses and build
legs for them, so that they can follow the farmers to the cities of the South. Also,
the field that they are walking was abandoned. The work is called Land(e)scape
(Casagrande & Rintala, 1999). The structure is simple. Pine tree trunks
upside down for the legs, two-by-four structure and in the end the barn house
was lifted on top as a hat. The free height under the barn is 10 meters.</span><p></p>
<p class="MsoNormal" style="background: white; line-height: 150%; margin-bottom: 0cm; text-align: justify;"><span face=""Calibri Light",sans-serif" lang="EN-GB" style="color: black; font-size: 12pt; line-height: 150%; mso-ansi-language: EN-GB; mso-bidi-font-style: italic; mso-color-alt: windowtext; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">When the works was finished, I returned home
to Helsinki, but continued constantly to think on the work – the walking barn
houses. It did not leave me alone. They kept on walking on the field and
bothering me. It was almost as if I was jealous to my own work. It felt strange
in my stomach. I discussed this with contemporary dancer and choreographer Mr.
Reijo Kela, and he said that this is normal in his profession. First you are
preparing for the act, then you get onto the stage and perform, and then you
finish the act. But you need to finish the act properly, otherwise the line of
energy will continue growing and this is eating yourself up. He said that our
work is some kind of performative architecture, but it is not finished yet –
the line of energy keeps growing. We need to finish the work properly.</span></p>
<p class="MsoNormal" style="background: white; line-height: 150%; margin-bottom: 0cm; text-align: justify;"><span face=""Calibri Light",sans-serif" lang="EN-GB" style="color: black; font-size: 12pt; line-height: 150%; mso-ansi-language: EN-GB; mso-bidi-font-style: italic; mso-color-alt: windowtext; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">We put an announcement to a local newspaper
(Savon seudun sanomat) saying that there will be free sausage and vodka. 6000
people came. And this is really in the middle of nowhere, close to the Russian
border. On a cold night of October dancer Reijo Kela was having a performance
in which he “got drunk”. First, he was friendly with the people and offering
them vodka, but then got melancholic and mad and chased the people away. And in
the end of his drunken madness, he set the whole work on fire. He</span><span face=""Calibri Light",sans-serif" lang="EN-GB" style="color: black; font-size: 12pt; line-height: 150%; mso-ansi-language: RU; mso-bidi-font-style: italic; mso-color-alt: windowtext; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;"> </span><span face=""Calibri Light",sans-serif" lang="EN-GB" style="color: black; font-size: 12pt; line-height: 150%; mso-ansi-language: EN-GB; mso-bidi-font-style: italic; mso-color-alt: windowtext; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">slaughtered</span><span face=""Calibri Light",sans-serif" lang="EN-GB" style="color: black; font-size: 12pt; line-height: 150%; mso-ansi-language: RU; mso-bidi-font-style: italic; mso-color-alt: windowtext; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;"> </span><span face=""Calibri Light",sans-serif" lang="EN-GB" style="color: black; font-size: 12pt; line-height: 150%; mso-ansi-language: EN-GB; mso-bidi-font-style: italic; mso-color-alt: windowtext; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">our</span><span face=""Calibri Light",sans-serif" lang="EN-GB" style="color: black; font-size: 12pt; line-height: 150%; mso-ansi-language: RU; mso-bidi-font-style: italic; mso-color-alt: windowtext; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;"> </span><span face=""Calibri Light",sans-serif" lang="EN-GB" style="color: black; font-size: 12pt; line-height: 150%; mso-ansi-language: EN-GB; mso-bidi-font-style: italic; mso-color-alt: windowtext; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">work</span><span face=""Calibri Light",sans-serif" lang="EN-GB" style="color: black; font-size: 12pt; line-height: 150%; mso-ansi-language: RU; mso-bidi-font-style: italic; mso-color-alt: windowtext; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;"> </span><span face=""Calibri Light",sans-serif" lang="EN-GB" style="color: black; font-size: 12pt; line-height: 150%; mso-ansi-language: EN-GB; mso-bidi-font-style: italic; mso-color-alt: windowtext; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">of</span><span face=""Calibri Light",sans-serif" lang="EN-GB" style="color: black; font-size: 12pt; line-height: 150%; mso-ansi-language: RU; mso-bidi-font-style: italic; mso-color-alt: windowtext; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;"> </span><span face=""Calibri Light",sans-serif" lang="EN-GB" style="color: black; font-size: 12pt; line-height: 150%; mso-ansi-language: EN-GB; mso-bidi-font-style: italic; mso-color-alt: windowtext; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">art</span><span face=""Calibri Light",sans-serif" lang="RU" style="color: black; font-size: 12pt; line-height: 150%; mso-ansi-language: RU; mso-bidi-font-style: italic; mso-color-alt: windowtext; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">. </span><span face=""Calibri Light",sans-serif" lang="RU" style="font-size: 12pt; line-height: 150%; mso-ansi-language: RU; mso-bidi-font-style: italic; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;"><o:p></o:p></span></p>
<p class="MsoNormal" style="background: white; line-height: normal; margin-bottom: 0cm; text-align: justify;"><span face=""Calibri Light",sans-serif" lang="RU" style="color: #0070c0; font-size: 12pt; mso-ansi-language: RU; mso-bidi-font-style: italic; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">Ми взяли три покинутих амбари і побудували для них ноги, щоб вони могли
слідувати за фермерами в міста Півдня. Крім того, поле, яким вони гуляють, було
занедбане. Робота називається </span><span face=""Calibri Light",sans-serif" lang="EN-GB" style="color: #0070c0; font-size: 12pt; mso-ansi-language: EN-GB; mso-bidi-font-style: italic; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">Land</span><span face=""Calibri Light",sans-serif" lang="RU" style="color: #0070c0; font-size: 12pt; mso-ansi-language: RU; mso-bidi-font-style: italic; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">(</span><span face=""Calibri Light",sans-serif" lang="EN-GB" style="color: #0070c0; font-size: 12pt; mso-ansi-language: EN-GB; mso-bidi-font-style: italic; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">e</span><span face=""Calibri Light",sans-serif" lang="RU" style="color: #0070c0; font-size: 12pt; mso-ansi-language: RU; mso-bidi-font-style: italic; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">)</span><span face=""Calibri Light",sans-serif" lang="EN-GB" style="color: #0070c0; font-size: 12pt; mso-ansi-language: EN-GB; mso-bidi-font-style: italic; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">scape</span><span face=""Calibri Light",sans-serif" lang="RU" style="color: #0070c0; font-size: 12pt; mso-ansi-language: RU; mso-bidi-font-style: italic; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;"> (</span><span face=""Calibri Light",sans-serif" lang="EN-GB" style="color: #0070c0; font-size: 12pt; mso-ansi-language: EN-GB; mso-bidi-font-style: italic; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">Casagrande</span><span face=""Calibri Light",sans-serif" lang="RU" style="color: #0070c0; font-size: 12pt; mso-ansi-language: RU; mso-bidi-font-style: italic; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;"> & </span><span face=""Calibri Light",sans-serif" lang="EN-GB" style="color: #0070c0; font-size: 12pt; mso-ansi-language: EN-GB; mso-bidi-font-style: italic; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">Rintala</span><span face=""Calibri Light",sans-serif" lang="RU" style="color: #0070c0; font-size: 12pt; mso-ansi-language: RU; mso-bidi-font-style: italic; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">, 1999). Структура
проста. Стовбури сосни перевернуті на ноги, два на чотири, а в кінці сарай
підняли зверху, як шапку. Вільна висота під сараєм 10 метрів.</span></p>
<p class="MsoNormal" style="background: white; line-height: normal; margin-bottom: 0cm; text-align: justify;"><span face=""Calibri Light",sans-serif" lang="RU" style="color: #0070c0; font-size: 12pt; mso-ansi-language: RU; mso-bidi-font-style: italic; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">Коли роботи були закінчені, я повернувся додому в Гельсінкі, але
продовжував постійно думати про роботу – про ходячі сараї. Це не залишало мене
в спокої. Вони продовжували ходити по полю і турбувати мене. Це було майже так,
ніби я заздрив власній роботі. Це було дивно в моєму животі. Я обговорював це з
сучасним танцівником і хореографом паном Рейо Кела, і він сказав, що це
нормально для його професії. Спочатку ви готуєтеся до виступу, потім виходите
на сцену і виступаєте, а потім завершуєте виступ. Але ви повинні правильно
завершити акт, інакше енергетична лінія буде продовжувати рости, і це з'їдає
вас. Він сказав, що наша робота – це якась перформативна архітектура, але вона
ще не завершена – лінія енергії продовжує рости. Треба як слід завершити
роботу.</span></p>
<p class="MsoNormal" style="background: white; line-height: normal; margin-bottom: 0cm; text-align: justify;"><span face=""Calibri Light",sans-serif" lang="RU" style="color: #0070c0; font-size: 12pt; mso-ansi-language: RU; mso-bidi-font-style: italic; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">Ми дали оголошення в місцевій газеті (</span><span face=""Calibri Light",sans-serif" lang="EN-GB" style="color: #0070c0; font-size: 12pt; mso-ansi-language: EN-GB; mso-bidi-font-style: italic; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">Savon</span><span face=""Calibri Light",sans-serif" lang="EN-GB" style="color: #0070c0; font-size: 12pt; mso-ansi-language: RU; mso-bidi-font-style: italic; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;"> </span><span face=""Calibri Light",sans-serif" lang="EN-GB" style="color: #0070c0; font-size: 12pt; mso-ansi-language: EN-GB; mso-bidi-font-style: italic; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">seudun</span><span face=""Calibri Light",sans-serif" lang="EN-GB" style="color: #0070c0; font-size: 12pt; mso-ansi-language: RU; mso-bidi-font-style: italic; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;"> </span><span face=""Calibri Light",sans-serif" lang="EN-GB" style="color: #0070c0; font-size: 12pt; mso-ansi-language: EN-GB; mso-bidi-font-style: italic; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">sanomat</span><span face=""Calibri Light",sans-serif" lang="RU" style="color: #0070c0; font-size: 12pt; mso-ansi-language: RU; mso-bidi-font-style: italic; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">), що буде безкоштовна
ковбаса і горілка. Прийшло 6000 людей. І це дійсно в середині нічого, недалеко
від російського кордону. Холодної жовтневої ночі танцюрист Рейо Кела
влаштовував виступ, під час якого «напився». Спочатку він був дружній з людьми
і пропонував їм горілку, а потім впав у меланхолію, розлютився і прогнав людей.
А наприкінці свого п’яного божевілля підпалив усю роботу. </span><span face=""Calibri Light",sans-serif" lang="EN-GB" style="color: #0070c0; font-size: 12pt; mso-ansi-language: EN-GB; mso-bidi-font-style: italic; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">Він убив наш витвір
мистецтва.<o:p></o:p></span></p><p class="MsoNormal" style="background: white; line-height: normal; margin-bottom: 0cm; text-align: justify;"></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgxv6XbHwqsZr-clEBn9_W1F0R3XCRzZcacyoy0eg50lrvco5E5Bt88KhV0dESexWbmzprvhc5FmZWxC97Y1Iv50ymVvYdDzE2_ID8Wd4gf5JWmzVbEwducmQWoLa1y13Zu0pp-tTrZnkpnl4mdWJqxPQ_pNd0WtsaLDWtuRKSrvTgvvh1pvDP4CF2vo5t6/s1024/Landescape%20by%20Casagrande%20and%20Rintala_small.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="679" data-original-width="1024" height="424" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgxv6XbHwqsZr-clEBn9_W1F0R3XCRzZcacyoy0eg50lrvco5E5Bt88KhV0dESexWbmzprvhc5FmZWxC97Y1Iv50ymVvYdDzE2_ID8Wd4gf5JWmzVbEwducmQWoLa1y13Zu0pp-tTrZnkpnl4mdWJqxPQ_pNd0WtsaLDWtuRKSrvTgvvh1pvDP4CF2vo5t6/w640-h424/Landescape%20by%20Casagrande%20and%20Rintala_small.jpg" width="640" /></a></div><span style="font-size: 12pt;">Of course, we could not predict how the
people would react – it is kind of violent to burn houses. But people were great,
like normal people always are. They formed a circle around the burning barn
houses, some people were crying, and some were shouting and predicting future
from the burning barn houses. All in all, the atmosphere was very shamanistic.</span><p></p>
<p class="MsoNormal" style="background: white; line-height: 150%; margin-bottom: 0cm; text-align: justify;"><span face=""Calibri Light",sans-serif" lang="EN-GB" style="color: black; font-size: 12pt; line-height: 150%; mso-ansi-language: EN-GB; mso-bidi-font-style: italic; mso-color-alt: windowtext; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">We thought that the walking barn houses would
be the end of our careers as architects and that the burning of them was kind
of a professional hara-kiri. But it went different. Photos of the walking and
burning barn houses started to appear in national newspapers and then suddenly
they jumped over the borders and the work started to get published
internationally, and then we received a call from UK to collect the
Architectural Review’s Emerging Architecture Award. All this was an accident. </span><span face=""Calibri Light",sans-serif" lang="EN-GB" style="font-size: 12pt; line-height: 150%; mso-ansi-language: EN-GB; mso-bidi-font-style: italic; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;"><o:p></o:p></span></p>
<p class="MsoNormal" style="background: white; line-height: normal; margin-bottom: 0cm; text-align: justify;"><span face=""Calibri Light",sans-serif" lang="EN-GB" style="color: #0070c0; font-size: 12pt; mso-ansi-language: EN-GB; mso-bidi-font-style: italic; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">Звісно, ми не могли передбачити, як відреагують люди – палити будинки
це якось жорстоко. </span><span face=""Calibri Light",sans-serif" lang="RU" style="color: #0070c0; font-size: 12pt; mso-ansi-language: RU; mso-bidi-font-style: italic; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">Але люди були чудові, як і завжди. Вони стали в коло навколо палаючих
сараїв, хтось плакав, а хтось кричав і пророкував майбутнє з палаючих сараїв.
Загалом атмосфера була дуже шаманська.</span></p>
<p class="MsoNormal" style="background: white; line-height: normal; margin-bottom: 0cm; text-align: justify;"><span face=""Calibri Light",sans-serif" lang="RU" style="color: #0070c0; font-size: 12pt; mso-ansi-language: RU; mso-bidi-font-style: italic; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">Ми думали, що на ходячих будинках-амбарах закінчиться наша кар’єра
архітекторів, а їхнє спалення – своєрідне професійне харакірі. Але вийшло
інакше. Фотографії гуляючих і палаючих амбарів почали з’являтися в національних
газетах, а потім раптом вони перескочили кордони, і робота почала публікуватися
на міжнародному рівні, а потім ми отримали дзвінок із Великобританії, щоб
отримати нагороду </span><span face=""Calibri Light",sans-serif" lang="EN-GB" style="color: #0070c0; font-size: 12pt; mso-ansi-language: EN-GB; mso-bidi-font-style: italic; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">Emerging</span><span face=""Calibri Light",sans-serif" lang="EN-GB" style="color: #0070c0; font-size: 12pt; mso-ansi-language: RU; mso-bidi-font-style: italic; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;"> </span><span face=""Calibri Light",sans-serif" lang="EN-GB" style="color: #0070c0; font-size: 12pt; mso-ansi-language: EN-GB; mso-bidi-font-style: italic; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">Architecture</span><span face=""Calibri Light",sans-serif" lang="EN-GB" style="color: #0070c0; font-size: 12pt; mso-ansi-language: RU; mso-bidi-font-style: italic; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;"> </span><span face=""Calibri Light",sans-serif" lang="EN-GB" style="color: #0070c0; font-size: 12pt; mso-ansi-language: EN-GB; mso-bidi-font-style: italic; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">Award</span><span face=""Calibri Light",sans-serif" lang="RU" style="color: #0070c0; font-size: 12pt; mso-ansi-language: RU; mso-bidi-font-style: italic; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;"> від </span><span face=""Calibri Light",sans-serif" lang="EN-GB" style="color: #0070c0; font-size: 12pt; mso-ansi-language: EN-GB; mso-bidi-font-style: italic; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">Architectural</span><span face=""Calibri Light",sans-serif" lang="EN-GB" style="color: #0070c0; font-size: 12pt; mso-ansi-language: RU; mso-bidi-font-style: italic; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;"> </span><span face=""Calibri Light",sans-serif" lang="EN-GB" style="color: #0070c0; font-size: 12pt; mso-ansi-language: EN-GB; mso-bidi-font-style: italic; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">Review</span><span face=""Calibri Light",sans-serif" lang="RU" style="color: #0070c0; font-size: 12pt; mso-ansi-language: RU; mso-bidi-font-style: italic; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">. </span><span face=""Calibri Light",sans-serif" lang="EN-GB" style="color: #0070c0; font-size: 12pt; mso-ansi-language: EN-GB; mso-bidi-font-style: italic; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">Все це бу</span><span face=""Calibri Light",sans-serif" lang="UK" style="color: #0070c0; font-size: 12pt; mso-ansi-language: UK; mso-bidi-font-style: italic; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">ла</span><span face=""Calibri Light",sans-serif" lang="UK" style="color: #0070c0; font-size: 12pt; mso-ansi-language: EN-GB; mso-bidi-font-style: italic; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;"> </span><span face=""Calibri Light",sans-serif" lang="UK" style="color: #0070c0; font-size: 12pt; mso-ansi-language: UK; mso-bidi-font-style: italic; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">випадковість</span><span face=""Calibri Light",sans-serif" lang="EN-GB" style="color: #0070c0; font-size: 12pt; mso-ansi-language: EN-GB; mso-bidi-font-style: italic; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">.</span></p>
<p class="MsoListParagraph" style="background: white; line-height: 150%; margin-bottom: 0cm; mso-add-space: auto; mso-list: l0 level1 lfo1; text-align: justify; text-indent: -18pt;"><!--[if !supportLists]--><b><span face=""Calibri Light",sans-serif" lang="EN-GB" style="font-size: 12pt; line-height: 150%; mso-ansi-language: EN-GB; mso-bidi-font-style: italic; mso-fareast-font-family: "Calibri Light"; mso-fareast-language: ZH-CN;"><span style="mso-list: Ignore;">3.<span style="font: 7pt "Times New Roman";">
</span></span></span></b><!--[endif]--><b><span face=""Calibri Light",sans-serif" lang="EN-GB" style="color: black; font-size: 12pt; line-height: 150%; mso-ansi-language: EN-GB; mso-bidi-font-style: italic; mso-color-alt: windowtext; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">60 Minute Man</span></b><b><span face=""Calibri Light",sans-serif" lang="EN-GB" style="font-size: 12pt; line-height: 150%; mso-ansi-language: EN-GB; mso-bidi-font-style: italic; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;"><o:p></o:p></span></b></p>
<p class="MsoNormal" style="background: white; line-height: 150%; margin-bottom: 0cm; text-align: justify;"><span face=""Calibri Light",sans-serif" lang="EN-GB" style="color: black; font-size: 12pt; line-height: 150%; mso-ansi-language: EN-GB; mso-bidi-font-style: italic; mso-color-alt: windowtext; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">Architect Massimiliano Fuksas was part of the
jury for the Architectural Review’s Emerging Architecture Award and then he
became the director of the Venice Architecture Biennale. He called us and
invited to the Biennale saying that he wants something like the Land(e)scape,
an architectural installation to comment on the theme of the Biennale “</span><em><span face=""Calibri Light",sans-serif" lang="EN-GB" style="background: white; color: black; font-size: 12pt; line-height: 150%; mso-ansi-language: EN-GB; mso-color-alt: windowtext;">Città</span></em><span face=""Calibri Light",sans-serif" lang="EN-GB" style="background: white; color: black; font-size: 12pt; line-height: 150%; mso-ansi-language: EN-GB; mso-color-alt: windowtext;">: <em><span face=""Calibri Light",sans-serif">Less Aesthetics More Ethics</span></em></span><span face=""Calibri Light",sans-serif" lang="EN-GB" style="color: black; font-size: 12pt; line-height: 150%; mso-ansi-language: EN-GB; mso-bidi-font-style: italic; mso-color-alt: windowtext; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">”,
somehow to discuss the urban problematics. </span><span face=""Calibri Light",sans-serif" lang="EN-GB" style="font-size: 12pt; line-height: 150%; mso-ansi-language: EN-GB; mso-bidi-font-style: italic; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;"><o:p></o:p></span></p>
<p class="MsoNormal" style="background: white; line-height: normal; margin-bottom: 0cm; text-align: justify;"><b><span face=""Calibri Light",sans-serif" lang="EN-GB" style="color: #0070c0; font-size: 12pt; mso-ansi-language: EN-GB; mso-bidi-font-style: italic; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">3. Людина за 60 хвилин<o:p></o:p></span></b></p>
<p class="MsoNormal" style="background: white; line-height: normal; margin-bottom: 0cm; text-align: justify;"><span face=""Calibri Light",sans-serif" lang="EN-GB" style="color: #0070c0; font-size: 12pt; mso-ansi-language: EN-GB; mso-bidi-font-style: italic; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">Архітектор Массіміліано Фуксас був частиною журі премії Emerging
Architecture Award від Architectural Review, а потім став директором
Венеціанської архітектурної бієнале. Він зателефонував нам і запросив на
Бієнале, сказавши, що хоче щось на кшталт Land(e)scape, архітектурної
інсталяції, щоб прокоментувати тему Бієнале «Città: Less Aesthetics More
Ethics», якось обговорити проблеми міста.<o:p></o:p></span></p><p class="MsoNormal" style="background: white; line-height: normal; margin-bottom: 0cm; text-align: justify;"></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj7N4KUp6apMDR4ufBFfboyIoAVGyxTGfnI1hnSnzc0X-T2m6CTGLqXdN4zA_tEROJKkE4P2TiN8Ons7a2NZMOQTuXfFRLYbQRj5aMLVt5ZVZsXKJklF2p8FfcG1ByrZeYtsojdXZZy_ZAWZe2uEaoW0zWJgVEO_DWPzpEbx_UU4jqhE3xkMWaTBozpQfw-/s1581/60%20Minute%20Man_Venice%20Biennale_Casagrande.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1027" data-original-width="1581" height="416" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj7N4KUp6apMDR4ufBFfboyIoAVGyxTGfnI1hnSnzc0X-T2m6CTGLqXdN4zA_tEROJKkE4P2TiN8Ons7a2NZMOQTuXfFRLYbQRj5aMLVt5ZVZsXKJklF2p8FfcG1ByrZeYtsojdXZZy_ZAWZe2uEaoW0zWJgVEO_DWPzpEbx_UU4jqhE3xkMWaTBozpQfw-/w640-h416/60%20Minute%20Man_Venice%20Biennale_Casagrande.jpg" width="640" /></a></div><span style="font-size: 12pt;">What I wanted to do was to have a big cargo
ship and plant a forest in it and then sail with the forest from Finland to
Venice and open the ship as a public park. Some of our friends were biologists
and they explained that the idea is unsound. The trees would die somewhere
around the Biscay Bay because the climate change would be too much for them.
Trees don’t sail. We needed to find the trees and the ship somewhere close to Venice.</span><p></p>
<p class="MsoNormal" style="background: white; line-height: 150%; margin-bottom: 0cm; text-align: justify;"><span face=""Calibri Light",sans-serif" lang="EN-GB" style="color: black; font-size: 12pt; line-height: 150%; mso-ansi-language: EN-GB; mso-bidi-font-style: italic; mso-color-alt: windowtext; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">So, together with our friends we drove to
Venice and started to look for an abandoned ship. After checking through the
Northern Italian harbours, we found a sunken barge in the port of Chioggia,
which we took ashore, cleaned it up and welded it waterproof again. And we cut
openings along the central axis to create a series of interior spaces. The
barge was called Topogigio. And then we started to look for the trees and ended
up with 24 oaks. We showed a sketch of the work to the Biennale organization,
but they refused the work to enter the Biennale. They told we were crazy
(pazzo). They would not take responsibility of any floating artworks in the Biennale,
and besides, it would cost too much to have a ship in the Arsenale harbour. For
us this was too late though. We already had the ship and the trees, and it was
7 weeks to the opening. We had to ignore the Biennale organization and continue
with our construction work. </span><span face=""Calibri Light",sans-serif" lang="EN-GB" style="font-size: 12pt; line-height: 150%; mso-ansi-language: EN-GB; mso-bidi-font-style: italic; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;"><o:p></o:p></span></p>
<p class="MsoNormal" style="background: white; line-height: normal; margin-bottom: 0cm; text-align: justify;"><span face=""Calibri Light",sans-serif" lang="RU" style="color: #0070c0; font-size: 12pt; mso-ansi-language: RU; mso-bidi-font-style: italic; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">Я хотів мати великий вантажний корабель і висадити на ньому ліс, а
потім поплисти з лісом із Фінляндії до Венеції та відкрити корабель як
громадський парк. Деякі з наших друзів були біологами, і вони пояснили, що ця
ідея нерозумна. Дерева загинуть десь біля Біскайської затоки, тому що зміна
клімату буде для них занадто сильною. Дерева не плавають. Нам потрібно було
знайти дерева та корабель десь поблизу Венеції.</span></p>
<p class="MsoNormal" style="background: white; line-height: normal; margin-bottom: 0cm; text-align: justify;"><span face=""Calibri Light",sans-serif" lang="RU" style="color: #0070c0; font-size: 12pt; mso-ansi-language: RU; mso-bidi-font-style: italic; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">Отже, разом з друзями ми поїхали до Венеції і почали шукати покинутий
корабель. Після перевірки в портах Північної Італії ми знайшли затонулу баржу в
порту Кьоджа, витягли її на берег, очистили та знову зварили водонепроникною. І
ми вирізаємо отвори вздовж центральної осі, щоб створити низку внутрішніх
просторів. Баржа називалася </span><span face=""Calibri Light",sans-serif" lang="EN-GB" style="color: #0070c0; font-size: 12pt; mso-ansi-language: EN-GB; mso-bidi-font-style: italic; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">Topogigio</span><span face=""Calibri Light",sans-serif" lang="RU" style="color: #0070c0; font-size: 12pt; mso-ansi-language: RU; mso-bidi-font-style: italic; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">. А потім ми почали
шукати дерева і в результаті вийшло 24 дуби. Ми показали ескіз роботи
організації бієнале, але вони відмовили роботі в бієнале. Вони сказали, що ми
божевільні (</span><span face=""Calibri Light",sans-serif" lang="EN-GB" style="color: #0070c0; font-size: 12pt; mso-ansi-language: EN-GB; mso-bidi-font-style: italic; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">pazzo</span><span face=""Calibri Light",sans-serif" lang="RU" style="color: #0070c0; font-size: 12pt; mso-ansi-language: RU; mso-bidi-font-style: italic; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">). Вони не візьмуть на
себе відповідальності за плавучі твори мистецтва на Бієнале, і, крім того, мати
корабель у гавані Арсенале коштуватиме занадто дорого. Але для нас це було
надто пізно. Ми вже мали корабель і дерева, а до відкриття залишалося 7 тижнів.
Нам довелося проігнорувати організацію бієнале і продовжити будівництво.</span></p>
<p class="MsoNormal" style="background: white; line-height: 150%; margin-bottom: 0cm; text-align: justify;"><span face=""Calibri Light",sans-serif" lang="EN-GB" style="color: black; font-size: 12pt; line-height: 150%; mso-ansi-language: EN-GB; mso-bidi-font-style: italic; mso-color-alt: windowtext; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">The</span><span face=""Calibri Light",sans-serif" lang="EN-GB" style="color: black; font-size: 12pt; line-height: 150%; mso-ansi-language: RU; mso-bidi-font-style: italic; mso-color-alt: windowtext; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;"> </span><span face=""Calibri Light",sans-serif" lang="EN-GB" style="color: black; font-size: 12pt; line-height: 150%; mso-ansi-language: EN-GB; mso-bidi-font-style: italic; mso-color-alt: windowtext; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">work</span><span face=""Calibri Light",sans-serif" lang="EN-GB" style="color: black; font-size: 12pt; line-height: 150%; mso-ansi-language: RU; mso-bidi-font-style: italic; mso-color-alt: windowtext; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;"> </span><span face=""Calibri Light",sans-serif" lang="EN-GB" style="color: black; font-size: 12pt; line-height: 150%; mso-ansi-language: EN-GB; mso-bidi-font-style: italic; mso-color-alt: windowtext; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">was</span><span face=""Calibri Light",sans-serif" lang="EN-GB" style="color: black; font-size: 12pt; line-height: 150%; mso-ansi-language: RU; mso-bidi-font-style: italic; mso-color-alt: windowtext; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;"> </span><span face=""Calibri Light",sans-serif" lang="EN-GB" style="color: black; font-size: 12pt; line-height: 150%; mso-ansi-language: EN-GB; mso-bidi-font-style: italic; mso-color-alt: windowtext; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">coming</span><span face=""Calibri Light",sans-serif" lang="EN-GB" style="color: black; font-size: 12pt; line-height: 150%; mso-ansi-language: RU; mso-bidi-font-style: italic; mso-color-alt: windowtext; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;"> </span><span face=""Calibri Light",sans-serif" lang="EN-GB" style="color: black; font-size: 12pt; line-height: 150%; mso-ansi-language: EN-GB; mso-bidi-font-style: italic; mso-color-alt: windowtext; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">along</span><span face=""Calibri Light",sans-serif" lang="RU" style="color: black; font-size: 12pt; line-height: 150%; mso-ansi-language: RU; mso-bidi-font-style: italic; mso-color-alt: windowtext; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">, </span><span face=""Calibri Light",sans-serif" lang="EN-GB" style="color: black; font-size: 12pt; line-height: 150%; mso-ansi-language: EN-GB; mso-bidi-font-style: italic; mso-color-alt: windowtext; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">we</span><span face=""Calibri Light",sans-serif" lang="EN-GB" style="color: black; font-size: 12pt; line-height: 150%; mso-ansi-language: RU; mso-bidi-font-style: italic; mso-color-alt: windowtext; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;"> </span><span face=""Calibri Light",sans-serif" lang="EN-GB" style="color: black; font-size: 12pt; line-height: 150%; mso-ansi-language: EN-GB; mso-bidi-font-style: italic; mso-color-alt: windowtext; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">were</span><span face=""Calibri Light",sans-serif" lang="EN-GB" style="color: black; font-size: 12pt; line-height: 150%; mso-ansi-language: RU; mso-bidi-font-style: italic; mso-color-alt: windowtext; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;"> </span><span face=""Calibri Light",sans-serif" lang="EN-GB" style="color: black; font-size: 12pt; line-height: 150%; mso-ansi-language: EN-GB; mso-bidi-font-style: italic; mso-color-alt: windowtext; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">proceeding</span><span face=""Calibri Light",sans-serif" lang="RU" style="color: black; font-size: 12pt; line-height: 150%; mso-ansi-language: RU; mso-bidi-font-style: italic; mso-color-alt: windowtext; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">, </span><span face=""Calibri Light",sans-serif" lang="EN-GB" style="color: black; font-size: 12pt; line-height: 150%; mso-ansi-language: EN-GB; mso-bidi-font-style: italic; mso-color-alt: windowtext; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">but</span><span face=""Calibri Light",sans-serif" lang="EN-GB" style="color: black; font-size: 12pt; line-height: 150%; mso-ansi-language: RU; mso-bidi-font-style: italic; mso-color-alt: windowtext; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;"> </span><span face=""Calibri Light",sans-serif" lang="EN-GB" style="color: black; font-size: 12pt; line-height: 150%; mso-ansi-language: EN-GB; mso-bidi-font-style: italic; mso-color-alt: windowtext; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">still</span><span face=""Calibri Light",sans-serif" lang="RU" style="color: black; font-size: 12pt; line-height: 150%; mso-ansi-language: RU; mso-bidi-font-style: italic; mso-color-alt: windowtext; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">, </span><span face=""Calibri Light",sans-serif" lang="EN-GB" style="color: black; font-size: 12pt; line-height: 150%; mso-ansi-language: EN-GB; mso-bidi-font-style: italic; mso-color-alt: windowtext; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">it</span><span face=""Calibri Light",sans-serif" lang="EN-GB" style="color: black; font-size: 12pt; line-height: 150%; mso-ansi-language: RU; mso-bidi-font-style: italic; mso-color-alt: windowtext; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;"> </span><span face=""Calibri Light",sans-serif" lang="EN-GB" style="color: black; font-size: 12pt; line-height: 150%; mso-ansi-language: EN-GB; mso-bidi-font-style: italic; mso-color-alt: windowtext; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">didn</span><span face=""Calibri Light",sans-serif" lang="RU" style="color: black; font-size: 12pt; line-height: 150%; mso-ansi-language: RU; mso-bidi-font-style: italic; mso-color-alt: windowtext; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">’</span><span face=""Calibri Light",sans-serif" lang="EN-GB" style="color: black; font-size: 12pt; line-height: 150%; mso-ansi-language: EN-GB; mso-bidi-font-style: italic; mso-color-alt: windowtext; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">t</span><span face=""Calibri Light",sans-serif" lang="EN-GB" style="color: black; font-size: 12pt; line-height: 150%; mso-ansi-language: RU; mso-bidi-font-style: italic; mso-color-alt: windowtext; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;"> </span><span face=""Calibri Light",sans-serif" lang="EN-GB" style="color: black; font-size: 12pt; line-height: 150%; mso-ansi-language: EN-GB; mso-bidi-font-style: italic; mso-color-alt: windowtext; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">feel</span><span face=""Calibri Light",sans-serif" lang="EN-GB" style="color: black; font-size: 12pt; line-height: 150%; mso-ansi-language: RU; mso-bidi-font-style: italic; mso-color-alt: windowtext; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;"> </span><span face=""Calibri Light",sans-serif" lang="EN-GB" style="color: black; font-size: 12pt; line-height: 150%; mso-ansi-language: EN-GB; mso-bidi-font-style: italic; mso-color-alt: windowtext; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">right</span><span face=""Calibri Light",sans-serif" lang="RU" style="color: black; font-size: 12pt; line-height: 150%; mso-ansi-language: RU; mso-bidi-font-style: italic; mso-color-alt: windowtext; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">. </span><span face=""Calibri Light",sans-serif" lang="EN-GB" style="color: black; font-size: 12pt; line-height: 150%; mso-ansi-language: EN-GB; mso-bidi-font-style: italic; mso-color-alt: windowtext; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">There
was again this strange feeling in the stomach telling, that we are missing
something. It was not enough to contrast the organic growth with the industrial
degeneration, but we needed something more personal. For some reason we started
to think, where does everything go when you flush a toilet in Venice? Where does
all the human waste disappear from the islands? We started to track down the
Venetian sewage systems and, in the end, everything ended up in one place not
far away from Chioggia, where we were building our ship. The place was called
Biokomp and the operation was based on tunnel composting of the digested sludge
into water, energy and top-soil. We asked the director of Biokomp, Dottore
Codato, how much human waste does Venice produce annually? He showed us the
number, but it was too big to understand, too abstract. I asked, how much in
one hour, in 60 minutes? He said that 67 cubic metres. This number we could
understand. Then we asked, could we have it – the 60 minutes’ worth of human
waste? He said yes. He was happy, that somebody appreciates his material. So,
under the white stones is 60 minutes’ worth of composted human waste produced
by the city of Venice. </span><span face=""Calibri Light",sans-serif" lang="EN-GB" style="font-size: 12pt; line-height: 150%; mso-ansi-language: EN-GB; mso-bidi-font-style: italic; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;"><o:p></o:p></span></p>
<p class="MsoNormal" style="background: white; line-height: 150%; margin-bottom: 0cm; text-align: justify;"><span face=""Calibri Light",sans-serif" lang="RU" style="color: #0070c0; font-size: 12pt; line-height: 150%; mso-ansi-language: RU; mso-bidi-font-style: italic; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">Робота йшла, ми продовжували, але все одно це було не так. Знову
з’явилося дивне відчуття в животі, яке свідчило про те, що нам чогось не вистачає.
Недостатньо було протиставити органічне зростання промисловій дегенерації, нам
потрібно було щось більш особисте. Ми чомусь почали думати, а куди все йде,
коли у Венеції змиваєш туалет? Куди зникають усі людські відходи з островів? Ми
почали шукати венеціанські каналізаційні системи, і врешті все опинилося в
одному місці неподалік від Кьоджа, де ми будували корабель. Місце було названо
Біокомп, а операція базувалася на тунельному компостуванні переробленого мулу у
воду, енергію та верхній шар ґрунту. Ми запитали директора </span><span face=""Calibri Light",sans-serif" lang="EN-GB" style="color: #0070c0; font-size: 12pt; line-height: 150%; mso-ansi-language: EN-GB; mso-bidi-font-style: italic; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">Biokomp</span><span face=""Calibri Light",sans-serif" lang="RU" style="color: #0070c0; font-size: 12pt; line-height: 150%; mso-ansi-language: RU; mso-bidi-font-style: italic; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;"> Дотторе Кодато, скільки
людських відходів щорічно виробляє Венеція? Він показав нам номер, але він був
надто великим, щоб зрозуміти, надто абстрактним. Я запитав, скільки за одну
годину, за 60 хвилин? Він сказав, що 67 куб. Це число ми могли зрозуміти. Потім
ми запитали, чи можемо ми отримати це – 60 хвилин людських відходів? Він сказав
так. Він був щасливий, що хтось цінує його матеріал. Отже, під білим камінням
знаходяться 60-хвилинні компостовані людські відходи, вироблені містом Венеція.<o:p></o:p></span></p><p class="MsoNormal" style="background: white; line-height: 150%; margin-bottom: 0cm; text-align: justify;"></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiPzpTsAPd6I4cQXkIcZU-jElGQ12sOFQgKI289gvw9QBKxY6pgRztLE_l34Ha83TEHv8Iyi2yfaeuSreQOBhYjOeG7QKLJs3SyFca7Li0KhX2tCDYDkksQ5enP__gSbc8XdB1KcT5oeM8P0bmhHykUWCHVUWXVL3nGu8LsL5MLNwuihSILopNQRxPmoSP0/s1024/60%20Minute%20man_Casagrande_Venice%20Biennale.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="675" data-original-width="1024" height="422" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiPzpTsAPd6I4cQXkIcZU-jElGQ12sOFQgKI289gvw9QBKxY6pgRztLE_l34Ha83TEHv8Iyi2yfaeuSreQOBhYjOeG7QKLJs3SyFca7Li0KhX2tCDYDkksQ5enP__gSbc8XdB1KcT5oeM8P0bmhHykUWCHVUWXVL3nGu8LsL5MLNwuihSILopNQRxPmoSP0/w640-h422/60%20Minute%20man_Casagrande_Venice%20Biennale.jpg" width="640" /></a></div><span style="font-size: 12pt;">Everything in the work is either found or
borrowed. It is a temporary collage of different material streams produced by
the city. As a gangway you can see a Larsen-element used for reinforcing the
islands in Venice and a Nokia cable for handrail. When you enter the last room,
there are no trees anymore, just a marble stone in the corner saying: “This
park has been planted on sixty minutes’ worth of human waste produced by the
city of Venice.” Here is the compost freshly arriving to the boat – al dente. The
work is called 60 Minute Man (Casagrande & Rintala, 2000).</span><p></p>
<p class="MsoNormal" style="background: white; line-height: 150%; margin-bottom: 0cm; text-align: justify;"><span face=""Calibri Light",sans-serif" lang="EN-GB" style="color: black; font-size: 12pt; line-height: 150%; mso-ansi-language: EN-GB; mso-bidi-font-style: italic; mso-color-alt: windowtext; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">The big reward was to sail with this little
forest across the Laguna to the Arsenale port in Venice. We had contacted all
kinds of Italian media saying that we will donate a new park to Venice. When we
arrived to Arsenale the pier was full of media and big cameras. Because of the
media the Biennale organization could not stop us, but we tied off the barge
and opened it up to people. New York Times chose this as the best work in the
Biennale and Fuksas wanted us to get the Golden Lion against the Biennale
organization’s choice Jean Nouvel. </span><span face=""Calibri Light",sans-serif" lang="EN-GB" style="font-size: 12pt; line-height: 150%; mso-ansi-language: EN-GB; mso-bidi-font-style: italic; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;"><o:p></o:p></span></p>
<p class="MsoNormal" style="background: white; line-height: normal; margin-bottom: 0cm; text-align: justify;"><span face=""Calibri Light",sans-serif" lang="RU" style="color: #0070c0; font-size: 12pt; mso-ansi-language: RU; mso-bidi-font-style: italic; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">У творі все або знайдено, або позичено. Це тимчасовий колаж різних
матеріальних потоків, створених містом. В якості трапу можна побачити елемент
Ларсена, який використовується для зміцнення островів у Венеції, і трос </span><span face=""Calibri Light",sans-serif" lang="EN-GB" style="color: #0070c0; font-size: 12pt; mso-ansi-language: EN-GB; mso-bidi-font-style: italic; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">Nokia</span><span face=""Calibri Light",sans-serif" lang="RU" style="color: #0070c0; font-size: 12pt; mso-ansi-language: RU; mso-bidi-font-style: italic; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;"> для поручнів. Коли ви
входите в останню кімнату, там більше немає дерев, лише мармуровий камінь у
кутку, на якому написано: «Цей парк висаджено на шістдесятихвилинній основі
людських відходів, які виробляє місто Венеція». Ось компост, щойно прибув до
човна – </span><span face=""Calibri Light",sans-serif" lang="EN-GB" style="color: #0070c0; font-size: 12pt; mso-ansi-language: EN-GB; mso-bidi-font-style: italic; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">al</span><span face=""Calibri Light",sans-serif" lang="EN-GB" style="color: #0070c0; font-size: 12pt; mso-ansi-language: RU; mso-bidi-font-style: italic; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;"> </span><span face=""Calibri Light",sans-serif" lang="EN-GB" style="color: #0070c0; font-size: 12pt; mso-ansi-language: EN-GB; mso-bidi-font-style: italic; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">dente</span><span face=""Calibri Light",sans-serif" lang="RU" style="color: #0070c0; font-size: 12pt; mso-ansi-language: RU; mso-bidi-font-style: italic; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">. Робота називається 60 </span><span face=""Calibri Light",sans-serif" lang="EN-GB" style="color: #0070c0; font-size: 12pt; mso-ansi-language: EN-GB; mso-bidi-font-style: italic; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">Minute</span><span face=""Calibri Light",sans-serif" lang="EN-GB" style="color: #0070c0; font-size: 12pt; mso-ansi-language: RU; mso-bidi-font-style: italic; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;"> </span><span face=""Calibri Light",sans-serif" lang="EN-GB" style="color: #0070c0; font-size: 12pt; mso-ansi-language: EN-GB; mso-bidi-font-style: italic; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">Man</span><span face=""Calibri Light",sans-serif" lang="RU" style="color: #0070c0; font-size: 12pt; mso-ansi-language: RU; mso-bidi-font-style: italic; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;"> (</span><span face=""Calibri Light",sans-serif" lang="EN-GB" style="color: #0070c0; font-size: 12pt; mso-ansi-language: EN-GB; mso-bidi-font-style: italic; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">Casagrande</span><span face=""Calibri Light",sans-serif" lang="RU" style="color: #0070c0; font-size: 12pt; mso-ansi-language: RU; mso-bidi-font-style: italic; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;"> & </span><span face=""Calibri Light",sans-serif" lang="EN-GB" style="color: #0070c0; font-size: 12pt; mso-ansi-language: EN-GB; mso-bidi-font-style: italic; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">Rintala</span><span face=""Calibri Light",sans-serif" lang="RU" style="color: #0070c0; font-size: 12pt; mso-ansi-language: RU; mso-bidi-font-style: italic; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">, 2000).</span></p>
<p class="MsoNormal" style="background: white; line-height: normal; margin-bottom: 0cm; text-align: justify;"><span face=""Calibri Light",sans-serif" lang="RU" style="color: #0070c0; font-size: 12pt; mso-ansi-language: RU; mso-bidi-font-style: italic; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">Великою нагородою було переплисти з цим маленьким лісом через Лагуну до
порту Арсенале у Венеції. Ми зв’язувалися з усіма видами італійських ЗМІ,
повідомляючи, що подаруємо новий парк Венеції. Коли ми прибули до Арсеналу,
пристань була повна ЗМІ та великих камер. Через ЗМІ організація Бієнале не
могла нас зупинити, але ми прив’язали баржу і відкрили її для людей. </span><span face=""Calibri Light",sans-serif" lang="EN-GB" style="color: #0070c0; font-size: 12pt; mso-ansi-language: EN-GB; mso-bidi-font-style: italic; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">New</span><span face=""Calibri Light",sans-serif" lang="EN-GB" style="color: #0070c0; font-size: 12pt; mso-ansi-language: RU; mso-bidi-font-style: italic; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;"> </span><span face=""Calibri Light",sans-serif" lang="EN-GB" style="color: #0070c0; font-size: 12pt; mso-ansi-language: EN-GB; mso-bidi-font-style: italic; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">York</span><span face=""Calibri Light",sans-serif" lang="EN-GB" style="color: #0070c0; font-size: 12pt; mso-ansi-language: RU; mso-bidi-font-style: italic; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;"> </span><span face=""Calibri Light",sans-serif" lang="EN-GB" style="color: #0070c0; font-size: 12pt; mso-ansi-language: EN-GB; mso-bidi-font-style: italic; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">Times</span><span face=""Calibri Light",sans-serif" lang="RU" style="color: #0070c0; font-size: 12pt; mso-ansi-language: RU; mso-bidi-font-style: italic; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;"> вибрала цю роботу як
найкращу на Бієнале, а Фуксас хотів, щоб ми отримали Золотого лева проти Жана
Нувеля, обраного організацією </span><span face=""Calibri Light",sans-serif" lang="EN-GB" style="color: #0070c0; font-size: 12pt; mso-ansi-language: EN-GB; mso-bidi-font-style: italic; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">Бієнале.</span></p>
<p class="MsoNormal" style="background: white; line-height: 150%; margin-bottom: 0cm; text-align: justify;"><b><span face=""Calibri Light",sans-serif" lang="EN-GB" style="color: black; font-size: 12pt; line-height: 150%; mso-ansi-language: EN-GB; mso-bidi-font-style: italic; mso-color-alt: windowtext; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">Floating Sauna</span></b></p>
<p class="MsoNormal" style="background: white; line-height: 150%; margin-bottom: 0cm; text-align: justify;"><span face=""Calibri Light",sans-serif" lang="EN-GB" style="color: black; font-size: 12pt; line-height: 150%; mso-ansi-language: EN-GB; mso-bidi-font-style: italic; mso-color-alt: windowtext; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">This is another small work of floating
architecture, a sauna on the Hardanger Fjord in Norway for a small town called
Rosendal. They explained that the town is lacking a piazza or other centre spot
and wanted us to think on this. The settlement is terraced on the foothills of
the mountains around the Hardanger Fjord and all the houses are looking at the
sea. Their focus is the sea. It is an old Viking settlement. </span><span face=""Calibri Light",sans-serif" lang="EN-GB" style="font-size: 12pt; line-height: 150%; mso-ansi-language: EN-GB; mso-bidi-font-style: italic; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;"><o:p></o:p></span></p>
<p class="MsoNormal" style="background: white; line-height: normal; margin-bottom: 0cm; text-align: justify;"><b><span face=""Calibri Light",sans-serif" lang="RU" style="color: #0070c0; font-size: 12pt; mso-ansi-language: RU; mso-bidi-font-style: italic; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">Плаваюча сауна</span></b></p>
<p class="MsoNormal" style="background: white; line-height: normal; margin-bottom: 0cm; text-align: justify;"><span face=""Calibri Light",sans-serif" lang="RU" style="color: #0070c0; font-size: 12pt; mso-ansi-language: RU; mso-bidi-font-style: italic; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">Це ще один невеликий витвір плаваючої архітектури, сауна на
Хардангер-фіорді в Норвегії для маленького містечка під назвою Розендал. Вони
пояснили, що місту бракує площі чи іншого центрального місця, і хотіли, щоб ми
подумали про це. Поселення терасою розташоване на підніжжі гір навколо
Хардангер-фіорду, і всі будинки дивляться на море. </span><span face=""Calibri Light",sans-serif" lang="EN-GB" style="color: #0070c0; font-size: 12pt; mso-ansi-language: EN-GB; mso-bidi-font-style: italic; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">Їхня увага – море. Це старе поселення
вікінгів.<o:p></o:p></span></p><p class="MsoNormal" style="background: white; line-height: normal; margin-bottom: 0cm; text-align: justify;"></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhmbIer4H2dAWH0jS0XqvZkgSHDj55lEYNhaezqh557wigjxOH1Mc263ksYSnEAsFzRslUIRKtUfNIX1viYfk69TZQ70lBvVCwPQ_tqBIn_dSXSahutyc3P78ZKIJ8r5nBBMt45luzxS11iJaTTJewUd18aBAuS2iL8EdzK49yMnssBr_ClwrNt79sIQTvq/s3944/floating%20sauna_rosendal_casagrande.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="2672" data-original-width="3944" height="434" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhmbIer4H2dAWH0jS0XqvZkgSHDj55lEYNhaezqh557wigjxOH1Mc263ksYSnEAsFzRslUIRKtUfNIX1viYfk69TZQ70lBvVCwPQ_tqBIn_dSXSahutyc3P78ZKIJ8r5nBBMt45luzxS11iJaTTJewUd18aBAuS2iL8EdzK49yMnssBr_ClwrNt79sIQTvq/w640-h434/floating%20sauna_rosendal_casagrande.jpg" width="640" /></a></div><span style="font-size: 12pt;">We proposed that there will be no piazza, but
that we can build them a small floating sauna. The Norwegians are the masters
of ship building and we Finns cannot live without a sauna, so this will be a
happy marriage of our two cultures. You go to the Floating Sauna (Casagrande
& Rintala, 2002) by swimming or rowing a boat. The walls are
semi-transparent. You can see the colour of the skin and when things are
cooking, but maybe not too detailed. The floor is water, the sauna is open to
the sea. You can sit on the benches and with good luck it maybe reaches some 80
degrees hot, and then you can just jump straight into the fjord. It is a very
good feeling when you are taking the hot sauna and the winds, and the waves are
moving and rocking you. Naked in a hot, humid, gently moving, and purifying
cloud on the ocean.</span><p></p>
<p class="MsoNormal" style="background: white; line-height: 150%; margin-bottom: 0cm; text-align: justify;"><span face=""Calibri Light",sans-serif" lang="EN-GB" style="color: black; font-size: 12pt; line-height: 150%; mso-ansi-language: EN-GB; mso-bidi-font-style: italic; mso-color-alt: windowtext; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">The sauna was improvised 1:1 scale on the
site. It is kind of a constructed architectural sketch.<span style="mso-spacerun: yes;"> </span>But not only sketched by us, but in close
cooperation with nature.</span><span face=""Calibri Light",sans-serif" lang="EN-GB" style="font-size: 12pt; line-height: 150%; mso-ansi-language: EN-GB; mso-bidi-font-style: italic; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;"><o:p></o:p></span></p>
<p class="MsoNormal" style="background: white; line-height: normal; margin-bottom: 0cm; text-align: justify;"><span face=""Calibri Light",sans-serif" lang="EN-GB" style="color: #0070c0; font-size: 12pt; mso-ansi-language: EN-US; mso-bidi-font-style: italic; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;"><span style="mso-spacerun: yes;"> </span></span><span face=""Calibri Light",sans-serif" lang="RU" style="color: #0070c0; font-size: 12pt; mso-ansi-language: RU; mso-bidi-font-style: italic; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">Ми запропонували, що площі не буде, але ми можемо побудувати
для них маленьку плавучу сауну. Норвежці - майстри суднобудування, а ми, фіни,
не можемо жити без сауни, тому це буде щасливий шлюб наших двох культур. Ви
йдете до плавучої сауни (</span><span face=""Calibri Light",sans-serif" lang="EN-GB" style="color: #0070c0; font-size: 12pt; mso-ansi-language: EN-GB; mso-bidi-font-style: italic; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">Casagrande</span><span face=""Calibri Light",sans-serif" lang="RU" style="color: #0070c0; font-size: 12pt; mso-ansi-language: RU; mso-bidi-font-style: italic; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;"> & </span><span face=""Calibri Light",sans-serif" lang="EN-GB" style="color: #0070c0; font-size: 12pt; mso-ansi-language: EN-GB; mso-bidi-font-style: italic; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">Rintala</span><span face=""Calibri Light",sans-serif" lang="RU" style="color: #0070c0; font-size: 12pt; mso-ansi-language: RU; mso-bidi-font-style: italic; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">, 2002), плаваючи або
веслуючи на човні. Стінки напівпрозорі. Ви можете бачити колір шкіри та час
приготування, але, можливо, не надто детально. Підлога водяна, сауна відкрита
до моря. Ви можете сидіти на лавках і, якщо пощастить, температура може досягти
80 градусів, а потім ви можете просто стрибнути прямо у фіорд. Це дуже приємне
відчуття, коли ви приймаєте гарячу сауну і вітер, а хвилі рухаються і гойдають
вас. Оголений у гарячій, вологій, м’яко рухливій та очищаючій хмарі на океані.</span></p>
<p class="MsoNormal" style="background: white; line-height: normal; margin-bottom: 0cm; text-align: justify;"><span face=""Calibri Light",sans-serif" lang="RU" style="color: #0070c0; font-size: 12pt; mso-ansi-language: RU; mso-bidi-font-style: italic; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">Сауна була імпровізована в масштабі 1:1 на місці. Це свого роду
побудований архітектурний ескіз. Але не тільки намальовані нами, а в тісній
співпраці з природою.</span></p>
<p class="MsoNormal" style="background: white; line-height: 150%; margin-bottom: 0cm; text-align: justify;"><b><span face=""Calibri Light",sans-serif" lang="EN-GB" style="color: black; font-size: 12pt; line-height: 150%; mso-ansi-language: EN-GB; mso-bidi-font-style: italic; mso-color-alt: windowtext; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">Potemkin - Post Industrial Meditation Park</span></b></p>
<p class="MsoNormal" style="background: white; line-height: 150%; margin-bottom: 0cm; text-align: justify;"><span face=""Calibri Light",sans-serif" lang="EN-GB" style="color: black; font-size: 12pt; line-height: 150%; mso-ansi-language: EN-GB; mso-bidi-font-style: italic; mso-color-alt: windowtext; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">By luck, we started to build a series of
architectural installations in Japan. This one is in a small village of
Kuramata in the Niigata Province. It is a rice farming village with 120 people.
Most of the people are senior citizens or children. The working age adults have
disappeared to the bigger Japanese cities. The village is very harmonious and
has continued a naturally balanced way of living for hundreds of years. The
rice fields are glorious, and you could easily understand, why they worship
their forefathers, who set up all this, what they are now maintaining and
harvesting. The feeling of Local Knowledge was very thick and present, I felt
like I know these people. The village was full of silent stories and mysteries,
humbleness, and hard work. We could not do nothing but respect. </span><span face=""Calibri Light",sans-serif" lang="EN-GB" style="font-size: 12pt; line-height: 150%; mso-ansi-language: EN-GB; mso-bidi-font-style: italic; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;"><o:p></o:p></span></p>
<p class="MsoNormal" style="background: white; line-height: normal; margin-bottom: 0cm; text-align: justify;"><b><span face=""Calibri Light",sans-serif" lang="RU" style="color: #0070c0; font-size: 12pt; mso-ansi-language: RU; mso-bidi-font-style: italic; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">Потьомкін</span></b><b><span face=""Calibri Light",sans-serif" lang="EN-US" style="color: #0070c0; font-size: 12pt; mso-ansi-language: EN-US; mso-bidi-font-style: italic; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;"> - </span></b><b><span face=""Calibri Light",sans-serif" lang="RU" style="color: #0070c0; font-size: 12pt; mso-ansi-language: RU; mso-bidi-font-style: italic; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">Постіндустріальний</span></b><b><span face=""Calibri Light",sans-serif" lang="RU" style="color: #0070c0; font-size: 12pt; mso-ansi-language: EN-US; mso-bidi-font-style: italic; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;"> </span></b><b><span face=""Calibri Light",sans-serif" lang="RU" style="color: #0070c0; font-size: 12pt; mso-ansi-language: RU; mso-bidi-font-style: italic; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">медитаційний</span></b><b><span face=""Calibri Light",sans-serif" lang="RU" style="color: #0070c0; font-size: 12pt; mso-ansi-language: EN-US; mso-bidi-font-style: italic; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;"> </span></b><b><span face=""Calibri Light",sans-serif" lang="RU" style="color: #0070c0; font-size: 12pt; mso-ansi-language: RU; mso-bidi-font-style: italic; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">парк</span></b></p>
<p class="MsoNormal" style="background: white; line-height: normal; margin-bottom: 0cm; text-align: justify;"><span face=""Calibri Light",sans-serif" lang="RU" style="color: #0070c0; font-size: 12pt; mso-ansi-language: RU; mso-bidi-font-style: italic; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">На щастя, ми почали будувати серію архітектурних інсталяцій у Японії.
Цей знаходиться в маленькому селі Курамата в провінції Ніігата. Це рисове село
з населенням 120 осіб. Більшість людей – літні люди або діти. Дорослі
працездатного віку зникли у великих містах Японії. Село є дуже гармонійним і
продовжує природний збалансований спосіб життя протягом сотень років. Рисові
поля чудові, і ви могли б легко зрозуміти, чому вони поклоняються своїм
предкам, хто все це створив, що вони зараз підтримують і збирають. Відчуття
місцевих знань було дуже сильним і присутнім, я відчував, що знаю цих людей.
Село було сповнене тихих історій і таємниць, скромності та важкої праці. </span><span face=""Calibri Light",sans-serif" lang="EN-GB" style="color: #0070c0; font-size: 12pt; mso-ansi-language: EN-GB; mso-bidi-font-style: italic; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">Ми не могли нічого
зробити, крім поваги.<o:p></o:p></span></p><p class="MsoNormal" style="background: white; line-height: normal; margin-bottom: 0cm; text-align: justify;"></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi6SGZ9MYOHI_vb9ZFv2Zg15cNCv7B4OqgVgQ6d4oCukdClfS4lVs1XqUyydiMa6a7vLal1nYnHwTSD56n9sgxScckPS6Hg0_FTYkX000NDmiJ6E20opbTRQvY8UuDK_NUarmJjrIxZxTWYl4FT2tlADmFKjUa9-GpVfLjgGOeu-eo2uQwpV4FzhehHDP8C/s600/Potemkin_CasagrandeRintala_Anzai.jpeg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="300" data-original-width="600" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi6SGZ9MYOHI_vb9ZFv2Zg15cNCv7B4OqgVgQ6d4oCukdClfS4lVs1XqUyydiMa6a7vLal1nYnHwTSD56n9sgxScckPS6Hg0_FTYkX000NDmiJ6E20opbTRQvY8UuDK_NUarmJjrIxZxTWYl4FT2tlADmFKjUa9-GpVfLjgGOeu-eo2uQwpV4FzhehHDP8C/w640-h320/Potemkin_CasagrandeRintala_Anzai.jpeg" width="640" /></a></div><p></p><p class="MsoNormal" style="background: white; line-height: 150%; margin-bottom: 0cm; text-align: justify;"><span face=""Calibri Light",sans-serif" lang="EN-GB" style="color: black; font-size: 12pt; line-height: 150%; mso-ansi-language: EN-GB; mso-bidi-font-style: italic; mso-color-alt: windowtext; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">Every morning around six the school children
were running in formations criss-cross the fields and singing to the elderly.
No matter how broken your back was, you was on the field. It felt almost
impossible to think of an architectural installation or a piece of
environmental art in the middle of these rice fields and their hardworking
people. </span><span face=""Calibri Light",sans-serif" lang="EN-GB" style="font-size: 12pt; line-height: 150%; mso-ansi-language: EN-GB; mso-bidi-font-style: italic; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;"><o:p></o:p></span></p>
<p class="MsoNormal" style="background: white; line-height: 150%; margin-bottom: 0cm; text-align: justify;"><span face=""Calibri Light",sans-serif" lang="EN-GB" style="color: black; font-size: 12pt; line-height: 150%; mso-ansi-language: EN-GB; mso-bidi-font-style: italic; mso-color-alt: windowtext; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">At some point we found an illegal garbage
dump next to the river Kamagawa. Big trees were growing from it and there was a
straight connection to the Shinto temple across the rice fields. We felt that
here we could do something. </span><span face=""Calibri Light",sans-serif" lang="EN-GB" style="font-size: 12pt; line-height: 150%; mso-ansi-language: EN-GB; mso-bidi-font-style: italic; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;"><o:p></o:p></span></p>
<p class="MsoNormal" style="background: white; line-height: normal; margin-bottom: 0cm; text-align: justify;"><span face=""Calibri Light",sans-serif" lang="RU" style="color: #0070c0; font-size: 12pt; mso-ansi-language: RU; mso-bidi-font-style: italic; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">Кожного</span><span face=""Calibri Light",sans-serif" lang="RU" style="color: #0070c0; font-size: 12pt; mso-ansi-language: EN-GB; mso-bidi-font-style: italic; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;"> </span><span face=""Calibri Light",sans-serif" lang="RU" style="color: #0070c0; font-size: 12pt; mso-ansi-language: RU; mso-bidi-font-style: italic; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">ранку</span><span face=""Calibri Light",sans-serif" lang="RU" style="color: #0070c0; font-size: 12pt; mso-ansi-language: EN-GB; mso-bidi-font-style: italic; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;"> </span><span face=""Calibri Light",sans-serif" lang="RU" style="color: #0070c0; font-size: 12pt; mso-ansi-language: RU; mso-bidi-font-style: italic; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">близько</span><span face=""Calibri Light",sans-serif" lang="RU" style="color: #0070c0; font-size: 12pt; mso-ansi-language: EN-GB; mso-bidi-font-style: italic; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;"> </span><span face=""Calibri Light",sans-serif" lang="RU" style="color: #0070c0; font-size: 12pt; mso-ansi-language: RU; mso-bidi-font-style: italic; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">шостої</span><span face=""Calibri Light",sans-serif" lang="RU" style="color: #0070c0; font-size: 12pt; mso-ansi-language: EN-GB; mso-bidi-font-style: italic; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;"> </span><span face=""Calibri Light",sans-serif" lang="RU" style="color: #0070c0; font-size: 12pt; mso-ansi-language: RU; mso-bidi-font-style: italic; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">школярі</span><span face=""Calibri Light",sans-serif" lang="RU" style="color: #0070c0; font-size: 12pt; mso-ansi-language: EN-GB; mso-bidi-font-style: italic; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;"> </span><span face=""Calibri Light",sans-serif" lang="RU" style="color: #0070c0; font-size: 12pt; mso-ansi-language: RU; mso-bidi-font-style: italic; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">бігали</span><span face=""Calibri Light",sans-serif" lang="RU" style="color: #0070c0; font-size: 12pt; mso-ansi-language: EN-GB; mso-bidi-font-style: italic; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;"> </span><span face=""Calibri Light",sans-serif" lang="RU" style="color: #0070c0; font-size: 12pt; mso-ansi-language: RU; mso-bidi-font-style: italic; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">рядами</span><span face=""Calibri Light",sans-serif" lang="RU" style="color: #0070c0; font-size: 12pt; mso-ansi-language: EN-GB; mso-bidi-font-style: italic; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;"> </span><span face=""Calibri Light",sans-serif" lang="RU" style="color: #0070c0; font-size: 12pt; mso-ansi-language: RU; mso-bidi-font-style: italic; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">по</span><span face=""Calibri Light",sans-serif" lang="RU" style="color: #0070c0; font-size: 12pt; mso-ansi-language: EN-GB; mso-bidi-font-style: italic; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;"> </span><span face=""Calibri Light",sans-serif" lang="RU" style="color: #0070c0; font-size: 12pt; mso-ansi-language: RU; mso-bidi-font-style: italic; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">полях</span><span face=""Calibri Light",sans-serif" lang="RU" style="color: #0070c0; font-size: 12pt; mso-ansi-language: EN-GB; mso-bidi-font-style: italic; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;"> </span><span face=""Calibri Light",sans-serif" lang="RU" style="color: #0070c0; font-size: 12pt; mso-ansi-language: RU; mso-bidi-font-style: italic; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">і</span><span face=""Calibri Light",sans-serif" lang="RU" style="color: #0070c0; font-size: 12pt; mso-ansi-language: EN-GB; mso-bidi-font-style: italic; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;"> </span><span face=""Calibri Light",sans-serif" lang="RU" style="color: #0070c0; font-size: 12pt; mso-ansi-language: RU; mso-bidi-font-style: italic; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">співали</span><span face=""Calibri Light",sans-serif" lang="RU" style="color: #0070c0; font-size: 12pt; mso-ansi-language: EN-GB; mso-bidi-font-style: italic; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;"> </span><span face=""Calibri Light",sans-serif" lang="RU" style="color: #0070c0; font-size: 12pt; mso-ansi-language: RU; mso-bidi-font-style: italic; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">людям</span><span face=""Calibri Light",sans-serif" lang="RU" style="color: #0070c0; font-size: 12pt; mso-ansi-language: EN-GB; mso-bidi-font-style: italic; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;"> </span><span face=""Calibri Light",sans-serif" lang="RU" style="color: #0070c0; font-size: 12pt; mso-ansi-language: RU; mso-bidi-font-style: italic; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">похилого</span><span face=""Calibri Light",sans-serif" lang="RU" style="color: #0070c0; font-size: 12pt; mso-ansi-language: EN-GB; mso-bidi-font-style: italic; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;"> </span><span face=""Calibri Light",sans-serif" lang="RU" style="color: #0070c0; font-size: 12pt; mso-ansi-language: RU; mso-bidi-font-style: italic; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">віку</span><span face=""Calibri Light",sans-serif" lang="EN-GB" style="color: #0070c0; font-size: 12pt; mso-ansi-language: EN-GB; mso-bidi-font-style: italic; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">. </span><span face=""Calibri Light",sans-serif" lang="RU" style="color: #0070c0; font-size: 12pt; mso-ansi-language: RU; mso-bidi-font-style: italic; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">Якою б спиною не була
зламана, ти був на полі. Було майже неможливим подумати про архітектурну
інсталяцію чи витвір екологічного мистецтва посеред цих рисових полів і їхніх
працьовитих людей.<o:p></o:p></span></p>
<p class="MsoNormal" style="background: white; line-height: normal; margin-bottom: 0cm; text-align: justify;"><span face=""Calibri Light",sans-serif" lang="RU" style="color: #0070c0; font-size: 12pt; mso-ansi-language: RU; mso-bidi-font-style: italic; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">У якийсь момент ми знайшли незаконне сміттєзвалище біля річки Камагава.
З нього росли великі дерева, і через рисові поля був прямий зв’язок із
синтоїстським храмом. </span><span face=""Calibri Light",sans-serif" lang="EN-GB" style="color: #0070c0; font-size: 12pt; mso-ansi-language: EN-GB; mso-bidi-font-style: italic; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">Ми відчували, що тут можемо щось зробити.<o:p></o:p></span></p>
<p class="MsoNormal" style="background: white; line-height: 150%; margin-bottom: 0cm; text-align: justify;"><span style="color: black; mso-color-alt: windowtext; mso-no-proof: yes;"><v:shape id="Kuva_x0020_703505923" o:spid="_x0000_i1043" style="height: 241.2pt; mso-wrap-style: square; visibility: visible; width: 482.4pt;" type="#_x0000_t75">
<v:imagedata o:title="" src="file:///C:/Users/Zbook/AppData/Local/Temp/msohtmlclip1/01/clip_image007.jpg">
</v:imagedata></v:shape></span><span face=""Calibri Light",sans-serif" lang="EN-GB" style="font-size: 12pt; line-height: 150%; mso-ansi-language: EN-GB; mso-bidi-font-style: italic; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;"><o:p></o:p></span></p>
<p class="MsoNormal" style="background: white; line-height: 150%; margin-bottom: 0cm; text-align: justify;"><span face=""Calibri Light",sans-serif" lang="EN-GB" style="color: black; font-size: 12pt; line-height: 150%; mso-ansi-language: EN-GB; mso-bidi-font-style: italic; mso-color-alt: windowtext; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">The park is following the landscape
architecture of the terraced rice fields. It is made of rusty steel, the same
colour as the fertile soil. Steel is one inch thick, and the park is 130 meters
long. It is a cultivated junk yard following some of the principles of the
Japanese stone gardens, but the natural elements are replaced by recycled
industrial elements. The gravel is replaced by broken concrete, recycled glass,
and asphalt. It is kind of an industrial Zen-garden for post-industrial
meditation. There is a set of benches where all the village can sit. The ground
is descending, but the walls stay levelled. So, when you enter the park, the
walls are zero and then grow higher and higher the deeper you get. In the end
the walls are some 5 metres high and then they turn to form an interior
structure which opens to the river. There is a small fireplace.<span style="mso-spacerun: yes;"> </span>In the river lives fish called ayu.<span style="mso-spacerun: yes;"> </span>You can go and fish your ayu, grill and eat
it, and then go home. Many of the visitors do not go home though. They sleep in
the park. </span><span face=""Calibri Light",sans-serif" lang="EN-GB" style="font-size: 12pt; line-height: 150%; mso-ansi-language: EN-GB; mso-bidi-font-style: italic; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;"><o:p></o:p></span></p>
<p class="MsoNormal" style="background: white; line-height: normal; margin-bottom: 0cm; text-align: justify;"><span face=""Calibri Light",sans-serif" lang="RU" style="color: #0070c0; font-size: 12pt; mso-ansi-language: RU; mso-bidi-font-style: italic; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">Парк повторює ландшафтну архітектуру терасових рисових полів. Він
зроблений з іржавої сталі, такого ж кольору, як і родючий ґрунт. Товщина сталі
– один дюйм, а довжина парку – 130 метрів. Це культивований смітник, який
відповідає деяким принципам японських садів каменів, але природні елементи
замінені переробленими промисловими елементами. Гравій замінюють битим бетоном,
переробленим склом і асфальтом. Це свого роду індустріальний дзен-сад для
постіндустріальної медитації. Є ряд лавочок, де може сісти все село. Земля
опускається, але стіни залишаються рівними. Отже, коли ви входите в парк, стіни
нульові, а потім стають все вище і вище, чим глибше ви заглиблюєтесь. Зрештою
стіни досягають приблизно 5 метрів у висоту, а потім вони повертаються,
утворюючи внутрішню структуру, яка відкривається до річки. Є невеликий камін. У
річці живе риба аю. Ви можете піти виловити свій аю, приготувати на грилі та
з’їсти його, а потім повернутися додому. Хоча багато відвідувачів не
повертаються додому. Вони сплять у парку.<o:p></o:p></span></p>
<p class="MsoNormal" style="background: white; line-height: 150%; margin-bottom: 0cm; text-align: justify;"><span face=""Calibri Light",sans-serif" lang="EN-GB" style="color: black; font-size: 12pt; line-height: 150%; mso-ansi-language: EN-GB; mso-bidi-font-style: italic; mso-color-alt: windowtext; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">Every evening the Kuramata villagers get
together in the park to dance a memorial dance honouring a samurai who 400
years ago united the villages on the area into an army to fight a rivalling
group across the mountains. They have danced every evening since that. The
dance used to take place in the near-by Shinto temple, and it was a great
honour to see it moving into our park. Potemkin – Post Industrial Meditation
Park (Casagrande & Rintala, 2003) is blessed by the Shinto priests as a
sacred site of their religion. </span><span face=""Calibri Light",sans-serif" lang="EN-GB" style="font-size: 12pt; line-height: 150%; mso-ansi-language: EN-GB; mso-bidi-font-style: italic; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;"><o:p></o:p></span></p>
<p class="MsoNormal" style="background: white; line-height: normal; margin-bottom: 0cm; text-align: justify;"><span face=""Calibri Light",sans-serif" lang="RU" style="color: #0070c0; font-size: 12pt; mso-ansi-language: RU; mso-bidi-font-style: italic; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">Кожного вечора жителі села Курамата збираються разом у парку, щоб
станцювати меморіальний танець на честь самурая, який 400 років тому об’єднав
села в цьому районі в армію для боротьби з ворогуючою групою через гори.
Відтоді вони танцювали кожен вечір. Раніше танець проходив у сусідньому
синтоїстському храмі, і було великою честю бачити, як він переміщується в наш
парк. Потьомкін – Постіндустріальний медитаційний парк (</span><span face=""Calibri Light",sans-serif" lang="EN-GB" style="color: #0070c0; font-size: 12pt; mso-ansi-language: EN-GB; mso-bidi-font-style: italic; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">Casagrande</span><span face=""Calibri Light",sans-serif" lang="RU" style="color: #0070c0; font-size: 12pt; mso-ansi-language: RU; mso-bidi-font-style: italic; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;"> & </span><span face=""Calibri Light",sans-serif" lang="EN-GB" style="color: #0070c0; font-size: 12pt; mso-ansi-language: EN-GB; mso-bidi-font-style: italic; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">Rintala</span><span face=""Calibri Light",sans-serif" lang="RU" style="color: #0070c0; font-size: 12pt; mso-ansi-language: RU; mso-bidi-font-style: italic; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">, 2003) благословляється
синтоїстськими священиками як священне місце їхньої релігії.</span></p>
<p class="MsoNormal" style="background: white; line-height: 150%; margin-bottom: 0cm; text-align: justify;"><b><span face=""Calibri Light",sans-serif" lang="EN-GB" style="color: black; font-size: 12pt; line-height: 150%; mso-ansi-language: EN-GB; mso-bidi-font-style: italic; mso-color-alt: windowtext; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">Treasure Hill</span></b></p>
<p class="MsoNormal" style="background: white; line-height: 150%; margin-bottom: 0cm; text-align: justify;"><span face=""Calibri Light",sans-serif" lang="EN-US" style="color: black; font-size: 12pt; line-height: 150%; mso-ansi-language: EN-US; mso-color-alt: windowtext; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">In 2003, the Taipei City Government decided to destroy the unofficial
settlement of Treasure Hill. By that time, the community consisted of some 400
households of, mainly elderly Kuomintang veterans and illegal migrant workers.
The bulldozers had knocked down the first two layers of the houses of the
terraced settlement on the hillside. After that, the houses were standing too
high for the bulldozers to reach, and there were no drivable roads leading into
the organically built settlement. Then the official city destroyed the farms
and community gardens of Treasure Hill down by the Xindian River flood banks.
Then they cut the circulation between the individual houses—small bridges,
steps, stairs, and pathways. After that, Treasure Hill was left to rot, to die
slowly, cut away from its life sources.</span><span face=""Calibri Light",sans-serif" lang="EN-GB" style="font-size: 12pt; line-height: 150%; mso-ansi-language: EN-GB; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;"><o:p></o:p></span></p>
<p class="MsoNormal" style="background: white; line-height: normal; margin-bottom: 0cm; text-align: justify;"><span face=""Calibri Light",sans-serif" lang="RU" style="color: #0070c0; font-size: 12pt; mso-ansi-language: RU; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">Гора скарбів</span></p>
<p class="MsoNormal" style="background: white; line-height: normal; margin-bottom: 0cm; text-align: justify;"><span face=""Calibri Light",sans-serif" lang="RU" style="color: #0070c0; font-size: 12pt; mso-ansi-language: RU; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">У 2003 році уряд
міста Тайбей вирішив знищити неофіційне поселення Пагорб скарбів. На той час
громада складалася з близько 400 домогосподарств, в основному літніх ветеранів
Гоміньдану та нелегальних мігрантів. Бульдозери збили перші два шари будинків
рядового поселення на схилі гори. Після цього будинки стояли занадто високо,
щоб бульдозери не могли їх дістати, а проїзних доріг, що вели в органічно
побудоване поселення, не було. Потім офіційне місто знищило ферми та громадські
сади на пагорбі скарбів біля берегів річки Сіньдіан. Потім вони перекривають
рух між окремими будинками — містками, сходами, сходами та доріжками. Після
цього Пагорб скарбів залишили гнити, повільно вмирати, відрізаний від джерел
життя.<o:p></o:p></span></p>
<p class="MsoNormal" style="background: white; line-height: 150%; margin-bottom: 0cm; text-align: justify;"><span face=""Calibri Light",sans-serif" lang="EN-US" style="color: black; font-size: 12pt; line-height: 150%; mso-ansi-language: EN-US; mso-color-alt: windowtext; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">Roan Chin-Yueh of the WEAK! managed so that the City Government
Department of Cultural Affairs invited me to Taipei. He introduced me to
Treasure Hill’s impressive organic settlement with a self-made root-cleaning
system of gray waters through patches of jungle on the hillside. Treasure Hill
was composting organic waste into fertilizer for the farms and using minimum
amounts of electricity, which was stolen from the official grid. There was even
a central radio system through which Matriarch of Treasure Hill Missis Chen
could transmit important messages to the community, such as inviting them to
watch old black and white movies in the open-air cinema in front of her
house. </span><span face=""Calibri Light",sans-serif" lang="EN-US" style="font-size: 12pt; line-height: 150%; mso-ansi-language: EN-US; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;"><o:p></o:p></span></p>
<p class="MsoNormal" style="background: white; line-height: 150%; margin-bottom: 0cm; text-align: justify;"><span face=""Calibri Light",sans-serif" lang="RU" style="color: #0070c0; font-size: 12pt; line-height: 150%; mso-ansi-language: RU; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">Роан Чін-Юе з
СЛАБКИХ! вдалося так, що департамент культури міської влади запросив мене до
Тайбея. Він познайомив мене з вражаючим органічним поселенням </span><span face=""Calibri Light",sans-serif" lang="EN-US" style="color: #0070c0; font-size: 12pt; line-height: 150%; mso-ansi-language: EN-US; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">Treasure</span><span face=""Calibri Light",sans-serif" lang="EN-US" style="color: #0070c0; font-size: 12pt; line-height: 150%; mso-ansi-language: RU; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">
</span><span face=""Calibri Light",sans-serif" lang="EN-US" style="color: #0070c0; font-size: 12pt; line-height: 150%; mso-ansi-language: EN-US; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">Hill</span><span face=""Calibri Light",sans-serif" lang="RU" style="color: #0070c0; font-size: 12pt; line-height: 150%; mso-ansi-language: RU; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;"> із саморобною системою очищення від коренів сірих
вод через клаптики джунглів на схилі пагорба. </span><span face=""Calibri Light",sans-serif" lang="EN-US" style="color: #0070c0; font-size: 12pt; line-height: 150%; mso-ansi-language: EN-US; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">Treasure</span><span face=""Calibri Light",sans-serif" lang="EN-US" style="color: #0070c0; font-size: 12pt; line-height: 150%; mso-ansi-language: RU; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">
</span><span face=""Calibri Light",sans-serif" lang="EN-US" style="color: #0070c0; font-size: 12pt; line-height: 150%; mso-ansi-language: EN-US; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">Hill</span><span face=""Calibri Light",sans-serif" lang="RU" style="color: #0070c0; font-size: 12pt; line-height: 150%; mso-ansi-language: RU; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;"> компостувала органічні відходи в добриво для ферм
і використовувала мінімальну кількість електроенергії, яку викрадали з
офіційної мережі. Була навіть центральна радіосистема, через яку Матріарх
Трежер Хілл Місіс Чен могла передавати важливі повідомлення громаді, наприклад,
запрошувати їх дивитися старі чорно-білі фільми в кінотеатрі під відкритим
небом перед її будинком.<o:p></o:p></span></p><p class="MsoNormal" style="background: white; line-height: 150%; margin-bottom: 0cm; text-align: justify;"></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgO4mDW60mg-0uLSUswTTXWDtIf1wWj9QHH-ycpMpAAd7uESJ-9nJPXhvg_XylDG1mHCwoPU0Fn4rrpmAMCcrs4c1l1AnHG12BfaiwkggzhDh74YzeTMfQGgwxrzIVRf9n-cvtBxRcakCTvQlOEMSd4D0-6nhe32CmY4c_utitISS58Gqx992F7wB-SebK2/s1200/Treasure%20Hill_Organic%20Layer_Marco%20Casagrande.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="807" data-original-width="1200" height="430" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgO4mDW60mg-0uLSUswTTXWDtIf1wWj9QHH-ycpMpAAd7uESJ-9nJPXhvg_XylDG1mHCwoPU0Fn4rrpmAMCcrs4c1l1AnHG12BfaiwkggzhDh74YzeTMfQGgwxrzIVRf9n-cvtBxRcakCTvQlOEMSd4D0-6nhe32CmY4c_utitISS58Gqx992F7wB-SebK2/w640-h430/Treasure%20Hill_Organic%20Layer_Marco%20Casagrande.jpg" width="640" /></a></div><span face=""Calibri Light",sans-serif" lang="EN-US" style="color: black; font-size: 12pt; line-height: 150%; mso-ansi-language: EN-US; mso-color-alt: windowtext; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">At that point, the city had stopped to collect trash from Treasure Hill,
and there were lots of garbage bags in the alleys. I started to collect these
garbage bags and carried them down the hill into a pile close to a point that
you could reach with a truck. The residents did not speak to me, but instead
they hid inside their houses. One could feel their eyes on one’s back, though.
Some houses were abandoned when I entered them. The interiors and the
atmospheres were as if the owners had left suddenly. Even photo albums were
there and tiny altars with small gods with long beards. In one of the houses, I
could not help looking at the photo album. The small tinted black and white
photos started in mainland China, and all the guys wore Kuomintang military uniforms.
Different landscapes in different parts of China, and then at some point the
photos turned to color prints. The same guys were in Taiwan. Then there was a
woman, and an elderly gentleman posed with her in civil clothes by a fountain.
Photos of children and young people. Civil clothes, but the Kuomintang flag of
Taiwan everywhere. A similar flag was inside the room. Behind me, somebody
enters the house, which is only one room with the altar on one end and a bed on
the other. The old man is looking at me. He is calm and observant, somehow sad.
He speaks and shows with his hand at the altar. “Do not touch” - I understand.
I look the old man in the eyes and he looks into mine. I feel like looking at
the photo album. The owner of the house must have been his friend. They have
travelled together a long way from the civil war of China to Taiwan. Literally,
they have built their houses on top of Japanese concrete bunkers and created themselves
a life in Treasure Hill. His friend passed away. There is a suitcase and inside
is the absent owner’s trousers and his shirt, both in khaki color. I continue
collecting the garbage bags and carry the old man’s bag around the village. The
next day the residents start helping me with collecting the garbage. Professor
Kang Min-Jay organizes a truck to take the bags away. After a couple of days,
we organize a public ceremony together with some volunteer students and
Treasure Hill veterans and declare war on the official city: Treasure Hill will
fight back and it is here to stay. </span><span face=""Calibri Light",sans-serif" lang="IT" style="color: black; font-size: 12pt; line-height: 150%; mso-ansi-language: IT; mso-color-alt: windowtext; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">I’m wearing the dead man’s clothes.</span><p></p>
<p class="MsoNormal" style="background: white; line-height: normal; margin-bottom: 0cm; text-align: justify;"><span face=""Calibri Light",sans-serif" lang="IT" style="color: #0070c0; font-size: 12pt; mso-ansi-language: IT; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">На той момент
місто зупинилося, щоб зібрати сміття з Пагорба скарбів, і на вулицях було
багато мішків зі сміттям. Я почав збирати ці мішки зі сміттям і ніс їх униз у
купу, куди можна було дістатися вантажівкою. Мешканці зі мною не розмовляли, а
ховалися у своїх будинках. Але можна було відчути їхні очі на своїй спині.
Деякі будинки були покинуті, коли я в них увійшов. Інтер’єри та атмосфера були
такими, наче власники раптово покинули. Були навіть фотоальбоми і крихітні вівтарі
з маленькими богами з довгими бородами. В одному з будинків я не міг не
поглянути на фотоальбом. Маленькі кольорові чорно-білі фотографії почалися в
материковому Китаї, і всі хлопці носили військову форму Гоміньдану. Різні
пейзажі в різних частинах Китаю, а потім в якийсь момент фотографії
перетворилися на кольорові відбитки. Такі ж хлопці були на Тайвані. Потім була
жінка, а з нею біля фонтану позував літній чоловік у цивільному. Фото дітей та
молоді. Цивільний одяг, але всюди прапор Гоміньдану Тайваню. Подібний прапор
був і всередині кімнати. Позаду мене хтось заходить до будинку, який
складається лише з однієї кімнати з вівтарем з одного боку та ліжком з іншого.
Старий дивиться на мене. Він спокійний і спостережливий, якийсь сумний. Він
говорить і показує рукою біля вівтаря. «Не чіпай» - розумію. Я дивлюся старому
в очі, а він дивиться в мої. Мені хочеться переглянути фотоальбом. Власник
будинку, мабуть, був його другом. Вони разом пройшли довгий шлях від
громадянської війни в Китаї до Тайваню. Буквально вони побудували свої будинки
на японських бетонних бункерах і створили собі життя на пагорбі скарбів. Його
друг помер. Є валіза, а всередині штани і сорочка відсутнього власника, обидва
кольору хакі. Я продовжую збирати сміттєві пакети і ношу стареньку сумку по
селу. Наступного дня мешканці почали допомагати мені збирати сміття. Професор
Кан Мін-Джей організовує вантажівку, щоб відвезти сумки. Через кілька днів ми
організовуємо публічну церемонію разом зі студентами-волонтерами та ветеранами
Пагорба скарбів і оголошуємо війну офіційному місту: Пагорб скарбів дасть
відсіч і залишиться тут. Я ношу одяг мерця.</span></p>
<p class="MsoNormal" style="background: white; line-height: 150%; margin-bottom: 0cm; text-align: justify;"><span face=""Calibri Light",sans-serif" lang="EN-US" style="color: black; font-size: 12pt; line-height: 150%; mso-ansi-language: EN-US; mso-color-alt: windowtext; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">We have a long talk with Professor Roan about Treasure Hill and how to
stop the destruction. He suggests that Hsieh Ying-Chun (Atelier 3, WEAK!) will
join us with his aboriginal Thao tribe crew of self-learned construction
workers. I start touring at local universities giving speeches about the
situation and try to recruit students for construction work. In the end, we
have 200 students from Tamkang University Department of Architecture, Chinese
Cultural University, and National Taiwan University. A team of girl students
manage to make a deal with the neighboring bridge construction site workers,
and they start offloading some of the construction material cargo to us from
the trucks passing us by. Mainly we receive timber and bamboo; they use
mahogany for the concrete molds.</span><span face=""Calibri Light",sans-serif" lang="EN-GB" style="font-size: 12pt; line-height: 150%; mso-ansi-language: EN-GB; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;"><o:p></o:p></span></p>
<p class="MsoNormal" style="background: white; line-height: normal; margin-bottom: 0cm; text-align: justify;"><span face=""Calibri Light",sans-serif" lang="RU" style="color: #0070c0; font-size: 12pt; mso-ansi-language: RU; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">У нас є довга
розмова з професором Роаном про Пагорб скарбів і про те, як зупинити
руйнування. Він припускає, що Сє Ін-Чун (Ательє 3, СЛАБКО!) приєднається до нас
зі своєю командою будівельників-самоучок з племені Тхао. Я починаю гастролювати
в місцевих університетах, виголошуючи промови про ситуацію і намагаюся залучити
студентів на будівництво. Зрештою, у нас є 200 студентів з факультету
архітектури університету Тамканг, китайського культурного університету та
національного тайванського університету. Команді дівчат-студенток вдається
домовитися з сусідніми робітниками мостобудівництва, і вони починають
вивантажувати до нас частину будівельних матеріалів з вантажівок, що
проїжджають повз нас. В основному ми отримуємо деревину та бамбук; вони
використовують червоне дерево для бетонних форм.<o:p></o:p></span></p>
<p class="MsoNormal" style="background: white; line-height: 150%; margin-bottom: 0cm; text-align: justify;"><span face=""Calibri Light",sans-serif" lang="EN-US" style="color: black; font-size: 12pt; line-height: 150%; mso-ansi-language: EN-US; mso-color-alt: windowtext; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">With the manpower and simple construction material, we start
reconstructing the connections between the houses of the settlement, but most
importantly, we also restart the farms. The bridge construction workers even
help us with a digging machine. Missis Chen comes to advise us about the
farming and offers us food and Chinese medicine. I am invited to her house
every evening after the workday with an interpreter. She tells the story of her
life and I see how she is sending food to many houses whose inhabitants are
very old. Children from somewhere come to share our dinners as well. Her house
is the heart of the community. Treasure Hill veterans join us in the farming
and construction work. Rumors start spreading in Taipei: things are cooking in
Treasure Hill. More people volunteer for the work, and after enough urban
rumors, suddenly the media arrives. After the media, the politicians follow.
Commissioner Liao from the City Government Cultural Bureau comes to recite
poems. Later Mayor Ma Ying-Jeou comes jogging by with TV-crews in his
slipstream and gives us his blessings. The City Government officially agrees
that this is exactly why they had invited me from Finland to work on the issue
of Treasure Hill. The same government had been bulldozing the settlement away 3
weeks earlier.</span><span face=""Calibri Light",sans-serif" lang="EN-GB" style="font-size: 12pt; line-height: 150%; mso-ansi-language: EN-GB; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;"><o:p></o:p></span></p>
<p class="MsoNormal" style="background: white; line-height: normal; margin-bottom: 0cm; text-align: justify;"><span face=""Calibri Light",sans-serif" lang="RU" style="color: #0070c0; font-size: 12pt; mso-ansi-language: RU; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">За допомогою
робочої сили та нехитрого будівельного матеріалу ми починаємо реконструкцію
міжбудинкових сполучень селища, але головне – перезапускаємо ферми.
Мостобудівники навіть допомагають нам землерийною машиною. Місіс Чен приходить
порадити нам про фермерство та пропонує нам їжу та китайські ліки. Щовечора
після робочого дня мене запрошують до неї додому з перекладачем. Вона
розповідає історію свого життя, і я бачу, як вона посилає їжу в багато
будинків, мешканці яких дуже старі. Діти звідкись також приходять розділити
наші обіди. Її дім є серцем громади. Ветерани </span><span face=""Calibri Light",sans-serif" lang="EN-GB" style="color: #0070c0; font-size: 12pt; mso-ansi-language: EN-GB; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">Treasure</span><span face=""Calibri Light",sans-serif" lang="EN-GB" style="color: #0070c0; font-size: 12pt; mso-ansi-language: RU; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;"> </span><span face=""Calibri Light",sans-serif" lang="EN-GB" style="color: #0070c0; font-size: 12pt; mso-ansi-language: EN-GB; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">Hill</span><span face=""Calibri Light",sans-serif" lang="RU" style="color: #0070c0; font-size: 12pt; mso-ansi-language: RU; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;"> приєднуються до
нас у сільськогосподарських і будівельних роботах. У Тайбеї починають
поширюватися чутки: на Пагорбі скарбів все готується. Більше людей добровільно
беруться за роботу, і після того, як було достатньо міських чуток, раптом
з’являються ЗМІ. Після ЗМІ йдуть політики. Комісар Ляо з міського урядового
бюро культури приходить декламувати вірші. Пізніше мер Ма Ін Чжоу пробігає повз
з телевізійними групами у своєму сліпстрімі та благословляє нас. Міська влада
офіційно погоджується, що саме тому вони запросили мене з Фінляндії для роботи
над питанням Пагорба скарбів. Той самий уряд 3 тижні тому знищив поселення
бульдозером.<o:p></o:p></span></p>
<p align="center" class="MsoNormal" style="background: white; line-height: 150%; margin-bottom: 0cm; text-align: center;"><i style="mso-bidi-font-style: normal;"><span face=""Calibri Light",sans-serif" lang="RU" style="color: black; font-size: 10pt; line-height: 150%; mso-ansi-language: RU; mso-color-alt: windowtext; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">‘</span></i><i style="mso-bidi-font-style: normal;"><span face=""Calibri Light",sans-serif" lang="EN-US" style="color: black; font-size: 10pt; line-height: 150%; mso-ansi-language: EN-US; mso-color-alt: windowtext; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">One</span></i><i style="mso-bidi-font-style: normal;"><span face=""Calibri Light",sans-serif" lang="EN-US" style="color: black; font-size: 10pt; line-height: 150%; mso-ansi-language: RU; mso-color-alt: windowtext; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;"> </span></i><i style="mso-bidi-font-style: normal;"><span face=""Calibri Light",sans-serif" lang="EN-US" style="color: black; font-size: 10pt; line-height: 150%; mso-ansi-language: EN-US; mso-color-alt: windowtext; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">can</span></i><i style="mso-bidi-font-style: normal;"><span face=""Calibri Light",sans-serif" lang="EN-US" style="color: black; font-size: 10pt; line-height: 150%; mso-ansi-language: RU; mso-color-alt: windowtext; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;"> </span></i><i style="mso-bidi-font-style: normal;"><span face=""Calibri Light",sans-serif" lang="EN-US" style="color: black; font-size: 10pt; line-height: 150%; mso-ansi-language: EN-US; mso-color-alt: windowtext; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">design</span></i><i style="mso-bidi-font-style: normal;"><span face=""Calibri Light",sans-serif" lang="EN-US" style="color: black; font-size: 10pt; line-height: 150%; mso-ansi-language: RU; mso-color-alt: windowtext; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;"> </span></i><i style="mso-bidi-font-style: normal;"><span face=""Calibri Light",sans-serif" lang="EN-US" style="color: black; font-size: 10pt; line-height: 150%; mso-ansi-language: EN-US; mso-color-alt: windowtext; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">whole</span></i><i style="mso-bidi-font-style: normal;"><span face=""Calibri Light",sans-serif" lang="EN-US" style="color: black; font-size: 10pt; line-height: 150%; mso-ansi-language: RU; mso-color-alt: windowtext; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;"> </span></i><i style="mso-bidi-font-style: normal;"><span face=""Calibri Light",sans-serif" lang="EN-US" style="color: black; font-size: 10pt; line-height: 150%; mso-ansi-language: EN-US; mso-color-alt: windowtext; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">cities</span></i><i style="mso-bidi-font-style: normal;"><span face=""Calibri Light",sans-serif" lang="EN-US" style="color: black; font-size: 10pt; line-height: 150%; mso-ansi-language: RU; mso-color-alt: windowtext; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;"> </span></i><i style="mso-bidi-font-style: normal;"><span face=""Calibri Light",sans-serif" lang="EN-US" style="color: black; font-size: 10pt; line-height: 150%; mso-ansi-language: EN-US; mso-color-alt: windowtext; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">simply</span></i><i style="mso-bidi-font-style: normal;"><span face=""Calibri Light",sans-serif" lang="EN-US" style="color: black; font-size: 10pt; line-height: 150%; mso-ansi-language: RU; mso-color-alt: windowtext; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;"> </span></i><i style="mso-bidi-font-style: normal;"><span face=""Calibri Light",sans-serif" lang="EN-US" style="color: black; font-size: 10pt; line-height: 150%; mso-ansi-language: EN-US; mso-color-alt: windowtext; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">with</span></i><i style="mso-bidi-font-style: normal;"><span face=""Calibri Light",sans-serif" lang="EN-US" style="color: black; font-size: 10pt; line-height: 150%; mso-ansi-language: RU; mso-color-alt: windowtext; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;"> </span></i><i style="mso-bidi-font-style: normal;"><span face=""Calibri Light",sans-serif" lang="EN-US" style="color: black; font-size: 10pt; line-height: 150%; mso-ansi-language: EN-US; mso-color-alt: windowtext; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">rumors</span></i><i style="mso-bidi-font-style: normal;"><span face=""Calibri Light",sans-serif" lang="RU" style="color: black; font-size: 10pt; line-height: 150%; mso-ansi-language: RU; mso-color-alt: windowtext; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">’</span></i><i style="mso-bidi-font-style: normal;"><span face=""Calibri Light",sans-serif" lang="RU" style="font-size: 10pt; line-height: 150%; mso-ansi-language: RU; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;"><o:p></o:p></span></i></p>
<p align="center" class="MsoNormal" style="background: white; line-height: 150%; margin-bottom: 0cm; text-align: center;"><b><i style="mso-bidi-font-style: normal;"><span face=""Calibri Light",sans-serif" lang="RU" style="color: #0070c0; font-size: 10pt; line-height: 150%; mso-ansi-language: RU; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">«Простими чутками можна будувати цілі міста»<o:p></o:p></span></i></b></p>
<p class="MsoNormal" style="background: white; line-height: 150%; margin-bottom: 0cm; text-align: justify;"><span face=""Calibri Light",sans-serif" lang="EN-US" style="color: black; font-size: 12pt; line-height: 150%; mso-ansi-language: EN-US; mso-color-alt: windowtext; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">Working in Treasure Hill had pressed an acupuncture point of the
industrial Taipei City. Our humble construction work was the needle that had
penetrated through the thin layer of official control and touched the original
ground of<span style="letter-spacing: 1.2pt;"> </span>Taipei—collective
topsoil where Local Knowledge is rooting. Treasure Hill is an urban compost,
which was considered a smelly corner of the city, but after some turning is now
providing the most fertile topsoil for future development. The Taiwanese would
refer to this organic energy as “Chi.”</span><span face=""Calibri Light",sans-serif" lang="EN-US" style="font-size: 12pt; line-height: 150%; mso-ansi-language: EN-US; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;"><o:p></o:p></span></p>
<p class="MsoNormal" style="background: white; line-height: normal; margin-bottom: 0cm; text-align: justify;"><span face=""Calibri Light",sans-serif" lang="RU" style="color: #0070c0; font-size: 12pt; mso-ansi-language: RU; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">Працюючи в </span><span face=""Calibri Light",sans-serif" lang="EN-US" style="color: #0070c0; font-size: 12pt; mso-ansi-language: EN-US; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">Treasure</span><span face=""Calibri Light",sans-serif" lang="EN-US" style="color: #0070c0; font-size: 12pt; mso-ansi-language: RU; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;"> </span><span face=""Calibri Light",sans-serif" lang="EN-US" style="color: #0070c0; font-size: 12pt; mso-ansi-language: EN-US; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">Hill</span><span face=""Calibri Light",sans-serif" lang="RU" style="color: #0070c0; font-size: 12pt; mso-ansi-language: RU; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">, я натиснув на
точку акупунктури індустріального міста Тайбей. Наша скромна будівельна робота
була тією голкою, яка проникла крізь тонкий шар офіційного контролю й
торкнулася первісної землі Тайбею — колективного верхнього шару ґрунту, де
вкорінюються знання про місцевість. Пагорб скарбів — це міський компост, який
вважався смердючим куточком міста, але після деякого повороту тепер забезпечує
найродючіший верхній шар ґрунту для майбутнього розвитку. </span><span face=""Calibri Light",sans-serif" lang="EN-US" style="color: #0070c0; font-size: 12pt; mso-ansi-language: EN-US; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">Тайванці називають цю органічну енергію «Чі».</span></p>
<p class="MsoNormal" style="background: white; line-height: 150%; margin-bottom: 0cm; text-align: justify;"><b><span face=""Calibri Light",sans-serif" lang="EN-US" style="color: black; font-size: 12pt; line-height: 150%; mso-ansi-language: EN-US; mso-color-alt: windowtext; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">Ruin Academy</span></b></p>
<p class="MsoNormal" style="background: white; line-height: 150%; margin-bottom: 0cm; text-align: justify;"><span face=""Calibri Light",sans-serif" lang="EN-GB" style="color: black; font-size: 12pt; line-height: 150%; mso-ansi-language: EN-GB; mso-color-alt: windowtext; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">After working with Treasure Hill and learning from Missis Chen, who for
me was the Professor of Local Knowledge, I wanted to research more of the local
knowledges of Taipei and find more local knowledge professors – old fishermen,
urban farmers, temple builders, urban nomads, and more. For this research we set
up the Ruin Academy. It is an Open Form independent research centre in the
heart of Taipei occupying and abandoned 5-story apartment house. All the
interior walls, doors and windows of the building are removed. It is stripped
to its primary structure. Instead of windows we have bamboo growing through the
window opening. The whole building is penetrated by 15 cm wide holes in order
to let rain inside. If you have topsoil, light and water, things can grow. Also,
the basement is blown open so that we could reach the original ground and grow
trees from it. </span><span face=""Calibri Light",sans-serif" lang="EN-GB" style="font-size: 12pt; line-height: 150%; mso-ansi-language: EN-GB; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;"><o:p></o:p></span></p>
<p class="MsoNormal" style="background: white; line-height: normal; margin-bottom: 0cm; text-align: justify;"><b><span face=""Calibri Light",sans-serif" lang="EN-GB" style="color: #0070c0; font-size: 12pt; mso-ansi-language: EN-GB; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">Академія
руїни</span></b></p>
<p class="MsoNormal" style="background: white; line-height: normal; margin-bottom: 0cm; text-align: justify;"><span face=""Calibri Light",sans-serif" lang="EN-GB" style="color: #0070c0; font-size: 12pt; mso-ansi-language: EN-GB; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">Після роботи
з Пагорбом скарбів і навчання від місіс Чен, яка для мене була професором
місцевих знань, я хотів більше дослідити місцеві знання Тайбею та знайти більше
місцевих професорів – старих рибалок, міських фермерів, будівельників храмів,
міських кочівників. , і більше. Для цього дослідження ми створили Ruin Academy.
Це незалежний дослідницький центр відкритої форми в самому центрі Тайбея, який
займає покинутий 5-поверховий житловий будинок. </span><span face=""Calibri Light",sans-serif" lang="RU" style="color: #0070c0; font-size: 12pt; mso-ansi-language: RU; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">З
будівлі демонтовано всі внутрішні стіни, двері та вікна. Його роздягають до
первинної структури. Замість вікон у нас у віконний отвір росте бамбук. Вся
будівля пронизана отворами шириною 15 см для проходження дощу. Якщо у вас є
верхній шар ґрунту, світло та вода, все може рости. Крім того, підвал
розірвано, щоб ми могли дістатися до первісної землі та виростити з неї дерева.<o:p></o:p></span></p><p class="MsoNormal" style="background: white; line-height: normal; margin-bottom: 0cm; text-align: justify;"></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg0hpiS7Ob_AlxTSZXpwCeonXv2c6a8RZsk-y2kyNgRmXfQkocCN1O9UwdfXCZO52tnNBPXwshj14AfzsBt7nyBs38NSn9Er2RVTV2m32cY5w1swLGw_-Rd-l8_ThDRoTpvqH4hS_UPO9TNND28IpmKfjrMQ6HlPcu64wAXudmLxGm8dxxz3WOXjoIKP9iN/s1918/Ruin%20Academy_Section_Marco%20Casagrande.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1357" data-original-width="1918" height="452" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg0hpiS7Ob_AlxTSZXpwCeonXv2c6a8RZsk-y2kyNgRmXfQkocCN1O9UwdfXCZO52tnNBPXwshj14AfzsBt7nyBs38NSn9Er2RVTV2m32cY5w1swLGw_-Rd-l8_ThDRoTpvqH4hS_UPO9TNND28IpmKfjrMQ6HlPcu64wAXudmLxGm8dxxz3WOXjoIKP9iN/w640-h452/Ruin%20Academy_Section_Marco%20Casagrande.jpg" width="640" /></a></div><p></p><p class="MsoNormal" style="background: white; line-height: 150%; margin-bottom: 0cm; text-align: justify;"><span face=""Calibri Light",sans-serif" lang="EN-GB" style="color: black; font-size: 12pt; line-height: 150%; mso-ansi-language: EN-GB; mso-color-alt: windowtext; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">Ruin Academy is operating in cooperation with the Taipei City Government
Department of Urban Development on issues that the DUD cannot officially deal
with, such as un-official settlements, citizen generated urban farms and urban
ecological restoration from the Local Knowledge point of view. It is a
cross-disciplinary research and design centre working with Local Knowledge
towards the Third Generation City. Teams of students and researchers are
working and living in this ruin and on the top floor they have a public sauna.
The operators come from different backgrounds and form multi-disciplinary teams
for specific research questions and urban challenges. Quite often their
backgrounds are from architecture, landscape architecture, sociology,
anthropology, humanistic sciences, and engineering. Ruin Academy is cooperating
with various Taiwanese and international universities, mainly with the Tamkang
University and the National Taiwan University in Taiwan, Aalto University
Sustainable Global Technologies centre in Finland and International Society of
Biourbanism in Italy. </span><span face=""Calibri Light",sans-serif" lang="EN-US" style="color: black; font-size: 12pt; line-height: 150%; mso-ansi-language: EN-US; mso-color-alt: windowtext; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">The focus is on Urban Acupuncture and the theory of
<a style="mso-comment-date: 20180925T1824; mso-comment-done: yes; mso-comment-reference: AR_1;">the Third Generation City</a></span><span class="MsoCommentReference"><span style="color: black; font-size: 8pt; line-height: 150%; mso-color-alt: windowtext;"><!--[if !supportAnnotations]--><a class="msocomanchor" href="file:///E:/mc_1/projects/Harkova/%D0%9C%D1%96%D1%81%D1%82%D0%BE%20%D1%82%D1%80%D0%B5%D1%82%D1%8C%D0%BE%D0%B3%D0%BE%20%D0%BF%D0%BE%D0%BA%D0%BE%D0%BB%D1%96%D0%BD%D0%BD%D1%8F_%D0%9C%D0%90%D0%A0%D0%9A%D0%90%20%D0%9A%D0%90%D0%97%D0%90%D0%93%D0%A0%D0%90%D0%9D%D0%94%D0%95_O.M.%20Beketov%20National%20University_Kharkiv_Marco%20Casagrande_23.10.2023.docx#_msocom_1" id="_anchor_1" language="JavaScript" name="_msoanchor_1">[AR1]</a><!--[endif]--><span style="mso-special-character: comment;"> </span></span></span><span face=""Calibri Light",sans-serif" lang="EN-US" style="color: black; font-size: 12pt; line-height: 150%; mso-ansi-language: EN-US; mso-color-alt: windowtext; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">. </span><span face=""Calibri Light",sans-serif" lang="EN-US" style="font-size: 12pt; line-height: 150%; mso-ansi-language: EN-US; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;"><o:p></o:p></span></p>
<p class="MsoNormal" style="background: white; line-height: normal; margin-bottom: 0cm; text-align: justify;"><span face=""Calibri Light",sans-serif" lang="EN-GB" style="color: #0070c0; font-size: 12pt; mso-ansi-language: EN-GB; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">Ruin Academy
співпрацює з Департаментом міського розвитку міста Тайбей у питаннях, якими DUD
офіційно не може займатися, наприклад, неофіційні поселення, міські ферми,
створені громадянами, і міське екологічне відновлення з точки зору місцевих
знань. </span><span face=""Calibri Light",sans-serif" lang="RU" style="color: #0070c0; font-size: 12pt; mso-ansi-language: RU; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">Це міждисциплінарний дослідницький та дизайнерський
центр, який працює з місцевими знаннями для міста третього покоління. Команди
студентів і дослідників працюють і живуть у цих руїнах, а на верхньому поверсі
у них є громадська сауна. Оператори походять з різних професій і утворюють
міждисциплінарні команди для конкретних дослідницьких питань і міських проблем.
Досить часто вони мають освіту в галузі архітектури, ландшафтної архітектури,
соціології, антропології, гуманітарних наук та інженерії. </span><span face=""Calibri Light",sans-serif" lang="EN-GB" style="color: #0070c0; font-size: 12pt; mso-ansi-language: EN-GB; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">Ruin</span><span face=""Calibri Light",sans-serif" lang="EN-GB" style="color: #0070c0; font-size: 12pt; mso-ansi-language: RU; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;"> </span><span face=""Calibri Light",sans-serif" lang="EN-GB" style="color: #0070c0; font-size: 12pt; mso-ansi-language: EN-GB; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">Academy</span><span face=""Calibri Light",sans-serif" lang="RU" style="color: #0070c0; font-size: 12pt; mso-ansi-language: RU; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;"> співпрацює з
різними тайванськими та міжнародними університетами, головним чином з
Університетом Тамканг і Національним університетом Тайваню в Тайвані, Центром
стійких глобальних технологій Університету Аалто у Фінляндії та Міжнародним
товариством біоурбанізму в Італії. Основна увага приділяється міській
акупунктурі та теорії міста третього покоління.<o:p></o:p></span></p>
<p class="MsoNormal" style="background: white; line-height: 150%; margin-bottom: 0cm; text-align: justify;"><span face=""Calibri Light",sans-serif" lang="EN-GB" style="color: black; font-size: 12pt; line-height: 150%; mso-ansi-language: EN-GB; mso-color-alt: windowtext; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">On a crack of outside wall of the Ruin Academy is growing this little
tree. We have been following this tree since 2010 and it has not grown an inch.
It knows exactly how much topsoil the winds are bringing, how is the rain and
how bad are the typhoons. It has stayed as it is, this is the existence
maximum. This tree is an urban bonsai. It is growing from man-made architecture
and in urban environment, producing life. Around the corner, from the wall,
grows another tree. Same species as the little urban bonsai, but this on is 5
floors high, but the roots are not touching ground. They go into the building.
We asked a construction specialist to find out, where the roots are going? He
was using some kind of scanning machine and after some days reported back to
us, that there are two sets of roots. One set is going into the concrete slabs
of the building and using the concrete frame as the primary structure. The
other set of roots is going to the water and sewage system of the building from
where the tree is taking its energy. It knows exactly how much toilet and water
the people are using and is living from it. After hearing this the residents of
the building got scared and asked us to remove the tree. The construction
specialist said, that if the roots in the concrete slabs would dry the whole
building might come down. The tree needs to stay. The tree and the building are
in the Third Generation City condition. The tree is existing because of the
building and the city, and the building has become part of nature. I once
presented this tree to Professor Juhani Pallasmaa and he was shocked: What are
these senses that this tree is using to understand architecture?</span><span face=""Calibri Light",sans-serif" lang="EN-GB" style="font-size: 12pt; line-height: 150%; mso-ansi-language: EN-GB; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;"><o:p></o:p></span></p>
<p class="MsoNormal" style="background: white; line-height: normal; margin-bottom: 0cm; text-align: justify;"><span face=""Calibri Light",sans-serif" lang="RU" style="color: #0070c0; font-size: 12pt; mso-ansi-language: RU; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">На тріщині
зовнішньої стіни Академії руїн росте це маленьке деревце. Ми стежимо за цим
деревом з 2010 року, і воно не виросло ні на дюйм. Він точно знає, скільки
верхнього шару ґрунту приносять вітри, який дощ і наскільки сильні тайфуни. Так
і залишилося, це максимум існування. Це дерево є міським бонсай. Він росте з
рукотворної архітектури та в міському середовищі, створюючи життя. За рогом,
від стіни, росте ще одне дерево. Той самий вид, що й маленький міський бонсай,
але він має висоту 5 поверхів, але коріння не торкається землі. Вони заходять у
будівлю. Ми звернулися до фахівця-будівельника, щоб дізнатися, куди йде
коріння? Він використовував якийсь скануючий пристрій і через кілька днів
повідомив нам, що існує два набори коренів. Один комплект входить у бетонні
плити будівлі та використовує бетонний каркас як основну структуру. Інший набір
коренів прямує до системи водопостачання та каналізації будівлі, звідки дерево
бере свою енергію. Він точно знає, скільки туалету та води використовують люди,
і живе за рахунок цього. Почувши це, мешканці будинку злякалися і попросили
прибрати дерево. Будівельник сказав, що якщо коріння в бетонних плитах засохне,
то може впасти вся будівля. Дерево має залишитися. Дерево та будівля
знаходяться в стані міста третього покоління. Дерево існує завдяки будівлі та
місту, а будівля стала частиною природи. Одного разу я подарував це дерево
професору Юхані Палласмаа, і він був шокований: що це за органи чуття, за
допомогою яких це дерево розуміє архітектуру?</span></p>
<p class="MsoNormal" style="background: white; line-height: 150%; margin-bottom: 0cm; text-align: justify;"><span face=""Calibri Light",sans-serif" lang="EN-GB" style="color: black; font-size: 12pt; line-height: 150%; mso-ansi-language: EN-GB; mso-color-alt: windowtext; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">Ruin is when something man-made has become part of nature – in
architectonic or urban scale. In nature this ruining process happens in all the
scales. The only rule of nature is Existence Maximum, maximal life production
in the given conditions. This life providing system wans also to ruin the city,
it wants the city to become part of nature. Otherwise, the city is pollution. Same
goes to architecture.</span><span face=""Calibri Light",sans-serif" lang="EN-GB" style="font-size: 12pt; line-height: 150%; mso-ansi-language: EN-GB; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;"><o:p></o:p></span></p>
<p class="MsoNormal" style="background: white; line-height: normal; margin-bottom: 0cm; text-align: justify;"><b><span face=""Calibri Light",sans-serif" lang="EN-GB" style="color: #0070c0; font-size: 12pt; mso-ansi-language: EN-GB; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">Руїна – це
коли щось створене людиною стало частиною природи – в архітектурному чи
міському масштабі. </span></b><b><span face=""Calibri Light",sans-serif" lang="RU" style="color: #0070c0; font-size: 12pt; mso-ansi-language: RU; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">У природі цей
процес руйнування відбувається у всіх масштабах. Єдиним правилом природи є </span></b><b><span face=""Calibri Light",sans-serif" lang="EN-GB" style="color: #0070c0; font-size: 12pt; mso-ansi-language: EN-GB; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">Existence</span></b><b><span face=""Calibri Light",sans-serif" lang="EN-GB" style="color: #0070c0; font-size: 12pt; mso-ansi-language: RU; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">
</span></b><b><span face=""Calibri Light",sans-serif" lang="EN-GB" style="color: #0070c0; font-size: 12pt; mso-ansi-language: EN-GB; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">Maximum</span></b><b><span face=""Calibri Light",sans-serif" lang="RU" style="color: #0070c0; font-size: 12pt; mso-ansi-language: RU; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">,
максимальне виробництво життя в даних умовах. Ця система забезпечення життя
також хоче зруйнувати місто, вона хоче, щоб місто стало частиною природи. </span></b><b><span face=""Calibri Light",sans-serif" lang="EN-GB" style="color: #0070c0; font-size: 12pt; mso-ansi-language: EN-GB; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">Інакше місто забруднене. Те саме стосується
архітектури.<o:p></o:p></span></b></p>
<p class="MsoNormal" style="background: white; line-height: 150%; margin-bottom: 0cm; text-align: justify;"><span face=""Calibri Light",sans-serif" lang="EN-GB" style="color: black; font-size: 12pt; line-height: 150%; mso-ansi-language: EN-GB; mso-color-alt: windowtext; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">And this is what normal people do. They are also ruining the city. This
is a community garden next to the Taipei World Trade Centre. This is the most
expensive land in Taipei City. Three big banks have been fighting over it for
decades and none of them has gained control, so the anarchist grandmother have
attacked in. They have changed this idle spot of urban materialism into a
community garden and are faming in the city day after day. Also the school kids
come after the school day to the urban farm helping carrying water, weeding and
making homework. The elders are taking care of them and the same time passing
on the Local Knowledge. This is an urban acupuncture point in the thin
industrial tissue of Taipei, penetrating the thin layers of asphalt and
concrete, touching the original ground.</span><span face=""Calibri Light",sans-serif" lang="EN-GB" style="font-size: 12pt; line-height: 150%; mso-ansi-language: EN-GB; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;"><o:p></o:p></span></p>
<p class="MsoNormal" style="background: white; line-height: normal; margin-bottom: 0cm; text-align: justify;"><span face=""Calibri Light",sans-serif" lang="RU" style="color: #0070c0; font-size: 12pt; mso-ansi-language: RU; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">І так роблять
нормальні люди. Вони також руйнують місто. Це громадський сад поруч із
Всесвітнім торговим центром Тайбея. Це найдорожча земля в місті Тайбей. Три
великі банки сварилися за нього десятиліттями, але жоден з них не отримав
контролю, тож бабуся-анархістка напала. Вони перетворили це пусте місце
міського матеріалізму на громадський сад і користуються славою в місті день за
днем. Також школярі приходять після шкільного дня на міську ферму, допомагають
носити воду, прополювати та робити уроки. Старійшини піклуються про них і
водночас передають Місцеві знання. Це міська точка акупунктури в тонкій
індустріальній тканині Тайбея, яка проникає крізь тонкі шари асфальту та
бетону, торкаючись первісної землі.<o:p></o:p></span></p><p class="MsoNormal" style="background: white; line-height: normal; margin-bottom: 0cm; text-align: justify;"></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiryXvhZ8LMucy23NINkHDeynyJ3_dftQ-IcNOAU_K82SDu1mSYxcPH8WcP-DpfcbT0hByVOyRZf2jKhcaCuhXTGc9t4mmFU-9vHbQEPU-Whzg_q8lqdNI40exHsKwZt_p3SbRdVwNMVHj_3vA_jTBghXF0l2uDF1k7RnuhKyGgtCcbxPUfDljnf7W2GkTb/s2048/101%20Garden_Taipei.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1536" data-original-width="2048" height="480" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiryXvhZ8LMucy23NINkHDeynyJ3_dftQ-IcNOAU_K82SDu1mSYxcPH8WcP-DpfcbT0hByVOyRZf2jKhcaCuhXTGc9t4mmFU-9vHbQEPU-Whzg_q8lqdNI40exHsKwZt_p3SbRdVwNMVHj_3vA_jTBghXF0l2uDF1k7RnuhKyGgtCcbxPUfDljnf7W2GkTb/w640-h480/101%20Garden_Taipei.jpg" width="640" /></a></div><span style="font-size: 12pt;">In Taipei, the citizens ruin the centrally governed, official mechanical
city with unofficial networks of urban farms and community gardens. They occupy
streets for night markets and second-hand markets, and activate idle urban
spaces for karaoke, gambling, and collective exercises (dancing, Tai-Chi,
Chi-Gong, et cetera). They build illegal extensions to apartment buildings and
dominate the urban no man’s land by self-organized, unofficial settlements,
such as Treasure Hill. The official city is the source of pollution, while the
self-organized activities are humbler in terms of material energy-flows and
more tied with nature through the traditions of Local Knowledge. There is a
natural resistance towards the official city. It is viewed as an abstract
entity that seems to threaten people’s sense of community and separates them
from the biological circulations.</span><p></p>
<p class="MsoNormal" style="background: white; line-height: normal; margin-bottom: 0cm; text-align: justify;"><span face=""Calibri Light",sans-serif" lang="EN-US" style="color: #0070c0; font-size: 12pt; mso-ansi-language: EN-US; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">У Тайбеї
громадяни руйнують центральне, офіційне механічне місто з неофіційними мережами
міських ферм і громадських садів. Вони займають вулиці під нічні ринки та ринки
секонд-хенду, а також активують незадіяні міські простори для караоке, азартних
ігор і колективних вправ (танці, тай-чі, чі-гун тощо). </span><span face=""Calibri Light",sans-serif" lang="RU" style="color: #0070c0; font-size: 12pt; mso-ansi-language: RU; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">Вони
будують незаконні прибудови до багатоквартирних будинків і домінують на міських
нічийних землях шляхом самоорганізованих неофіційних поселень, таких як Пагорб скарбів.
Офіційне місто є джерелом забруднення, тоді як самоорганізована діяльність
скромніша з точки зору потоків матеріальної енергії та більше пов’язана з
природою через традиції Місцевого Знання. Існує природний опір офіційному
місту. Його розглядають як абстрактну сутність, яка, здається, загрожує почуттю
спільноти людей і відокремлює їх від біологічних кругообігів.<o:p></o:p></span></p>
<p class="MsoNormal" style="background: white; line-height: 150%; margin-bottom: 0cm; text-align: justify;"><span face=""Calibri Light",sans-serif" lang="EN-US" style="color: black; font-size: 12pt; line-height: 150%; mso-ansi-language: EN-US; mso-color-alt: windowtext; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">And here are all the un-official settlements, urban farms, and community
gardens of Taipei. This is a real map of Urban Acupuncture. Punctual,
un-official, and community driven interventions of the official city tuning the
city towards the organic, the Third Generation City. </span><span face=""Calibri Light",sans-serif" lang="EN-US" style="font-size: 12pt; line-height: 150%; mso-ansi-language: EN-US; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;"><o:p></o:p></span></p>
<p class="MsoNormal" style="background: white; line-height: normal; margin-bottom: 0cm; text-align: justify;"><span face=""Calibri Light",sans-serif" lang="EN-US" style="color: #0070c0; font-size: 12pt; mso-ansi-language: EN-US; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">І тут усі
неофіційні поселення, міські ферми та громадські сади Тайбею. Це справжня карта
міської акупунктури. Пунктуальні, неофіційні та керовані громадою втручання
офіційного міста, які налаштовують місто на органічне, місто третього
покоління.<o:p></o:p></span></p><p class="MsoNormal" style="background: white; line-height: normal; margin-bottom: 0cm; text-align: justify;"></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhHa2kFClUYoXzUN0YwsU1W9pJqfCoR4N7n6QgOD1QE4ilurZ0iB7EV3o3Sx3D8Zvhrh0WGb9ZOXmTNZQiCOwkhuMRrVX5Ddj0YMXLjSuntq963tatiQXBZUclEAkPYOTg2Jq724D1SfTPfzXLN77g-TD2np1YUMevHUaHJBC9wMPCsnzlzMOA0Pes3YLFX/s643/Urban%20Acupuncture_Casagrande.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="560" data-original-width="643" height="558" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhHa2kFClUYoXzUN0YwsU1W9pJqfCoR4N7n6QgOD1QE4ilurZ0iB7EV3o3Sx3D8Zvhrh0WGb9ZOXmTNZQiCOwkhuMRrVX5Ddj0YMXLjSuntq963tatiQXBZUclEAkPYOTg2Jq724D1SfTPfzXLN77g-TD2np1YUMevHUaHJBC9wMPCsnzlzMOA0Pes3YLFX/w640-h558/Urban%20Acupuncture_Casagrande.jpg" width="640" /></a></div><span style="font-size: 12pt;">The first-generation city is the one where the human settlements are in
straight connection with nature and dependent on nature. The fertile and rich
Taipei Basin provided a fruitful environment for such a settlement. The rivers
were full of fish and good for transportation, with the mountains protecting
the farmed plains from the straightest hits of the frequent typhoons.</span><p></p>
<p class="MsoNormal" style="background: white; line-height: normal; margin-bottom: 0cm; text-align: justify;"><span face=""Calibri Light",sans-serif" lang="RU" style="color: #0070c0; font-size: 12pt; mso-ansi-language: RU; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">Місто першого
покоління – це місто, де людські поселення перебувають у прямому зв’язку з
природою та залежать від природи. Родючий і багатий басейн Тайбей забезпечив
плідне середовище для такого поселення. Річки були повні риби та зручні для
транспортування, а гори захищали оброблені рівнини від найпряміших ударів
частих тайфунів.<o:p></o:p></span></p>
<p class="MsoNormal" style="background: white; line-height: 150%; margin-bottom: 0cm; text-align: justify;"><span face=""Calibri Light",sans-serif" lang="EN-US" style="color: black; font-size: 12pt; line-height: 150%; mso-ansi-language: EN-US; mso-color-alt: windowtext; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">The second-generation city is the industrial city. Industrialism granted
the citizens independence from nature—a mechanical environment could provide
everything humans need. Nature was seen as something unnecessary or as
something hostile—it was walled away from the mechanical reality.</span></p>
<p class="MsoNormal" style="background: white; line-height: 150%; margin-bottom: 0cm; text-align: justify;"><span face=""Calibri Light",sans-serif" lang="EN-US" style="color: black; font-size: 12pt; line-height: 150%; mso-ansi-language: EN-US; mso-color-alt: windowtext; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">The Third Generation City is the organic ruin of the industrial city, an
open form, an organic machine tied with Local Knowledge and self-organized
community actions. The community gardens of Taipei are fragments of third
generation urbanism when they exist together with their industrial
surroundings. Local Knowledge is present in the city, and this is where Urban
Acupuncture is rooting. Among the anarchist gardeners are the Local Knowledge
professors of Taipei.</span><span face=""Calibri Light",sans-serif" lang="EN-US" style="font-size: 12pt; line-height: 150%; mso-ansi-language: EN-US; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;"><o:p></o:p></span></p>
<p class="MsoNormal" style="background: white; line-height: normal; margin-bottom: 0cm; text-align: justify;"><span face=""Calibri Light",sans-serif" lang="RU" style="color: #0070c0; font-size: 12pt; mso-ansi-language: RU; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">Місто другого
покоління – промислове місто. Індустріалізм надав громадянам незалежність від
природи — механічне середовище могло забезпечити все, що потрібно людям.
Природа розглядалася як щось непотрібне або як щось вороже — вона була
відгороджена стіною від механічної реальності.</span></p>
<p class="MsoNormal" style="background: white; line-height: normal; margin-bottom: 0cm; text-align: justify;"><span face=""Calibri Light",sans-serif" lang="RU" style="color: #0070c0; font-size: 12pt; mso-ansi-language: RU; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">Місто третього покоління
— це органічні руїни індустріального міста, відкрита форма, органічна машина,
пов’язана з місцевими знаннями та самоорганізованими діями громади. Громадські
сади Тайбея є фрагментами урбанізму третього покоління, коли вони існують разом
із промисловим оточенням. Місцеві знання присутні в місті, і саме тут
укорінюється </span><span face=""Calibri Light",sans-serif" lang="EN-GB" style="color: #0070c0; font-size: 12pt; mso-ansi-language: EN-GB; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">Urban</span><span face=""Calibri Light",sans-serif" lang="EN-GB" style="color: #0070c0; font-size: 12pt; mso-ansi-language: RU; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;"> </span><span face=""Calibri Light",sans-serif" lang="EN-GB" style="color: #0070c0; font-size: 12pt; mso-ansi-language: EN-GB; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">Acupuncture</span><span face=""Calibri Light",sans-serif" lang="RU" style="color: #0070c0; font-size: 12pt; mso-ansi-language: RU; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">. Серед
садівників-анархістів є професори місцевих знань Тайбею.</span></p>
<p class="MsoNormal" style="background: white; line-height: 150%; margin-bottom: 0cm; text-align: justify;"><span face=""Calibri Light",sans-serif" lang="EN-US" style="color: black; font-size: 12pt; line-height: 150%; mso-ansi-language: EN-US; mso-color-alt: windowtext; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">The</span><span face=""Calibri Light",sans-serif" lang="EN-US" style="color: black; font-size: 12pt; line-height: 150%; mso-ansi-language: RU; mso-color-alt: windowtext; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;"> </span><span face=""Calibri Light",sans-serif" lang="EN-US" style="color: black; font-size: 12pt; line-height: 150%; mso-ansi-language: EN-US; mso-color-alt: windowtext; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">Third</span><span face=""Calibri Light",sans-serif" lang="EN-US" style="color: black; font-size: 12pt; line-height: 150%; mso-ansi-language: RU; mso-color-alt: windowtext; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;"> </span><span face=""Calibri Light",sans-serif" lang="EN-US" style="color: black; font-size: 12pt; line-height: 150%; mso-ansi-language: EN-US; mso-color-alt: windowtext; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">Generation</span><span face=""Calibri Light",sans-serif" lang="EN-US" style="color: black; font-size: 12pt; line-height: 150%; mso-ansi-language: RU; mso-color-alt: windowtext; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;"> </span><span face=""Calibri Light",sans-serif" lang="EN-US" style="color: black; font-size: 12pt; line-height: 150%; mso-ansi-language: EN-US; mso-color-alt: windowtext; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">City</span><span face=""Calibri Light",sans-serif" lang="EN-US" style="color: black; font-size: 12pt; line-height: 150%; mso-ansi-language: RU; mso-color-alt: windowtext; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;"> </span><span face=""Calibri Light",sans-serif" lang="EN-US" style="color: black; font-size: 12pt; line-height: 150%; mso-ansi-language: EN-US; mso-color-alt: windowtext; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">is</span><span face=""Calibri Light",sans-serif" lang="EN-US" style="color: black; font-size: 12pt; line-height: 150%; mso-ansi-language: RU; mso-color-alt: windowtext; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;"> </span><span face=""Calibri Light",sans-serif" lang="EN-US" style="color: black; font-size: 12pt; line-height: 150%; mso-ansi-language: EN-US; mso-color-alt: windowtext; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">a</span><span face=""Calibri Light",sans-serif" lang="EN-US" style="color: black; font-size: 12pt; line-height: 150%; mso-ansi-language: RU; mso-color-alt: windowtext; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;"> </span><span face=""Calibri Light",sans-serif" lang="EN-US" style="color: black; font-size: 12pt; line-height: 150%; mso-ansi-language: EN-US; mso-color-alt: windowtext; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">city</span><span face=""Calibri Light",sans-serif" lang="EN-US" style="color: black; font-size: 12pt; line-height: 150%; mso-ansi-language: RU; mso-color-alt: windowtext; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;"> </span><span face=""Calibri Light",sans-serif" lang="EN-US" style="color: black; font-size: 12pt; line-height: 150%; mso-ansi-language: EN-US; mso-color-alt: windowtext; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">of</span><span face=""Calibri Light",sans-serif" lang="EN-US" style="color: black; font-size: 12pt; line-height: 150%; mso-ansi-language: RU; mso-color-alt: windowtext; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;"> </span><span face=""Calibri Light",sans-serif" lang="EN-US" style="color: black; font-size: 12pt; line-height: 150%; mso-ansi-language: EN-US; mso-color-alt: windowtext; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">cracks</span><span face=""Calibri Light",sans-serif" lang="RU" style="color: black; font-size: 12pt; line-height: 150%; mso-ansi-language: RU; mso-color-alt: windowtext; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">. </span><span face=""Calibri Light",sans-serif" lang="EN-US" style="color: black; font-size: 12pt; line-height: 150%; mso-ansi-language: EN-US; mso-color-alt: windowtext; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">The thin mechanical surface of the industrial city is shattered, and
from these cracks the new bio-urban growth emerges, which will ruin the second-generation
city. Human-industrial control is opened up in order for nature to step in. A
ruin is when the manmade has become part of nature. In the Third Generation
City, we aim at designing ruins. The Third Generation City is true when the
city recognizes its local knowledge and allows itself to be part of nature.</span><span lang="EN-US" style="color: black; mso-ansi-language: EN-GB; mso-color-alt: windowtext; mso-no-proof: yes;"> </span><span lang="EN-GB" style="mso-ansi-language: EN-GB; mso-no-proof: yes;"><o:p></o:p></span></p>
<p class="MsoNormal" style="background: white; line-height: 150%; margin-bottom: 0cm; text-align: justify;"><span face=""Calibri Light",sans-serif" lang="RU" style="color: #0070c0; font-size: 12pt; line-height: 150%; mso-ansi-language: RU; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">Місто третього
покоління – це місто тріщин. Тонка механічна поверхня індустріального міста
розбивається, і з цих тріщин виникає нове біоміське зростання, яке знищить
місто другого покоління. Людино-промисловий контроль відкривається для того,
щоб природа втрутилася. Руїна – це коли створене людиною стало частиною
природи. У місті третього покоління ми націлені на проектування руїн. Місто
третього покоління є справжнім, коли місто визнає свої місцеві знання та
дозволяє собі бути частиною природи.<o:p></o:p></span></p><p class="MsoNormal" style="background: white; line-height: 150%; margin-bottom: 0cm; text-align: justify;"></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgdA_99y5q0XxNouyAoEBJlmk9POlae-24wNzMYIxdICoqlU_KCM9qYwEXDFQYhohRlz8PeT33HqHKKtMN_1-9gwUmccJ-zbtiUAASJzcR2uDuEliXfxuYHVeCrNvx4dAgBfTqbCmo4bClG4B5ekmxsDO0KmEF1CGppNhgZtMnNMp8ninkkbttAZ8VN8edI/s1092/Ruin%20Academy_Casagrande_1s.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="728" data-original-width="1092" height="426" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgdA_99y5q0XxNouyAoEBJlmk9POlae-24wNzMYIxdICoqlU_KCM9qYwEXDFQYhohRlz8PeT33HqHKKtMN_1-9gwUmccJ-zbtiUAASJzcR2uDuEliXfxuYHVeCrNvx4dAgBfTqbCmo4bClG4B5ekmxsDO0KmEF1CGppNhgZtMnNMp8ninkkbttAZ8VN8edI/w640-h426/Ruin%20Academy_Casagrande_1s.JPG" width="640" /></a></div><p></p><p class="MsoNormal" style="background: white; line-height: 150%; margin-bottom: 0cm; text-align: justify;"><span face=""Calibri Light",sans-serif" lang="EN-US" style="color: black; font-size: 12pt; line-height: 150%; mso-ansi-language: EN-US; mso-color-alt: windowtext; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">The other unit of the Ruin Academy in Taiwan is set in an abandoned
Japanese sugar factory in the southern city of Taitung. In here we are
cooperating with local indigenous peoples, especially the Amis. The aim is to
understand, how this abandoned factory can become and Organic Machine,
basically a jungle providing food. The Amis have a lot of Local Knowledge what
comes to wild nature and harvesting food from the wilderness. Chinese are more
farming people. </span><span face=""Calibri Light",sans-serif" lang="EN-US" style="font-size: 12pt; line-height: 150%; mso-ansi-language: EN-US; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;"><o:p></o:p></span></p>
<p class="MsoNormal" style="background: white; line-height: normal; margin-bottom: 0cm; text-align: justify;"><span face=""Calibri Light",sans-serif" lang="EN-US" style="color: #0070c0; font-size: 12pt; mso-ansi-language: EN-US; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">Інший
підрозділ Ruin Academy на Тайвані розташований на покинутій японській цукровій
фабриці в південному місті Тайтунг. </span><span face=""Calibri Light",sans-serif" lang="RU" style="color: #0070c0; font-size: 12pt; mso-ansi-language: RU; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">Тут ми
співпрацюємо з місцевими корінними народами, особливо з амі. Мета полягає в
тому, щоб зрозуміти, як ця покинута фабрика може стати органічною машиною, по
суті, джунглями, що постачають їжу. Емі мають багато місцевих знань, які
стосуються дикої природи та збирання їжі в дикій природі. </span><span face=""Calibri Light",sans-serif" lang="EN-US" style="color: #0070c0; font-size: 12pt; mso-ansi-language: EN-US; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">Китайці більше займаються землеробством.<o:p></o:p></span></p>
<p class="MsoNormal" style="background: white; line-height: 150%; margin-bottom: 0cm; text-align: justify;"><span face=""Calibri Light",sans-serif" lang="EN-US" style="color: black; font-size: 12pt; line-height: 150%; mso-ansi-language: EN-US; mso-color-alt: windowtext; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">We are using the industrial infrastructure to harvest rain and storm
waters from the roof, storage the water, and direct it to the jungle. Also, the
roof is opened up so that the plants get more sunlight and insects and birds
can circulate. </span><span face=""Calibri Light",sans-serif" lang="EN-US" style="font-size: 12pt; line-height: 150%; mso-ansi-language: EN-US; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;"><o:p></o:p></span></p>
<p class="MsoNormal" style="background: white; line-height: normal; margin-bottom: 0cm; text-align: justify;"><span face=""Calibri Light",sans-serif" lang="RU" style="color: #0070c0; font-size: 12pt; mso-ansi-language: RU; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">Ми
використовуємо промислову інфраструктуру для збору дощової та зливової води з
даху, зберігання води та спрямування її в джунглі. Крім того, дах
відкривається, щоб рослини отримували більше сонячного світла, а комахи та
птахи могли циркулювати.</span></p>
<p class="MsoNormal" style="background: white; line-height: 150%; margin-bottom: 0cm; text-align: justify;"><span face=""Calibri Light",sans-serif" lang="EN-US" style="color: black; font-size: 12pt; line-height: 150%; mso-ansi-language: EN-US; mso-color-alt: windowtext; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">Some of the topics that we have been investigating so far with the Ruin
Academy: </span><span face=""Calibri Light",sans-serif" lang="EN-US" style="font-size: 12pt; line-height: 150%; mso-ansi-language: EN-US; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;"><o:p></o:p></span></p>
<p class="MsoNormal" style="background: white; line-height: 150%; margin-bottom: 0cm; text-align: justify;"><span face=""Calibri Light",sans-serif" lang="EN-US" style="color: black; font-size: 12pt; line-height: 150%; mso-ansi-language: EN-US; mso-color-alt: windowtext; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">ILLEGAL ARCHITECTURE</span><span face=""Calibri Light",sans-serif" lang="EN-US" style="font-size: 12pt; line-height: 150%; mso-ansi-language: EN-US; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;"><o:p></o:p></span></p>
<p class="MsoNormal" style="background: white; line-height: 150%; margin-bottom: 0cm; text-align: justify;"><span face=""Calibri Light",sans-serif" lang="EN-US" style="color: black; font-size: 12pt; line-height: 150%; mso-ansi-language: EN-US; mso-color-alt: windowtext; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">URBAN ACUPUNCTURE</span><span face=""Calibri Light",sans-serif" lang="EN-US" style="font-size: 12pt; line-height: 150%; mso-ansi-language: EN-US; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;"><o:p></o:p></span></p>
<p class="MsoNormal" style="background: white; line-height: 150%; margin-bottom: 0cm; text-align: justify;"><span face=""Calibri Light",sans-serif" lang="EN-US" style="color: black; font-size: 12pt; line-height: 150%; mso-ansi-language: EN-US; mso-color-alt: windowtext; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">RIVER URBANISM</span><span face=""Calibri Light",sans-serif" lang="EN-US" style="font-size: 12pt; line-height: 150%; mso-ansi-language: EN-US; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;"><o:p></o:p></span></p>
<p class="MsoNormal" style="background: white; line-height: 150%; margin-bottom: 0cm; text-align: justify;"><span face=""Calibri Light",sans-serif" lang="EN-US" style="color: black; font-size: 12pt; line-height: 150%; mso-ansi-language: EN-US; mso-color-alt: windowtext; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">URBAN NOMAD</span><span face=""Calibri Light",sans-serif" lang="EN-US" style="font-size: 12pt; line-height: 150%; mso-ansi-language: EN-US; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;"><o:p></o:p></span></p>
<p class="MsoNormal" style="background: white; line-height: 150%; margin-bottom: 0cm; text-align: justify;"><span face=""Calibri Light",sans-serif" lang="EN-US" style="color: black; font-size: 12pt; line-height: 150%; mso-ansi-language: EN-US; mso-color-alt: windowtext; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">PARASITE URBANISM</span><span face=""Calibri Light",sans-serif" lang="EN-US" style="font-size: 12pt; line-height: 150%; mso-ansi-language: EN-US; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;"><o:p></o:p></span></p>
<p class="MsoNormal" style="background: white; line-height: 150%; margin-bottom: 0cm; text-align: justify;"><span face=""Calibri Light",sans-serif" lang="EN-US" style="color: black; font-size: 12pt; line-height: 150%; mso-ansi-language: EN-US; mso-color-alt: windowtext; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">LOCAL KNOWLEDGE</span><span face=""Calibri Light",sans-serif" lang="EN-US" style="font-size: 12pt; line-height: 150%; mso-ansi-language: EN-US; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;"><o:p></o:p></span></p>
<p class="MsoNormal" style="background: white; line-height: 150%; margin-bottom: 0cm; text-align: justify;"><span face=""Calibri Light",sans-serif" lang="EN-US" style="color: black; font-size: 12pt; line-height: 150%; mso-ansi-language: EN-US; mso-color-alt: windowtext; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">ORGANIC MACHINE</span></p>
<p class="MsoNormal" style="background: white; line-height: 150%; margin-bottom: 0cm; text-align: justify;"><span face=""Calibri Light",sans-serif" lang="EN-GB" style="color: black; font-size: 12pt; line-height: 150%; mso-ansi-language: EN-GB; mso-color-alt: windowtext; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">All these topics are coming from people. They are not our self-generated
architectural theories. This is what the Anarchist Grandmothers do. </span><span face=""Calibri Light",sans-serif" lang="EN-GB" style="font-size: 12pt; line-height: 150%; mso-ansi-language: EN-GB; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;"><o:p></o:p></span></p>
<p class="MsoNormal" style="background: white; line-height: normal; margin-bottom: 0cm; text-align: justify;"><span face=""Calibri Light",sans-serif" lang="EN-GB" style="color: #0070c0; font-size: 12pt; mso-ansi-language: EN-GB; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">Деякі з тем,
які ми наразі досліджували з Ruin Academy:<o:p></o:p></span></p>
<p class="MsoNormal" style="background: white; line-height: normal; margin-bottom: 0cm; text-align: justify;"><span face=""Calibri Light",sans-serif" lang="RU" style="color: #0070c0; font-size: 12pt; mso-ansi-language: RU; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">НЕЗАКОННА
АРХІТЕКТУРА<o:p></o:p></span></p>
<p class="MsoNormal" style="background: white; line-height: normal; margin-bottom: 0cm; text-align: justify;"><span face=""Calibri Light",sans-serif" lang="RU" style="color: #0070c0; font-size: 12pt; mso-ansi-language: RU; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">МІСЬКА
АКУПУНКТУРА<o:p></o:p></span></p>
<p class="MsoNormal" style="background: white; line-height: normal; margin-bottom: 0cm; text-align: justify;"><span face=""Calibri Light",sans-serif" lang="RU" style="color: #0070c0; font-size: 12pt; mso-ansi-language: RU; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">РІЧКОВИЙ
УРБАНІЗМ<o:p></o:p></span></p>
<p class="MsoNormal" style="background: white; line-height: normal; margin-bottom: 0cm; text-align: justify;"><span face=""Calibri Light",sans-serif" lang="RU" style="color: #0070c0; font-size: 12pt; mso-ansi-language: RU; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">МІСЬКИЙ КОЧІВНИК<o:p></o:p></span></p>
<p class="MsoNormal" style="background: white; line-height: normal; margin-bottom: 0cm; text-align: justify;"><span face=""Calibri Light",sans-serif" lang="RU" style="color: #0070c0; font-size: 12pt; mso-ansi-language: RU; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">УРБАНІЗМ ПАРАЗИТ<o:p></o:p></span></p>
<p class="MsoNormal" style="background: white; line-height: normal; margin-bottom: 0cm; text-align: justify;"><span face=""Calibri Light",sans-serif" lang="RU" style="color: #0070c0; font-size: 12pt; mso-ansi-language: RU; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">КРАЄЗНАННЯ<o:p></o:p></span></p>
<p class="MsoNormal" style="background: white; line-height: normal; margin-bottom: 0cm; text-align: justify;"><span face=""Calibri Light",sans-serif" lang="RU" style="color: #0070c0; font-size: 12pt; mso-ansi-language: RU; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">ОРГАНІЧНА МАШИНА</span></p>
<p class="MsoNormal" style="background: white; line-height: normal; margin-bottom: 0cm; text-align: justify;"><span face=""Calibri Light",sans-serif" lang="RU" style="color: #0070c0; font-size: 12pt; mso-ansi-language: RU; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">Усі ці теми
виходять від людей. Вони не є нашими власними архітектурними теоріями. </span><span face=""Calibri Light",sans-serif" lang="EN-GB" style="color: #0070c0; font-size: 12pt; mso-ansi-language: EN-GB; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">Це те, що роблять бабусі-анархістки.</span></p>
<p class="MsoNormal" style="background: white; line-height: 150%; margin-bottom: 0cm; text-align: justify;"><b><span face=""Calibri Light",sans-serif" lang="EN-GB" style="color: black; font-size: 12pt; line-height: 150%; mso-ansi-language: EN-GB; mso-color-alt: windowtext; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">Bug Dome</span></b></p>
<p class="MsoNormal" style="background: white; line-height: 150%; margin-bottom: 0cm; text-align: justify;"><span face=""Calibri Light",sans-serif" lang="EN-GB" style="color: black; font-size: 12pt; line-height: 150%; mso-ansi-language: EN-GB; mso-color-alt: windowtext; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">This is an example what Local Knowledge can do. Some kind of insect
architecture. This is in Shenzhen China and the work is called Bug Dome (WEAK!
2009). All the Chinese cities are built by migrating workers coming from
countryside. Millions of people leaving behind their site-specific local
knowledges from around China, concentrating to construct the ever-growing
monotonous cities with zero sensitivity to nature. In Shenzhen we were in
dialog with migrating workers coming from the Guanxi province close to Vietnam
and asked them, what can you really build? They said that they can build
anything from bamboo. Then we asked that what would they like to build? They
said that they would like to have a community space to sing karaoke and hang
around.</span><span face=""Calibri Light",sans-serif" lang="EN-GB" style="font-size: 12pt; line-height: 150%; mso-ansi-language: EN-GB; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;"><o:p></o:p></span></p>
<p class="MsoNormal" style="background: white; line-height: normal; margin-bottom: 0cm; text-align: justify;"><span face=""Calibri Light",sans-serif" lang="EN-GB" style="color: #00b0f0; font-size: 12pt; mso-ansi-language: EN-GB; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">Купол Жука</span></p>
<p class="MsoNormal" style="background: white; line-height: normal; margin-bottom: 0cm; text-align: justify;"><span face=""Calibri Light",sans-serif" lang="EN-GB" style="color: #00b0f0; font-size: 12pt; mso-ansi-language: EN-GB; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">Це приклад
того, що може зробити Local Knowledge. Якась архітектура комах. Це в Шеньчжені,
Китай, і робота називається Bug Dome (WEAK! 2009). Усі китайські міста
побудовані робочими-мігрантами, які приїжджають із сіл. Мільйони людей
залишають свої місцеві знання з усього Китаю, зосереджуючись на будівництві
постійно зростаючих одноманітних міст без нульової чутливості до природи. У
Шеньчжені ми спілкувалися з робітниками-мігрантами з провінції Гуаньсі,
розташованої неподалік від В’єтнаму, і запитували їх, що ви можете побудувати? </span><span face=""Calibri Light",sans-serif" lang="RU" style="color: #00b0f0; font-size: 12pt; mso-ansi-language: RU; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">Вони сказали, що з бамбука можна побудувати що
завгодно. Тоді ми запитали, що б вони хотіли побудувати? Вони сказали, що
хотіли б мати громадський простір, щоб співати караоке та тусуватися.<o:p></o:p></span></p>
<p class="MsoNormal" style="background: white; line-height: 150%; margin-bottom: 0cm; text-align: justify;"><span face=""Calibri Light",sans-serif" lang="EN-GB" style="color: black; font-size: 12pt; line-height: 150%; mso-ansi-language: EN-GB; mso-color-alt: windowtext; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">There was an empty building site close to the Shenzhen – Hong Kong
biennale area which we decided to utilize and there was a way to obtain bamboo
for free. We were sketching 1:1 scale on the ground together with the Guangxi
workers to find out what kind of dimensions we could go. In the end we had a
very organic looking plan of a cocoon which was 34 meters long and 7 meters
wide and high. Then this was started to get constructed spontaneously using
only bamboo and piling soil outside the walls. It is a large bucket structure
with no nails or other alien connectors, just bamboo. During the process it
felt very whimsical and weak but when the cocoon was finished it suddenly
became structural. The construction process was more like weaving, very soft
and with simple repetitive moves, almost meditative. The building becomes a
mantra. I felt like an insect. </span><span face=""Calibri Light",sans-serif" lang="EN-GB" style="font-size: 12pt; line-height: 150%; mso-ansi-language: EN-GB; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;"><o:p></o:p></span></p>
<p class="MsoNormal" style="background: white; line-height: normal; margin-bottom: 0cm; text-align: justify;"><span face=""Calibri Light",sans-serif" lang="EN-GB" style="color: #00b0f0; font-size: 12pt; mso-ansi-language: EN-GB; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">Неподалік від
бієнале Шеньчжень – Гонконг був порожній будівельний майданчик, який ми
вирішили використати, і був спосіб отримати бамбук безкоштовно. </span><span face=""Calibri Light",sans-serif" lang="RU" style="color: #00b0f0; font-size: 12pt; mso-ansi-language: RU; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">Разом із працівниками Гуансі ми робили ескіз у
масштабі 1:1 на землі, щоб з’ясувати, які розміри ми можемо отримати. Зрештою
ми отримали дуже органічний план кокона довжиною 34 метри, шириною та висотою 7
метрів. Потім його почали спонтанно будувати, використовуючи лише бамбук і
насипаючи ґрунт поза стінами. Це велика ковшова конструкція без цвяхів чи інших
чужорідних з’єднань, просто бамбук. Під час процесу він був дуже химерним і
слабким, але коли кокон був закінчений, він раптом став структурним. Процес
будівництва був більше схожий на плетіння, дуже м’який і з простими повторюваними
рухами, майже медитативним. </span><span face=""Calibri Light",sans-serif" lang="EN-GB" style="color: #00b0f0; font-size: 12pt; mso-ansi-language: EN-GB; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">Будівля стає
мантрою. Я почувався комахою.<o:p></o:p></span></p><p class="MsoNormal" style="background: white; line-height: normal; margin-bottom: 0cm; text-align: justify;"></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEheV8zu16T4_Q4GD-YQ7-AHr8-PxUZbBBa1uKLiHVVL-JgY7Ip_haP7aGLNxZsmIkVlndd8kSiZ8uB04Oq14Q93mvanEpvqiNrxR-hLxVygglS_kObICcmmt2YjHWijQwuBf5t3tkAC3JvG5wvIvIkfh7khpjSeTxcsb7F3fHMgLydAZ14Do-lATYGyIEh2/s4288/Bug%20Dome_WEAK!_Shenzhen%20Biennale.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="2848" data-original-width="4288" height="426" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEheV8zu16T4_Q4GD-YQ7-AHr8-PxUZbBBa1uKLiHVVL-JgY7Ip_haP7aGLNxZsmIkVlndd8kSiZ8uB04Oq14Q93mvanEpvqiNrxR-hLxVygglS_kObICcmmt2YjHWijQwuBf5t3tkAC3JvG5wvIvIkfh7khpjSeTxcsb7F3fHMgLydAZ14Do-lATYGyIEh2/w640-h426/Bug%20Dome_WEAK!_Shenzhen%20Biennale.jpg" width="640" /></a></div><span face=""Calibri Light",sans-serif" lang="EN-GB" style="color: black; font-size: 12pt; line-height: 150%; mso-ansi-language: EN-GB; mso-color-alt: windowtext; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">This is weak architecture, but still so strong that when you enter, the
surrounding city immediately disappears. Weakness is one point of Local
Knowledge, in many ways, not to consume too much material, being flexible and
adapting to changes, and in a sense being organic – rather growing than
constructing. The micro-climate inside the cocoon is very pleasant. The outside
city is hot, dusty, noisy, and unpredictable. Inside the cocoon everything
becomes soft, and you can sense the space with many senses, it is safe and
familiar. “</span><span face=""Calibri Light",sans-serif" lang="EN-GB" style="background: rgb(251, 251, 251); color: #333333; font-size: 12pt; line-height: 150%; mso-ansi-language: EN-GB;">For softness is great and strength is worthless. When
a man is born, he is soft and pliable. When he dies, he is strong and hard.
When a tree grows, it is soft and pliable. But when it's dry and hard, it dies.
Hardness and strength are death's companions. Flexibility and softness are the
embodiment of life.</span><span face=""Calibri Light",sans-serif" lang="EN-GB" style="color: black; font-size: 12pt; line-height: 150%; mso-ansi-language: EN-GB; mso-color-alt: windowtext; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">” Stalker, Tarkovsky</span><p></p>
<p class="MsoNormal" style="background: white; line-height: 150%; margin-bottom: 0cm; text-align: justify;"><span face=""Calibri Light",sans-serif" lang="EN-GB" style="color: black; font-size: 12pt; line-height: 150%; mso-ansi-language: EN-GB; mso-color-alt: windowtext; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">In the evening the workers would put in one construction light and the
cocoon becomes a disco. Comparing the lines of this organic architecture to the
skyscraper behind tells a story of the simple steps of our architectural
generations and alienation from the organic.</span></p>
<p class="MsoNormal" style="background: white; line-height: 150%; margin-bottom: 0cm; text-align: justify;"><span face=""Calibri Light",sans-serif" lang="EN-GB" style="color: black; font-size: 12pt; line-height: 150%; mso-ansi-language: EN-GB; mso-color-alt: windowtext; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">But this is the biggest learning of the Bug Dome. When we were piling
the earth to the sides of the cocoon? I was asking the Guanxi people, why do we
do this? Is it a counterweight to the bamboo They just replied that you will
see. In a couple of weeks, the whole structure was covered with creepers and
wines. It disappeared completely from the city, and the micro-climate inside
became even more better. They knew this from the very beginning, and they let
the nature to finish the architecture. A big essence of Local Knowledge is to
regards nature as the co-architect, not to construct against it. Local
Knowledge has developed patterns and tectonics to communicate with nature.
Local Knowledge is a language, or at least part of a language – nature is the
only full language.</span><span face=""Calibri Light",sans-serif" lang="EN-GB" style="font-size: 12pt; line-height: 150%; mso-ansi-language: EN-GB; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;"><o:p></o:p></span></p>
<p class="MsoNormal" style="background: white; line-height: normal; margin-bottom: 0cm; text-align: justify;"><span face=""Calibri Light",sans-serif" lang="RU" style="color: #00b0f0; font-size: 12pt; mso-ansi-language: RU; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">Це слабка
архітектура, але все ж така міцна, що коли заходиш, навколишнє місто одразу
зникає. Слабкість — це одна з точок місцевих знань, у багатьох відношеннях, не
споживати надто багато матеріалу, бути гнучким і адаптуватися до змін, і в
певному сенсі бути органічним — радше рости, ніж будувати. Мікроклімат
всередині кокона дуже приємний. За межами міста жарко, курно, шумно та
непередбачувано. Всередині кокона все стає м’яким, і ви можете відчувати
простір багатьма органами чуття, він безпечний і знайомий. «Бо м'якість велика,
а сила нічого не варта. Коли людина народжується, вона м’яка і податлива. Коли
він помирає, він сильний і твердий. Коли дерево росте, воно м’яке і податливе.
Але коли він сухий і твердий, він гине. Твердість і сила - супутники смерті.
Гнучкість і м’якість – втілення життя». Сталкер, Тарковський</span></p>
<p class="MsoNormal" style="background: white; line-height: normal; margin-bottom: 0cm; text-align: justify;"><span face=""Calibri Light",sans-serif" lang="RU" style="color: #00b0f0; font-size: 12pt; mso-ansi-language: RU; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">Увечері
робітники встановлюють одну конструкцію, і кокон стає дискотекою. Порівняння
ліній цієї органічної архітектури з хмарочосом позаду розповідає про прості
кроки наших архітектурних поколінь і відчуження від органічного.</span></p>
<p class="MsoNormal" style="background: white; line-height: normal; margin-bottom: 0cm; text-align: justify;"><span face=""Calibri Light",sans-serif" lang="RU" style="color: #00b0f0; font-size: 12pt; mso-ansi-language: RU; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">Але це найбільше
знання </span><span face=""Calibri Light",sans-serif" lang="EN-GB" style="color: #00b0f0; font-size: 12pt; mso-ansi-language: EN-GB; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">Bug</span><span face=""Calibri Light",sans-serif" lang="EN-GB" style="color: #00b0f0; font-size: 12pt; mso-ansi-language: RU; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;"> </span><span face=""Calibri Light",sans-serif" lang="EN-GB" style="color: #00b0f0; font-size: 12pt; mso-ansi-language: EN-GB; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">Dome</span><span face=""Calibri Light",sans-serif" lang="RU" style="color: #00b0f0; font-size: 12pt; mso-ansi-language: RU; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">. Коли ми
насипали землю на боки кокона? Я запитував людей Гуаньсі, чому ми це робимо? Чи
є це противагою бамбуку Вони просто відповіли, що ви побачите. За пару тижнів
вся конструкція була вкрита ліанами та вином. Воно повністю зникло з міста, а
мікроклімат всередині став ще кращим. Вони знали це з самого початку і
дозволили природі завершити архітектуру. Велика суть місцевих знань полягає в
тому, щоб розглядати природу як співархітектора, а не будувати проти неї.
Місцеві знання розробили закономірності та тектоніку для спілкування з
природою. Місцеві знання – це мова або, принаймні, частина мови – природа є
єдиною повноцінною мовою.</span></p><p class="MsoNormal" style="background: white; line-height: normal; margin-bottom: 0cm; text-align: justify;"></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgDsKI3wNFyHBjR5lFhBm7aW9Uj62ql5xg2Mej-NnxB1NxG2e81jaJtcP-3tNXty9aHuCMZldhwkV2zUM22HN6SBnyOoGxczeCSFWo9aZDYm_7RM9QvDhKgoOVc_8dGuDZhqLb6mrtLhiJevOj7-uZj972xqskclu_zzhzpQjKKzRvI0qg5iMnDbpG1ITqT/s1921/Bug%20Dome%20by%20WEAK!%20in%20Shenzhen.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1195" data-original-width="1921" height="398" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgDsKI3wNFyHBjR5lFhBm7aW9Uj62ql5xg2Mej-NnxB1NxG2e81jaJtcP-3tNXty9aHuCMZldhwkV2zUM22HN6SBnyOoGxczeCSFWo9aZDYm_7RM9QvDhKgoOVc_8dGuDZhqLb6mrtLhiJevOj7-uZj972xqskclu_zzhzpQjKKzRvI0qg5iMnDbpG1ITqT/w640-h398/Bug%20Dome%20by%20WEAK!%20in%20Shenzhen.jpg" width="640" /></a></div><b><span face=""Calibri Light",sans-serif" lang="EN-GB" style="color: black; font-size: 12pt; line-height: 150%; mso-ansi-language: EN-GB; mso-color-alt: windowtext; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">Ultra-Ruin</span></b><p></p>
<p class="MsoNormal" style="background: white; line-height: 150%; margin-bottom: 0cm; text-align: justify;"><span face=""Calibri Light",sans-serif" lang="EN-GB" style="color: black; font-size: 12pt; line-height: 150%; mso-ansi-language: EN-GB; mso-color-alt: windowtext; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">A bit more about designing ruins. This is called Ultra-Ruin in the
Yanmin national park in Taiwan. It is a new wooden architectural organism which
is growing from a ruin of a traditional red brick farmhouse in the jungle. When
we found the remnants of the farmhouse, it was completely overtaken by the
jungle along the terraced farms. We started an on-site understanding and new
knowledge building process by slowly cleaning the ruin and the site. During
this process we got closer to the land and started to understand better the
winds, water flows, insects, snakes, jungle plants, and circulation of the day
and night. Physical labour, sweating, getting bitten by insects, finding shade
or a cool breeze of wind, and being able to build fire was all part of a process
of finding the keys of sensitivity to communicate with the place. When the
dialog begun, it was no more remote controlled architecture, but a possibility
to actually grow something architectural from the land, its history, and
natural regulations. </span><span face=""Calibri Light",sans-serif" lang="EN-GB" style="font-size: 12pt; line-height: 150%; mso-ansi-language: EN-GB; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;"><o:p></o:p></span></p>
<p class="MsoNormal" style="background: white; line-height: normal; margin-bottom: 0cm; text-align: justify;"><span face=""Calibri Light",sans-serif" lang="RU" style="color: #00b0f0; font-size: 12pt; mso-ansi-language: RU; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">Ультра-Руїна</span></p>
<p class="MsoNormal" style="background: white; line-height: normal; margin-bottom: 0cm; text-align: justify;"><span face=""Calibri Light",sans-serif" lang="RU" style="color: #00b0f0; font-size: 12pt; mso-ansi-language: RU; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">Ще трохи про
дизайн руїн. Це називається </span><span face=""Calibri Light",sans-serif" lang="EN-GB" style="color: #00b0f0; font-size: 12pt; mso-ansi-language: EN-GB; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">Ultra</span><span face=""Calibri Light",sans-serif" lang="RU" style="color: #00b0f0; font-size: 12pt; mso-ansi-language: RU; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">-</span><span face=""Calibri Light",sans-serif" lang="EN-GB" style="color: #00b0f0; font-size: 12pt; mso-ansi-language: EN-GB; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">Ruin</span><span face=""Calibri Light",sans-serif" lang="RU" style="color: #00b0f0; font-size: 12pt; mso-ansi-language: RU; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;"> у національному парку Янмінь на Тайвані. Це новий
дерев'яний архітектурний організм, який виростає з руїн традиційного
фермерського будинку з червоної цегли в джунглях. Коли ми знайшли залишки
ферми, вона була повністю покрита джунглями вздовж терасових ферм. Ми розпочали
процес розуміння на місці та створення нових знань, повільно очищаючи руїни та
сайт. Під час цього процесу ми наблизилися до землі та почали краще розуміти
вітри, водні потоки, комах, змій, рослини джунглів та циркуляцію дня та ночі.
Фізична праця, потовиділення, укуси комах, пошук тіні чи прохолодний вітерець і
вміння розводити вогонь — усе це було частиною процесу пошуку ключів чутливості
для спілкування з місцем. Коли розпочався діалог, це була вже не дистанційно
керована архітектура, а можливість фактично виростити щось архітектурне із
землі, її історії та природних закономірностей.<o:p></o:p></span></p>
<p class="MsoNormal" style="background: white; line-height: 150%; margin-bottom: 0cm; text-align: justify;"><span face=""Calibri Light",sans-serif" lang="EN-GB" style="color: black; font-size: 12pt; line-height: 150%; mso-ansi-language: EN-GB; mso-color-alt: windowtext; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">You enter the site through the jungle along a wooden walking path. The
old farmhouse was built around a central courtyard facing south. We reinforced
the existing brick walls and started and Open Form participatory design process
with the clients. First, we build a long table around which we could sit and
talk. Then we build a roof to the table, and then we needed a fireplace for
cooking. The table and the roof are made of Taiwanese cypress, which keeps the
mosquitoes away. Slowly the other architectural element started to grow from
the ruins. For the construction we cooperated with a Taiwanese temple builder,
who knew in detail the different characters of the local trees. Simple details
with wood, stone, and bronze. </span><span face=""Calibri Light",sans-serif" lang="EN-GB" style="font-size: 12pt; line-height: 150%; mso-ansi-language: EN-GB; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;"><o:p></o:p></span></p>
<p class="MsoNormal" style="background: white; line-height: normal; margin-bottom: 0cm; text-align: justify;"><span face=""Calibri Light",sans-serif" lang="RU" style="color: #00b0f0; font-size: 12pt; mso-ansi-language: RU; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">Ви входите на ділянку
через джунглі по дерев'яній пішохідній доріжці. Старий фермерський будинок був
побудований навколо центрального двору, що виходить на південь. Ми зміцнили
існуючі цегляні стіни та розпочали процес проектування </span><span face=""Calibri Light",sans-serif" lang="EN-GB" style="color: #00b0f0; font-size: 12pt; mso-ansi-language: EN-GB; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">Open</span><span face=""Calibri Light",sans-serif" lang="EN-GB" style="color: #00b0f0; font-size: 12pt; mso-ansi-language: RU; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;"> </span><span face=""Calibri Light",sans-serif" lang="EN-GB" style="color: #00b0f0; font-size: 12pt; mso-ansi-language: EN-GB; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">Form</span><span face=""Calibri Light",sans-serif" lang="RU" style="color: #00b0f0; font-size: 12pt; mso-ansi-language: RU; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;"> за участі клієнтів. Спочатку ми будуємо довгий
стіл, за яким ми могли б сидіти і говорити. Потім ми будуємо дах до столу, а
потім нам знадобився камін для приготування їжі. Стіл і дах виготовлені з
тайванського кипарису, який відлякує комарів. Поступово з руїн почав виростати
інший архітектурний елемент. Для будівництва ми співпрацювали з тайванським
будівельником храму, який детально знав різні характери місцевих дерев. </span><span face=""Calibri Light",sans-serif" lang="EN-GB" style="color: #00b0f0; font-size: 12pt; mso-ansi-language: EN-GB; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">Прості деталі з дерева, каменю та бронзи.<o:p></o:p></span></p><p class="MsoNormal" style="background: white; line-height: normal; margin-bottom: 0cm; text-align: justify;"></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiFdnSPvUud9zVw_4BZxCqjDw5ZcVfIM7Xp5hAO0JKkvpa6UaDNNnqNCYVjeqTcKEF38Urieu2RKeJplgJlqno_7qYmWwu3pBbW4T-PiemiDsXER59DsPuCQ7haVW6_ALJFy_wSjuk2N31dAAv16QOhvYOIOQRx2551UQUlPwRv4KUH4XVIxfIBsgqcGiLD/s2657/Ultra-Ruin_Marco%20Casagrande.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1638" data-original-width="2657" height="394" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiFdnSPvUud9zVw_4BZxCqjDw5ZcVfIM7Xp5hAO0JKkvpa6UaDNNnqNCYVjeqTcKEF38Urieu2RKeJplgJlqno_7qYmWwu3pBbW4T-PiemiDsXER59DsPuCQ7haVW6_ALJFy_wSjuk2N31dAAv16QOhvYOIOQRx2551UQUlPwRv4KUH4XVIxfIBsgqcGiLD/w640-h394/Ultra-Ruin_Marco%20Casagrande.jpg" width="640" /></a></div><span style="font-size: 12pt;">The surrounding jungle is very near this new man-made architectural
nature, and it grows in and participates in the composition from everywhere. It
is same time ruining our architecture and making it more complete. Our organic
architecture was left to be open, an Open Form for a constant and changing
dialog with the jungle, just like we were in dialog with the original ruins. In
the Open Form sense, it is not necessary to determine who is the author of this
work? Open Form knows no author, this architecture is born from dialog and
participation.</span><p></p>
<p class="MsoNormal" style="background: white; line-height: 150%; margin-bottom: 0cm; text-align: justify;"><span face=""Calibri Light",sans-serif" lang="EN-GB" style="color: black; font-size: 12pt; line-height: 150%; mso-ansi-language: EN-GB; mso-color-alt: windowtext; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">All the roofs of the different buildings around the Ultra-Ruin are
terraces and connected with each other. There is a long snaking wooden steps
connecting the roof terraces to the original farming terraces of the place. And
we have a very nice sauna in the Ultra-Ruin. We managed to direct some freshwater
streams coming from the jungle to make a small pool. The sauna interior is all
Taiwanese cypress, and the structure is camphor tree. When you heat it up it
smells like parfum and is incredibly moist. The pool stays refreshing and cool.
And then there is a tower into which you can dive and look up to the stars or
to the sky. The water is very soft. </span><span face=""Calibri Light",sans-serif" lang="EN-GB" style="font-size: 12pt; line-height: 150%; mso-ansi-language: EN-GB; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;"><o:p></o:p></span></p>
<p class="MsoNormal" style="background: white; line-height: normal; margin-bottom: 0cm; text-align: justify;"><span face=""Calibri Light",sans-serif" lang="RU" style="color: #00b0f0; font-size: 12pt; mso-ansi-language: RU; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">Навколишні</span><span face=""Calibri Light",sans-serif" lang="RU" style="color: #00b0f0; font-size: 12pt; mso-ansi-language: EN-GB; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;"> </span><span face=""Calibri Light",sans-serif" lang="RU" style="color: #00b0f0; font-size: 12pt; mso-ansi-language: RU; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">джунглі</span><span face=""Calibri Light",sans-serif" lang="RU" style="color: #00b0f0; font-size: 12pt; mso-ansi-language: EN-GB; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;"> </span><span face=""Calibri Light",sans-serif" lang="RU" style="color: #00b0f0; font-size: 12pt; mso-ansi-language: RU; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">знаходяться</span><span face=""Calibri Light",sans-serif" lang="RU" style="color: #00b0f0; font-size: 12pt; mso-ansi-language: EN-GB; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;"> </span><span face=""Calibri Light",sans-serif" lang="RU" style="color: #00b0f0; font-size: 12pt; mso-ansi-language: RU; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">дуже</span><span face=""Calibri Light",sans-serif" lang="RU" style="color: #00b0f0; font-size: 12pt; mso-ansi-language: EN-GB; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;"> </span><span face=""Calibri Light",sans-serif" lang="RU" style="color: #00b0f0; font-size: 12pt; mso-ansi-language: RU; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">близько</span><span face=""Calibri Light",sans-serif" lang="RU" style="color: #00b0f0; font-size: 12pt; mso-ansi-language: EN-GB; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;"> </span><span face=""Calibri Light",sans-serif" lang="RU" style="color: #00b0f0; font-size: 12pt; mso-ansi-language: RU; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">до</span><span face=""Calibri Light",sans-serif" lang="RU" style="color: #00b0f0; font-size: 12pt; mso-ansi-language: EN-GB; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;"> </span><span face=""Calibri Light",sans-serif" lang="RU" style="color: #00b0f0; font-size: 12pt; mso-ansi-language: RU; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">цієї</span><span face=""Calibri Light",sans-serif" lang="RU" style="color: #00b0f0; font-size: 12pt; mso-ansi-language: EN-GB; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;"> </span><span face=""Calibri Light",sans-serif" lang="RU" style="color: #00b0f0; font-size: 12pt; mso-ansi-language: RU; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">нової</span><span face=""Calibri Light",sans-serif" lang="RU" style="color: #00b0f0; font-size: 12pt; mso-ansi-language: EN-GB; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;"> </span><span face=""Calibri Light",sans-serif" lang="RU" style="color: #00b0f0; font-size: 12pt; mso-ansi-language: RU; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">рукотворної</span><span face=""Calibri Light",sans-serif" lang="RU" style="color: #00b0f0; font-size: 12pt; mso-ansi-language: EN-GB; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;"> </span><span face=""Calibri Light",sans-serif" lang="RU" style="color: #00b0f0; font-size: 12pt; mso-ansi-language: RU; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">архітектурної</span><span face=""Calibri Light",sans-serif" lang="RU" style="color: #00b0f0; font-size: 12pt; mso-ansi-language: EN-GB; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;"> </span><span face=""Calibri Light",sans-serif" lang="RU" style="color: #00b0f0; font-size: 12pt; mso-ansi-language: RU; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">природи</span><span face=""Calibri Light",sans-serif" lang="EN-GB" style="color: #00b0f0; font-size: 12pt; mso-ansi-language: EN-GB; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">, </span><span face=""Calibri Light",sans-serif" lang="RU" style="color: #00b0f0; font-size: 12pt; mso-ansi-language: RU; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">і</span><span face=""Calibri Light",sans-serif" lang="RU" style="color: #00b0f0; font-size: 12pt; mso-ansi-language: EN-GB; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;"> </span><span face=""Calibri Light",sans-serif" lang="RU" style="color: #00b0f0; font-size: 12pt; mso-ansi-language: RU; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">вона</span><span face=""Calibri Light",sans-serif" lang="RU" style="color: #00b0f0; font-size: 12pt; mso-ansi-language: EN-GB; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;"> </span><span face=""Calibri Light",sans-serif" lang="RU" style="color: #00b0f0; font-size: 12pt; mso-ansi-language: RU; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">росте</span><span face=""Calibri Light",sans-serif" lang="RU" style="color: #00b0f0; font-size: 12pt; mso-ansi-language: EN-GB; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;"> </span><span face=""Calibri Light",sans-serif" lang="RU" style="color: #00b0f0; font-size: 12pt; mso-ansi-language: RU; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">та</span><span face=""Calibri Light",sans-serif" lang="RU" style="color: #00b0f0; font-size: 12pt; mso-ansi-language: EN-GB; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;"> </span><span face=""Calibri Light",sans-serif" lang="RU" style="color: #00b0f0; font-size: 12pt; mso-ansi-language: RU; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">бере</span><span face=""Calibri Light",sans-serif" lang="RU" style="color: #00b0f0; font-size: 12pt; mso-ansi-language: EN-GB; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;"> </span><span face=""Calibri Light",sans-serif" lang="RU" style="color: #00b0f0; font-size: 12pt; mso-ansi-language: RU; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">участь</span><span face=""Calibri Light",sans-serif" lang="RU" style="color: #00b0f0; font-size: 12pt; mso-ansi-language: EN-GB; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;"> </span><span face=""Calibri Light",sans-serif" lang="RU" style="color: #00b0f0; font-size: 12pt; mso-ansi-language: RU; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">у</span><span face=""Calibri Light",sans-serif" lang="RU" style="color: #00b0f0; font-size: 12pt; mso-ansi-language: EN-GB; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;"> </span><span face=""Calibri Light",sans-serif" lang="RU" style="color: #00b0f0; font-size: 12pt; mso-ansi-language: RU; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">композиції</span><span face=""Calibri Light",sans-serif" lang="RU" style="color: #00b0f0; font-size: 12pt; mso-ansi-language: EN-GB; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;"> </span><span face=""Calibri Light",sans-serif" lang="RU" style="color: #00b0f0; font-size: 12pt; mso-ansi-language: RU; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">звідусіль</span><span face=""Calibri Light",sans-serif" lang="EN-GB" style="color: #00b0f0; font-size: 12pt; mso-ansi-language: EN-GB; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">. </span><span face=""Calibri Light",sans-serif" lang="RU" style="color: #00b0f0; font-size: 12pt; mso-ansi-language: RU; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">Це водночас
руйнує нашу архітектуру і робить її більш завершеною. Наша органічна
архітектура залишилася відкритою, відкритою формою для постійного та мінливого
діалогу з джунглями, так само, як ми вели діалог із оригінальними руїнами. У
сенсі </span><span face=""Calibri Light",sans-serif" lang="EN-GB" style="color: #00b0f0; font-size: 12pt; mso-ansi-language: EN-GB; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">Open</span><span face=""Calibri Light",sans-serif" lang="EN-GB" style="color: #00b0f0; font-size: 12pt; mso-ansi-language: RU; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;"> </span><span face=""Calibri Light",sans-serif" lang="EN-GB" style="color: #00b0f0; font-size: 12pt; mso-ansi-language: EN-GB; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">Form</span><span face=""Calibri Light",sans-serif" lang="RU" style="color: #00b0f0; font-size: 12pt; mso-ansi-language: RU; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;"> не потрібно
визначати, хто є автором цього твору? Відкрита форма не знає автора, ця
архітектура народжується з діалогу та участі.</span></p>
<p class="MsoNormal" style="background: white; line-height: normal; margin-bottom: 0cm; text-align: justify;"><span face=""Calibri Light",sans-serif" lang="RU" style="color: #00b0f0; font-size: 12pt; mso-ansi-language: RU; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">Усі дахи різних
будівель навколо Ультра-Руїн є терасами та з’єднані одна з одною. Є довгі
звивисті дерев’яні сходи, що з’єднують тераси на даху з оригінальними
фермерськими терасами місця. А ще у нас в Ультра-Руїні дуже гарна сауна. Нам
вдалося спрямувати кілька прісноводних потоків, що йдуть з джунглів, щоб
зробити невеликий басейн. Інтер'єр сауни повністю виготовлений з тайванського
кипарису, а структура - з камфорного дерева. Коли ви нагріваєте його, він пахне
парфумом і стає неймовірно вологим. Басейн залишається освіжаючим і
прохолодним. А ще є вежа, в яку можна пірнути і подивитися на зірки або на
небо. </span><span face=""Calibri Light",sans-serif" lang="EN-GB" style="color: #00b0f0; font-size: 12pt; mso-ansi-language: EN-GB; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">Вода дуже м'яка.</span></p>
<p class="MsoNormal" style="background: white; line-height: 150%; margin-bottom: 0cm; text-align: justify;"><b><span face=""Calibri Light",sans-serif" lang="EN-GB" style="color: black; font-size: 12pt; line-height: 150%; mso-ansi-language: EN-GB; mso-color-alt: windowtext; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">Lamminranta</span></b></p>
<p class="MsoNormal" style="background: white; line-height: 150%; margin-bottom: 0cm; text-align: justify;"><span face=""Calibri Light",sans-serif" lang="EN-GB" style="color: black; font-size: 12pt; line-height: 150%; mso-ansi-language: EN-GB; mso-color-alt: windowtext; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">When we talk about the Third Generation City we must also talk about
community or communities. City is a collage of different communities and
overlapping layers of collectiveness. City is also a compost, which gets turned
a bit or totally around every now and then, and new oxygen gets in and changes
the energy streams of the urban collective. Different generations are
participating in the community. Some are transmitting Local Knowledge down to
younger generations and some are creating new knowledges. Some, like the
children, are bringing in new oxygen to the community compost.<span style="mso-spacerun: yes;"> </span></span><span face=""Calibri Light",sans-serif" lang="EN-GB" style="font-size: 12pt; line-height: 150%; mso-ansi-language: EN-GB; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;"><o:p></o:p></span></p>
<p class="MsoNormal" style="background: white; line-height: normal; margin-bottom: 0cm; text-align: justify;"><span face=""Calibri Light",sans-serif" lang="RU" style="color: #00b0f0; font-size: 12pt; mso-ansi-language: RU; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">Ламмінранта</span></p>
<p class="MsoNormal" style="background: white; line-height: normal; margin-bottom: 0cm; text-align: justify;"><span face=""Calibri Light",sans-serif" lang="RU" style="color: #00b0f0; font-size: 12pt; mso-ansi-language: RU; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">Коли ми говоримо
про місто третього покоління, ми також повинні говорити про спільноту чи
громади. Місто — це колаж із різних спільнот і шарів колективності, що перетинаються.
Місто також є компостом, який час від часу трохи або повністю перевертається, і
новий кисень потрапляє в нього та змінює енергетичні потоки міського колективу.
У спільноті беруть участь різні покоління. Деякі передають місцеві знання
молодим поколінням, а деякі створюють нові знання. Деякі, як і діти, приносять
новий кисень до компосту громади.<o:p></o:p></span></p><p class="MsoNormal" style="background: white; line-height: normal; margin-bottom: 0cm; text-align: justify;"></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg9OJFs2IyovSHV5fGNOAsup9wcHQXBPJbo4kVnZ6ZLuVB78aRK131MtIamX6Nt9WH0n6paT0lurzmQSmVP4Fs2Ly5KC9oTKCQsjySXoE5Qgnb3dKS7OkyI6EE9Mf0n3yjt_F0x0PP5Ct0FAU24vFcCA8s9WutOw4EF6wCXgqWIGbbp0zeMxnnhV5B8VFw0/s2736/lamminranta_Casagrande_Tampere_Treili_Treili.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1824" data-original-width="2736" height="426" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg9OJFs2IyovSHV5fGNOAsup9wcHQXBPJbo4kVnZ6ZLuVB78aRK131MtIamX6Nt9WH0n6paT0lurzmQSmVP4Fs2Ly5KC9oTKCQsjySXoE5Qgnb3dKS7OkyI6EE9Mf0n3yjt_F0x0PP5Ct0FAU24vFcCA8s9WutOw4EF6wCXgqWIGbbp0zeMxnnhV5B8VFw0/w640-h426/lamminranta_Casagrande_Tampere_Treili_Treili.jpg" width="640" /></a></div><span style="font-size: 12pt;">Lamminranta is a small community building made by mixing four elderly
people’s care-take homes with a kindergarten in the middle. It has been
operating now two years and the everyday meetings between the kids and the
elderly have overcome any expectations. They are singing and baking together,
do gymnastics and plays, have a common grilling place and the kids are even
using the saunas of the elderly homes. A lot of art is made and taken to the
old ones. The big windows of the elderly care-take homes are directed to the
children’s playground and there is a routine of following the children play and
children greeting the old ones in the windows. Children and elderly, even with
memory diseases, get along very well and naturally. Sometimes both are wearing
diapers and are as far away from being normal working adults. In Lamminranta we
have families with both grandmother or grandfather and grandchild under the
same roof. It is a home, not an institution. Also, city is home, not an
institution.</span><p></p>
<p class="MsoNormal" style="background: white; line-height: normal; margin-bottom: 0cm; text-align: justify;"><span face=""Calibri Light",sans-serif" lang="EN-GB" style="color: #00b0f0; font-size: 12pt; mso-ansi-language: EN-GB; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">Lamminranta —
це невелика громадська будівля, побудована шляхом змішування чотирьох будинків
для літніх людей із дитячим садком посередині. </span><span face=""Calibri Light",sans-serif" lang="RU" style="color: #00b0f0; font-size: 12pt; mso-ansi-language: RU; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">Він
працює вже два роки, і щоденні зустрічі дітей і людей похилого віку перевершили
будь-які очікування. Вони разом співають і печуть, займаються гімнастикою та
виставами, мають спільне місце для гриля, а діти навіть користуються саунами
будинків для літніх людей. Багато творів мистецтва зроблено і взято до старих.
Великі вікна будинків для людей похилого віку спрямовані на дитячий майданчик,
і існує звичка стежити за грою дітей і вітати старих у вікнах. Діти і люди
похилого віку, навіть із захворюваннями пам'яті, дуже добре і природно
ладнають. Інколи обидва носять підгузники і дуже далекі від того, щоб бути
нормальними дорослими, що працюють. У Ламмінранті у нас є сім’ї з бабусею чи
дідусем та онуком під одним дахом. Це дім, а не заклад. Крім того, місто – це
дім, а не установа.</span></p>
<p class="MsoNormal" style="background: white; line-height: 150%; margin-bottom: 0cm; text-align: justify;"><b><span face=""Calibri Light",sans-serif" lang="EN-GB" style="color: black; font-size: 12pt; line-height: 150%; mso-ansi-language: EN-GB; mso-color-alt: windowtext; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">CLT</span></b></p>
<p class="MsoNormal" style="background: white; line-height: 150%; margin-bottom: 0cm; text-align: justify;"><span face=""Calibri Light",sans-serif" lang="EN-GB" style="color: black; font-size: 12pt; line-height: 150%; mso-ansi-language: EN-GB; mso-color-alt: windowtext; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">Before I can get into the next projects, we should talk about the
construction material, which makes possible new thinking in small and larger
scale architecture, and even biourbanism. Cross-laminated timber CLT was
commercialized around 20 years ago and now it is a rivalling material to
reinforced concrete in apartment buildings, schools and kindergartens, public
buildings, and new wooden city districts. CLT is engineered wood with very
large and strong wooden elements, for example 17 x 3,5 metres and 60 – 400 mm
thick. As massive wood it is self-insulating and has a very good earthquake
performance. Massive wood is 5 time lighter than reinforced concrete, requires
less foundation and is easier to transport. The construction time is up to 70%
faster than with concrete. CLT does not burn like what we think that wood would
burn. This is massive wood and with fire it will just charcoal in the surface. The
fabrication and cutting processes of CLT are fully automatic and easy
communication with the architectural designs. </span><span face=""Calibri Light",sans-serif" lang="EN-GB" style="font-size: 12pt; line-height: 150%; mso-ansi-language: EN-GB; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;"><o:p></o:p></span></p>
<p class="MsoNormal" style="background: white; line-height: normal; margin-bottom: 0cm; text-align: justify;"><span face=""Calibri Light",sans-serif" lang="EN-GB" style="color: #00b0f0; font-size: 12pt; mso-ansi-language: EN-GB; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">CLT</span></p>
<p class="MsoNormal" style="background: white; line-height: normal; margin-bottom: 0cm; text-align: justify;"><span face=""Calibri Light",sans-serif" lang="RU" style="color: #00b0f0; font-size: 12pt; mso-ansi-language: RU; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">Перш ніж я
перейду до наступних проектів, ми повинні поговорити про будівельний матеріал,
який робить можливим нове мислення в архітектурі малого та більшого масштабу, і
навіть біоурбаністиці. Поперечно-ламінована деревина </span><span face=""Calibri Light",sans-serif" lang="EN-GB" style="color: #00b0f0; font-size: 12pt; mso-ansi-language: EN-GB; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">CLT</span><span face=""Calibri Light",sans-serif" lang="RU" style="color: #00b0f0; font-size: 12pt; mso-ansi-language: RU; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;"> була випущена в продаж близько 20 років тому і
зараз є конкурентом залізобетону в багатоквартирних будинках, школах і дитячих
садках, громадських будівлях і нових дерев'яних районах міста. </span><span face=""Calibri Light",sans-serif" lang="EN-GB" style="color: #00b0f0; font-size: 12pt; mso-ansi-language: EN-GB; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">CLT</span><span face=""Calibri Light",sans-serif" lang="RU" style="color: #00b0f0; font-size: 12pt; mso-ansi-language: RU; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;"> — це оброблена
деревина з дуже великими та міцними дерев’яними елементами, наприклад, 17 </span><span face=""Calibri Light",sans-serif" lang="EN-GB" style="color: #00b0f0; font-size: 12pt; mso-ansi-language: EN-GB; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">x</span><span face=""Calibri Light",sans-serif" lang="RU" style="color: #00b0f0; font-size: 12pt; mso-ansi-language: RU; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;"> 3,5 метри та
товщиною 60–400 мм. Будучи масивною деревиною, вона є самоізоляційною та має
дуже хорошу сейсмостійкість. Масивна деревина в 5 разів легша за залізобетон,
потребує менше фундаменту та її легше транспортувати. Час будівництва на 70%
швидше, ніж з бетоном. </span><span face=""Calibri Light",sans-serif" lang="EN-GB" style="color: #00b0f0; font-size: 12pt; mso-ansi-language: EN-GB; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">CLT</span><span face=""Calibri Light",sans-serif" lang="RU" style="color: #00b0f0; font-size: 12pt; mso-ansi-language: RU; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;"> горить не так, як ми думаємо, що горить деревина.
Це масивна деревина, і під час вогню вона просто вугілля на поверхні. Процеси
виготовлення та різання </span><span face=""Calibri Light",sans-serif" lang="EN-GB" style="color: #00b0f0; font-size: 12pt; mso-ansi-language: EN-GB; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">CLT</span><span face=""Calibri Light",sans-serif" lang="RU" style="color: #00b0f0; font-size: 12pt; mso-ansi-language: RU; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;"> є повністю автоматичними та легко взаємодіють з
архітектурними проектами.<o:p></o:p></span></p><p class="MsoNormal" style="background: white; line-height: normal; margin-bottom: 0cm; text-align: justify;"></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjyqzlSgFhdR-LgPxCS3rJZP2Ah6bjjhOuOBbq-QDcnMvznckjx37ndrQtq0H4l6N3h3SHk3zRp-2kjmaLeMnOLt4cNSl6PhTL-h12IKIKu9MMbl5foiis2MakkaoU_EP3gDb5mTedoEwE11i75qQq_jjp51yEEGrimU4prfyeHPlVndU5uK8kryjQvbO3c/s2768/Vaasan%20Viherlehto_Casagrande_1.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="2080" data-original-width="2768" height="480" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjyqzlSgFhdR-LgPxCS3rJZP2Ah6bjjhOuOBbq-QDcnMvznckjx37ndrQtq0H4l6N3h3SHk3zRp-2kjmaLeMnOLt4cNSl6PhTL-h12IKIKu9MMbl5foiis2MakkaoU_EP3gDb5mTedoEwE11i75qQq_jjp51yEEGrimU4prfyeHPlVndU5uK8kryjQvbO3c/w640-h480/Vaasan%20Viherlehto_Casagrande_1.jpg" width="640" /></a></div><span style="font-size: 12pt;">Here is a sample of a CLT apartment building in Finland, 6 floors and
made of prefabricated spatial modules. In the plan we can see the spatial
modules framing the core of the building with concrete made bathroom towers in
the middle.</span><p></p>
<p class="MsoNormal" style="background: white; line-height: normal; margin-bottom: 0cm; text-align: justify;"><span face=""Calibri Light",sans-serif" lang="RU" style="color: #00b0f0; font-size: 12pt; mso-ansi-language: RU; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">Ось зразок
багатоквартирного будинку </span><span face=""Calibri Light",sans-serif" lang="EN-GB" style="color: #00b0f0; font-size: 12pt; mso-ansi-language: EN-GB; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">CLT</span><span face=""Calibri Light",sans-serif" lang="RU" style="color: #00b0f0; font-size: 12pt; mso-ansi-language: RU; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;"> у Фінляндії, 6 поверхів зі збірних просторових
модулів. У плані ми бачимо просторові модулі, що обрамляють ядро будівлі з
бетонними вежами ванних кімнат посередині.</span></p><p class="MsoNormal" style="background: white; line-height: normal; margin-bottom: 0cm; text-align: justify;"></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhHHBB7AMZkvjR9HLmcwhqoppW6ZtnTgLG1kObWWxH57Gsx5PpKQFoPHFzojOVLZLVdvTNHjHpQtJvCLKk7jnVjibUVqmtVJiqfqOjZwSmIaSpwg5pPJP2XrvaQ_qlCXSInEOm2PD_mtkVmlYZJnl5z56nhOMrP7jUG4xYNWEQSx0Syerl4Xvg5aJ6f2VrJ/s2460/Tikku_Marco%20Casagrande.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="2460" data-original-width="1856" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhHHBB7AMZkvjR9HLmcwhqoppW6ZtnTgLG1kObWWxH57Gsx5PpKQFoPHFzojOVLZLVdvTNHjHpQtJvCLKk7jnVjibUVqmtVJiqfqOjZwSmIaSpwg5pPJP2XrvaQ_qlCXSInEOm2PD_mtkVmlYZJnl5z56nhOMrP7jUG4xYNWEQSx0Syerl4Xvg5aJ6f2VrJ/w482-h640/Tikku_Marco%20Casagrande.jpg" width="482" /></a></div><span style="font-size: 12pt;">And here we have an example of a CLT micro apartment house with a
footprint of one car parking space 2,5 x 5 metres. There is a worldwide
discussion going on about densification of the existing cities. The micro
apartment house Tikku (stick in English) is an answer for that by occupying the
car parking spaces of the cities. This is made of spatial modules and takes two
and half hours to construct. No foundation is needed. Basically, we can build
the Tikku wherever a car can go. All structural elements fit into a sea
container for easy logistics. You can also build the Tikkus on top of cars.</span><p></p>
<p class="MsoNormal" style="background: white; line-height: normal; margin-bottom: 0cm; text-align: justify;"><span face=""Calibri Light",sans-serif" lang="RU" style="color: #00b0f0; font-size: 12pt; mso-ansi-language: RU; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">І тут ми маємо
приклад мікроквартирного будинку </span><span face=""Calibri Light",sans-serif" lang="EN-GB" style="color: #00b0f0; font-size: 12pt; mso-ansi-language: EN-GB; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">CLT</span><span face=""Calibri Light",sans-serif" lang="RU" style="color: #00b0f0; font-size: 12pt; mso-ansi-language: RU; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;"> із площею паркувального місця для одного
автомобіля 2,5 х 5 метрів. У всьому світі точаться дискусії щодо ущільнення
існуючих міст. Мікроквартирний будинок </span><span face=""Calibri Light",sans-serif" lang="EN-GB" style="color: #00b0f0; font-size: 12pt; mso-ansi-language: EN-GB; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">Tikku</span><span face=""Calibri Light",sans-serif" lang="RU" style="color: #00b0f0; font-size: 12pt; mso-ansi-language: RU; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;"> (стик англійською) є відповіддю на це, займаючи
місця для паркування автомобілів у містах. Він складається з просторових
модулів і займає дві з половиною години, щоб створити його. Фундамент не
потрібен. По суті, ми можемо будувати </span><span face=""Calibri Light",sans-serif" lang="EN-GB" style="color: #00b0f0; font-size: 12pt; mso-ansi-language: EN-GB; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">Tikku</span><span face=""Calibri Light",sans-serif" lang="RU" style="color: #00b0f0; font-size: 12pt; mso-ansi-language: RU; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;"> всюди, куди може проїхати автомобіль. Усі елементи
конструкції поміщаються в морський контейнер для зручності логістики. </span><span face=""Calibri Light",sans-serif" lang="EN-GB" style="color: #00b0f0; font-size: 12pt; mso-ansi-language: EN-GB; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">Ви також можете побудувати Tikkus поверх
автомобілів.<o:p></o:p></span></p><p class="MsoNormal" style="background: white; line-height: normal; margin-bottom: 0cm; text-align: justify;"></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhrso22p3gMKFONJUyYjKBV84AH8s10scYPja0ahHcJwhG-UVrVksBfiCk5uLE8931zPGwg3ZTve9v1SyzTn1rsq3iF-n5caHXGnfFjWiw5bCTR9W3sYoZkA6kwgdPat_pCqhiB4KlHsY46T321A936v-wFrkFTt5f158oQiY43Hpr2vv9Ul11zfcVrm1-e/s1000/Dokken.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="750" data-original-width="1000" height="480" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhrso22p3gMKFONJUyYjKBV84AH8s10scYPja0ahHcJwhG-UVrVksBfiCk5uLE8931zPGwg3ZTve9v1SyzTn1rsq3iF-n5caHXGnfFjWiw5bCTR9W3sYoZkA6kwgdPat_pCqhiB4KlHsY46T321A936v-wFrkFTt5f158oQiY43Hpr2vv9Ul11zfcVrm1-e/w640-h480/Dokken.jpg" width="640" /></a></div><span style="font-size: 12pt;">In bigger scale you can design whole communities of city parts with
engineered wooden buildings. This is an example from Bergen, Norway, a winning
competition entry for a whole new city part called Dokken, 420 000 m2. The
site is the central harbour of Bergen and very industrial in the feeling. The
project can be compared to restoration and repurposing of any larger industrial
area. A lot of polluted land needs to be changed and the connection with nature
needs to be rebuild. The big voice of nature in the case of Dokken is the sea
and we also wanted to keep some of the ships operating – they are big part of
the Norwegian Local Knowledge including Bergen, an old Viking settlement. Now
Dokken is the world’s largest contemporary wooden urban development.</span><p></p>
<p class="MsoNormal" style="background: white; line-height: normal; margin-bottom: 0cm; text-align: justify;"><span face=""Calibri Light",sans-serif" lang="RU" style="color: #00b0f0; font-size: 12pt; mso-ansi-language: RU; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">У більшому
масштабі ви можете проектувати цілі громади частин міста з інженерними
дерев'яними будівлями. Це приклад із Бергена, Норвегія, переможця конкурсу на
цілу нову частину міста під назвою </span><span face=""Calibri Light",sans-serif" lang="EN-GB" style="color: #00b0f0; font-size: 12pt; mso-ansi-language: EN-GB; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">Dokken</span><span face=""Calibri Light",sans-serif" lang="RU" style="color: #00b0f0; font-size: 12pt; mso-ansi-language: RU; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">, 420 000 м2. Місце являє собою центральну гавань
Бергена та дуже промислове відчуття. Проект можна порівняти з реставрацією та
перепрофілюванням будь-якої більшої промислової території. Потрібно змінити
багато забруднених земель і відновити зв’язок із природою. Голосом природи у
випадку </span><span face=""Calibri Light",sans-serif" lang="EN-GB" style="color: #00b0f0; font-size: 12pt; mso-ansi-language: EN-GB; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">Dokken</span><span face=""Calibri Light",sans-serif" lang="RU" style="color: #00b0f0; font-size: 12pt; mso-ansi-language: RU; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;"> є море, і ми
також хотіли, щоб деякі кораблі працювали – вони є значною частиною норвезьких
місцевих знань, включаючи Берген, старе поселення вікінгів. </span><span face=""Calibri Light",sans-serif" lang="EN-GB" style="color: #00b0f0; font-size: 12pt; mso-ansi-language: EN-GB; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">Зараз Dokken є найбільшим у світі сучасним
дерев’яним містом.</span></p>
<p class="MsoNormal" style="background: white; line-height: 150%; margin-bottom: 0cm; text-align: justify;"><b><span face=""Calibri Light",sans-serif" lang="EN-GB" style="color: black; font-size: 12pt; line-height: 150%; mso-ansi-language: EN-GB; mso-color-alt: windowtext; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">Paracity</span></b></p>
<p class="MsoNormal" style="background: white; line-height: 150%; margin-bottom: 0cm; text-align: justify;"><span face=""Calibri Light",sans-serif" lang="EN-GB" style="color: black; font-size: 12pt; line-height: 150%; mso-ansi-language: EN-GB; mso-color-alt: windowtext; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">Paracity is a modifiable, movable, flexible, and modular urban
construction system, which can be adapted to local cultures, building
methodologies, and local knowledges. The primary structure is made of CLT
taking care of the structural issues and the secondary structures can we either
CLT or other materials, including recycled construction waste. The basic module
is 6 x 6 x 6 metres and can be fitted with one of two floors, a 1,5 floors loft
or left empty for community use. When you combine more of these modules
horizontally and vertically you can grow a community, or larger urban
structure. It is a very fast way for urban reconstruction. </span><span face=""Calibri Light",sans-serif" lang="EN-GB" style="font-size: 12pt; line-height: 150%; mso-ansi-language: EN-GB; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;"><o:p></o:p></span></p>
<p class="MsoNormal" style="background: white; line-height: normal; margin-bottom: 0cm; text-align: justify;"><span face=""Calibri Light",sans-serif" lang="EN-GB" style="color: #0070c0; font-size: 12pt; mso-ansi-language: EN-GB; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">Пара</span><span face=""Calibri Light",sans-serif" lang="UK" style="color: #0070c0; font-size: 12pt; mso-ansi-language: UK; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">сіті</span></p>
<p class="MsoNormal" style="background: white; line-height: normal; margin-bottom: 0cm; text-align: justify;"><span face=""Calibri Light",sans-serif" lang="EN-GB" style="color: #0070c0; font-size: 12pt; mso-ansi-language: EN-GB; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">Paracity — це
модифікована, рухома, гнучка та модульна міська будівельна система, яку можна
адаптувати до місцевої культури, методології будівництва та місцевих знань.
Первинна конструкція виготовлена з CLT, враховуючи структурні питання, а
вторинні конструкції можуть використовуватися з CLT або інших матеріалів,
включаючи перероблені будівельні відходи. </span><span face=""Calibri Light",sans-serif" lang="RU" style="color: #0070c0; font-size: 12pt; mso-ansi-language: RU; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">Базовий
модуль має розміри 6 </span><span face=""Calibri Light",sans-serif" lang="EN-GB" style="color: #0070c0; font-size: 12pt; mso-ansi-language: EN-GB; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">x</span><span face=""Calibri Light",sans-serif" lang="RU" style="color: #0070c0; font-size: 12pt; mso-ansi-language: RU; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;"> 6 </span><span face=""Calibri Light",sans-serif" lang="EN-GB" style="color: #0070c0; font-size: 12pt; mso-ansi-language: EN-GB; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">x</span><span face=""Calibri Light",sans-serif" lang="RU" style="color: #0070c0; font-size: 12pt; mso-ansi-language: RU; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;"> 6 метрів і може бути оснащений одним із двох
поверхів, 1,5-поверховим мансардом або залишитися порожнім для спільного
використання. Якщо ви поєднаєте більше цих модулів по горизонталі та вертикалі,
ви зможете створити спільноту чи більшу міську структуру. </span><span face=""Calibri Light",sans-serif" lang="EN-GB" style="color: #0070c0; font-size: 12pt; mso-ansi-language: EN-GB; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">Це дуже швидкий спосіб реконструкції міста.<o:p></o:p></span></p>
<p class="MsoNormal" style="background: white; line-height: 150%; margin-bottom: 0cm; text-align: justify;"><span style="color: black; mso-color-alt: windowtext; mso-no-proof: yes;"><v:shape id="Kuva_x0020_1774314904" o:spid="_x0000_i1029" style="height: 212.4pt; mso-wrap-style: square; visibility: visible; width: 305.4pt;" type="#_x0000_t75">
<v:imagedata o:title="" src="file:///C:/Users/Zbook/AppData/Local/Temp/msohtmlclip1/01/clip_image021.jpg">
</v:imagedata></v:shape></span><span face=""Calibri Light",sans-serif" lang="EN-GB" style="font-size: 12pt; line-height: 150%; mso-ansi-language: EN-GB; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;"><o:p></o:p></span></p>
<p class="MsoNormal" style="background: white; line-height: 150%; margin-bottom: 0cm; text-align: justify;"></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiMJMHKKK29_rmzE5fk8CB6qZY7PBbp92R9Ms0o6xGNIM6qk03wkzkozdUKq1YDTPznj4SlKGSsX0oH5COLLYg4QXghewGXdUPuz6LcOxkTnl_zLnhetQWUxrFcBjdGi6sCgO9pj1q-s_Gd3qcjBpTs4U-JCjpJ_20S_okELV23_rxDAAMYvGktPQVmbvne/s1024/Paracity_perspective_small.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="768" data-original-width="1024" height="480" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiMJMHKKK29_rmzE5fk8CB6qZY7PBbp92R9Ms0o6xGNIM6qk03wkzkozdUKq1YDTPznj4SlKGSsX0oH5COLLYg4QXghewGXdUPuz6LcOxkTnl_zLnhetQWUxrFcBjdGi6sCgO9pj1q-s_Gd3qcjBpTs4U-JCjpJ_20S_okELV23_rxDAAMYvGktPQVmbvne/w640-h480/Paracity_perspective_small.jpg" width="640" /></a></div><span style="font-size: 12pt;">The example what I have here is from Taiwan, which why the secondary
structures and cultural layers look Chinese. This would look very different in
Ukraine. Anyhow, there is the CLT primary structure inside the urban organism
and then the site-specific cultural and local knowledge layers on top of it. In
the case of Taipei, the Paracity is taking its water from a polluted river and
pumps it up to the green roof, where it gets root cleansed and oxygenized
before flowing down to living unit and gardens by gravity. Paracity is having
modern environmental technology modules as inner organs for further water
cleaning, wastewater treatment, composting of organic waste etc. It can also
receive waste material from the surrounding city and treat them. It is
following the principles of Treasure Hill but in a contemporary form – a form
that can accommodate the mess.</span><p></p>
<p class="MsoNormal" style="background: white; line-height: normal; margin-bottom: 0cm; text-align: justify;"><span face=""Calibri Light",sans-serif" lang="RU" style="color: #0070c0; font-size: 12pt; mso-ansi-language: RU; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">Я маю приклад із
Тайваню, чому вторинні структури та культурні шари виглядають китайськими. В
Україні це виглядало б зовсім інакше. У будь-якому випадку, існує первинна
структура </span><span face=""Calibri Light",sans-serif" lang="EN-GB" style="color: #0070c0; font-size: 12pt; mso-ansi-language: EN-GB; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">CLT</span><span face=""Calibri Light",sans-serif" lang="RU" style="color: #0070c0; font-size: 12pt; mso-ansi-language: RU; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;"> всередині
міського організму, а потім культурні та місцеві знання, що стосуються
конкретного місця, поверх неї. У випадку з Тайпеєм </span><span face=""Calibri Light",sans-serif" lang="EN-GB" style="color: #0070c0; font-size: 12pt; mso-ansi-language: EN-GB; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">Paracity</span><span face=""Calibri Light",sans-serif" lang="EN-GB" style="color: #0070c0; font-size: 12pt; mso-ansi-language: RU; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;"> </span><span face=""Calibri Light",sans-serif" lang="RU" style="color: #0070c0; font-size: 12pt; mso-ansi-language: RU; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">бере воду із забрудненої річки та перекачує її на
зелений дах, де вона очищається від коренів і збагачується киснем, перш ніж
гравітаційно стікати до житлових приміщень і садів. </span><span face=""Calibri Light",sans-serif" lang="EN-GB" style="color: #0070c0; font-size: 12pt; mso-ansi-language: EN-GB; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">Paracity</span><span face=""Calibri Light",sans-serif" lang="RU" style="color: #0070c0; font-size: 12pt; mso-ansi-language: RU; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;"> має сучасні екологічні технологічні модулі як
внутрішні органи для подальшого очищення води, очищення стічних вод,
компостування органічних відходів тощо. Він також може приймати відходи з
навколишнього міста та переробляти їх. Він дотримується принципів </span><span face=""Calibri Light",sans-serif" lang="EN-GB" style="color: #0070c0; font-size: 12pt; mso-ansi-language: EN-GB; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">Treasure</span><span face=""Calibri Light",sans-serif" lang="EN-GB" style="color: #0070c0; font-size: 12pt; mso-ansi-language: RU; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;"> </span><span face=""Calibri Light",sans-serif" lang="EN-GB" style="color: #0070c0; font-size: 12pt; mso-ansi-language: EN-GB; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">Hill</span><span face=""Calibri Light",sans-serif" lang="RU" style="color: #0070c0; font-size: 12pt; mso-ansi-language: RU; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">, але в сучасній
формі – формі, яка може вмістити безлад.</span></p>
<p class="MsoNormal" style="background: white; line-height: 150%; margin-bottom: 0cm; text-align: justify;"></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjnoUsiSRuNs1SrXT1UVkA_IPOnS7CxnvphX9y_eLgAyfjluXwaRvwW0cGok5Stw1VpuvwGBpYwgtrgjiDpWwUUYPBvJXCfg71VfY6xxH7JJeRAT-7Q4icj6PjMKGCTOQRVQfFH7u8gOViUv_XmlN5xjdM5YIyL_PHq2R-okdACFj4RNY3hfy12NZbAG0RJ/s1024/Paracity%20@%20Habitare_Casagrande.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="681" data-original-width="1024" height="426" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjnoUsiSRuNs1SrXT1UVkA_IPOnS7CxnvphX9y_eLgAyfjluXwaRvwW0cGok5Stw1VpuvwGBpYwgtrgjiDpWwUUYPBvJXCfg71VfY6xxH7JJeRAT-7Q4icj6PjMKGCTOQRVQfFH7u8gOViUv_XmlN5xjdM5YIyL_PHq2R-okdACFj4RNY3hfy12NZbAG0RJ/w640-h426/Paracity%20@%20Habitare_Casagrande.JPG" width="640" /></a></div><span style="font-size: 12pt;">Here are some photos of the primary structure in 1:1 scale and then also
testing it with a three metres module in four floors. In Taipei we did
structural calculation of the Paracity structure in 16 floors with no issues.</span><p></p>
<p class="MsoNormal" style="background: white; line-height: normal; margin-bottom: 0cm; text-align: justify;"><span face=""Calibri Light",sans-serif" lang="RU" style="color: #0070c0; font-size: 12pt; mso-ansi-language: RU; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">Ось кілька
фотографій первинної конструкції в масштабі 1:1, а також її тестування за
допомогою триметрового модуля на чотирьох поверхах. У Тайбеї ми без проблем
виконали структурний розрахунок будівлі </span><span face=""Calibri Light",sans-serif" lang="EN-GB" style="color: #0070c0; font-size: 12pt; mso-ansi-language: EN-GB; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">Paracity</span><span face=""Calibri Light",sans-serif" lang="RU" style="color: #0070c0; font-size: 12pt; mso-ansi-language: RU; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;"> на 16 поверхів.</span></p>
<p class="MsoNormal" style="background: white; line-height: 150%; margin-bottom: 0cm; text-align: justify;"><span style="color: black; mso-color-alt: windowtext; mso-no-proof: yes;"><v:shape id="Kuva_x0020_129014908" o:spid="_x0000_i1026" style="height: 262.8pt; mso-wrap-style: square; visibility: visible; width: 369pt;" type="#_x0000_t75">
<v:imagedata o:title="" src="file:///C:/Users/Zbook/AppData/Local/Temp/msohtmlclip1/01/clip_image024.jpg">
</v:imagedata></v:shape></span><span face=""Calibri Light",sans-serif" lang="EN-GB" style="font-size: 12pt; line-height: 150%; mso-ansi-language: EN-GB; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;"><o:p></o:p></span></p>
<p class="MsoNormal" style="background: white; line-height: 150%; margin-bottom: 0cm; text-align: justify;"></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgVey36SG1K9P2IPB2VJTuU3YQ4JBLbGd_8S7qEioDPdkiMJWWCW0dQTYDAo5q9RxA2jMTstd4BHsQD_XfkbfXquvugXpA8oAmZyQ2no415F1fPks4ksk5shtbZ_3wsW4yFPGFR6YNehtBYL7rt5bp1ft-Ikqh9e2YpDvA65UJ0_Vn4a4pqdBNS-BPo_vKp/s1024/Paracity_Casagrande.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="731" data-original-width="1024" height="456" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgVey36SG1K9P2IPB2VJTuU3YQ4JBLbGd_8S7qEioDPdkiMJWWCW0dQTYDAo5q9RxA2jMTstd4BHsQD_XfkbfXquvugXpA8oAmZyQ2no415F1fPks4ksk5shtbZ_3wsW4yFPGFR6YNehtBYL7rt5bp1ft-Ikqh9e2YpDvA65UJ0_Vn4a4pqdBNS-BPo_vKp/w640-h456/Paracity_Casagrande.jpg" width="640" /></a></div><span style="font-size: 12pt;">Some illustrations of the Paracity in a posher form for a Taiwanese
developer.</span><p></p>
<p class="MsoNormal" style="background: white; line-height: 150%; margin-bottom: 0cm; text-align: justify;"><span face=""Calibri Light",sans-serif" lang="EN-GB" style="color: #0070c0; font-size: 12pt; line-height: 150%; mso-ansi-language: EN-GB; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">Кілька
ілюстрацій Paracity у шикарній формі для тайванського розробника.<o:p></o:p></span></p>
<p class="MsoNormal" style="background: white; line-height: 150%; margin-bottom: 0cm; text-align: justify;"><span face=""Calibri Light",sans-serif" lang="EN-GB" style="color: black; font-size: 12pt; line-height: 150%; mso-ansi-language: EN-GB; mso-color-alt: windowtext; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">The other interesting thing with the Paracity model is that it can grow
on top and into industrial buildings out of duty or still in use. The example
here is with a dry dock in the Helsinki Shipyard. The dry dock is about 300
meters long and some 50 meters wide. The Paracity structure is mushrooming on
the sides of it and then adding 14 floors on top of the dry dock. In the Helsinki
case the dry dock is thought to be operational with the new Paracity community
living on it. The new wooden structure is structurally independent and not
adding stress to the existing industrial building. </span><span face=""Calibri Light",sans-serif" lang="EN-GB" style="font-size: 12pt; line-height: 150%; mso-ansi-language: EN-GB; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;"><o:p></o:p></span></p>
<p class="MsoNormal" style="background: white; line-height: normal; margin-bottom: 0cm; text-align: justify;"><span face=""Calibri Light",sans-serif" lang="RU" style="color: #0070c0; font-size: 12pt; mso-ansi-language: RU; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">Інша цікава річ
у моделі </span><span face=""Calibri Light",sans-serif" lang="EN-GB" style="color: #0070c0; font-size: 12pt; mso-ansi-language: EN-GB; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">Paracity</span><span face=""Calibri Light",sans-serif" lang="RU" style="color: #0070c0; font-size: 12pt; mso-ansi-language: RU; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;"> полягає в тому,
що вона може рости на вершині промислових будівель, які не працюють або все ще
використовуються. Ось приклад із сухим доком на Гельсінській верфі. Сухий док
має близько 300 метрів в довжину і близько 50 метрів в ширину. Структура </span><span face=""Calibri Light",sans-serif" lang="EN-GB" style="color: #0070c0; font-size: 12pt; mso-ansi-language: EN-GB; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">Paracity</span><span face=""Calibri Light",sans-serif" lang="RU" style="color: #0070c0; font-size: 12pt; mso-ansi-language: RU; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;"> росте як гриби
з боків, а потім додає 14 поверхів поверх сухого доку. У випадку Гельсінкі
вважається, що сухий док працює з новою спільнотою </span><span face=""Calibri Light",sans-serif" lang="EN-GB" style="color: #0070c0; font-size: 12pt; mso-ansi-language: EN-GB; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">Paracity</span><span face=""Calibri Light",sans-serif" lang="RU" style="color: #0070c0; font-size: 12pt; mso-ansi-language: RU; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">, яка живе в ньому. Нова дерев'яна конструкція є
конструктивно незалежною та не створює навантаження на існуючу промислову
будівлю.</span></p>
<p class="MsoNormal" style="background: white; line-height: 150%; margin-bottom: 0cm; text-align: justify;"><b></b></p><div class="separator" style="clear: both; text-align: center;"><b><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjQo0dgfJFRS255Q2uRY6f14VCx6mtKC50mzraMaoOgtsF7CpxI-EhueOY0f5DYdnuXwtmM2owlQp1SvzV2ZcncmownLuWnLjO8Wbc0APVg1Sg3kI-D5AYbwqm0utOExjqLbokS2bDY9Hf1Rx-qZyYpCwXcE2rKtPk3X09zveLheZkXVf7OMA4wPipYv2Sa/s1503/PARACITY_Helsinki_Casagrande.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="840" data-original-width="1503" height="358" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjQo0dgfJFRS255Q2uRY6f14VCx6mtKC50mzraMaoOgtsF7CpxI-EhueOY0f5DYdnuXwtmM2owlQp1SvzV2ZcncmownLuWnLjO8Wbc0APVg1Sg3kI-D5AYbwqm0utOExjqLbokS2bDY9Hf1Rx-qZyYpCwXcE2rKtPk3X09zveLheZkXVf7OMA4wPipYv2Sa/w640-h358/PARACITY_Helsinki_Casagrande.png" width="640" /></a></b></div><b><span face=""Calibri Light",sans-serif" lang="EN-GB" style="color: black; font-size: 12pt; line-height: 150%; mso-ansi-language: EN-GB; mso-color-alt: windowtext; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">Third Generation City</span></b><p></p>
<p class="MsoNormal" style="background: white; line-height: 150%; margin-bottom: 0cm; text-align: justify;"><span face=""Calibri Light",sans-serif" lang="EN-GB" style="color: black; font-size: 12pt; line-height: 150%; mso-ansi-language: EN-GB; mso-color-alt: windowtext; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">Most dramatic changes are now forced to the Ukrainian people and your
build human environment. The ruining process of the industrial city is violent
and fast. Sometimes this happens caused by big forces of nature like tsunami, earthquake,
or hurricane, but this time it is generated by human nature. </span><span face=""Calibri Light",sans-serif" lang="EN-GB" style="font-size: 12pt; line-height: 150%; mso-ansi-language: EN-GB; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;"><o:p></o:p></span></p>
<p class="MsoNormal" style="background: white; line-height: 150%; margin-bottom: 0cm; text-align: justify;"><span face=""Calibri Light",sans-serif" lang="RU" style="color: #0070c0; font-size: 12pt; line-height: 150%; mso-ansi-language: RU; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">Місто третього
покоління</span></p>
<p class="MsoNormal" style="background: white; line-height: 150%; margin-bottom: 0cm; text-align: justify;"><span face=""Calibri Light",sans-serif" lang="RU" style="color: #0070c0; font-size: 12pt; line-height: 150%; mso-ansi-language: RU; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">Найбільш
драматичні зміни зараз змушені український народ і ваше людське середовище.
Процес руйнування промислового міста бурхливий і швидкий. Іноді це відбувається
внаслідок великих природних сил, таких як цунамі, землетрус або ураган, але
цього разу це породжено людською природою.<o:p></o:p></span></p>
<p class="MsoNormal" style="background: white; line-height: 150%; margin-bottom: 0cm; text-align: justify;"><span face=""Calibri Light",sans-serif" lang="EN-GB" style="color: black; font-size: 12pt; line-height: 150%; mso-ansi-language: EN-GB; mso-color-alt: windowtext; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">Rebuilding will not be enough. The collective conscious can overcome the
current tragedy by moving forward, being even more coherent in its Local
Knowledge, and building towards the next generation of the city, the Third
Generation City. The ideal of the 3G City is to learn to become part of nature.
This kind of human existence with the build human environment as part of nature
has existed before, and it is in our genetic memory, and it is still expressed
by the Local Knowledge. Third Generation City is the ideal, it is the strategic
goal. To reach there we need to build new biourbanic tactics. </span><span face=""Calibri Light",sans-serif" lang="EN-GB" style="font-size: 12pt; line-height: 150%; mso-ansi-language: EN-GB; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;"><o:p></o:p></span></p>
<p class="MsoNormal" style="background: white; line-height: normal; margin-bottom: 0cm; text-align: justify;"><span face=""Calibri Light",sans-serif" lang="EN-GB" style="color: #0070c0; font-size: 12pt; mso-ansi-language: EN-GB; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">Перебудови
буде недостатньо. Колективна свідомість може подолати нинішню трагедію,
рухаючись вперед, будучи ще більш послідовними у своїх місцевих знаннях і
будуючи в напрямку наступного покоління міста, Міста третього покоління. Ідеал
3G City — навчитися бути частиною природи. Такий тип людського існування зі
створеним людським середовищем як частиною природи існував раніше, і він
зберігається в нашій генетичній пам’яті, і він все ще виражається в Місцевих
знаннях. </span><span face=""Calibri Light",sans-serif" lang="RU" style="color: #0070c0; font-size: 12pt; mso-ansi-language: RU; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">Місто третього покоління – це ідеал, це стратегічна
мета. Щоб досягти цього, нам потрібно створити нову біоурбанічну тактику.<o:p></o:p></span></p>
<p class="MsoNormal" style="background: white; line-height: 150%; margin-bottom: 0cm; text-align: justify;"><span face=""Calibri Light",sans-serif" lang="EN-GB" style="color: black; font-size: 12pt; line-height: 150%; mso-ansi-language: EN-GB; mso-color-alt: windowtext; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">All our construction moves withing the spectrum of survival, comfort,
and beauty. Say, before anything, if you have a rock and the wind is blowing
rain and you sit on the wrong side of the rock, you will get wet and cold,
slowly die. If you sit on the better side of the rock the wind stops and you
get less wet, you survive. You may even be able to build up a fire and then it
gets comfortable. When warming behind the rock with your little fire, being
comfortable, you may focus on a flower, or to the beauty of the fire – beauty,
which is a high degree. </span><span face=""Calibri Light",sans-serif" lang="EN-GB" style="font-size: 12pt; line-height: 150%; mso-ansi-language: EN-GB; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;"><o:p></o:p></span></p>
<p class="MsoNormal" style="background: white; line-height: normal; margin-bottom: 0cm; text-align: justify;"><span face=""Calibri Light",sans-serif" lang="RU" style="color: #0070c0; font-size: 12pt; mso-ansi-language: RU; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">Усе наше
будівництво рухається в рамках спектру виживання, комфорту та краси. Скажімо,
перш за все, якщо у вас є скеля, і вітер дме дощем, і ви сідаєте не на той бік
скелі, ви промокнете і замерзнете, повільно помрете. Якщо ви сідаєте на кращу
сторону скелі, вітер зупиняється, і ви стаєте менше мокрими, ви виживаєте.
Можливо, ви навіть зможете розвести багаття, і тоді стане комфортно. Гріючись
за скелею біля свого вогнища, комфортно, можна орієнтуватися на квітку, або на
красу вогню – красу, яка є високою мірою.<o:p></o:p></span></p>
<p class="MsoNormal" style="background: white; line-height: 150%; margin-bottom: 0cm; text-align: justify;"><span face=""Calibri Light",sans-serif" lang="EN-GB" style="color: black; font-size: 12pt; line-height: 150%; mso-ansi-language: EN-GB; mso-color-alt: windowtext; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">The original site of the city was found because of understanding and
surviving with nature, including some comfort, plenty of beauty. The
first-generation city already introduced more comfort, less survival, but
beauty still. The second-generation city, the industrial city, claimed
independence from nature and was fully focused on comfort, survival was a thing
from the past, and beauty became speculative, even fictional. The totalitarian centrally
governed comfort removed us away from nature, which was the source to survive
against, and focused us on a fully human centred life, with nature being the
outsider or reduced to industrial resource – raw material. And then we started
to complain about the climate change or not being able to sleep in the city.
But all this time some people went fishing, they were farming cabbages in the
city corners, and took care of each other’s and even animals – unofficially. </span><span face=""Calibri Light",sans-serif" lang="EN-GB" style="font-size: 12pt; line-height: 150%; mso-ansi-language: EN-GB; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;"><o:p></o:p></span></p>
<p class="MsoNormal" style="background: white; line-height: normal; margin-bottom: 0cm; text-align: justify;"><span face=""Calibri Light",sans-serif" lang="RU" style="color: #0070c0; font-size: 12pt; mso-ansi-language: RU; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">Первісне місце
міста було знайдено через розуміння та виживання з природою, включаючи певний
комфорт, багато краси. Місто першого покоління вже принесло більше комфорту,
менше виживання, але все одно красу. Місто другого покоління, промислове місто,
претендувало на незалежність від природи і було повністю зосереджено на
комфорті, виживання залишилося в минулому, а краса стала спекулятивною, навіть
вигаданою. Тоталітарний централізований комфорт віддалив нас від природи, яка
була джерелом виживання, і зосередив нас на повністю орієнтованому на людину
житті, де природа була аутсайдером або зведена до промислового ресурсу –
сировини. А потім ми почали скаржитися на зміну клімату чи неможливість спати в
місті. Але весь цей час одні рибалили, вирощували капусту по закутках міста,
доглядали один одного і навіть тварин – неофіційно.<o:p></o:p></span></p>
<p class="MsoNormal" style="background: white; line-height: 150%; margin-bottom: 0cm; text-align: justify;"><span face=""Calibri Light",sans-serif" lang="EN-GB" style="color: black; font-size: 12pt; line-height: 150%; mso-ansi-language: EN-GB; mso-color-alt: windowtext; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">Now the survival is back and new distinctions between survival, comfort,
and beauty are happening. Rebuilding the past is only therapy. Constructing the
new Local Knowledge, including the Third Generation City, from this level of
survival is not only interesting, but essential. Kharkiv and Ukraine are on the
threshold of great things, entering the city where your deepest wishes come
true, the ones gained through suffering. </span><span face=""Calibri Light",sans-serif" lang="EN-GB" style="font-size: 12pt; line-height: 150%; mso-ansi-language: EN-GB; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;"><o:p></o:p></span></p>
<p class="MsoNormal" style="background: white; line-height: normal; margin-bottom: 0cm; text-align: justify;"><span face=""Calibri Light",sans-serif" lang="RU" style="color: #0070c0; font-size: 12pt; mso-ansi-language: RU; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">Тепер виживання
повертається і виникають нові відмінності між виживанням, комфортом і красою.
Відбудова минулого – це лише терапія. Побудова нових локальних знань, у тому
числі міста третього покоління, на цьому рівні виживання не тільки цікава, але
й необхідна. Харків і Україна стоять на порозі великих подій, входять у місто,
де здійснюються найпотаємніші бажання, здобуті через страждання.<o:p></o:p></span></p>
<p class="MsoNormal" style="background: white; line-height: 150%; margin-bottom: 0cm; text-align: justify;"><span style="font-size: 12pt;">Marco Casagrande</span></p>
<p class="MsoNormal" style="background: white; line-height: 150%; margin-bottom: 0cm; text-align: justify;"><span face=""Calibri Light",sans-serif" lang="EN-GB" style="color: black; font-size: 12pt; line-height: 150%; mso-ansi-language: EN-GB; mso-color-alt: windowtext; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;">Ruin Academy / </span><span face=""Calibri Light",sans-serif" lang="EN-GB" style="color: black; font-size: 12pt; line-height: 150%; mso-ansi-language: EN-GB; mso-color-alt: windowtext;"><a href="https://en.kname.edu.ua/" target="_blank">O.M. Beketov National University</a></span></p>
<p class="MsoNormal" style="background: white; line-height: 150%; margin-bottom: 0cm; text-align: justify;"><span face=""Calibri Light",sans-serif" lang="EN-GB" style="color: black; font-size: 12pt; line-height: 150%; mso-ansi-language: EN-GB; mso-color-alt: windowtext;">Translation: Galyna Osychenko </span><span face=""Calibri Light",sans-serif" lang="EN-GB" style="font-size: 12pt; line-height: 150%; mso-ansi-language: EN-GB;"><o:p></o:p></span></p>
<p class="MsoNormal" style="background: white; line-height: 150%; margin-bottom: 0cm; text-align: justify;"><span face=""Calibri Light",sans-serif" lang="EN-GB" style="color: black; font-size: 12pt; line-height: 150%; mso-ansi-language: EN-GB; mso-color-alt: windowtext;"><a href="https://en.kname.edu.ua/" target="_blank">O.M. Beketov National University</a></span><span face=""Calibri Light",sans-serif" lang="EN-GB" style="font-size: 12pt; line-height: 150%; mso-ansi-language: EN-GB;"><o:p></o:p></span></p><p class="MsoNormal" style="background: white; line-height: 150%; margin-bottom: 0cm; text-align: justify;"></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj-4-VS7q9_xcZkfEwaVj9wjiL0nqlrpAS6I3uE41dxfQQu2I9cVIfLfBnUZPhrLtA2zjSBOf2kACorl-zNKCJF1rlDFKm__q8QzibdtLFvyuVifbSgFAiqHyTOZgzCldlgh3BWbbEbRXJzhJARSco6YtdvRNYGBwL9JFbdB6BJadUYpeIMw-KysdAA8YOP/s864/O.M.%20Beketov%20National%20University_Ukraine.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="864" data-original-width="864" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj-4-VS7q9_xcZkfEwaVj9wjiL0nqlrpAS6I3uE41dxfQQu2I9cVIfLfBnUZPhrLtA2zjSBOf2kACorl-zNKCJF1rlDFKm__q8QzibdtLFvyuVifbSgFAiqHyTOZgzCldlgh3BWbbEbRXJzhJARSco6YtdvRNYGBwL9JFbdB6BJadUYpeIMw-KysdAA8YOP/w640-h640/O.M.%20Beketov%20National%20University_Ukraine.png" width="640" /></a></div><br /><span face=""Calibri Light",sans-serif" lang="EN-GB" style="color: black; font-size: 12pt; line-height: 150%; mso-ansi-language: EN-GB; mso-color-alt: windowtext;"><br /></span><p></p>
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<p class="MsoNormal" style="background: white; line-height: 150%; margin-bottom: 0cm; text-align: justify;"><span face=""Calibri Light",sans-serif" style="font-size: 12pt; line-height: 150%; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ZH-CN;"><o:p> </o:p></span></p>
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</div>Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-4990227540840524753.post-40333041277511016842023-06-19T03:48:00.003-07:002023-06-19T04:00:27.004-07:00open form : now open<div style="text-align: justify;">We were playing the Warsaw Game, a strategic ‘Open Form’ game based on the improvisation and adaptation to changing conditions, led by
Professor Svein Hatløy (1940–2015), the founder of the Bergen School of Architecture, and Chi Ti-Nan, the author of the Micro-Urbanism concept* and the
initiator of the Urban Flashes workshops. At the Urban Flashes in London (2002), Svein made us collect recycled building materials into a shopping cart and use
them in a way that they would ‘dominate’ and ‘communicate’. Chi was very impressed by the deep philosophy behind this – it was the first time that his Taoist mind encountered Open Form.
After London, Chi begun to teach in Bergen, and Svein – to spend time in China.</div><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhb9dBoNZ9h_P8yuKWrVDgNZCArSNjo8FDI2wSumD9v0o4yTdLkW1RzYehkQdykPolLFVcelAm8Jre2W1QRMF86BCYy1Fy1yroBJWBOnsNYXp3N_WwKXHe4Fa_Hmo-ZSgxlq9oZLwqaN007ct1D4h0A2cBZgnRqDOlEWXNchllp4CVjWmgAIObxNfDql1cA/s1379/Third%20Generation%20City_Casagrande.jpg" style="display: block; margin-left: auto; margin-right: auto; padding: 1em 0px; text-align: center;"><img alt="" border="0" data-original-height="1379" data-original-width="1379" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhb9dBoNZ9h_P8yuKWrVDgNZCArSNjo8FDI2wSumD9v0o4yTdLkW1RzYehkQdykPolLFVcelAm8Jre2W1QRMF86BCYy1Fy1yroBJWBOnsNYXp3N_WwKXHe4Fa_Hmo-ZSgxlq9oZLwqaN007ct1D4h0A2cBZgnRqDOlEWXNchllp4CVjWmgAIObxNfDql1cA/w640-h640/Third%20Generation%20City_Casagrande.jpg" width="640" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><i style="text-align: left;">Third Generation City, M. Casagrande</i><span style="text-align: left;"> </span></td></tr></tbody></table>
<div><br /></div><div><div style="text-align: justify;">Originally formulated in 1959 by visionary architect, theorist and artist Oskar Hansen and developed further by Svein Hatløy, the concept of Open Form is based
on unauthored individual and collective actions that have a potential to generate further reactions. Within this approach, the role of the architect shifts towards directing constructive communication. Open Form is a monument to no one, and the processes it goes by are rather biological. </div><div style="text-align: justify;"><br /></div><div style="text-align: justify;">Svein got me a teaching appointment at the Bergen School of Architecture, where I sought for a deeper understanding of Open Form. Step by step, this led me towards the concept of Urban Acupuncture, which owes as much to Svein as to Chi’s Micro-Urbanism. Today, looking back to the architectural installations we made in different cities with Sami Rintala, I can see that Urban Acupuncture was already present there. Those installations acted as the acupuncture needles that tapped into the
collective conscience of the local communities and tried to communicate with the site-specific knowledge. Our architectural expression was Open Form in the sense that it did not rely on any specific discipline – not even architecture – but glided freely between various fields of art and science. </div><div style="text-align: justify;"><br /></div><div style="text-align: justify;">“First one has to have something to say, and then find the ways how to say it,” said Mauno Koivisto, the President of Finland in 1982–94. “To be present is key to all art,” said Reijo Kela, the legendary dancer and choreographer who had burned our Land(e)scape back in 1999. “Real Reality is something that is total; something that cannot be speculated,” said Jaakko Hämeen-Anttila, the Professor of the Arabic Language and Islamic Studies at the Universities of Edinburg and Helsinki. He continued: “The valueless void of today’s society will be filled with ethics; the corners are windy.” We craved to feel this wind and to break in more corners.
Usually design represents a closed form; it relies on the control methodologies that stifle the Local Knowledge. Design should not replace reality. Reality is normal. We chose to believe in the supernormal, and in the works that laughed at their ‘designers’. </div><div style="text-align: justify;"><br /></div><div style="text-align: justify;">I ended up in Taiwan by accident, although Svein declared: “We sent Marco to Asia.” What really happened were two seemingly independent events at the Venice Biennale of Architecture in 2000: Chi visiting our ‘60 Minute Man’ boat and me picking up from the ground his flyer that advertised the Taiwanese pavilion. Then we got in touch with each other, and Chi invited me to my first Urban Flashes in Taipei. Prior to Taipei, Sami and I had worked on a few projects in Japan, but in Taiwan the Open Form really
got me. The final hit was my work in, with and for the Treasure Hill, where everything Svein had been teaching became a reality, because the Treasure Hill was the Open Form fighting against the official city.
Without Open Form, I would have never been able to deal with it. Without Open Form, there would have been no Urban Acupuncture for me, and no teaching at the Tamkang University, where the students started playing the Warsaw Game soon after I became their ‘professor of accident’. In a sense, Svein was right: he did send me to Taiwan.</div><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg5HOLzuvyUWcN5ietZ95_M__HY9zni_48TXVmDYhnVFfL3sGCJ3AK87KKm6HXLYizqkbtYyurSHYfPf7F0te4AesdctWSNp6J7aGuhrgzB1duYXDr7Rq1bJyb-JWXyKTfsEUcYnFk6VNmxn4cmLGR3nu4E23ZoFWpNcnV4hPZvrvWA9yheV9oOWwkUQxvC/s1600/Urban%20Acupuncture_Hiroki%20Oya_Casagrande%20Laboratory.jpg" style="display: block; margin-left: auto; margin-right: auto; padding: 1em 0px; text-align: center;"><img alt="" border="0" data-original-height="1600" data-original-width="1411" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg5HOLzuvyUWcN5ietZ95_M__HY9zni_48TXVmDYhnVFfL3sGCJ3AK87KKm6HXLYizqkbtYyurSHYfPf7F0te4AesdctWSNp6J7aGuhrgzB1duYXDr7Rq1bJyb-JWXyKTfsEUcYnFk6VNmxn4cmLGR3nu4E23ZoFWpNcnV4hPZvrvWA9yheV9oOWwkUQxvC/w565-h640/Urban%20Acupuncture_Hiroki%20Oya_Casagrande%20Laboratory.jpg" width="565" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><span style="text-align: justify;"><i>Urban Acupuncture, Hiroki Oya / Casagrande Laboratory</i></span></td></tr></tbody></table><div style="text-align: justify;"><br /></div><div style="text-align: justify;">In Tamkang, I was given full support in taking further the Urban Acupuncture thinking to study the essense of ruins and eventually arrive at the Third Generation City. Later on, the Sustainable Global Technologies research centre (SGT) in the Aalto University gave me a free hand in practicing multi-disciplinary design, which, again, was close to Open Form. More disciplines were stepping in: river engineering, futures studies, cultural studies, landscape architecture, civil engineering, sociology, horticulture, and anthropology.
In 2010, we were able to set up our own independent research center, the Ruin Academy in Taipei. Totally multi-disciplinary and based on Open Form, this platform for academic squatting involved the Aalto SGT, the Tamkang University, and the National Taiwan University, especially its sociology department. In the meantime, in Artena,
Italy, a cross-disciplinary network of university professors founded the International Society of Biourbanism that has also established a strong connection with the Ruin Academy. Through this link, Open Form started to gain some more scientific roots. The biourbanists are as much mathematicians as they are biologists. </div><div style="text-align: justify;"><br /></div><div style="text-align: justify;">Open Form knows no designer. The architect is not an author, but rather a communicator, or a human intelligence officer. Most of the existing architecture is ‘closed form’, a structural manifestation of human control and authority, while nature is Open Form, and therefore the task of architecture should be mediating between the human nature and the big voice of Nature.
Urban Acupuncture strives to penetrate through thin industrial layers of asphalt and concrete in order to connect with the original soil. The resulting cracks in the
city fabric provide the breeding ground for the Local Knowledge and Open Form (which are essentially one and the same thing). The Third Generation City is the city of cracks.</div><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgwvN0_Yo4eslpR351kdYpfQiefkibG0NtSpvjWykTlGo44SjqUt91rk8ipPK_Ov1t6jF_vaU75348AS16X2DxdkVS-RvKWN8sGIAs3V-dL2bNuZ06w4QENX5swGgTnY1topftjaDTmIKuVUxfMBoeATbDWfSB8ofikTfu-iOizZmKNmE-nh-_Y_xE5o3V4/s3307/Bug%20Dome_Phimenes%20Sp_City_Marco%20Casagrande.jpg" style="display: block; margin-left: auto; margin-right: auto; padding: 1em 0px; text-align: center;"><img alt="" border="0" data-original-height="1956" data-original-width="3307" height="378" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgwvN0_Yo4eslpR351kdYpfQiefkibG0NtSpvjWykTlGo44SjqUt91rk8ipPK_Ov1t6jF_vaU75348AS16X2DxdkVS-RvKWN8sGIAs3V-dL2bNuZ06w4QENX5swGgTnY1topftjaDTmIKuVUxfMBoeATbDWfSB8ofikTfu-iOizZmKNmE-nh-_Y_xE5o3V4/w640-h378/Bug%20Dome_Phimenes%20Sp_City_Marco%20Casagrande.jpg" width="640" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><span style="text-align: left;"><i>Phimenes Sp., M.Casagrande & F. Chen / Casagrande Laboratory</i></span></td></tr></tbody></table><br /></div><div style="text-align: justify;">Architecture is an environmental art. It belongs not to architects, but to nature; it belongs to our senses, and not to our control. What is not sensitive, is not alive – it’s death’s companion. </div><div style="text-align: justify;"><br /></div><div><div style="text-align: justify;">When I was a student at the Helsinki University of Technology (now the Aalto University), Professor Juhani Pallasmaa, Head of the Architecture Department in 1992–97, made us watch Andrei Tarkovsky’s films. Stalker – directed by Tarkovsky and based on the ‘Roadside Picnic’ novel by Arkady and Boris Strugatsky – is about the Open Form as it is about life: you either survive your way through the Zone, or you don’t. It’s always the same forest, but the way is never the same. The way is the domain of the accident, yet Open Form is not a mystery. It is about constructing and deconstructing the elements that can maximise the opportunities for life to thrive. These
life-providing elements – be it a house, a place, a community, or a city – are parts of nature, and, as such, they follow biological principles.</div><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi8JjJbU1kqiclppNguy_SAWy22T3DWOM5TibBJK9xDs3WKjSfkgk-BSL9vbfRQWi45K9nVIEVYAJxDqwuVqz_vBPKzp8J-uoBIV5ENXhBXAAyBK8YdRw8kMDbvAhnPucUzbQZdCycyg6WeZ1QLYPrRjyp-cnTPJD0K6_f-1DGRc9uiUk0zMvxmDbnGgJKA/s768/Existence%20Maximum_Casagrande.jpg" style="display: block; margin-left: auto; margin-right: auto; padding: 1em 0px; text-align: center;"><img alt="" border="0" data-original-height="768" data-original-width="768" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi8JjJbU1kqiclppNguy_SAWy22T3DWOM5TibBJK9xDs3WKjSfkgk-BSL9vbfRQWi45K9nVIEVYAJxDqwuVqz_vBPKzp8J-uoBIV5ENXhBXAAyBK8YdRw8kMDbvAhnPucUzbQZdCycyg6WeZ1QLYPrRjyp-cnTPJD0K6_f-1DGRc9uiUk0zMvxmDbnGgJKA/w640-h640/Existence%20Maximum_Casagrande.jpg" width="640" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><span style="text-align: left;"><i>Existense Maximum, M. Casagrande</i></span></td></tr></tbody></table><br /></div><div style="text-align: justify;">Existense Maximum is the given rule of nature. To enable maximum life in site- specific conditions, human control should be loosened up in order for nature to step in. Nature, life and human are one and the same, but human control is something different; it is the source of pollution and prostitution. Architects are not obliged to be design prostitutes, and architecture should not necessarily be a manifestation of human control. And if not, then the house must be ruined. </div><div><br /></div><div><b><span style="font-size: large;">Ring the bells that still can ring </span></b></div><div><b><span style="font-size: large;">Forget your perfect offering </span></b></div><div><b><span style="font-size: large;">There is a crack in everything </span></b></div><div><b><span style="font-size: large;">That’s how the light gets
in. </span></b></div><div><i>- Leonard Cohen, Anthem </i></div><div><br /></div><div><div style="text-align: justify;">A ruin is when the man-made becomes part of nature. Open Form seeks to produce ruins – houses, communities and cities that are broken open by human error to turn into platforms of cracks. These cracks are not slums; they are not the smelly parts of the city – they are the apertures through which light comes in. The modern man is an anti-life form in the universe of cracks. A house is not a box, and the man should not stay inside. The architecture provides necessary shelter, an Open Form for the man to have a rest and contemplate. It gives us comfort. But this is not all there is. The house is where the light comes in. The city is the biology itself. It is a biourban galaxy of lights, a star system of cracks. </div><div style="text-align: justify;"><br /></div><div style="text-align: justify;">* In his Micro-Urbanism theory, Taiwanese architect Chi Ti-Nan proposes an alternative to conventional ‘macro-urban’ design and planning practices with their “efforts to invent or resurrect dominant forms, to demonstrate heroic rectifications, to reinforce the regulations, [or] to freeze the historical areas.” Instead, he encourages the
architects to investigate the way things interact and coordinate in the city’s everyday life; to explore the seemingly insignificant sides of contemporary cities; the unique microcosms that develop in response to “both natural environment and existing urban conditions,” and to take cues from the “immediate solutions and consequential behaviours mobilised by people in order to manage limited resources and adapt to the man-made environment.” Referring to the principles of Eastern medicine like ayurveda or acupuncture, Chi speaks about “a meridian system of interrelated energy zones within the preconceived macro-structure of the city” and emphasises the importance of identifying and working with the city’s organic, innate processes that are being “blocked, concealed or simply ignored.”</div><div class="separator" style="clear: both;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgc4v-ajh3boBW15510GKDTXAsl7dw2QNsS8glWi9enY0uhJv9Z50pW9vaSx_Hbqp5vGsi6iv3hHRYhiRJkT4WtB8_5Lh9WxsikbGfCARvvKPJIGxVissfyrp_6s2caceTqo-IL7lgbt6zZAzshpK1ywoXhhHdScDTWbRvKjRhAic_H-yvHnpbXCvNrELYK/s229/Kuva1.jpg" style="display: block; padding: 1em 0px; text-align: justify;"><img alt="" border="0" data-original-height="229" data-original-width="169" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgc4v-ajh3boBW15510GKDTXAsl7dw2QNsS8glWi9enY0uhJv9Z50pW9vaSx_Hbqp5vGsi6iv3hHRYhiRJkT4WtB8_5Lh9WxsikbGfCARvvKPJIGxVissfyrp_6s2caceTqo-IL7lgbt6zZAzshpK1ywoXhhHdScDTWbRvKjRhAic_H-yvHnpbXCvNrELYK/s320/Kuva1.jpg" /></a></div>
Chapter of book: Marco Casagrande: Who Cares, Wins the Third Generation City. Edit. Anna Yudina. ISBN 978-986-85001-9-8. JUT Foundation for Arts & Architecture, Taiwan
</div>Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-4990227540840524753.post-39067816923461331462023-06-02T00:51:00.005-07:002023-06-02T00:58:12.689-07:00CONSTRUCTIVE BIOLOGY. From Urban Acupuncture to Biourbanism<p> </p><p align="right" class="MsoNormal" style="line-height: 150%; margin-bottom: 0cm; text-align: right;"><span lang="EN-GB" style="font-family: "Calibri Light",sans-serif; font-size: 16.0pt; line-height: 150%; mso-ansi-language: EN-GB;">CONSTUCTIVE
BIOLOGY. <o:p></o:p></span></p>
<p align="right" class="MsoNormal" style="line-height: 150%; margin-bottom: 0cm; text-align: right;"><span lang="EN-GB" style="font-family: "Calibri Light",sans-serif; font-size: 16.0pt; line-height: 150%; mso-ansi-language: EN-GB;">FROM URBAN
ACUPUNCTURE TO BIOURBANISM</span><span style="font-family: "Calibri Light", sans-serif; font-size: 12pt;"> </span></p>
<p align="right" class="MsoNormal" style="line-height: normal; margin-bottom: 0cm; text-align: right;"><span lang="EN-GB" style="font-family: "Calibri Light",sans-serif; font-size: 12.0pt; mso-ansi-language: EN-GB;">Marco Casagrande<o:p></o:p></span></p>
<p align="right" class="MsoNormal" style="line-height: normal; margin-bottom: 0cm; text-align: right;"><span lang="EN-GB" style="font-family: "Calibri Light",sans-serif; font-size: 12.0pt; mso-ansi-language: EN-GB;">Ruin Academy, Casagrande Laboratory, and <o:p></o:p></span></p>
<p align="right" class="MsoNormal" style="line-height: normal; margin-bottom: 0cm; text-align: right;"><span lang="EN-GB" style="font-family: "Calibri Light",sans-serif; font-size: 12.0pt; mso-ansi-language: EN-GB;">International Society of Biourbanism - FINLAND</span></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEidb5gGVVO1_53gnIBYGvQAG1RCKV4DWCPXeimAluZEuM_lLqHA0DX310aXDx_tXjQQiv63xo7T_ffPe9zQ4nj1jNIP2UhB7l3G2r8daTiHwMR7c436hV8_Cu5c60mBks-j9A-9gv9q3VLI6iWi_mjrHAzz9em2wOyd7prIiwsV4h6bnLiQ7Yk2ofUrwQ/s1065/1065px-Taipei_Organic_Acupuncture_by_Marco_Casagrande.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1024" data-original-width="1065" height="385" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEidb5gGVVO1_53gnIBYGvQAG1RCKV4DWCPXeimAluZEuM_lLqHA0DX310aXDx_tXjQQiv63xo7T_ffPe9zQ4nj1jNIP2UhB7l3G2r8daTiHwMR7c436hV8_Cu5c60mBks-j9A-9gv9q3VLI6iWi_mjrHAzz9em2wOyd7prIiwsV4h6bnLiQ7Yk2ofUrwQ/w400-h385/1065px-Taipei_Organic_Acupuncture_by_Marco_Casagrande.jpg" width="400" /></a></div><p></p>
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<p class="MsoNormal" style="line-height: 24px; margin-bottom: 0cm; text-align: justify;"><span lang="IT" style="font-family: "Calibri Light", sans-serif; font-size: 12pt; line-height: 24px;">CHAPTER OF BOOK</span></p><p class="MsoNormal" style="line-height: 150%; margin-bottom: 0cm; text-align: justify;"><span lang="EN-GB" style="font-family: "Calibri Light",sans-serif; font-size: 12.0pt; line-height: 150%; mso-ansi-language: EN-GB;"></span></p><p class="MsoNormal" style="line-height: 24px; margin-bottom: 0cm; text-align: justify;"><span lang="IT" style="font-family: "Calibri Light", sans-serif; font-size: 12pt; line-height: 24px;"><o:p><span style="font-family: "Times New Roman"; font-size: medium; text-align: left; text-indent: 0.533333px;"><span lang="EN-GB" style="background: white; font-family: "Times New Roman", serif; font-size: 12pt; line-height: 18.4px;">F. Armato & S. Follesa. <i>From Spaces to Places </i></span></span><i style="font-family: "Times New Roman"; font-size: medium; text-align: left; text-indent: 0.533333px;"><span lang="EN-GB" style="font-family: "Times New Roman", serif; font-size: 12pt; letter-spacing: -0.1pt; line-height: 18.4px;">Product#People#City.</span></i><i style="font-family: "Times New Roman"; font-size: medium; text-align: left; text-indent: 0.533333px;"><span lang="EN-GB" style="font-family: "Times New Roman", serif; font-size: 12pt; letter-spacing: -0.1pt; line-height: 18.4px;"> </span></i><span lang="EN-GB" style="font-family: "Times New Roman", serif; font-size: 12pt; letter-spacing: -0.1pt; line-height: 18.4px; text-align: left; text-indent: 0.533333px;">ISBN </span><span lang="EN-GB" style="font-family: "Times New Roman", serif; font-size: 12pt; letter-spacing: -0.1pt; line-height: 18.4px; text-align: left; text-indent: 0.533333px;">9788833381879. </span><span lang="EN-GB" style="font-family: "Times New Roman", serif; font-size: 12pt; line-height: 18.4px; text-align: left; text-indent: 0.533333px;">Scientific Publications Committee of the <span style="letter-spacing: -0.1pt;">Department</span><span style="letter-spacing: -0.5pt;"> </span><span style="letter-spacing: -0.1pt;">of</span><span style="letter-spacing: -0.5pt;"> </span><span style="letter-spacing: -0.1pt;">Architecture</span><span style="letter-spacing: -0.5pt;"> </span><span style="letter-spacing: -0.1pt;">of</span><span style="letter-spacing: -0.5pt;"> </span><span style="letter-spacing: -0.1pt;">the</span><span style="letter-spacing: -0.5pt;"> </span><span style="letter-spacing: -0.1pt;">University</span><span style="letter-spacing: -0.5pt;"> </span><span style="letter-spacing: -0.1pt;">of</span><span style="letter-spacing: -0.5pt;"> </span><span style="letter-spacing: -0.1pt;">Florence</span><span style="letter-spacing: -0.5pt;"> </span><span style="letter-spacing: -0.1pt;">(DIDA).</span></span><span lang="EN-GB" style="font-family: "Times New Roman", serif; font-size: 12pt; letter-spacing: -0.1pt; line-height: 18.4px; text-align: left; text-indent: 0.533333px;"> Collana Editoriale DSR LAB. Italy</span></o:p></span></p><p class="MsoNormal" style="line-height: 150%; margin-bottom: 0cm; text-align: justify;"><span style="font-family: "Calibri Light", sans-serif; font-size: 12pt;">The crisis of urbanism is analysed
as a vital phenomenon that prepares the Third Generation City—its connection
with nature and its flesh. The industrial city is, on the contrary, fictitious.
The example of the settlement of Treasure Hill, near Taipei, is given. As an
organic ruin of the industrial city, Treasure Hill is a bio-urban site of
resistance and an acupuncture point of Taipei, with its own design methodology
based on Local Knowledge. This ruin is the matter from which parasite urbanism
composts the modern city. Urban acupuncture, the Third Generation City, and the
conceptual model of Paracity speak to the community that rests in the hands of
its own people.</span></p>
<p class="MsoNormal" style="line-height: 150%; margin-bottom: 0cm; text-align: justify;"><span lang="EN-GB" style="font-family: "Calibri Light",sans-serif; font-size: 12.0pt; line-height: 150%; mso-ansi-language: EN-GB;">Third Generation City is
the organic ruin of the industrial city, an organic machine and open form of
the mechanical urbanism which has learned to become biological. Ruin is when
man-made has become part of nature. The industrial control has been opened up
in order for the nature to step in. The seeds of the third generation city are
coexisting together with the current industrial urbanism – for example the
illegal collective urban farms and settlements of Taipei. <o:p></o:p></span></p>
<p class="MsoNormal" style="line-height: 150%; margin-bottom: 0cm; text-align: justify;"><span lang="EN-GB" style="font-family: "Calibri Light",sans-serif; font-size: 12.0pt; line-height: 150%; mso-ansi-language: EN-GB;">Nature has only one rule:
existence maximum. It wants the city to be part of the life-providing process.
Now our cities are anti-acupuncture needles in the life-providing tissue.<o:p></o:p></span></p>
<p class="MsoNormal" style="line-height: 150%; margin-bottom: 0cm; text-align: justify;"><span lang="EN-GB" style="font-family: "Calibri Light",sans-serif; font-size: 12.0pt; line-height: 150%; mso-ansi-language: EN-GB;">Urban Acupuncture is a
biourban theory, which combines sociology and urban design with the traditional
Chinese medical theory of acupuncture. As a design methodology, it is focused
on tactical, small-scale interventions on the urban fabric, aiming in ripple
effects and transformation on the larger urban organism. Through the
acupuncture points, Urban Acupuncture seeks to be in contact with the
site-specific Local Knowledge. By its nature, Urban Acupuncture is pliant,
organic, and relieves stress and industrial tension in the urban environment,
thus directing the city towards the organic—urban nature as part of nature. Urban
Acupuncture produces small scale, but ecologically and socially catalytic
development on the built human environment. The Third Generation City is a city
of cracks. The thin mechanical surface of the industrial city is shattered, and
from these cracks the new biourban growth emerges, which will ruin the second
generation city. In the Third Generation City, we aim at designing ruins. The
Third Generation City is true when the city recognizes its local knowledge and
allows itself to be part of nature.<o:p></o:p></span></p>
<p class="MsoNormal" style="line-height: 150%; margin-bottom: 0cm; text-align: justify;"><span lang="EN-GB" style="font-family: "Calibri Light",sans-serif; font-size: 12.0pt; line-height: 150%; mso-ansi-language: EN-GB;">The way towards the Third
Generation City is a process of becoming a collective learning and healing
organism and of reconnecting the urbanized collective consciousness with
nature. Citizens on their behalf are ready and are already breaking the
industrial city apart by themselves. Local knowledge is operating independently
from the official city and is providing punctual third generation surroundings
within the industrial city: urban acupuncture for the stiff official mechanism.
The weak signals of the unofficial collective consciousness should be
recognized as the futures’ emerging issues; futures that are already present.<o:p></o:p></span></p>
<p class="MsoNormal" style="line-height: 150%; margin-bottom: 0cm; text-align: justify;"><span lang="EN-GB" style="font-family: "Calibri Light",sans-serif; font-size: 12.0pt; line-height: 150%; mso-ansi-language: EN-GB;">The city is a manifest of
human-centered systems—economical, industrial, philosophical, political, and
religious power structures. Biourbanism is an animist community structural
system regulated by nature. Human nature as part of nature, also within the
urban conditions. The era of pollution is the era of industrial urbanism – the
second generation city. The next era has always been surviving within the
industrial city, like a positive cancer. The first-generation city never died,
it went underground, but the bio-urban processes are still surviving. The seeds
of the Third Generation City are present. Architecture is not an art of human
control; it is an art of reality - there is no other reality than nature.<o:p></o:p></span></p>
<p class="MsoNormal" style="text-align: justify;"><span lang="EN-GB" style="mso-ansi-language: EN-GB;"><o:p> </o:p></span></p>
<p class="MsoNormal" style="text-align: justify;"><span lang="EN-GB" style="mso-ansi-language: EN-GB;">Keywords: #</span><span lang="EN-GB" style="font-family: "Calibri Light",sans-serif; font-size: 12.0pt; line-height: 115%; mso-ansi-language: EN-GB;">urban acupuncture; #biourbanism; #Third Generation City; #ruins; #parasite urbanism; #Paracity; #Local Knowledge; #constructive biology; #Open
Form</span><span lang="EN-GB" style="mso-ansi-language: EN-GB;"><o:p></o:p></span></p>
<p class="MsoNormal" style="text-align: justify;"><b><span lang="EN-GB" style="font-family: "Calibri Light",sans-serif; font-size: 12.0pt; line-height: 115%; mso-ansi-language: EN-GB;">CONSTRUCTIVE BIOLOGY<o:p></o:p></span></b></p>
<p class="MsoNormal" style="line-height: 150%; margin-bottom: 0cm; text-align: justify;"><span lang="EN-GB" style="font-family: "Calibri Light",sans-serif; font-size: 12.0pt; line-height: 150%; mso-ansi-language: EN-GB;">Hardness and strength are
dearth’s companions. Pliancy and weakness are expressions of the freshness of
being. Because what has hardened will never win. (Tarkovsky: Stalker)
Architecture is never alone. It needs to communicate with engineers,
site-specific conditions, users, construction workers, physical and cultural
structures, interior- and landscape designers and various authorities. Other
disciplines of art and science are closely linked with architecture and
urbanism, including spatial arts, installation art, environmental art,
scenography, humanistic sciences, civil engineering, and statistics. In
ecologically sustainable architecture the present focus is on the energy
efficiency of the buildings, use of renewable materials and circular economy.
In ecologically sustainable urbanism, including urban ecological restoration,
the main issues are dealing with the reduction of urban pollution, energy
efficiency, material circulation and densification. The development of the
built human environment is mainly dictated by economic speculations and
industrial standardization of urban planning and construction methodologies. Ecological
sustainability plays a secondary role in the development and is often
marginalized into academic discussion or as a marketing or branding tool.<o:p></o:p></span></p>
<p class="MsoNormal" style="line-height: 150%; margin-bottom: 0cm; text-align: justify;"><span lang="EN-GB" style="font-family: "Calibri Light",sans-serif; font-size: 12.0pt; line-height: 150%; mso-ansi-language: EN-GB;">Constructive Biology views
the current and emerging cities as environmentally highly destructive urban
mechanisms, and architectural development in general alienated from natural
life providing solutions - nature. The human-centred urban and architectural
development, as described, disconnects human nature from the other forms of
organic circulation.<o:p></o:p></span></p>
<p class="MsoNormal" style="line-height: 150%; margin-bottom: 0cm; text-align: justify;"><span lang="EN-GB" style="font-family: "Calibri Light",sans-serif; font-size: 12.0pt; line-height: 150%; mso-ansi-language: EN-GB;">Constructive Biology is an
architectonic natural science that studies life providing structures and living
organism, including their physical structure, chemical processes, molecular
interactions, physiological mechanism, development, and evolution. It
recognizes architecture and urbanism as open systems that survive by
transforming energy and decreasing their local entropy to maintain a stable and
vital condition defined as tectonic homeostasis. Theoretical Constructive
Biology uses mathematical methods to formulate quantitative models while
experimental Constructive Biology performs empiric experiments to test the
validity of proposed theories and understand the mechanism underlying life and
how it appears in architecture and urbanism.<o:p></o:p></span></p>
<p class="MsoNormal" style="line-height: 150%; margin-bottom: 0cm; text-align: justify;"><span lang="EN-GB" style="font-family: "Calibri Light",sans-serif; font-size: 12.0pt; line-height: 150%; mso-ansi-language: EN-GB;">The term Constructive
Biology is being used within different fields of biological research, for
example on bioengineering related to synthetic biology (Prof. J. Keasling,
Berkeley, 2009). It is also used as a term in cybernetics as biology motivated
by the desire to understand how biological systems actually are constructed by
nature and develop over time rather than just to obtain a descriptive
understanding. (C. Nehaniv, K. Dau- tenhahn, M. Loomes, MIT, 1999). Literature
research will provide more connections to relevant research of different
scientific disciplines. However, Constructive Biology as combining the research
and findings of biology with the development of the built human environment is
a new academic process of architectural knowledge building. We are thinking of
a new discipline of built human environment which moves in-between
architecture, urbanism, and biology. Additionally, humanistic sciences
(anthropology, sociology, cultural sciences, linguistics) are providing tools
and knowledge in understanding the human behaviour in the built human
environment, in more natural conditions and in-between conditions (for example
nomads and un-official settlements).</span></p>
<p class="MsoNormal" style="line-height: 150%; margin-bottom: 0cm; text-align: justify;"><b><span lang="EN-GB" style="font-family: "Calibri Light",sans-serif; font-size: 12.0pt; line-height: 150%; mso-ansi-language: EN-GB;">URBAN ACUPUNCTURE<o:p></o:p></span></b></p>
<p class="MsoNormal" style="line-height: 150%; margin-bottom: 0cm; text-align: justify;"><span lang="EN-GB" style="font-family: "Calibri Light",sans-serif; font-size: 12.0pt; line-height: 150%; mso-ansi-language: EN-GB;">There is no Urban
Acupuncture without the organic. The scientific dialog in trying to understand
the organic is biology. Urban Acupuncture is not trying to understand the
organic, but instead it must be weak enough to feel it. And the organic feels
the weak. Either it will let it grow, or it will consume it. The official city
is a burden. It is hard, heavy, dead, whipped by fictions. Not much more than
an extended parking lot. The organic is boiling under the thin layers of
asphalt and concrete. Organic matter and organic knowledge. There is pressure
under too. When a crack emerges or when we drill a hole, the organic is
present. We call this Local Knowledge, but it is actually a key to communicate
with the life-providing systems.<o:p></o:p></span></p>
<p class="MsoNormal" style="line-height: 150%; margin-bottom: 0cm; page-break-after: avoid; text-align: justify;"><span style="mso-no-proof: yes;"><v:shape alt="Kuva, joka sisältää kohteen Metropolialue, Urbaani muotoilu, Ilmavalokuvaus, Urbaani alue
Kuvaus luotu automaattisesti" id="Kuva_x0020_8" o:spid="_x0000_i1029" style="height: 255pt; mso-wrap-style: square; visibility: visible; width: 340.2pt;" type="#_x0000_t75">
<v:imagedata o:title="Kuva, joka sisältää kohteen Metropolialue, Urbaani muotoilu, Ilmavalokuvaus, Urbaani alue
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<p class="MsoCaption" style="text-align: justify;"><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiwaLiT5b08WQTnI05nIg30WAU8WXGigdZTTjQOGoegYsoKSBWOaPi_ngqdencYCGzbSiQAn30pO72OBG1-4FYWxAJsxcU6TKkAb3D2q8LWkS8kUJcRxqpEVixjwkBk5ZzvkyXst8LqrmxJ4v9ciVon5IP56kL-MSLqhlUucvy0AVURS7VvbSbpH6DrUw/s2048/101%20Garden_Taipei.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1536" data-original-width="2048" height="480" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiwaLiT5b08WQTnI05nIg30WAU8WXGigdZTTjQOGoegYsoKSBWOaPi_ngqdencYCGzbSiQAn30pO72OBG1-4FYWxAJsxcU6TKkAb3D2q8LWkS8kUJcRxqpEVixjwkBk5ZzvkyXst8LqrmxJ4v9ciVon5IP56kL-MSLqhlUucvy0AVURS7VvbSbpH6DrUw/w640-h480/101%20Garden_Taipei.jpg" width="640" /></a></td></tr><tr><td class="tr-caption" style="text-align: left;">Community garden, Taipei</td></tr></tbody></table></p><p class="MsoNormal" style="line-height: 150%; margin-bottom: 0cm; text-align: justify;"><span lang="EN-GB" style="font-family: "Calibri Light",sans-serif; font-size: 12.0pt; line-height: 150%; mso-ansi-language: EN-GB;">We feel the city, we feel
urbanism and we feel collectivity as we feel something living. We feel empathy
for the city because it is full of cracks. We feel empathy and shame on
ourselves. Small cracks on the concrete wall surfaces growing moss, dandelion
pushing through the asphalt, algae in the air-conditioning machine,
grandmothers occupying and farming an idle construction site.<o:p></o:p></span></p>
<p class="MsoNormal" style="line-height: 150%; margin-bottom: 0cm; text-align: justify;"><span lang="EN-GB" style="font-family: "Calibri Light",sans-serif; font-size: 12.0pt; line-height: 150%; mso-ansi-language: EN-GB;">Accident is great. Open
Form is a platform of constructive accidents, constructive anarchy.
Communicative action through collective construction. Construction as a
language. Construction site as the Public Sphere (Habermas). This is not
official, if official means centrally controlled hierarchies. This is common, un-official,
more organic. Un-official collective farm in the official city is urban
acupuncture. This is not place-making or tactical urbanism, but real. Subtle it
emerges (Sun Tzu) beyond the control of the official. <o:p></o:p></span></p><p class="MsoNormal" style="line-height: 150%; margin-bottom: 0cm; text-align: justify;"><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhvYVG_4_qYnVmdt67o4Po6gtX_xAG29-6fVRMqQXIiNTgh14CTgOmWH-pYCE4zwarYyn9v09FTlMguAZInR7NcXE4PW7BkPa4bNDjk9BAmvuSX2S7on5OwH7qkQCdDBMc9PUNARnvGqaiEJphB6m2jhDFxFGo36yd7wizBjpBVwszO-Sf1BqG6f0qweA/s1024/Treasure%20Hill_Taipei_Marco%20Casagrande.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="689" data-original-width="1024" height="430" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhvYVG_4_qYnVmdt67o4Po6gtX_xAG29-6fVRMqQXIiNTgh14CTgOmWH-pYCE4zwarYyn9v09FTlMguAZInR7NcXE4PW7BkPa4bNDjk9BAmvuSX2S7on5OwH7qkQCdDBMc9PUNARnvGqaiEJphB6m2jhDFxFGo36yd7wizBjpBVwszO-Sf1BqG6f0qweA/w640-h430/Treasure%20Hill_Taipei_Marco%20Casagrande.jpg" width="640" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;">Treasure Hill, Taipei</td></tr></tbody></table></p><p class="MsoNormal" style="line-height: 150%; margin-bottom: 0cm; text-align: justify;"><span lang="EN-GB" style="font-family: "Calibri Light",sans-serif; font-size: 12.0pt; line-height: 150%; mso-ansi-language: EN-GB;">The collective garden of
the anarchist grandmothers is open form. Treasure Hill was open form. It was a
self-build organic community rising from the flood-banks of the Xindian River
up to a hill as a terraced community. The foundations of the houses were based
on abandoned anti-aircraft bunkers of the Japanese army. Retired Kuomingtang
veterans started to live on the hill and to farm on the flood-banks and to
harvest waste material from the surrounding city. The houses were in constant
dialog with each other and with nature, including the voices of the flooding
river, constant typhoons and earthquakes and jungle. They were built with local
knowledge and could cope with the natural elements. They were weak
architecture, which could resist, because they were glued to the site with
organic knowledge. There was no road wide enough for a car in Treasure Hill,
inhabited by approximately 400 households. Treasure Hill lived in a very intime
connection with the river, while the surrounding city regarded the flooding
rivers as something hostile and build a 12 meters high concrete wall to
separate the mechanical man for the organic, absolutely no connection. And so
nature became a fiction to the modern man.<o:p></o:p></span></p>
<p class="MsoNormal" style="line-height: 150%; text-align: justify;"><span lang="EN-GB" style="font-family: "Calibri Light",sans-serif; font-size: 12.0pt; line-height: 150%; mso-ansi-language: EN-GB;">In 2003 the Taipei City Government was destroying
Treasure Hill, which did not appear on the official maps, but was zoned as a
park. If you map the un-official it becomes official. The first three layers of
houses of the terraced community had already been wiped off when we stepped in
the stopped the destruction. The city had also bulldozed away the collective
farms and destroyed all the connections between the remaining houses, like
small steps and bridges, which were the nervous network of this urban organism.
Without this network the remaining houses had become isolated object instead of
being part of a living organism and were left for a slow death.<o:p></o:p></span></p><p class="MsoNormal" style="line-height: 150%; text-align: justify;"><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj2IsUOZUKc37K_09OYpQQ5s4A-BDQSVwY9t-y4ITOvmUF07gAYWboUeFeld0QqqvkDmwlOKySqc-5wqvlmSteJMn9Yeyh-BdTvZbNwUh3rPQ3emj_7SWTO7rH-HJo2kyguT1vtaSki5ohglMSne9_2gjjLgV7wKtYgqWD2yrsfnJ-w1zUOH3xics4PDQ/s965/Treasure%20Hill_community%20garden_Casagrande_s.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="768" data-original-width="965" height="319" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj2IsUOZUKc37K_09OYpQQ5s4A-BDQSVwY9t-y4ITOvmUF07gAYWboUeFeld0QqqvkDmwlOKySqc-5wqvlmSteJMn9Yeyh-BdTvZbNwUh3rPQ3emj_7SWTO7rH-HJo2kyguT1vtaSki5ohglMSne9_2gjjLgV7wKtYgqWD2yrsfnJ-w1zUOH3xics4PDQ/w400-h319/Treasure%20Hill_community%20garden_Casagrande_s.jpg" width="400" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><span style="text-align: justify;">Reconstructed farms and community structure, Treasure Hill</span></td></tr></tbody></table></p><p class="MsoNormal" style="line-height: 150%; text-align: justify;"><span lang="EN-GB" style="font-family: "Calibri Light",sans-serif; font-size: 12.0pt; line-height: 150%; mso-ansi-language: EN-GB;">We restarted the farms and reconstructed the steps and
bridges until Treasure Hill was again a living organism, which could start
fighting back. Altogether 200 students volunteered from the local universities
and construction workers started to donate construction material. Soon the
rumours were circulating around the city from the punctual intervention of
Treasure Hill and the work started to gain momentum. Local media started to
report and even New York Times flew in and wrote an article, that this is a
“must-see destination in Taiwan”. These rumours in the city were some kind of
humane energy transmitted from the urban acupuncture point of Treasure Hill.<o:p></o:p></span></p>
<p class="MsoNormal" style="line-height: 150%; text-align: justify;"><span lang="EN-GB" style="font-family: "Calibri Light",sans-serif; font-size: 12.0pt; line-height: 150%; mso-ansi-language: EN-GB;">Because of urban acupuncture the same city government,
which three weeks before was destroying Treasure Hill, suddenly turned their
coats and the commissioners started to recite poems on the hill. Treasure Hill
got legalized and celebrated as the Taipei Artist Village. The official city
was very shallow and broke very fast with rumours. The rumours were connected
to Real Reality (Aristoteles), something which cannot be speculated, while as
the official city is based on speculations. Treasure Hill was showing a way to
towards the Third Generation City, the organic ruin of the official city –
biourbanism as part of nature.<o:p></o:p></span></p><p class="MsoNormal" style="line-height: 150%; text-align: justify;"><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhk-uzZnVrFCDz8I5iohU-A5qHGLhmu0AydBhJn9y6NdRWhel6lBqQHKN313DsRpXvTufiRjLZBizXj2_Y2aug2bIXBYciHhsSDy6FwQF08WXzNFQkaJI5MH6l0cY8GUHQwoRYjLAqrFWoqN93SGXEtEhS7lhUNaBQD_3V6DM_KZxQ6ugt1TljaS4bOVA/s1024/Paracity_rooftops_small.png" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="700" data-original-width="1024" height="438" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhk-uzZnVrFCDz8I5iohU-A5qHGLhmu0AydBhJn9y6NdRWhel6lBqQHKN313DsRpXvTufiRjLZBizXj2_Y2aug2bIXBYciHhsSDy6FwQF08WXzNFQkaJI5MH6l0cY8GUHQwoRYjLAqrFWoqN93SGXEtEhS7lhUNaBQD_3V6DM_KZxQ6ugt1TljaS4bOVA/w640-h438/Paracity_rooftops_small.png" width="640" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><span style="text-align: justify;">Paracity, drawing by Niilo Tenkanen / Casagrande Laboratory</span></td></tr></tbody></table></p><p class="MsoNormal" style="line-height: 150%; margin-bottom: 0cm; text-align: justify;"><span lang="EN-GB" style="font-family: "Calibri Light",sans-serif; font-size: 12.0pt; line-height: 150%; mso-ansi-language: EN-GB;">Paracity is a primary
structure for a biourban organism, which is learning from Treasure Hill. It may
be a high-tech slum, because it is using cross-laminated timber, engineered
wood, as the main material for the primary structure. It may also have
environmental technology as its inner organs. But the structure is empty unless
people will occupy it. If offers a three-dimensional spatial grid for
occupation, following the methodology of open form: constructive actions in
dialog with each other and building up collectivity through communicative
construction. Paracity (Parallel City or Parasite City) is organic and
flexible, it can grow and parts of it can die. It can cannibalize itself and it
can harvest material and energy from the surrounding host city. It is a
biourban compost.<o:p></o:p></span></p>
<p class="MsoNormal" style="line-height: 150%; margin-bottom: 0cm; text-align: justify;"><span lang="EN-GB" style="font-family: "Calibri Light",sans-serif; font-size: 12.0pt; line-height: 150%; mso-ansi-language: EN-GB;">Official city is a source
of pollution. Paracity is a biourban healing organism and mediator between the
official city and nature. It is a constructed crack in the city, through which
local knowledge can erupt to the urban surface and fertilize the official thin
layers of concrete and asphalt. It is a platform of accidents. Paracity if
fuelled by constructive biology.<o:p></o:p></span></p>
<p class="MsoNormal" style="line-height: 150%; margin-bottom: 0cm; text-align: justify;"><span lang="EN-GB" style="font-family: "Calibri Light",sans-serif; font-size: 12.0pt; line-height: 150%; mso-ansi-language: EN-GB;"><o:p> </o:p></span></p>
<p class="MsoNormal" style="line-height: 150%; margin-bottom: 0cm; text-align: justify;"><i><span lang="EN-GB" style="font-family: "Calibri Light",sans-serif; font-size: 12.0pt; line-height: 150%; mso-ansi-language: EN-GB;">The research grows from a
long line of theoretical, academic and practice works moving in-between
architecture, environmental art, landscape architecture, biology, and urbanism.
Much of the previous and ongoing research has been demonstrated in 1:1 scale
architectural installations and experiments, and they have been presented in
dozens of international conferences and exhibitions, including 5 times in the
Venice Architecture Biennale. The body of work has been awarded by the UNESCO
Global Award for Sustainable Architecture and European Prize for Architecture
among other prizes and awards. Most notable theoretical work revolves around
the thinking of the Third Generation City and Urban Acupuncture. The author is
currently Professor of Architecture at the Bergen School of Architecture in
Norway, Vice-President of the International Society of Biourbanism, founder and
principal of the Ruin Academy in Taiwan and Casagrande Laboratory in Finland.<o:p></o:p></span></i></p>
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<p class="MsoNormal" style="text-align: justify;"><span lang="EN-GB" style="font-family: "Calibri Light",sans-serif; font-size: 12.0pt; line-height: 115%; mso-ansi-language: EN-GB;">Yudina, A. (2018). <i>Marco Casagrande: Who Cares,
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Architecture.<o:p></o:p></span></p><p class="MsoNormal" style="text-align: justify;"><span lang="EN-GB" style="font-family: "Calibri Light",sans-serif; font-size: 12.0pt; line-height: 115%; mso-ansi-language: EN-GB;"><br /></span></p>
<p class="MsoNormal" style="line-height: 150%; margin-bottom: 0cm; text-align: justify;"><span lang="IT" style="font-family: "Calibri Light",sans-serif; font-size: 12.0pt; line-height: 150%; mso-ansi-language: IT;"><o:p>CHAPTER OF BOOK</o:p></span></p><p class="MsoNormal" style="line-height: 150%; margin-bottom: 0cm; text-align: justify;"><span lang="IT" style="font-family: "Calibri Light",sans-serif; font-size: 12.0pt; line-height: 150%; mso-ansi-language: IT;"><o:p><span style="font-family: "Times New Roman"; font-size: medium; text-align: left; text-indent: 0.533333px;"><span lang="EN-GB" style="background: white; font-family: "Times New Roman", serif; font-size: 12pt; line-height: 18.4px;">F. Armato & S. Follesa. <i>From Spaces to Places </i></span></span><i style="font-family: "Times New Roman"; font-size: medium; text-align: left; text-indent: 0.533333px;"><span lang="EN-GB" style="font-family: "Times New Roman", serif; font-size: 12pt; letter-spacing: -0.1pt; line-height: 18.4px;">Product#People#City.</span></i><i style="font-family: "Times New Roman"; font-size: medium; text-align: left; text-indent: 0.533333px;"><span lang="EN-GB" style="font-family: "Times New Roman", serif; font-size: 12pt; letter-spacing: -0.1pt; line-height: 18.4px;"> </span></i><span lang="EN-GB" style="font-family: "Times New Roman", serif; font-size: 12pt; letter-spacing: -0.1pt; line-height: 18.4px; text-align: left; text-indent: 0.533333px;">ISBN </span><span lang="EN-GB" style="font-family: "Times New Roman", serif; font-size: 12pt; letter-spacing: -0.1pt; line-height: 18.4px; text-align: left; text-indent: 0.533333px;">9788833381879. </span><span lang="EN-GB" style="font-family: "Times New Roman", serif; font-size: 12pt; line-height: 18.4px; text-align: left; text-indent: 0.533333px;">Scientific Publications Committee of the <span style="letter-spacing: -0.1pt;">Department</span><span style="letter-spacing: -0.5pt;"> </span><span style="letter-spacing: -0.1pt;">of</span><span style="letter-spacing: -0.5pt;"> </span><span style="letter-spacing: -0.1pt;">Architecture</span><span style="letter-spacing: -0.5pt;"> </span><span style="letter-spacing: -0.1pt;">of</span><span style="letter-spacing: -0.5pt;"> </span><span style="letter-spacing: -0.1pt;">the</span><span style="letter-spacing: -0.5pt;"> </span><span style="letter-spacing: -0.1pt;">University</span><span style="letter-spacing: -0.5pt;"> </span><span style="letter-spacing: -0.1pt;">of</span><span style="letter-spacing: -0.5pt;"> </span><span style="letter-spacing: -0.1pt;">Florence</span><span style="letter-spacing: -0.5pt;"> </span><span style="letter-spacing: -0.1pt;">(DIDA).</span></span><span lang="EN-GB" style="font-family: "Times New Roman", serif; font-size: 12pt; letter-spacing: -0.1pt; line-height: 18.4px; text-align: left; text-indent: 0.533333px;"> Collana Editoriale DSR LAB. Italy</span></o:p></span></p>
<p class="MsoNormal" style="line-height: 150%; margin-bottom: 0cm; text-align: justify;"><span lang="EN-GB" style="font-family: "Calibri Light",sans-serif; font-size: 12.0pt; line-height: 150%; mso-ansi-language: EN-GB;"><o:p> </o:p></span></p>
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<p class="MsoNormal" style="text-align: justify;"><span lang="EN-GB" style="mso-ansi-language: EN-GB;"><o:p> </o:p></span></p>Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-4990227540840524753.post-76612002629889128992021-10-15T04:34:00.005-07:002021-10-15T04:34:40.345-07:00LAMMINRANTA<p> Ikäihmisten hoivakoti ja lasten päiväkoti samassa rakennuksessa </p><p> <a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiBqt7rdfh5-VsxCApOfA_tr-VoZzH7bDZMg29jp2hdaOOb7q1f6HfkOUkJ7hrrOjvwim-JGelMscFk_lDrFvbQu1p-l35e1tkQmE4z8Q2zLM_7tAlRZknLQ7_KKQ3YMJkzdzpaPhi84XxJ/s2048/Treili_Lamminranta_Casagrande.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em; text-align: center;"><img border="0" data-original-height="1365" data-original-width="2048" height="266" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiBqt7rdfh5-VsxCApOfA_tr-VoZzH7bDZMg29jp2hdaOOb7q1f6HfkOUkJ7hrrOjvwim-JGelMscFk_lDrFvbQu1p-l35e1tkQmE4z8Q2zLM_7tAlRZknLQ7_KKQ3YMJkzdzpaPhi84XxJ/w400-h266/Treili_Lamminranta_Casagrande.jpg" width="400" /></a></p><div class="separator" style="clear: both; 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Experimental and innovative use of materials, such as copper for floor. Best digital acoustics in the world created in cooperation with handmade Genelec sound systems. Carefully fitting the new functions and structures in dialog with the Finnish Heritage Agency. </p><p>MONDO DR*Award for Best Concert Hall in the World. </p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgGNmypYYXMIxg0kLJAxXT3JPLykyirdSaTW5m9d0xPSwNbxDFAKRrL9gkGqnvk0psyZr65iXGRRJCqCIuiuhZn34nGwPTZQ9toJ2l8COPX0j6Arj96zKaEu7ZTL_OLCKOCy566QfSCDqpv/s800/G+Livelab+Tampere_ilmakuva_2.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="533" data-original-width="800" height="426" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgGNmypYYXMIxg0kLJAxXT3JPLykyirdSaTW5m9d0xPSwNbxDFAKRrL9gkGqnvk0psyZr65iXGRRJCqCIuiuhZn34nGwPTZQ9toJ2l8COPX0j6Arj96zKaEu7ZTL_OLCKOCy566QfSCDqpv/w640-h426/G+Livelab+Tampere_ilmakuva_2.jpg" width="640" /></a></div><p><br /></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgzdcRSWA1YuXS_4skOzJcznkn8Z1QrwwTxH01t0nKmL2fsHHM-2F1wPVP-NaSx1b6tEYz2mQE8kNK7sQ3Rvkyg0IbbVM55D2Gz1gitH5RKtpwDzWf3vamZ06ZkfEBhvANfBNt5e9gFXjwD/s800/G+Livelab+Tampere_ilmakuva_1.jpg" style="margin-left: 1em; 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margin-right: 1em;"><img border="0" data-original-height="2048" data-original-width="2048" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgRmAMq6Tu2JSI0PKOiFb7gIXQf4b28Qpb3w6UIgVxHhtWHzKofbqck8w7kg1sgupmK3KWqFXLRMkCpwDjuBNAYDMTHViBCwzcq3QZ4rEFhK5XjwwoA04cde7JGBH5SuKsiIYfrXALc8Bhyphenhyphen/w640-h640/929D60E1-859C-4909-BF1C-525039AB008C.JPEG" width="640" /></a></div></div><div><br /></div>In cooperation with: <div><br /></div><div><a href="https://www.genelec.com/" target="_blank">GENELEC</a></div><div><br /></div><div><a href="https://www.akukon.fi/" target="_blank">AKUKON </a><br /><div class="separator" style="clear: both; text-align: center;"><br /></div><a href="https://www.brightgroup.fi/?gclid=Cj0KCQjwwNWKBhDAARIsAJ8HkhdqmlR3NaAossoRrYgqnbbU6WK4QzD8fcLZiPYK2Cqb0mYveWrNsfEaAniuEALw_wcB" target="_blank">BRIGHT</a><br /><div class="separator" style="clear: both; text-align: center;"><br /></div><a href="https://www.tampere.fi/en/index.html" target="_blank">TAMPERE</a></div><div><br /></div><div><a href="https://www.muusikkojenliitto.fi/in-english/" target="_blank">FINNISH UNION OF MUSICIANS</a><br /><div class="separator" style="clear: both; text-align: center;"><br /></div><br /><div class="separator" style="clear: both; text-align: center;"><br /></div><br /><div class="separator" style="clear: both; text-align: center;"><br /></div><br /><div class="separator" style="clear: both; text-align: center;"><br /></div><br /><div class="separator" style="clear: both; text-align: center;"><br /></div><br /></div>Unknownnoreply@blogger.com1tag:blogger.com,1999:blog-4990227540840524753.post-77575876057001172222021-08-31T04:00:00.005-07:002021-08-31T04:00:29.897-07:00CITYZEN GARDEN - WEST PALM BEACH<p></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgXbVCOI6JtKQy_OV_6JGrqfPvOhDSWjRB1Rw1IlDMaszYIK7aX_gMtNryAGfNieOrRp_9L5ZiolcD5eCRhzeA576qZk6JUu-f_2KX8DCok4XObmfg-N_vCpWbDqnpaCOBIh7cLc8z7T43V/s2048/BroadstoneCityCenter_2018_064.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="2048" data-original-width="1365" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgXbVCOI6JtKQy_OV_6JGrqfPvOhDSWjRB1Rw1IlDMaszYIK7aX_gMtNryAGfNieOrRp_9L5ZiolcD5eCRhzeA576qZk6JUu-f_2KX8DCok4XObmfg-N_vCpWbDqnpaCOBIh7cLc8z7T43V/w266-h400/BroadstoneCityCenter_2018_064.JPG" width="266" /></a></div><br /><div class="separator" style="clear: both; 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text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhR1kV65G1dthQbEZzSZjopzetK3amD00cRTJ1U07OgfXobTunPCULKoe30RlV76HZa9o87yDjeVSc7staDxYaQugMR53fxR9e7mCce34OJa1hXmZvtrKHbzbObshqDDRWFZrMrd1IAOfBV/s2000/CityZen+Garden_sketch_MC.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1027" data-original-width="2000" height="205" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhR1kV65G1dthQbEZzSZjopzetK3amD00cRTJ1U07OgfXobTunPCULKoe30RlV76HZa9o87yDjeVSc7staDxYaQugMR53fxR9e7mCce34OJa1hXmZvtrKHbzbObshqDDRWFZrMrd1IAOfBV/w400-h205/CityZen+Garden_sketch_MC.jpg" width="400" /></a></div><br /><p></p>Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-4990227540840524753.post-58508720018751303992021-08-30T06:30:00.004-07:002021-08-30T06:30:37.932-07:00<h2 style="text-align: left;"><span style="color: rgba(25,25,25,var(--text-opacity)); font-family: courier; letter-spacing: -0.015em;">Tampereelle valmistuu talo, jossa on sekä päiväkoti että hoivakoti – katso kuvat tiloista, jossa lapset ja ikäihmiset leipovat sekä ulkoilevat yhdessä</span></h2><div><span style="border: 0px solid rgb(215, 215, 215); box-sizing: border-box;"><span style="font-family: courier; font-size: small;"><i><a href="https://www.aamulehti.fi/tampere/art-2000008219028.html?fbclid=IwAR3VfzB__8rS0HdCjf-P-GUORPvAfgCtWTuqCeDGUlYnrtyRxxm61UAaQ1I" target="_blank">- Sari Sainio, Aamulehti 27.8.2021</a></i></span></span></div><div><span style="border: 0px solid rgb(215, 215, 215); box-sizing: border-box;"><span style="font-family: courier; font-size: small;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgAglTNBCiDWCvOWEoDc-SDupRTSil0Jjp4i_Q4hfYypPFPUZTJUY8SyFCH_kgXM6s3Huj_RvxWO8TYfaz9INXjU_5EN_oSd14reY1RPtqJopnlenvrBC1jEnkFWqhoAequo9Audr3QFGfy/" style="margin-left: 1em; margin-right: 1em;"><img alt="" data-original-height="312" data-original-width="468" height="213" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgAglTNBCiDWCvOWEoDc-SDupRTSil0Jjp4i_Q4hfYypPFPUZTJUY8SyFCH_kgXM6s3Huj_RvxWO8TYfaz9INXjU_5EN_oSd14reY1RPtqJopnlenvrBC1jEnkFWqhoAequo9Audr3QFGfy/" width="320" /></a></div><br /></span><span style="background-color: white; color: #191919; font-family: "Lyon Text", sans-serif; letter-spacing: -0.33px;">Epilässä sijaitsevien tilojen suunnittelussa on ollut lähtökohtana se, että ihmiset voivat olla lähekkäin. Kummallakin yksiköllä on omat tilansa ja niiden lisäksi on yhteistä tilaa.</span></span></div><div><span style="border: 0px solid rgb(215, 215, 215); box-sizing: border-box;"><span style="background-color: white; color: #191919; font-family: "Lyon Text", sans-serif; letter-spacing: -0.33px;"><br /></span></span></div><div><span style="border: 0px solid rgb(215, 215, 215); box-sizing: border-box;"><span style="background-color: white; color: #191919; font-family: "Lyon Text", sans-serif;">Monivärisessä talossa on iso ikkuna lasten sisäänkäynnin vieressä. Toisen kerroksen parvekkeilta on näkymä lasten leikkipihalle ja keskellä rakennusta iso yhteinen tila. Leikkipihassa on tavallista enemmän penkkejä. </span></span><span style="background-color: white; color: #191919; font-family: "Lyon Text", sans-serif;">Ikäihmisten hoivakodin ja päiväkodin yhteisessä rakennuksessa näyttää siltä, että arjen kohtaamisia on mietitty.</span></div><div><span style="border: 0px solid rgb(215, 215, 215); box-sizing: border-box;"><p class="article-body px-16 mb-24" style="--text-opacity: 1; background-color: white; border: 0px solid rgb(215, 215, 215); box-sizing: border-box; color: #191919; font-family: "Lyon Text", sans-serif; line-height: 1.28; margin: 0px 0px 24px; padding-left: 16px; padding-right: 16px;"><span style="border: 0px solid rgb(215, 215, 215); box-sizing: border-box;"></span></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiIwL0DFzFJGHhWxLcJgV4hVvntPNv0q175LxR7Zzx70HGjTYnJ4sf7Tz95kWRISI69YKTsAl28LKxB2SNopGeDyLzaljy0dPN0L0N05oWiy4JTji0igFKJsFWdroTzS66rJkeKBCgYlagQ/" style="margin-left: 1em; margin-right: 1em;"><img alt="" data-original-height="312" data-original-width="468" height="213" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiIwL0DFzFJGHhWxLcJgV4hVvntPNv0q175LxR7Zzx70HGjTYnJ4sf7Tz95kWRISI69YKTsAl28LKxB2SNopGeDyLzaljy0dPN0L0N05oWiy4JTji0igFKJsFWdroTzS66rJkeKBCgYlagQ/" width="320" /></a></div></span><p></p><p class="article-body px-16 mb-24" style="--text-opacity: 1; background-color: white; border: 0px solid rgb(215, 215, 215); box-sizing: border-box; color: #191919; font-family: "Lyon Text", sans-serif; line-height: 1.28; margin: 0px 0px 24px; padding-left: 16px; padding-right: 16px;"><span style="border: 0px solid rgb(215, 215, 215); box-sizing: border-box;">– Arkkitehtuurilla ja tilasuunnittelulla on koko ajan pohdittu sitä, että miten olisimme turvallisesti mahdollisimman lähellä, niin että yhteiset toiminnalliset edellytykset mahdollistuvat, Sopimusvuorisäätiön ja Treili oy:n toimitusjohtaja </span><span class="article-personlink border-b-0 shadow-none" style="--border-opacity: 1; --text-opacity: 1; border-color: rgba(194,222,243,var(--border-opacity)); border-image: initial; border-style: solid; border-width: 0px; box-shadow: none; box-sizing: border-box; color: rgba(25,25,25,var(--text-opacity)); font-weight: 600; line-height: 1.28;">Leena Lehtonen</span><span style="border: 0px solid rgb(215, 215, 215); box-sizing: border-box;"> kuvailee.</span></p><p class="article-body px-16 mb-24" style="--text-opacity: 1; background-color: white; border: 0px solid rgb(215, 215, 215); box-sizing: border-box; color: #191919; font-family: "Lyon Text", sans-serif; line-height: 1.28; margin: 0px 0px 24px; padding-left: 16px; padding-right: 16px;">Tampereen Epilään, Vaakonkadun varteen rakennettava talo on viittä vaille valmis: päiväkodin lapset aloittavat syyskuun alussa ja ikäihmiset saapuvat kuun lopussa.</p><p class="article-body px-16 mb-24" style="--text-opacity: 1; background-color: white; border: 0px solid rgb(215, 215, 215); box-sizing: border-box; color: #191919; font-family: "Lyon Text", sans-serif; line-height: 1.28; margin: 0px 0px 24px; padding-left: 16px; padding-right: 16px;"></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhSkC4ltGH9bQCVHTiDUmFGyBrrgH9dZmg5awM2etu45Sb3TbQ6NwfwYh98mtjYd1VAxDiBJ6Po5tIrFZ5uSnDzj40J_xZfETt56XSw-WGy0XJ-PbhEiXEvoByRcX1Vq7rm-FTIOoVoFaBZ/" style="margin-left: 1em; margin-right: 1em;"><img alt="" data-original-height="312" data-original-width="468" height="213" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhSkC4ltGH9bQCVHTiDUmFGyBrrgH9dZmg5awM2etu45Sb3TbQ6NwfwYh98mtjYd1VAxDiBJ6Po5tIrFZ5uSnDzj40J_xZfETt56XSw-WGy0XJ-PbhEiXEvoByRcX1Vq7rm-FTIOoVoFaBZ/" width="320" /></a></div><br /><span style="border: 0px solid rgb(215, 215, 215); box-sizing: border-box;">Pilke-päiväkotien asiakkuusjohtaja </span><span class="article-personlink border-b-0 shadow-none" style="--border-opacity: 1; --text-opacity: 1; border-color: rgba(194,222,243,var(--border-opacity)); border-image: initial; border-style: solid; border-width: 0px; box-shadow: none; box-sizing: border-box; color: rgba(25,25,25,var(--text-opacity)); font-weight: 600; line-height: 1.28;">Riikka Mattsson </span><span style="border: 0px solid rgb(215, 215, 215); box-sizing: border-box;">kertoo, että yrityksellä on ollut vastaavaa toimintaa Lahdessa jo viisi vuotta. Tänä vuonna Lohjan asuntomessualueelle valmistui vastaavanlainen paikka. Hän kertoo, että rinnakkaiselo on sujunut hyvin: Lahdessa on leivottu, vietetty yhteistä itsenäisyyspäivää ja ulkoiltu yhteisellä pihalla. Hän kuitenkin lisää, että toiminta riippuu paljon talossa asuvien ikäihmisten kunnosta.</span><p></p><div class="sadblob-placeholder sadblob-loading mx-auto w-full overflow-hidden text-center article-ad-placeholder" style="background-color: white; border: 0px solid rgb(215, 215, 215); box-sizing: border-box; color: #191919; font-family: "Lyon Text", sans-serif; margin-left: auto; margin-right: auto; overflow: hidden; text-align: center; width: 640px;"></div><p class="article-body px-16 mb-24" style="--text-opacity: 1; background-color: white; border: 0px solid rgb(215, 215, 215); box-sizing: border-box; color: #191919; font-family: "Lyon Text", sans-serif; line-height: 1.28; margin: 0px 0px 24px; padding-left: 16px; padding-right: 16px;"><span style="border: 0px solid rgb(215, 215, 215); box-sizing: border-box;">Lehtonen ajattelee, että päiväkodin ja ikäihmisten hoivakodin henkilökunta on yhteistyössä avainasemassa.</span></p><div class="sadblob-placeholder sadblob-loading mx-auto w-full overflow-hidden text-center article-ad-placeholder" style="background-color: white; border: 0px solid rgb(215, 215, 215); box-sizing: border-box; color: #191919; font-family: "Lyon Text", sans-serif; margin-left: auto; margin-right: auto; overflow: hidden; text-align: center; width: 640px;"></div><p class="article-body px-16 mb-24" style="--text-opacity: 1; background-color: white; border: 0px solid rgb(215, 215, 215); box-sizing: border-box; color: #191919; font-family: "Lyon Text", sans-serif; line-height: 1.28; margin: 0px 0px 24px; padding-left: 16px; padding-right: 16px;"><span style="border: 0px solid rgb(215, 215, 215); box-sizing: border-box;">– Ennen kaikkea on kyse siitä, miten ihmiset onnistuvat rakentamaan yhteistä toimintaa. Se kysyy yhteistyötä meidän ja Pilkkeen kesken. Ihmiset tekevät paikan, Lehtonen sanoo.</span></p><p class="article-body px-16 mb-24" style="--text-opacity: 1; background-color: white; border: 0px solid rgb(215, 215, 215); box-sizing: border-box; color: #191919; font-family: "Lyon Text", sans-serif; line-height: 1.28; margin: 0px 0px 24px; padding-left: 16px; padding-right: 16px;"><span style="border: 0px solid rgb(215, 215, 215); box-sizing: border-box;"></span></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgUUJtuxue0X1YSpQ0JkbWH-wURAp8RODuvxk19VQ2m9pPSXlJB7kffEZqDJHDp9A9veLUeBk34En39F-woOaL4LYlRhsinvunwqRXEw57GR3bRqO41spiJ8vOErnHqz6HgfNukJWIp3Ftc/" style="margin-left: 1em; margin-right: 1em;"><img alt="" data-original-height="304" data-original-width="468" height="208" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgUUJtuxue0X1YSpQ0JkbWH-wURAp8RODuvxk19VQ2m9pPSXlJB7kffEZqDJHDp9A9veLUeBk34En39F-woOaL4LYlRhsinvunwqRXEw57GR3bRqO41spiJ8vOErnHqz6HgfNukJWIp3Ftc/" width="320" /></a></div>Rakennuksessa tilat ovat vierekkäin, mutta erilliset. Päiväkoti sijaitsee rakennuksessa keskellä ensimmäisessä kerroksessa. Ikäihmisten paikat jakaantuvat neljään tupaan, jotka sijaitsevat talon päädyissä kahdessa kerroksessa.<p></p><p class="article-body px-16 mb-24" style="--text-opacity: 1; background-color: white; border: 0px solid rgb(215, 215, 215); box-sizing: border-box; color: #191919; font-family: "Lyon Text", sans-serif; line-height: 1.28; margin: 0px 0px 24px; padding-left: 16px; padding-right: 16px;"><span style="border: 0px solid rgb(215, 215, 215); box-sizing: border-box;">Hän sanoo, että yhteistyötä edesauttaa muun muassa yhteinen keittiö, jossa tehdään ruuat koko taloon. Ajatus on, että mahdollisimman paljon ruuat ovat samoja, mutta lasten ruoka voi olla esimerkiksi miedommin maustettua. Allergiat ja erityisruokavaliot ovat tietenkin oma lukunsa.</span></p><div class="sadblob-placeholder sadblob-loading mx-auto w-full overflow-hidden text-center article-ad-placeholder" style="background-color: white; border: 0px solid rgb(215, 215, 215); box-sizing: border-box; color: #191919; font-family: "Lyon Text", sans-serif; margin-left: auto; margin-right: auto; overflow: hidden; text-align: center; width: 640px;"></div><p class="article-body px-16 mb-24" style="--text-opacity: 1; background-color: white; border: 0px solid rgb(215, 215, 215); box-sizing: border-box; color: #191919; font-family: "Lyon Text", sans-serif; line-height: 1.28; margin: 0px 0px 24px; padding-left: 16px; padding-right: 16px;"><span style="border: 0px solid rgb(215, 215, 215); box-sizing: border-box;">– Ruuan ympärille saa kehitettyä paljonkin kaikkea, itsenäisyys-, joulu- tai sadonkorjuujuhlia, Mattson miettii.</span></p><p class="article-body px-16 mb-24" style="--text-opacity: 1; background-color: white; border: 0px solid rgb(215, 215, 215); box-sizing: border-box; color: #191919; font-family: "Lyon Text", sans-serif; line-height: 1.28; margin: 0px 0px 24px; padding-left: 16px; padding-right: 16px;"><span style="border: 0px solid rgb(215, 215, 215); box-sizing: border-box;">Lehtonen kertoo, että yläkerran yhteistilassa voidaan järjestää askartelua, kahvitteluja, lauluhetkiä tai esityksiä, jossa ikäihmiset ovat yleisönä.</span></p><p class="article-body px-16 mb-24" style="--text-opacity: 1; background-color: white; border: 0px solid rgb(215, 215, 215); box-sizing: border-box; color: #191919; font-family: "Lyon Text", sans-serif; line-height: 1.28; margin: 0px 0px 24px; padding-left: 16px; padding-right: 16px;"><span style="border: 0px solid rgb(215, 215, 215); box-sizing: border-box;"></span></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiY5NbspK2g2FAsX-LU3xMm68C8jx4lwrYrM9grsrfXlTgW7qZHj04sobiXUWd9ehvJ0EGjKp_11ltmjIygEfGLsi83h7xYuqxRwU3t4bmdZPV20s6_D5lEMntQrBUjHzLIUtpkwGZ8HdZr/" style="margin-left: 1em; margin-right: 1em;"><img alt="" data-original-height="312" data-original-width="468" height="213" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiY5NbspK2g2FAsX-LU3xMm68C8jx4lwrYrM9grsrfXlTgW7qZHj04sobiXUWd9ehvJ0EGjKp_11ltmjIygEfGLsi83h7xYuqxRwU3t4bmdZPV20s6_D5lEMntQrBUjHzLIUtpkwGZ8HdZr/" width="320" /></a></div><br />Mattsson sanoo, että musiikki on yhdistää lapsia ja vanhuksia: monesti muistisairaallakin vanhat laulut säilyvät mielessä, vaikka paljon olisi unohtunut.<p></p><p class="article-body px-16 mb-24" style="--text-opacity: 1; background-color: white; border: 0px solid rgb(215, 215, 215); box-sizing: border-box; color: #191919; font-family: "Lyon Text", sans-serif; line-height: 1.28; margin: 0px 0px 24px; padding-left: 16px; padding-right: 16px;"><span style="border: 0px solid rgb(215, 215, 215); box-sizing: border-box;"><span style="border: 0px solid rgb(215, 215, 215); box-sizing: border-box;">Lehtonen sanoo, että suunnittelussa on käytetty paljon aikaa myös ikäihmisten tilojen miettimiseen. Käytäviä on mahdollisimman vähän, ja asukkaiden huoneet avautuvat ikäihmisten yhteiseen tilaan. Sisustussuunnittelija </span><span class="article-personlink border-b-0 shadow-none" style="--border-opacity: 1; --text-opacity: 1; border-color: rgba(194,222,243,var(--border-opacity)); border-image: initial; border-style: solid; border-width: 0px; box-shadow: none; box-sizing: border-box; font-weight: 600; line-height: 1.28;">Tuija Salmi</span><span style="border: 0px solid rgb(215, 215, 215); box-sizing: border-box;"> on miettinyt esimerkiksi värit niin, että ne helpottavat muistisairaan elämää.</span></span></p><p class="article-body px-16 mb-24" style="--text-opacity: 1; background-color: white; border: 0px solid rgb(215, 215, 215); box-sizing: border-box; color: #191919; font-family: "Lyon Text", sans-serif; line-height: 1.28; margin: 0px 0px 24px; padding-left: 16px; padding-right: 16px;"><span style="border: 0px solid rgb(215, 215, 215); box-sizing: border-box;">Myös turvallisuusnäkökulmia on mietitty paljon, vaikka tupien yhteistilassa on iltapalan valmistukseen keittiö, sen hanat ja hellan saa lukittua niin, että niitä ei saa vahingossa päälle.</span></p><div class="sadblob-placeholder sadblob-loading mx-auto w-full overflow-hidden text-center article-ad-placeholder" style="background-color: white; border: 0px solid rgb(215, 215, 215); box-sizing: border-box; color: #191919; font-family: "Lyon Text", sans-serif; margin-left: auto; margin-right: auto; overflow: hidden; text-align: center; width: 640px;"></div><p class="article-body px-16 mb-24" style="--text-opacity: 1; background-color: white; border: 0px solid rgb(215, 215, 215); box-sizing: border-box; color: #191919; font-family: "Lyon Text", sans-serif; line-height: 1.28; margin: 0px 0px 24px; padding-left: 16px; padding-right: 16px;"><span style="border: 0px solid rgb(215, 215, 215); box-sizing: border-box;"><span style="border: 0px solid rgb(215, 215, 215); box-sizing: border-box;"></span></span></p><p class="article-body px-16 mb-24" style="--text-opacity: 1; background-color: white; border: 0px solid rgb(215, 215, 215); box-sizing: border-box; color: #191919; font-family: "Lyon Text", sans-serif; line-height: 1.28; margin: 0px 0px 24px; padding-left: 16px; padding-right: 16px;"><span style="border: 0px solid rgb(215, 215, 215); box-sizing: border-box;">– Täällä mikään asia ei ole paikassaan sattumalta, Lehtonen kiteyttää.</span></p><p class="article-body px-16 mb-24" style="--text-opacity: 1; background-color: white; border: 0px solid rgb(215, 215, 215); box-sizing: border-box; color: #191919; font-family: "Lyon Text", sans-serif; line-height: 1.28; margin: 0px 0px 24px; padding-left: 16px; padding-right: 16px;"><span style="border: 0px solid rgb(215, 215, 215); box-sizing: border-box;"></span></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgxw6UxLRhZ8BssPERnAsY6RNL0XcO_6g7ZjFmXmEkNq1_5AKc0XkU-9E9Rh3oAbGZXUVCFqQpgbSaQ2mxTiKi7DyEZFAOg-2frc5PH27Dot2xOFX1ZZMJ_zHYL2RGU9suR4FiFHHp-p5V9/" style="margin-left: 1em; margin-right: 1em;"><img alt="" data-original-height="312" data-original-width="468" height="213" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgxw6UxLRhZ8BssPERnAsY6RNL0XcO_6g7ZjFmXmEkNq1_5AKc0XkU-9E9Rh3oAbGZXUVCFqQpgbSaQ2mxTiKi7DyEZFAOg-2frc5PH27Dot2xOFX1ZZMJ_zHYL2RGU9suR4FiFHHp-p5V9/" width="320" /></a></div><br /><br /><p></p><p class="article-body px-16 mb-24" style="--text-opacity: 1; background-color: white; border: 0px solid rgb(215, 215, 215); box-sizing: border-box; color: #191919; font-family: "Lyon Text", sans-serif; font-size: 18px; line-height: 1.28; margin: 0px 0px 24px; padding-left: 16px; padding-right: 16px;"><span style="border: 0px solid rgb(215, 215, 215); box-sizing: border-box;"><br /></span></p><p class="article-body px-16 mb-24" style="--text-opacity: 1; background-color: white; border: 0px solid rgb(215, 215, 215); box-sizing: border-box; color: #191919; font-family: "Lyon Text", sans-serif; font-size: 18px; line-height: 1.28; margin: 0px 0px 24px; padding-left: 16px; padding-right: 16px;"><br /></p></div><div><span style="border: 0px solid rgb(215, 215, 215); box-sizing: border-box;"><span style="background-color: white; color: #191919; font-family: "Lyon Text", sans-serif; letter-spacing: -0.33px;"><br /></span></span></div><div><span style="border: 0px solid rgb(215, 215, 215); box-sizing: border-box;"><span style="font-family: courier; font-size: small;"><br /></span></span></div><div><span style="border: 0px solid rgb(215, 215, 215); box-sizing: border-box;"><span style="font-family: courier; font-size: small;"><br /></span></span></div>Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-4990227540840524753.post-89476566662153322802021-05-06T00:33:00.002-07:002021-05-06T00:34:38.490-07:00THIRD GENERATION CITY - From Urban Acupuncture to Biourbanism<p class="MsoNormal" style="line-height: 150%;">Author:<span style="letter-spacing: -0.1pt;"> </span>Marco<span style="letter-spacing: -0.05pt;"> </span>Casagrande<o:p></o:p></p><p><span style="font-size: 10pt;">Ruin Academy, Casagrande
Laboratory, Bergen School of Architecture, and International Society of
Bio-urbanism,</span><span style="font-size: 10pt; letter-spacing: -2.15pt;"> </span><span style="font-size: 10pt;">Finland</span></p><p><span style="font-size: 10pt;">REUSE ARCHITECTURE CONFERENCE, Zagreb 2021</span></p><p><span style="font-size: 13.3333px;">Republic of Croatia</span></p><p><span style="font-size: 13.3333px;">Ministry of Physical Planning, Construction and State Assets </span></p><p><br /></p><p class="MsoNormal" style="line-height: 150%;"><span style="font-size: 10pt; line-height: 150%; mso-bidi-font-size: 11.0pt;"><o:p></o:p></span></p><p>Abstract</p><div class="WordSection1"><p class="MsoBodyText" style="line-height: 150%; margin-left: 0cm;"><o:p></o:p></p>
<p class="MsoBodyText" style="line-height: 150%; margin-left: 0cm; text-align: justify;">The crisis of urbanism is analyzed as a vital phenomenon that prepares
the Third Generation City—<span style="letter-spacing: 0.05pt;"> </span>its<span style="letter-spacing: -0.15pt;"> </span>connection<span style="letter-spacing: -0.2pt;"> </span>with<span style="letter-spacing: -0.2pt;"> </span>nature<span style="letter-spacing: -0.25pt;"> </span>and<span style="letter-spacing: -0.2pt;"> </span>its<span style="letter-spacing: -0.15pt;"> </span>flesh.<span style="letter-spacing: -0.1pt;">
</span>The<span style="letter-spacing: -0.25pt;"> </span>industrial<span style="letter-spacing: -0.25pt;"> </span>city<span style="letter-spacing: -0.2pt;"> </span>is,<span style="letter-spacing: -0.15pt;"> </span>on<span style="letter-spacing: -0.15pt;"> </span>the<span style="letter-spacing: -0.2pt;"> </span>contrary,<span style="letter-spacing: -0.15pt;">
</span>fictitious.<span style="letter-spacing: -0.15pt;"> </span>The<span style="letter-spacing: -0.25pt;"> </span>example<span style="letter-spacing: -2.6pt;">
</span>of the settlement of Treasure Hill, near Taipei, is given. As an organic
ruin of the industrial city,<span style="letter-spacing: 0.05pt;"> </span>Treasure<span style="letter-spacing: -0.15pt;"> </span>Hill<span style="letter-spacing: -0.2pt;"> </span>is<span style="letter-spacing: -0.15pt;"> </span>a<span style="letter-spacing: -0.1pt;"> </span>bio-urban<span style="letter-spacing: -0.05pt;"> </span>site<span style="letter-spacing: -0.2pt;"> </span>of<span style="letter-spacing: -0.15pt;"> </span>resistance<span style="letter-spacing: -0.1pt;"> </span>and<span style="letter-spacing: -0.2pt;"> </span>an<span style="letter-spacing: -0.05pt;"> </span>acupuncture<span style="letter-spacing: -0.1pt;"> </span>point<span style="letter-spacing: -0.2pt;"> </span>of<span style="letter-spacing: -0.15pt;"> </span>Taipei, with<span style="letter-spacing: -0.2pt;"> </span>its<span style="letter-spacing: -0.1pt;"> </span>own<span style="letter-spacing: -0.15pt;"> </span>design<span style="letter-spacing: -2.6pt;">
</span>methodology based on Local Knowledge. This ruin is the matter from which
parasite urbanism<span style="letter-spacing: 0.05pt;"> </span>composts<span style="letter-spacing: -0.3pt;"> </span>the<span style="letter-spacing: -0.35pt;"> </span>modern<span style="letter-spacing: -0.45pt;"> </span>city.<span style="letter-spacing: -0.2pt;"> </span>Urban<span style="letter-spacing: -0.3pt;"> </span>acupuncture,<span style="letter-spacing: -0.45pt;"> </span>the<span style="letter-spacing: -0.35pt;"> </span>Third<span style="letter-spacing: -0.3pt;"> </span>Generation<span style="letter-spacing: -0.35pt;"> </span>City,<span style="letter-spacing: -0.25pt;"> </span>and<span style="letter-spacing: -0.35pt;"> </span>the<span style="letter-spacing: -0.35pt;"> </span>conceptual<span style="letter-spacing: -0.45pt;"> </span>model<span style="letter-spacing: -2.6pt;">
</span>of Paracity<span style="letter-spacing: -0.1pt;"> </span>speak<span style="letter-spacing: -0.05pt;"> </span>to<span style="letter-spacing: -0.05pt;"> </span>the<span style="letter-spacing: -0.2pt;"> </span>community that<span style="letter-spacing: 0.05pt;"> </span>rests in the<span style="letter-spacing: -0.1pt;"> </span>hands<span style="letter-spacing: 0.05pt;"> </span>of<span style="letter-spacing: -0.05pt;"> </span>its<span style="letter-spacing: -0.05pt;"> </span>own people.<o:p></o:p></p>
<p class="MsoNormal" style="line-height: 150%; text-align: justify;"><span style="font-size: 12pt; line-height: 150%; mso-bidi-font-size: 11.0pt;">Keywords: <i style="mso-bidi-font-style: normal;">urban<span style="letter-spacing: 0.05pt;"> </span>acupuncture;<span style="letter-spacing: 0.05pt;"> </span>bio-urbanism;<span style="letter-spacing: 0.05pt;"> </span>Third<span style="letter-spacing: 0.05pt;"> </span>Generation<span style="letter-spacing: 0.05pt;"> </span>City;<span style="letter-spacing: 0.05pt;"> </span>ruins;<span style="letter-spacing: 0.05pt;"> </span>parasite<span style="letter-spacing: 0.05pt;">
</span>urbanism;<span style="letter-spacing: 0.05pt;"> </span>Paracity; Local
Knowledge</i></span></p><p class="MsoNormal" style="line-height: 150%; text-align: justify;"><span style="font-size: 12pt; line-height: 150%; mso-bidi-font-size: 11.0pt;"><i style="mso-bidi-font-style: normal;"><br /></i></span></p>
<p class="MsoListParagraph" style="line-height: 150%; margin-left: 0cm; mso-list: l0 level1 lfo1; tab-stops: 41.7pt;"><!--[if !supportLists]--><span style="font-size: 12pt; line-height: 150%;"><span style="mso-list: Ignore;">1.<span style="font: 7pt "Times New Roman";"> </span></span></span><!--[endif]--><span style="font-size: 12pt; line-height: 150%; mso-bidi-font-size: 11.0pt;">Treasure<span style="letter-spacing: -0.05pt;"> </span>Hill<o:p></o:p></span></p>
<p class="MsoBodyText" style="line-height: 150%; margin-left: 0cm; text-align: justify;">In 2003, the Taipei City Government decided to destroy the unofficial
settlement of Treasure Hill<span style="letter-spacing: 0.05pt;"> </span>(Kang,
2006). By that time, the community consisted of some 200 households of, mainly
elderly<span style="letter-spacing: 0.05pt;"> </span>Kuomintang veterans and
illegal migrant workers. The bulldozers had knocked down the first two<span style="letter-spacing: 0.05pt;"> </span>layers of the houses of the terraced
settlement on the hillside. After that, the houses were standing<span style="letter-spacing: 0.05pt;"> </span>too high for the bulldozers to reach, and
there were no drivable roads leading into the organically<span style="letter-spacing: 0.05pt;"> </span>built settlement. Then the official city
destroyed the farms and community gardens of Treasure Hill<span style="letter-spacing: 0.05pt;"> </span>down<span style="letter-spacing: -0.55pt;"> </span>by<span style="letter-spacing: -0.55pt;"> </span>the<span style="letter-spacing: -0.55pt;"> </span>Xindian<span style="letter-spacing: -0.55pt;"> </span>River<span style="letter-spacing: -0.45pt;">
</span>flood<span style="letter-spacing: -0.6pt;"> </span>banks.<span style="letter-spacing: -0.5pt;"> </span>Then<span style="letter-spacing: -0.5pt;"> </span>they<span style="letter-spacing: -0.6pt;"> </span>cut<span style="letter-spacing: -0.5pt;"> </span>the<span style="letter-spacing: -0.6pt;"> </span>circulation<span style="letter-spacing: -0.55pt;"> </span>between<span style="letter-spacing: -0.5pt;"> </span>the<span style="letter-spacing: -0.6pt;"> </span>individual<span style="letter-spacing: -0.5pt;"> </span>houses—<span style="letter-spacing: -2.6pt;"> </span>small
bridges, steps, stairs, and pathways. After that, Treasure Hill was left to
rot, to die slowly, cut<span style="letter-spacing: 0.05pt;"> </span>away<span style="letter-spacing: -0.05pt;"> </span>from<span style="letter-spacing: -0.05pt;"> </span>its<span style="letter-spacing: -0.05pt;"> </span>life<span style="letter-spacing: -0.05pt;"> </span>sources.<o:p></o:p></p>
</div>
<span face=""Calibri Light",sans-serif" style="font-size: 11pt; line-height: 150%; mso-ansi-language: EN-GB; mso-bidi-language: AR-SA; mso-fareast-font-family: "Calibri Light"; mso-fareast-language: EN-US;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi7FnjLSnAcgdc8x6KFowTfDbyW8oVAFAuZQn7IKdSABPpVNiodh8Yxz8WVmbVXe6dSJQw3gfwoD7RDOHx00UboK8_SBd2MBtf_nD0X-J5Bs18eMuPSYAMDtjmB5OKOlMAJUY4tNiNMit2I/" style="margin-left: 1em; margin-right: 1em;"><img alt="" data-original-height="427" data-original-width="638" height="214" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi7FnjLSnAcgdc8x6KFowTfDbyW8oVAFAuZQn7IKdSABPpVNiodh8Yxz8WVmbVXe6dSJQw3gfwoD7RDOHx00UboK8_SBd2MBtf_nD0X-J5Bs18eMuPSYAMDtjmB5OKOlMAJUY4tNiNMit2I/" width="320" /></a></div><div class="separator" style="clear: both; text-align: center;"><i><span style="font-size: 10pt; text-align: justify;">Treasure</span><span style="font-size: 10pt; letter-spacing: -0.25pt; text-align: justify;"> </span><span style="font-size: 10pt; text-align: justify;">Hill</span><span style="font-size: 10pt; letter-spacing: -0.2pt; text-align: justify;"> </span><span style="font-size: 10pt; text-align: justify;">(Photograph</span><span style="font-size: 10pt; letter-spacing: -0.15pt; text-align: justify;"> </span><span style="font-size: 10pt; text-align: justify;">by</span><span style="font-size: 10pt; letter-spacing: -0.15pt; text-align: justify;"> </span><span style="font-size: 10pt; text-align: justify;">Stephen</span><span style="font-size: 10pt; letter-spacing: -0.15pt; text-align: justify;"> </span><span style="font-size: 10pt; text-align: justify;">Wilde)</span></i></div></span><div class="WordSection2">
<p class="MsoBodyText" style="line-height: 150%; margin-left: 0cm;"><o:p> </o:p><span style="text-align: justify;">I start touring at local universities giving speeches about the situation
and try to recruit students for</span><span style="letter-spacing: 0.05pt; text-align: justify;"> </span><span style="text-align: justify;">construction
work. In the end, we have 200 students. A team of girl students</span><span style="letter-spacing: 0.05pt; text-align: justify;"> </span><span style="text-align: justify;">manage to make a deal with the neighbouring
bridge construction site workers, and they start</span><span style="letter-spacing: 0.05pt; text-align: justify;"> </span><span style="text-align: justify;">offloading some of the construction material cargo to us from
the trucks passing us by. Mainly we</span><span style="letter-spacing: 0.05pt; text-align: justify;"> </span><span style="text-align: justify;">receive</span><span style="letter-spacing: -0.05pt; text-align: justify;"> </span><span style="text-align: justify;">timber</span><span style="letter-spacing: 0.05pt; text-align: justify;">
</span><span style="text-align: justify;">and bamboo;</span><span style="letter-spacing: -0.1pt; text-align: justify;"> </span><span style="text-align: justify;">they</span><span style="letter-spacing: -0.05pt; text-align: justify;"> </span><span style="text-align: justify;">use</span><span style="letter-spacing: -0.05pt; text-align: justify;"> </span><span style="text-align: justify;">mahogany
for the</span><span style="letter-spacing: -0.05pt; text-align: justify;"> </span><span style="text-align: justify;">concrete molds.</span></p>
<p class="MsoBodyText" style="line-height: 150%; margin-left: 0cm; text-align: justify;">With the manpower and simple construction material, we start
reconstructing the connections<span style="letter-spacing: 0.05pt;"> </span>between
the houses of the settlement, but most importantly, we also restart the farms. Rumors<span style="letter-spacing: -0.4pt;"> </span>start<span style="letter-spacing: -0.35pt;"> </span>spreading<span style="letter-spacing: -0.35pt;"> </span>in<span style="letter-spacing: -0.3pt;"> </span>Taipei:<span style="letter-spacing: -0.35pt;"> </span>things<span style="letter-spacing: -0.3pt;">
</span>are<span style="letter-spacing: -0.5pt;"> </span>cooking<span style="letter-spacing: -0.3pt;"> </span>in<span style="letter-spacing: -0.3pt;"> </span>Treasure<span style="letter-spacing: -0.35pt;"> </span>Hill.<span style="letter-spacing: -0.4pt;"> </span>More<span style="letter-spacing: -0.35pt;"> </span>people<span style="letter-spacing: -2.6pt;">
</span>volunteer<span style="letter-spacing: -0.4pt;"> </span>for<span style="letter-spacing: -0.35pt;"> </span>the<span style="letter-spacing: -0.4pt;"> </span>work,<span style="letter-spacing: -0.35pt;"> </span>and<span style="letter-spacing: -0.4pt;"> </span>after<span style="letter-spacing: -0.35pt;"> </span>enough<span style="letter-spacing: -0.4pt;">
</span>urban<span style="letter-spacing: -0.5pt;"> </span>rumors,<span style="letter-spacing: -0.45pt;"> </span>suddenly<span style="letter-spacing: -0.4pt;">
</span>the<span style="letter-spacing: -0.4pt;"> </span>media<span style="letter-spacing: -0.4pt;"> </span>arrives.<span style="letter-spacing: -0.3pt;">
</span>After<span style="letter-spacing: -0.35pt;"> </span>the<span style="letter-spacing: -0.4pt;"> </span>media,<span style="letter-spacing: -2.6pt;">
</span>the politicians follow. The City Government officially agrees that this
is exactly why they had invited me from<span style="letter-spacing: 0.05pt;"> </span>Finland
to<span style="letter-spacing: 0.05pt;"> </span>work on<span style="letter-spacing: 0.05pt;"> </span>the issue of Treasure Hill. <o:p></o:p></p>
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</w:wrap></v:rect><i style="mso-bidi-font-style: normal;"><span style="font-size: 10pt; line-height: 150%; mso-bidi-font-size: 11.0pt;">‘One<span style="letter-spacing: -0.15pt;"> </span>can<span style="letter-spacing: -0.1pt;"> </span>design<span style="letter-spacing: -0.15pt;"> </span>whole<span style="letter-spacing: -0.1pt;"> </span>cities
simply<span style="letter-spacing: -0.1pt;"> </span>with<span style="letter-spacing: -0.15pt;"> </span>rumors’<o:p></o:p></span></i></p>
<p class="MsoBodyText" style="line-height: 150%; margin-left: 0cm;"><i style="mso-bidi-font-style: normal;"><span style="font-size: 10pt; line-height: 150%; mso-bidi-font-size: 12.0pt;"><o:p> </o:p></span></i></p>
<p class="MsoBodyText" style="line-height: 150%; margin-left: 0cm; text-align: justify;">Working in Treasure Hill had pressed an acupuncture point of the
industrial Taipei City. Our humble<span style="letter-spacing: 0.05pt;"> </span>construction
work was the needle that had penetrated through the thin layer of official
control and<span style="letter-spacing: 0.05pt;"> </span>touched<span style="letter-spacing: -0.35pt;"> </span>the<span style="letter-spacing: -0.4pt;"> </span>original<span style="letter-spacing: -0.35pt;"> </span>ground<span style="letter-spacing: -0.35pt;">
</span>of<span style="letter-spacing: 1.05pt;"> </span>Taipei—collective<span style="letter-spacing: -0.35pt;"> </span>topsoil<span style="letter-spacing: -0.4pt;">
</span>where<span style="letter-spacing: -0.35pt;"> </span>Local<span style="letter-spacing: -0.4pt;"> </span>Knowledge<span style="letter-spacing: -0.35pt;">
</span>is<span style="letter-spacing: -0.35pt;"> </span>rooting.<span style="letter-spacing: -0.4pt;"> </span>Treasure<span style="letter-spacing: -2.6pt;">
</span>Hill is an urban compost, which was considered a smelly corner of the
city, but after some turning is<span style="letter-spacing: -2.6pt;"> </span>now
providing the most fertile topsoil for future development.</p>
<p class="MsoListParagraph" style="line-height: 150%; margin-left: 0cm; mso-list: l0 level1 lfo1; tab-stops: 41.7pt;"><!--[if !supportLists]--><span style="font-size: 12pt; line-height: 150%;"><span style="mso-list: Ignore;">2.<span style="font: 7pt "Times New Roman";"> </span></span></span><!--[endif]--><span style="font-size: 12pt; line-height: 150%; mso-bidi-font-size: 11.0pt;">Urban<span style="letter-spacing: -0.05pt;"> </span>acupuncture<o:p></o:p></span></p>
<p class="MsoBodyText" style="line-height: 150%; margin-left: 0cm; text-align: justify;">After this initial discovery in Treasure Hill, the research of Urban
Acupuncture continued at the<span style="letter-spacing: 0.05pt;"> </span>Tamkang
University Department of Architecture, In<span style="letter-spacing: -0.5pt;"> </span>2009,<span style="letter-spacing: -0.4pt;"> </span>the<span style="letter-spacing: -0.6pt;"> </span>Finnish<span style="letter-spacing: -0.5pt;"> </span>Aalto<span style="letter-spacing: -0.5pt;"> </span>University’s<span style="letter-spacing: -0.5pt;"> </span>Sustainable<span style="letter-spacing: -0.6pt;"> </span>Global<span style="letter-spacing: -0.4pt;"> </span>Technologies<span style="letter-spacing: -0.4pt;"> </span>research<span style="letter-spacing: -2.6pt;">
</span>center with Professor Olli Varis (Casagrande, 2009) joined in to further
develop the multidisciplinary<span style="letter-spacing: -2.6pt;"> </span>working<span style="letter-spacing: -0.55pt;"> </span>methods<span style="letter-spacing: -0.55pt;">
</span>of<span style="letter-spacing: -0.5pt;"> </span>Urban<span style="letter-spacing: -0.55pt;"> </span>Acupuncture<span style="letter-spacing: -0.45pt;"> </span>in<span style="letter-spacing: -0.55pt;"> </span>Taipei,<span style="letter-spacing: -0.6pt;"> </span>with<span style="letter-spacing: -0.55pt;"> </span>focus<span style="letter-spacing: -0.5pt;"> </span>on<span style="letter-spacing: -0.6pt;"> </span>urban<span style="letter-spacing: -0.5pt;"> </span>ecological<span style="letter-spacing: -0.55pt;"> </span>restoration<span style="letter-spacing: -0.5pt;"> </span>through<span style="letter-spacing: -2.6pt;"> </span>punctual interventions (Casagrande
2011a). In 2010, the Ruin Academy was launched in Taipei with<span style="letter-spacing: 0.05pt;"> </span>the help of the JUT Foundation for Arts
& Architecture (Harrison, 2012). The Academy operated as<span style="letter-spacing: 0.05pt;"> </span>an independent multidisciplinary research
center moving freely in between the different disciplines<span style="letter-spacing: 0.05pt;"> </span><span style="letter-spacing: -0.05pt;">of</span><span style="letter-spacing: -0.6pt;"> </span><span style="letter-spacing: -0.05pt;">art</span><span style="letter-spacing: -0.55pt;"> </span><span style="letter-spacing: -0.05pt;">and</span><span style="letter-spacing: -0.7pt;"> </span><span style="letter-spacing: -0.05pt;">science</span><span style="letter-spacing: -0.65pt;"> </span><span style="letter-spacing: -0.05pt;">within</span><span style="letter-spacing: -0.6pt;"> </span>the<span style="letter-spacing: -0.55pt;"> </span>general<span style="letter-spacing: -0.6pt;"> </span>framework<span style="letter-spacing: -0.6pt;">
</span>of<span style="letter-spacing: -0.7pt;"> </span>built<span style="letter-spacing: -0.6pt;"> </span>human<span style="letter-spacing: -0.6pt;"> </span>environment.<span style="letter-spacing: -0.45pt;"> </span>The<span style="letter-spacing: -0.6pt;"> </span>focus<span style="letter-spacing: -0.65pt;"> </span>was<span style="letter-spacing: -0.55pt;"> </span>on<span style="letter-spacing: -0.7pt;"> </span>Urban<span style="letter-spacing: -2.6pt;"> </span>Acupuncture<span style="letter-spacing: -0.1pt;"> </span>and<span style="letter-spacing: -0.1pt;"> </span>the
theory of<span style="letter-spacing: 0.05pt;"> </span>the<span style="letter-spacing: -0.05pt;"> </span>Third<span style="letter-spacing: -0.1pt;"> </span>Generation
City.<o:p></o:p></p>
<p class="MsoBodyText" style="line-height: 150%; margin-left: 0cm; text-align: justify;">Urban Acupuncture is a bio-urban theory (Casagrande, 2013), which
combines sociology and urban<span style="letter-spacing: 0.05pt;"> </span>design
with the traditional Chinese medical theory of acupuncture. As a design
methodology, it is<span style="letter-spacing: 0.05pt;"> </span>focused<span style="letter-spacing: 0.05pt;"> </span>on<span style="letter-spacing: 0.05pt;"> </span>tactical,
small-scale interventions<span style="letter-spacing: 0.05pt;"> </span>on<span style="letter-spacing: 0.05pt;"> </span>the<span style="letter-spacing: 0.05pt;"> </span>urban<span style="letter-spacing: 0.05pt;"> </span>fabric,<span style="letter-spacing: 0.05pt;">
</span>aiming<span style="letter-spacing: 0.05pt;"> </span>in<span style="letter-spacing: 0.05pt;"> </span>ripple effects<span style="letter-spacing: 0.05pt;"> </span>and<span style="letter-spacing: 0.05pt;"> </span>transformation on
the larger urban organism (Kaye, 2011). Through the acupuncture points, Urban<span style="letter-spacing: 0.05pt;"> </span>Acupuncture seeks to be in contact with
the site-specific Local Knowledge. By its nature, Urban<span style="letter-spacing: 0.05pt;"> </span>Acupuncture is pliant, organic, and relieves stress and
industrial tension in the urban environment,<span style="letter-spacing: 0.05pt;">
</span>thus directing the city towards the organic—urban nature as part of
nature. Urban Acupuncture<span style="letter-spacing: 0.05pt;"> </span>produces<span style="letter-spacing: 0.05pt;"> </span>small-scale,<span style="letter-spacing: 0.05pt;"> </span>but<span style="letter-spacing: 0.05pt;"> </span>ecologically<span style="letter-spacing: 0.05pt;"> </span>and<span style="letter-spacing: 0.05pt;"> </span>socially<span style="letter-spacing: 0.05pt;"> </span>catalytic<span style="letter-spacing: 0.05pt;">
</span>development<span style="letter-spacing: 0.05pt;"> </span>on<span style="letter-spacing: 0.05pt;"> </span>the<span style="letter-spacing: 0.05pt;"> </span>built<span style="letter-spacing: 0.05pt;"> </span>human<span style="letter-spacing: 0.05pt;"> </span>environment<span style="letter-spacing: 0.05pt;"> </span>(Kim,<span style="letter-spacing: 0.05pt;"> </span>2010).<o:p></o:p></p>
<p class="MsoBodyText" style="line-height: 150%; margin-left: 0cm; text-align: justify;">Urban Acupuncture is not an academic innovation. It refers to common
collective Local Knowledge<span style="letter-spacing: 0.05pt;"> </span>practices
that already exist in Taipei and other cities, self-organizing practices that
are tuning the<span style="letter-spacing: 0.05pt;"> </span>industrial<span style="letter-spacing: -0.2pt;"> </span>city towards<span style="letter-spacing: 0.05pt;"> </span>the<span style="letter-spacing: -0.05pt;"> </span>organic<span style="letter-spacing: 0.05pt;"> </span>machine—the<span style="letter-spacing: -0.15pt;"> </span>Third Generation City.<o:p></o:p></p>
<p class="MsoBodyText" style="line-height: 150%; margin-left: 0cm; text-align: justify;">Urban<span style="letter-spacing: -0.5pt;"> </span>Acupuncture<span style="letter-spacing: -0.55pt;"> </span>is<span style="letter-spacing: -0.55pt;"> </span>a<span style="letter-spacing: -0.45pt;"> </span>form<span style="letter-spacing: -0.5pt;"> </span>of<span style="letter-spacing: -0.5pt;"> </span>bio-urban<span style="letter-spacing: -2.55pt;">
</span>healing and a<span style="letter-spacing: -0.05pt;"> </span>development<span style="letter-spacing: 0.05pt;"> </span>process<span style="letter-spacing: -0.05pt;">
</span>connecting modern man<span style="letter-spacing: -0.05pt;"> </span>with<span style="letter-spacing: -0.05pt;"> </span>nature.</p>
<p align="left" class="MsoListParagraph" style="line-height: 150%; margin-left: 0cm; mso-list: l0 level1 lfo1; tab-stops: 41.7pt; text-align: left;"><!--[if !supportLists]--><span style="font-size: 12pt; line-height: 150%;"><span style="mso-list: Ignore;">3.<span style="font: 7pt "Times New Roman";"> </span></span></span><!--[endif]--><span style="font-size: 12pt; line-height: 150%; mso-bidi-font-size: 11.0pt;">Third
generation city<o:p></o:p></span></p>
<p class="MsoBodyText" style="line-height: 150%; margin-left: 0cm; text-align: justify;">The first-generation city is the one where the human settlements are in
straight connection with<span style="letter-spacing: 0.05pt;"> </span>nature<span style="letter-spacing: -0.5pt;"> </span>and<span style="letter-spacing: -0.4pt;"> </span>dependent<span style="letter-spacing: -0.35pt;"> </span>on<span style="letter-spacing: -0.4pt;"> </span>nature.<span style="letter-spacing: -0.4pt;"> </span>The<span style="letter-spacing: -0.45pt;"> </span>fertile<span style="letter-spacing: -0.45pt;"> </span>and<span style="letter-spacing: -0.4pt;"> </span>rich<span style="letter-spacing: -0.4pt;"> </span>Taipei<span style="letter-spacing: -0.45pt;">
</span>Basin<span style="letter-spacing: -0.35pt;"> </span>provided<span style="letter-spacing: -0.5pt;"> </span>a<span style="letter-spacing: -0.4pt;"> </span>fruitful<span style="letter-spacing: -0.4pt;"> </span>environment<span style="letter-spacing: -0.4pt;"> </span>for such<span style="letter-spacing: -0.2pt;"> </span>a<span style="letter-spacing: -0.15pt;"> </span>settlement<span style="letter-spacing: 0.05pt;"> </span>(Casagrande,<span style="letter-spacing: -0.1pt;"> </span>2011b).<span style="letter-spacing: -0.1pt;"> </span>The<span style="letter-spacing: -0.2pt;"> </span>rivers<span style="letter-spacing: -0.15pt;"> </span>were<span style="letter-spacing: -0.2pt;"> </span>full<span style="letter-spacing: -0.05pt;"> </span>of<span style="letter-spacing: -0.15pt;"> </span>fish<span style="letter-spacing: -0.15pt;"> </span>and<span style="letter-spacing: -0.15pt;"> </span>good<span style="letter-spacing: -0.1pt;"> </span>for<span style="letter-spacing: -0.1pt;"> </span>transportation,<span style="letter-spacing: -0.1pt;"> </span>with<span style="letter-spacing: -2.6pt;"> </span>the<span style="letter-spacing: -0.05pt;"> </span>mountains protecting the farmed<span style="letter-spacing: -0.05pt;"> </span>plains<span style="letter-spacing: -0.05pt;">
</span>from<span style="letter-spacing: -0.2pt;"> </span>the straightest<span style="letter-spacing: -0.05pt;"> </span>hits<span style="letter-spacing: -0.1pt;"> </span>of
the<span style="letter-spacing: -0.2pt;"> </span>frequent<span style="letter-spacing: 0.05pt;"> </span>typhoons.<u><o:p></o:p></u></p>
<p class="MsoBodyText" style="line-height: 150%; margin-left: 0cm; text-align: justify;">The second-generation city is the industrial city. Industrialism granted
the citizens independence<span style="letter-spacing: 0.05pt;"> </span>from
nature—a mechanical environment could provide everything humans need. Nature
was seen<span style="letter-spacing: 0.05pt;"> </span>as something unnecessary or
as something hostile—it was walled away from the mechanical reality<span style="letter-spacing: 0.05pt;"> </span>(Casagrande, 2011b).<o:p></o:p></p>
<p class="MsoBodyText" style="line-height: 150%; margin-left: 0cm; text-align: justify;">The<span style="letter-spacing: -0.15pt;"> </span>Third<span style="letter-spacing: -0.1pt;"> </span>Generation<span style="letter-spacing: -0.2pt;"> </span>City<span style="letter-spacing: -0.1pt;"> </span>is<span style="letter-spacing: -0.1pt;"> </span>the<span style="letter-spacing: -0.25pt;"> </span>organic<span style="letter-spacing: -0.2pt;"> </span>ruin<span style="letter-spacing: -0.2pt;"> </span>of<span style="letter-spacing: -0.15pt;"> </span>the<span style="letter-spacing: -0.15pt;"> </span>industrial<span style="letter-spacing: -0.2pt;"> </span>city,<span style="letter-spacing: -0.15pt;"> </span>an<span style="letter-spacing: -0.15pt;"> </span>open<span style="letter-spacing: -0.2pt;"> </span>form,<span style="letter-spacing: 0.2pt;"> </span>an<span style="letter-spacing: -0.2pt;"> </span>organic
machine<span style="letter-spacing: -2.6pt;"> </span>tied with Local Knowledge
and self-organized community actions. <o:p></o:p></p>
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<w:wrap anchorx="page">
</w:wrap></v:rect>It is a city of cracks (Casagrande, 2016). The thin mechanical surface
of the<span style="letter-spacing: 0.05pt;"> </span>industrial<span style="letter-spacing: -0.35pt;"> </span>city<span style="letter-spacing: -0.25pt;"> </span>is<span style="letter-spacing: -0.25pt;"> </span>shattered,<span style="letter-spacing: -0.2pt;"> </span>and<span style="letter-spacing: -0.3pt;"> </span>from<span style="letter-spacing: -0.3pt;"> </span>these<span style="letter-spacing: -0.3pt;"> </span>cracks<span style="letter-spacing: -0.35pt;"> </span>the<span style="letter-spacing: -0.3pt;"> </span>new<span style="letter-spacing: -0.3pt;"> </span>bio-urban<span style="letter-spacing: -0.25pt;">
</span>growth<span style="letter-spacing: -0.25pt;"> </span>emerges,<span style="letter-spacing: -0.2pt;"> </span>which<span style="letter-spacing: -0.3pt;"> </span>will<span style="letter-spacing: -0.4pt;"> </span>ruin<span style="letter-spacing: -2.6pt;"> </span>the
second generation city. Human-industrial control is opened up in order for
nature to step in. A<span style="letter-spacing: 0.05pt;"> </span>ruin is when the
manmade has become part of nature. In the Third Generation City, we aim at<span style="letter-spacing: 0.05pt;"> </span>designing ruins<u style="text-underline: #D13438;"><span style="color: #d13438;"> (Mik, 2018)</span></u><span style="color: #d13438;">. </span>The Third Generation City is true when the city
recognizes its local<span style="letter-spacing: 0.05pt;"> </span>knowledge<span style="letter-spacing: -0.05pt;"> </span>and allows<span style="letter-spacing: 0.05pt;"> </span>itself to<span style="letter-spacing: 0.1pt;"> </span>be<span style="letter-spacing: -0.05pt;"> </span>part<span style="letter-spacing: 0.05pt;"> </span>of<span style="letter-spacing: -0.1pt;"> </span>nature.<o:p></o:p></p>
<p class="MsoBodyText" style="line-height: 150%; margin-left: 0cm;"><o:p> </o:p></p>
<p align="center" class="MsoNormal" style="line-height: 150%; text-align: center;"><i style="mso-bidi-font-style: normal;"><span style="font-size: 10pt; line-height: 150%; mso-bidi-font-size: 11.0pt;">“To<span style="letter-spacing: -0.1pt;"> </span>find<span style="letter-spacing: -0.1pt;"> </span>a<span style="letter-spacing: -0.1pt;"> </span>form<span style="letter-spacing: -0.1pt;"> </span>that<span style="letter-spacing: -0.1pt;"> </span>accommodates<span style="letter-spacing: -0.1pt;"> </span>the<span style="letter-spacing: -0.1pt;"> </span>mess,<span style="letter-spacing: -0.15pt;"> </span>that<span style="letter-spacing: -0.15pt;"> </span>is<span style="letter-spacing: -0.1pt;"> </span>the<span style="letter-spacing: -0.1pt;"> </span>task<span style="letter-spacing: -0.05pt;"> </span>of<span style="letter-spacing: -0.05pt;"> </span>the<span style="letter-spacing: -0.1pt;"> </span>artist<span style="letter-spacing: -0.15pt;">
</span>now”<o:p></o:p></span></i></p>
<p align="right" class="MsoBodyText" style="line-height: 150%; margin-left: 0cm; text-align: right;"><i style="mso-bidi-font-style: normal;"><span face=""Calibri",sans-serif" style="font-size: 10pt; line-height: 150%; mso-ascii-theme-font: minor-latin; mso-bidi-theme-font: minor-latin; mso-hansi-theme-font: minor-latin;">(Samuel
Beckett)<o:p></o:p></span></i></p>
<p class="MsoBodyText" style="line-height: 150%; margin-left: 0cm; text-align: justify;"><span style="font-size: 12pt; line-height: 150%; text-align: left;">4.<span style="font-size: 7pt; font-stretch: normal; font-variant-east-asian: normal; font-variant-numeric: normal; line-height: normal;"> </span></span><span style="font-size: 12pt; letter-spacing: -0.05pt; line-height: 150%; text-align: left;">Paracity</span></p>
<p class="MsoNormal" style="line-height: 150%;"><span style="text-align: justify;">Paracity</span><span style="letter-spacing: -0.45pt; text-align: justify;"> </span><span style="text-align: justify;">is</span><span style="letter-spacing: -0.35pt; text-align: justify;"> </span><span style="text-align: justify;">a</span><span style="letter-spacing: -0.4pt; text-align: justify;"> </span><span style="text-align: justify;">bio-urban</span><span style="letter-spacing: -0.4pt; text-align: justify;"> </span><span style="text-align: justify;">organism</span><span style="letter-spacing: -0.35pt; text-align: justify;">
</span><span style="text-align: justify;">that</span><span style="letter-spacing: -0.35pt; text-align: justify;"> </span><span style="text-align: justify;">is</span><span style="letter-spacing: -0.35pt; text-align: justify;"> </span><span style="text-align: justify;">growing</span><span style="letter-spacing: -0.35pt; text-align: justify;">
</span><span style="text-align: justify;">on</span><span style="letter-spacing: -0.4pt; text-align: justify;"> </span><span style="text-align: justify;">the</span><span style="letter-spacing: -0.4pt; text-align: justify;"> </span><span style="text-align: justify;">principles</span><span style="letter-spacing: -0.35pt; text-align: justify;"> </span><span style="text-align: justify;">of</span><span style="letter-spacing: -0.4pt; text-align: justify;"> </span><span style="text-align: justify;">Open</span><span style="letter-spacing: -0.45pt; text-align: justify;"> </span><span style="text-align: justify;">Form</span><span style="letter-spacing: -0.3pt; text-align: justify;"> </span><span style="text-align: justify;">(Casagrande,</span><span style="letter-spacing: -0.35pt; text-align: justify;"> </span><span style="text-align: justify;">2015b):</span><span style="letter-spacing: -2.6pt; text-align: justify;"> </span><span style="text-align: justify;">individual
design-built actions generating spontaneous communicative reactions on the
surrounding</span><span style="letter-spacing: -2.6pt; text-align: justify;"> </span><span style="text-align: justify;">built human environment.
This organic constructivist dialogue leads to self-organized community</span><span style="letter-spacing: 0.05pt; text-align: justify;"> </span><span style="text-align: justify;">structures, sustainable development, and knowledge
building. Open Form is close to the original</span><span style="letter-spacing: 0.05pt; text-align: justify;">
</span><span style="text-align: justify;">Taiwanese</span><span style="letter-spacing: -0.6pt; text-align: justify;"> </span><span style="text-align: justify;">ways</span><span style="letter-spacing: -0.6pt; text-align: justify;"> </span><span style="text-align: justify;">of</span><span style="letter-spacing: -0.55pt; text-align: justify;"> </span><span style="text-align: justify;">developing</span><span style="letter-spacing: -0.6pt; text-align: justify;"> </span><span style="text-align: justify;">the</span><span style="letter-spacing: -0.6pt; text-align: justify;"> </span><span style="text-align: justify;">self-organized</span><span style="letter-spacing: -0.7pt; text-align: justify;"> </span><span style="text-align: justify;">and</span><span style="letter-spacing: -0.6pt; text-align: justify;"> </span><span style="text-align: justify;">often</span><span style="letter-spacing: -0.55pt; text-align: justify;"> </span><span style="text-align: justify;">“illegal”</span><span style="letter-spacing: -0.6pt; text-align: justify;"> </span><span style="text-align: justify;">communities.</span><span style="letter-spacing: -0.5pt; text-align: justify;"> </span><span style="text-align: justify;">These</span><span style="letter-spacing: -0.55pt; text-align: justify;"> </span><span style="text-align: justify;">micro-urban</span><span style="letter-spacing: -2.6pt; text-align: justify;"> </span><span style="text-align: justify;">settlements contain a high volume of Local Knowledge, which we
believe will start composting in</span><span style="letter-spacing: 0.05pt; text-align: justify;"> </span><span style="text-align: justify;">Paracity,
once</span><span style="letter-spacing: -0.05pt; text-align: justify;"> </span><span style="text-align: justify;">the development of the
community</span><span style="letter-spacing: -0.15pt; text-align: justify;"> </span><span style="text-align: justify;">is</span><span style="letter-spacing: 0.15pt; text-align: justify;"> </span><span style="text-align: justify;">in</span><span style="letter-spacing: -0.1pt; text-align: justify;"> </span><span style="text-align: justify;">the</span><span style="letter-spacing: -0.05pt; text-align: justify;"> </span><span style="text-align: justify;">hands</span><span style="letter-spacing: 0.05pt; text-align: justify;"> </span><span style="text-align: justify;">of</span><span style="letter-spacing: -0.1pt; text-align: justify;"> </span><span style="text-align: justify;">the</span><span style="letter-spacing: -0.05pt; text-align: justify;"> </span><span style="text-align: justify;">citizens.</span></p></div><div class="WordSection3"><p class="MsoBodyText" style="line-height: 150%; margin-left: 0cm; text-align: justify;"><o:p></o:p></p>
<p class="MsoBodyText" style="line-height: 150%; margin-left: 0cm; text-align: justify;">The<span style="letter-spacing: -0.35pt;"> </span>agritectural<span style="letter-spacing: -0.3pt;"> </span>organism<span style="letter-spacing: -0.3pt;">
</span>of<span style="letter-spacing: -0.3pt;"> </span>the<span style="letter-spacing: -0.35pt;"> </span>Paracity<span style="letter-spacing: -0.25pt;"> </span>is<span style="letter-spacing: -0.2pt;"> </span>based<span style="letter-spacing: -0.4pt;"> </span>on<span style="letter-spacing: -0.35pt;"> </span>a<span style="letter-spacing: -0.25pt;"> </span>primary<span style="letter-spacing: -0.35pt;"> </span>wooden<span style="letter-spacing: -0.25pt;">
</span>three-dimensional<span style="letter-spacing: -0.3pt;"> </span>structure,<span style="letter-spacing: -2.6pt;"> </span>an organic grid with spatial modules of 6
x 6 x 6 meters, constructed out of CLT (cross-laminated<span style="letter-spacing: 0.05pt;"> </span>timber) beams,<span style="letter-spacing: 0.05pt;"> </span>and<span style="letter-spacing: -0.1pt;"> </span>columns.<o:p></o:p></p>
<p class="MsoNormal" style="line-height: 150%; text-align: justify;">This simple structure can be modified and developed by the community
members. The primary<span style="letter-spacing: 0.05pt;"> </span>structure<span style="letter-spacing: -0.6pt;"> </span>can<span style="letter-spacing: -0.5pt;"> </span>grow<span style="letter-spacing: -0.5pt;"> </span>even<span style="letter-spacing: -0.4pt;"> </span>in<span style="letter-spacing: -0.4pt;"> </span>neglected<span style="letter-spacing: -0.4pt;">
</span>urban<span style="letter-spacing: -0.55pt;"> </span>areas<span style="letter-spacing: -0.5pt;"> </span>such<span style="letter-spacing: -0.4pt;"> </span>as<span style="letter-spacing: -0.5pt;"> </span>flood<span style="letter-spacing: -0.55pt;"> </span>plains,<span style="letter-spacing: -0.45pt;"> </span>hillsides,<span style="letter-spacing: -0.3pt;"> </span>abandoned<span style="letter-spacing: -0.45pt;"> </span>industrial<span style="letter-spacing: -2.55pt;"> </span><span style="letter-spacing: -0.05pt;">areas,</span><span style="letter-spacing: -0.6pt;"> </span><span style="letter-spacing: -0.05pt;">storm</span><span style="letter-spacing: -0.7pt;"> </span>water<span style="letter-spacing: -0.65pt;"> </span>channels,<span style="letter-spacing: -0.6pt;"> </span>and<span style="letter-spacing: -0.7pt;"> </span>slums.<span style="letter-spacing: -0.65pt;"> </span>Paracity<span style="letter-spacing: -0.7pt;">
</span>is<span style="letter-spacing: -0.75pt;"> </span>perfectly<span style="letter-spacing: -0.7pt;"> </span>suited<span style="letter-spacing: -0.7pt;"> </span>for<span style="letter-spacing: -0.65pt;"> </span>flooding<span style="letter-spacing: -0.65pt;">
</span>and<span style="letter-spacing: -0.7pt;"> </span>tsunami<span style="letter-spacing: -0.75pt;"> </span>risk<span style="letter-spacing: -0.7pt;"> </span>areas<span style="letter-spacing: -2.55pt;"> </span>and the CLT primary structure is highly
fire-resistant and capable of withstanding earthquakes<span style="letter-spacing: 0.05pt;"> </span>(HolzBuild, 2009).</p></div><div class="WordSection4"><p class="MsoBodyText" style="line-height: 150%; margin-left: 0cm; text-align: justify;"><o:p></o:p></p>
<p class="MsoBodyText" style="line-height: 150%; margin-left: 0cm; text-align: justify;">Paracity provides the skeleton, but the citizens create the flesh.
Paracitizens will attach their individual, self-made architectural solutions,
gardens,<span style="letter-spacing: 0.05pt;"> </span>and farms on the primary
structure, which will offer a three-dimensional building grid for Do-It-<span style="letter-spacing: 0.05pt;"> </span><span style="letter-spacing: -0.05pt;">Yourself</span><span style="letter-spacing: -0.5pt;"> </span><span style="letter-spacing: -0.05pt;">(DIY)</span><span style="letter-spacing: -0.4pt;"> </span><span style="letter-spacing: -0.05pt;">architecture.</span><span style="letter-spacing: -0.45pt;"> </span>The<span style="letter-spacing: -0.5pt;"> </span>primary<span style="letter-spacing: -0.6pt;"> </span>structure<span style="letter-spacing: -0.65pt;">
</span>also<span style="letter-spacing: -0.5pt;"> </span>provides<span style="letter-spacing: -0.55pt;"> </span>the<span style="letter-spacing: -0.65pt;"> </span>main<span style="letter-spacing: -0.5pt;"> </span>arteries<span style="letter-spacing: -0.5pt;">
</span>of<span style="letter-spacing: -0.6pt;"> </span>water<span style="letter-spacing: -0.6pt;"> </span>and<span style="letter-spacing: -0.6pt;"> </span>human<span style="letter-spacing: -2.6pt;"> </span>circulation, but the finer Local
Knowledge nervous networks are weaved in by the inhabitants. Large<span style="letter-spacing: -2.6pt;"> </span>parts<span style="letter-spacing: -0.15pt;">
</span>of<span style="letter-spacing: -0.25pt;"> </span>Paracity<span style="letter-spacing: -0.15pt;"> </span>is<span style="letter-spacing: -0.25pt;"> </span>occupied<span style="letter-spacing: -0.15pt;"> </span>by<span style="letter-spacing: -0.15pt;"> </span>wild<span style="letter-spacing: -0.15pt;"> </span>and<span style="letter-spacing: -0.25pt;"> </span>cultivated<span style="letter-spacing: -0.25pt;"> </span>nature<span style="letter-spacing: -0.2pt;">
</span>following<span style="letter-spacing: -0.15pt;"> </span>the<span style="letter-spacing: -0.15pt;"> </span>example<span style="letter-spacing: -0.2pt;">
</span>of<span style="letter-spacing: -0.15pt;"> </span>Treasure<span style="letter-spacing: -0.2pt;"> </span>Hill<span style="letter-spacing: -0.15pt;"> </span>and<span style="letter-spacing: -2.6pt;"> </span>other unofficial<span style="letter-spacing: -0.15pt;"> </span>communities<span style="letter-spacing: 0.05pt;"> </span>in
Taipei.<o:p></o:p></p><p class="MsoBodyText" style="line-height: 150%; margin-left: 0cm; text-align: justify;"></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjrMpYIYoG4CpDNWeSwKGANvtPZIzlTD8bXAhusZiyJIrMU9pSaYjGSv3rusZcj_uSh-H09RXn3kIo2WfcgF6dD4Ot059Ld65_37gxX2gB9_4BN6WGhW_Kz4vZ6BIu4RRFSXQ-GmOGofEBl/" style="margin-left: 1em; margin-right: 1em;"><img alt="" data-original-height="478" data-original-width="640" height="239" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjrMpYIYoG4CpDNWeSwKGANvtPZIzlTD8bXAhusZiyJIrMU9pSaYjGSv3rusZcj_uSh-H09RXn3kIo2WfcgF6dD4Ot059Ld65_37gxX2gB9_4BN6WGhW_Kz4vZ6BIu4RRFSXQ-GmOGofEBl/" width="320" /></a></div><br /><i><span style="font-size: 10pt;">Paracity</span><span style="font-size: 10pt; letter-spacing: -0.1pt;"> </span><span style="font-size: 10pt;">model</span><span style="font-size: 10pt; letter-spacing: -0.15pt;"> </span><span style="font-size: 10pt;">(Photograph</span><span style="font-size: 10pt; letter-spacing: -0.2pt;"> </span><span style="font-size: 10pt;">by</span><span style="font-size: 10pt; letter-spacing: -0.15pt;"> </span><span style="font-size: 10pt;">the</span><span style="font-size: 10pt; letter-spacing: -0.2pt;"> </span><span style="font-size: 10pt;">Author).</span></i><p></p>
</div>
<div class="WordSection5"><p class="MsoBodyText" style="line-height: 150%; margin-left: 0cm; text-align: justify;">Paracity’s self-sustainable bio-urban growth is backed up by off-the-grid
modular environmental<span style="letter-spacing: 0.05pt;"> </span>technological solutions,
providing methods for water purification, energy production, organic waste<span style="letter-spacing: 0.05pt;"> </span>treatment,<span style="letter-spacing: -0.35pt;"> </span>waste<span style="letter-spacing: -0.5pt;"> </span>water<span style="letter-spacing: -0.5pt;"> </span>purification,<span style="letter-spacing: -0.5pt;"> </span>and<span style="letter-spacing: -0.5pt;"> </span>sludge<span style="letter-spacing: -0.5pt;"> </span>recycling.<span style="letter-spacing: -0.5pt;"> </span>These<span style="letter-spacing: -0.4pt;"> </span>modular<span style="letter-spacing: -0.5pt;"> </span>plug-in<span style="letter-spacing: -0.5pt;">
</span>components<span style="letter-spacing: -0.5pt;"> </span>can<span style="letter-spacing: -0.4pt;"> </span>be<span style="letter-spacing: -2.6pt;"> </span>adjusted
according to the growth of the Paracity, and moreover, the whole Paracity is
designed not<span style="letter-spacing: 0.05pt;"> </span>only<span style="letter-spacing: -0.25pt;"> </span>to<span style="letter-spacing: -0.15pt;"> </span>treat<span style="letter-spacing: -0.15pt;"> </span>and<span style="letter-spacing: -0.45pt;"> </span>circulate<span style="letter-spacing: -0.2pt;"> </span>its<span style="letter-spacing: -0.1pt;"> </span>own<span style="letter-spacing: -0.2pt;"> </span>material<span style="letter-spacing: -0.3pt;">
</span>streams,<span style="letter-spacing: -0.2pt;"> </span>but<span style="letter-spacing: -0.25pt;"> </span>to<span style="letter-spacing: -0.3pt;"> </span>start<span style="letter-spacing: -0.25pt;"> </span>leeching<span style="letter-spacing: -0.25pt;">
</span>waste<span style="letter-spacing: -0.2pt;"> </span>from<span style="letter-spacing: -0.35pt;"> </span>its<span style="letter-spacing: -0.25pt;"> </span>host<span style="letter-spacing: -0.35pt;"> </span>city<span style="letter-spacing: -0.15pt;"> </span>and<span style="letter-spacing: -2.6pt;"> </span>thus<span style="letter-spacing: -0.15pt;"> </span>becoming<span style="letter-spacing: -0.25pt;"> </span>a<span style="letter-spacing: -0.15pt;"> </span>positive<span style="letter-spacing: -0.3pt;"> </span>urban<span style="letter-spacing: -0.2pt;"> </span>parasite<span style="letter-spacing: -0.15pt;"> </span>following<span style="letter-spacing: -0.25pt;"> </span>the<span style="letter-spacing: -0.15pt;"> </span>similar<span style="letter-spacing: -0.15pt;"> </span>kinds<span style="letter-spacing: -0.1pt;"> </span>of<span style="letter-spacing: -0.25pt;"> </span>symbiosis<span style="letter-spacing: -0.1pt;"> </span>as<span style="letter-spacing: -0.3pt;"> </span>in-between<span style="letter-spacing: -0.15pt;"> </span>slums<span style="letter-spacing: -2.6pt;">
</span>and<span style="letter-spacing: -0.3pt;"> </span>the<span style="letter-spacing: -0.4pt;"> </span>surrounding<span style="letter-spacing: -0.4pt;"> </span>city.<span style="letter-spacing: -0.45pt;"> </span>In<span style="letter-spacing: -0.25pt;"> </span>a<span style="letter-spacing: -0.4pt;"> </span>sense,<span style="letter-spacing: -0.35pt;">
</span>Paracity<span style="letter-spacing: -0.4pt;"> </span>is<span style="letter-spacing: -0.35pt;"> </span>a<span style="letter-spacing: -0.25pt;"> </span>high-tech<span style="letter-spacing: -0.35pt;"> </span>slum,<span style="letter-spacing: -0.3pt;"> </span>which<span style="letter-spacing: -0.4pt;"> </span>can<span style="letter-spacing: -0.45pt;"> </span>start<span style="letter-spacing: -0.35pt;"> </span>tuning<span style="letter-spacing: -0.35pt;">
</span>the<span style="letter-spacing: -0.3pt;"> </span>industrial<span style="letter-spacing: -2.6pt;"> </span>city<span style="letter-spacing: -0.55pt;"> </span>towards<span style="letter-spacing: -0.5pt;"> </span>an<span style="letter-spacing: -0.55pt;"> </span>ecologically<span style="letter-spacing: -0.55pt;"> </span>more<span style="letter-spacing: -0.55pt;"> </span>sustainable<span style="letter-spacing: -0.55pt;"> </span>direction.<span style="letter-spacing: -0.45pt;"> </span>Paracity<span style="letter-spacing: -0.55pt;"> </span>is<span style="letter-spacing: -0.5pt;"> </span>a<span style="letter-spacing: -0.55pt;"> </span>Third<span style="letter-spacing: -0.5pt;"> </span>Generation<span style="letter-spacing: -0.5pt;"> </span>City,<span style="letter-spacing: -0.5pt;"> </span>an<span style="letter-spacing: -0.5pt;"> </span>organic<span style="letter-spacing: -2.6pt;">
</span>machine<span style="letter-spacing: -0.35pt;"> </span>urban<span style="letter-spacing: -0.25pt;"> </span>compost,<span style="letter-spacing: -0.4pt;">
</span>which<span style="letter-spacing: -0.25pt;"> </span>assists<span style="letter-spacing: -0.2pt;"> </span>the<span style="letter-spacing: -0.35pt;"> </span>industrial<span style="letter-spacing: -0.3pt;"> </span>city<span style="letter-spacing: -0.3pt;"> </span>to<span style="letter-spacing: -0.25pt;"> </span>transform<span style="letter-spacing: -0.3pt;"> </span>itself<span style="letter-spacing: -0.3pt;"> </span>into<span style="letter-spacing: -0.25pt;"> </span>being<span style="letter-spacing: -0.3pt;"> </span>part<span style="letter-spacing: -0.25pt;"> </span>of<span style="letter-spacing: -0.3pt;"> </span>nature.<o:p></o:p></p>
<p class="MsoBodyText" style="line-height: 150%; margin-left: 0cm; text-align: justify;">The<span style="letter-spacing: -0.15pt;"> </span>pilot<span style="letter-spacing: -0.05pt;"> </span>project of<span style="letter-spacing: -0.1pt;"> </span>the<span style="letter-spacing: -0.15pt;"> </span>Paracity<span style="letter-spacing: 0.05pt;"> </span>grows<span style="letter-spacing: -0.15pt;"> </span>on<span style="letter-spacing: -0.1pt;"> </span>an<span style="letter-spacing: -0.05pt;"> </span>urban<span style="letter-spacing: -0.1pt;"> </span>farming<span style="letter-spacing: -0.05pt;">
</span>island<span style="letter-spacing: -0.05pt;"> </span>of<span style="letter-spacing: -0.2pt;"> </span>Danshui<span style="letter-spacing: -0.05pt;">
</span>River,<span style="letter-spacing: -0.05pt;"> </span>Taipei<span style="letter-spacing: -0.05pt;"> </span>City.</p>
<p class="MsoBodyText" style="line-height: 150%; margin-left: 0cm; text-align: justify;">The island is located between the Zhongxing and Zhonxiao bridges and is
around 1,000 meters long<span style="letter-spacing: 0.05pt;"> </span>and 300
meters wide. Paracity Taipei celebrates the original first-generation Taipei
urbanism with a<span style="letter-spacing: 0.05pt;"> </span>high level of
“illegal” architecture, self-organized communities, urban farms, community
gardens,<span style="letter-spacing: 0.05pt;"> </span>urban<span style="letter-spacing: -0.05pt;"> </span>nomads,<span style="letter-spacing: 0.05pt;"> </span>and<span style="letter-spacing: -0.1pt;"> </span>constructive<span style="letter-spacing: -0.05pt;"> </span>anarchy.</p>
<p class="MsoBodyText" style="line-height: 150%; margin-left: 0cm; text-align: justify;">After the Paracity has reached critical mass, the life-providing system
of the CLT-structure will start<span style="letter-spacing: 0.05pt;"> </span>escalating.
It will cross the river and start taking root on the flood plains. It will then
cross the 12-<span style="letter-spacing: 0.05pt;"> </span>meters high Taipei
flood wall and gradually grow into the city. Paracity is a mediator between the
modern<span style="letter-spacing: 0.05pt;"> </span>city and nature.</p>
<p class="MsoBodyText" style="line-height: 150%; margin-left: 0cm; text-align: justify;">Paracity<span style="letter-spacing: -0.1pt;"> </span>has<span style="letter-spacing: -0.05pt;"> </span>a<span style="letter-spacing: -0.05pt;"> </span>lot<span style="letter-spacing: -0.1pt;"> </span>of<span style="letter-spacing: -0.15pt;"> </span>holes,
gaps,<span style="letter-spacing: -0.1pt;"> </span>and<span style="letter-spacing: -0.15pt;"> </span>nature<span style="letter-spacing: -0.15pt;"> </span>between<span style="letter-spacing: -0.1pt;"> </span>houses. The<span style="letter-spacing: -0.6pt;"> </span>different<span style="letter-spacing: -0.5pt;"> </span>temperatures<span style="letter-spacing: -0.5pt;"> </span>of<span style="letter-spacing: -0.5pt;"> </span>the<span style="letter-spacing: -0.6pt;"> </span>roofs,<span style="letter-spacing: -0.5pt;"> </span>gardens,<span style="letter-spacing: -0.6pt;"> </span>bodies<span style="letter-spacing: -0.45pt;">
</span>of<span style="letter-spacing: -0.55pt;"> </span>water<span style="letter-spacing: -0.5pt;"> </span>and<span style="letter-spacing: -0.65pt;"> </span>shaded<span style="letter-spacing: -0.55pt;"> </span>platforms<span style="letter-spacing: -0.5pt;"> </span>will<span style="letter-spacing: -0.7pt;"> </span>generate<span style="letter-spacing: -2.55pt;"> </span>small winds between them, and the hot
roofs will start sucking in breeze from the cooler river. The<span style="letter-spacing: 0.05pt;"> </span>individual<span style="letter-spacing: -0.2pt;"> </span>houses<span style="letter-spacing: -0.1pt;"> </span>should<span style="letter-spacing: -0.3pt;"> </span>also<span style="letter-spacing: -0.15pt;"> </span>follow<span style="letter-spacing: -0.15pt;"> </span>the<span style="letter-spacing: -0.2pt;"> </span>traditional<span style="letter-spacing: -0.15pt;"> </span>principles<span style="letter-spacing: -0.1pt;"> </span>of<span style="letter-spacing: -0.15pt;"> </span>bioclimatic<span style="letter-spacing: -0.25pt;"> </span>architecture<span style="letter-spacing: -0.2pt;"> </span>and<span style="letter-spacing: -0.2pt;"> </span>not<span style="letter-spacing: -0.25pt;"> </span>rely<span style="letter-spacing: -2.6pt;"> </span>on<span style="letter-spacing: -0.05pt;"> </span>mechanical air-conditioning.</p><p class="MsoBodyText" style="line-height: 150%; margin-left: 0cm; text-align: justify;"><o:p></o:p></p>
</div>
<span face=""Calibri Light",sans-serif" style="font-size: 11pt; line-height: 150%; mso-ansi-language: EN-GB; mso-bidi-language: AR-SA; mso-fareast-font-family: "Calibri Light"; mso-fareast-language: EN-US;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjxtCB9idJ9t-HLnvOPVbN2FSHYEpkEmx2zqKJR7OQNg8HelI4B7QsAX8FpY1pBZlSq74cGxj_d3BXVBbLfNiHVE_FftI2hIzyfZ4tp-H6KE6N2ywkDvfD-vq97gJ6WLPIJA8Pa4oTpc68W/" style="margin-left: 1em; margin-right: 1em;"><img alt="" data-original-height="422" data-original-width="639" height="211" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjxtCB9idJ9t-HLnvOPVbN2FSHYEpkEmx2zqKJR7OQNg8HelI4B7QsAX8FpY1pBZlSq74cGxj_d3BXVBbLfNiHVE_FftI2hIzyfZ4tp-H6KE6N2ywkDvfD-vq97gJ6WLPIJA8Pa4oTpc68W/" width="320" /></a></div></span><p class="MsoBodyText" style="line-height: 150%; margin-left: 0cm;"><i><span style="font-size: 10pt; text-align: justify;">Third-generation</span><span style="font-size: 10pt; letter-spacing: -0.25pt; text-align: justify;"> </span><span style="font-size: 10pt; text-align: justify;">Taipei</span><span style="font-size: 10pt; letter-spacing: -0.2pt; text-align: justify;">
</span><span style="font-size: 10pt; text-align: justify;">(Drawing</span><span style="font-size: 10pt; letter-spacing: -0.15pt; text-align: justify;"> </span><span style="font-size: 10pt; text-align: justify;">by</span><span style="font-size: 10pt; letter-spacing: -0.1pt; text-align: justify;"> </span><span style="font-size: 10pt; text-align: justify;">Niilo</span><span style="font-size: 10pt; letter-spacing: -0.2pt; text-align: justify;"> </span><span style="font-size: 10pt; text-align: justify;">Tenkanen</span><span style="font-size: 10pt; letter-spacing: -0.15pt; text-align: justify;"> </span><span style="font-size: 10pt; text-align: justify;">/</span><span style="font-size: 10pt; letter-spacing: -0.05pt; text-align: justify;"> </span><span style="font-size: 10pt; text-align: justify;">Casagrande</span><span style="font-size: 10pt; letter-spacing: -0.1pt; text-align: justify;"> </span><span style="font-size: 10pt; text-align: justify;">Laboratory)</span></i></p>
<p class="MsoBodyText" style="line-height: 150%; margin-left: 0cm;"><span style="font-size: 10pt; line-height: 150%; mso-bidi-font-size: 12.0pt;"><o:p> </o:p></span><span style="text-align: justify;">The bio-urbanism of the Paracity is as much landscape as it is
architecture (Fredrickson, 2014).Paracity</span><span style="letter-spacing: 0.05pt; text-align: justify;"> </span><span style="text-align: justify;">Taipei</span><span style="letter-spacing: 0.05pt; text-align: justify;"> </span><span style="text-align: justify;">will</span><span style="letter-spacing: 0.05pt; text-align: justify;"> </span><span style="text-align: justify;">construct</span><span style="letter-spacing: 0.05pt; text-align: justify;"> </span><span style="text-align: justify;">itself</span><span style="letter-spacing: 0.05pt; text-align: justify;"> </span><span style="text-align: justify;">through</span><span style="letter-spacing: 0.05pt; text-align: justify;"> </span><span style="text-align: justify;">impacts</span><span style="letter-spacing: 0.05pt; text-align: justify;">
</span><span style="text-align: justify;">of</span><span style="letter-spacing: 0.05pt; text-align: justify;"> </span><span style="text-align: justify;">collective</span><span style="letter-spacing: 0.05pt; text-align: justify;"> </span><span style="text-align: justify;">consciousness,</span><span style="letter-spacing: 0.05pt; text-align: justify;"> </span><span style="text-align: justify;">and it is estimated to have</span><span style="letter-spacing: -0.1pt; text-align: justify;"> </span><span style="text-align: justify;">15,000–25,000</span><span style="letter-spacing: -0.05pt; text-align: justify;"> </span><span style="text-align: justify;">inhabitants.</span></p><p class="MsoBodyText" style="line-height: 150%; margin-left: 0cm;"><span style="text-align: justify;"></span></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEim34yEOp5-ZTdXkwPzq8nW-bGqHdqmxCd3bUtnl71YL2XF6sU-BrgIAxsbOy4ZyozDP_kLWLpSBHneg3JT6qWeJd9b32JHy_noyJ-tUontVl9CFsEITMEecp6uVu8VYjDQr0dQ1V7hVoaO/" style="margin-left: 1em; margin-right: 1em;"><img alt="" data-original-height="426" data-original-width="641" height="213" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEim34yEOp5-ZTdXkwPzq8nW-bGqHdqmxCd3bUtnl71YL2XF6sU-BrgIAxsbOy4ZyozDP_kLWLpSBHneg3JT6qWeJd9b32JHy_noyJ-tUontVl9CFsEITMEecp6uVu8VYjDQr0dQ1V7hVoaO/" width="320" /></a></div><p></p><p class="MsoNormal" style="line-height: 150%; text-align: justify;"><span style="font-size: 10pt; line-height: 150%; mso-bidi-font-size: 11.0pt;"><i>Paracity<span style="letter-spacing: -0.15pt;"> </span>CLT-module,<span style="letter-spacing: -0.2pt;"> </span>6<span style="letter-spacing: -0.15pt;"> </span>x<span style="letter-spacing: -0.1pt;"> </span>6<span style="letter-spacing: -0.15pt;"> </span>x<span style="letter-spacing: -0.15pt;"> </span>6m<span style="letter-spacing: -0.15pt;"> </span>(Photograph<span style="letter-spacing: -0.15pt;"> </span>by<span style="letter-spacing: -0.15pt;"> </span>Jan<span style="letter-spacing: -0.15pt;"> </span>Feichtinger<span style="letter-spacing: -0.15pt;"> </span>/<span style="letter-spacing: -0.1pt;"> </span>Casagrande<span style="letter-spacing: -0.15pt;"> </span>Laboratory).</i><o:p></o:p></span></p>
<p class="MsoBodyText" style="line-height: 150%; margin-left: 0cm;"><span style="font-size: 10pt; line-height: 150%; mso-bidi-font-size: 12.0pt;"><o:p> </o:p></span><span style="text-align: justify;">The wooden primary structure and the environmental technology solutions
will remain mostly the</span><span style="letter-spacing: 0.05pt; text-align: justify;"> </span><span style="text-align: justify;">same, no
matter in which culture the Paracity starts to grow, but the real human layer
of self-made</span><span style="letter-spacing: 0.05pt; text-align: justify;"> </span><span style="text-align: justify;">architecture and farming
will follow the Local Knowledge of the respective culture and site. Paracity</span><span style="letter-spacing: 0.05pt; text-align: justify;"> </span><span style="text-align: justify;">is always</span><span style="letter-spacing: 0.05pt; text-align: justify;">
</span><span style="text-align: justify;">site-specific</span><span style="letter-spacing: -0.05pt; text-align: justify;"> </span><span style="text-align: justify;">and</span><span style="letter-spacing: -0.1pt; text-align: justify;"> </span><span style="text-align: justify;">it is</span><span style="letter-spacing: 0.05pt; text-align: justify;"> </span><span style="text-align: justify;">always</span><span style="letter-spacing: 0.05pt; text-align: justify;"> </span><span style="text-align: justify;">local.</span></p>
<p class="MsoListParagraph" style="line-height: 150%; margin-left: 0cm; mso-list: l0 level1 lfo1; tab-stops: 41.7pt;"><!--[if !supportLists]--><span style="font-size: 12pt; line-height: 150%;"><span style="mso-list: Ignore;">5.<span style="font: 7pt "Times New Roman";"> </span></span></span><!--[endif]--><span style="font-size: 12pt; line-height: 150%; mso-bidi-font-size: 11.0pt;">Conclusion<o:p></o:p></span></p>
<p class="MsoBodyText" style="line-height: 150%; margin-left: 0cm; text-align: justify;">The<span style="letter-spacing: -0.25pt;"> </span>way<span style="letter-spacing: -0.2pt;"> </span>towards<span style="letter-spacing: -0.25pt;"> </span>the<span style="letter-spacing: -0.15pt;"> </span>Third<span style="letter-spacing: -0.2pt;"> </span>Generation<span style="letter-spacing: -0.35pt;"> </span>City<span style="letter-spacing: -0.3pt;"> </span>is<span style="letter-spacing: -0.3pt;"> </span>a<span style="letter-spacing: -0.2pt;"> </span>process<span style="letter-spacing: -0.1pt;"> </span>of<span style="letter-spacing: -0.3pt;"> </span>becoming<span style="letter-spacing: -0.3pt;"> </span>a<span style="letter-spacing: -0.25pt;"> </span>collective<span style="letter-spacing: -0.25pt;"> </span>learning<span style="letter-spacing: -0.2pt;">
</span>and<span style="letter-spacing: -0.3pt;"> </span>healing<span style="letter-spacing: -2.6pt;"> </span>organism and of reconnecting the
urbanized collective consciousness with nature. This<span style="letter-spacing: 0.05pt;"> </span>requires<span style="letter-spacing: 0.05pt;"> </span>a<span style="letter-spacing: 0.05pt;"> </span>total<span style="letter-spacing: 0.05pt;"> </span>transformation<span style="letter-spacing: 0.05pt;"> </span>from<span style="letter-spacing: 0.05pt;"> </span>the<span style="letter-spacing: 0.05pt;"> </span>city<span style="letter-spacing: 0.05pt;"> </span>infrastructure
and from the centralized power control. Otherwise, the real development will be<span style="letter-spacing: 0.05pt;"> </span>unofficial. Citizens on their behalf are
ready and are already breaking the industrial city apart by<span style="letter-spacing: 0.05pt;"> </span>themselves.<span style="letter-spacing: 2.65pt;"> </span>Local<span style="letter-spacing: 2.5pt;"> </span>knowledge<span style="letter-spacing: 2.5pt;"> </span>is<span style="letter-spacing: 2.55pt;"> </span>operating<span style="letter-spacing: 2.55pt;"> </span>independently<span style="letter-spacing: 2.55pt;"> </span>from<span style="letter-spacing: 2.5pt;"> </span>the<span style="letter-spacing: 2.5pt;"> </span>official<span style="letter-spacing: 2.5pt;">
</span>city<span style="letter-spacing: 2.55pt;"> </span>and<span style="letter-spacing: 2.4pt;"> </span>is<span style="letter-spacing: 2.45pt;"> </span>providing
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</w:wrap></v:rect>punctual third generation surroundings within the industrial city:<span style="letter-spacing: 0.05pt;"> </span>urban acupuncture for the stiff<span style="letter-spacing: 0.05pt;"> </span>official<span style="letter-spacing: -0.05pt;">
</span>mechanism.<o:p></o:p></p>
<p class="MsoBodyText" style="line-height: 150%; margin-left: 0cm; text-align: justify;">The weak signals of the unofficial collective consciousness should be
recognized as the futures’<span style="letter-spacing: 0.05pt;"> </span>emerging<span style="letter-spacing: -0.3pt;"> </span>issues;<span style="letter-spacing: -0.25pt;">
</span>futures<span style="letter-spacing: -0.4pt;"> </span>that<span style="letter-spacing: -0.25pt;"> </span>are<span style="letter-spacing: -0.3pt;"> </span>already<span style="letter-spacing: -0.35pt;"> </span>present<span style="letter-spacing: -0.25pt;">
</span>in<span style="letter-spacing: -0.3pt;"> </span>Taipei.<span style="letter-spacing: -0.25pt;"> </span>The<span style="letter-spacing: -0.3pt;"> </span>official<span style="letter-spacing: -0.45pt;"> </span>city<span style="letter-spacing: -0.25pt;"> </span>should<span style="letter-spacing: -0.35pt;"> </span>learn<span style="letter-spacing: -0.25pt;">
</span>how<span style="letter-spacing: -0.25pt;"> </span>to<span style="letter-spacing: -0.45pt;"> </span>enjoy<span style="letter-spacing: -2.6pt;"> </span>acupuncture,
how<span style="letter-spacing: -0.1pt;"> </span>to give<span style="letter-spacing: -0.15pt;"> </span>up industrial<span style="letter-spacing: -0.15pt;"> </span>control<span style="letter-spacing: -0.05pt;"> </span>in<span style="letter-spacing: -0.1pt;"> </span>order
to let<span style="letter-spacing: -0.1pt;"> </span>nature<span style="letter-spacing: -0.05pt;"> </span>step in.<o:p></o:p></p>
<p class="MsoBodyText" style="line-height: 150%; margin-left: 0cm; text-align: justify;">The<span style="letter-spacing: -0.15pt;"> </span>Local<span style="letter-spacing: -0.05pt;"> </span>Knowledge-based<span style="letter-spacing: -0.1pt;"> </span>transformation<span style="letter-spacing: -0.05pt;"> </span>layer<span style="letter-spacing: -0.25pt;"> </span>of<span style="letter-spacing: -0.05pt;"> </span>Taipei<span style="letter-spacing: -0.1pt;"> </span>is happening<span style="letter-spacing: -0.2pt;"> </span>from<span style="letter-spacing: -0.05pt;"> </span>inside<span style="letter-spacing: -0.1pt;"> </span>the<span style="letter-spacing: -0.15pt;"> </span>city,<span style="letter-spacing: -0.15pt;"> </span>and<span style="letter-spacing: -0.15pt;"> </span>it<span style="letter-spacing: -0.1pt;"> </span>is<span style="letter-spacing: -2.55pt;"> </span>happening
through self-organized punctual interventions. These interventions are driven
by small-<span style="letter-spacing: 0.05pt;"> </span>scale businesses and
alternative economies benefiting from the fertile land of the Taipei Basin, and<span style="letter-spacing: 0.05pt;"> </span>of leeching the material and energy
streams of the official city. This acupuncture makes the city<span style="letter-spacing: 0.05pt;"> </span>weaker, softer,<span style="letter-spacing: 0.05pt;"> </span>and<span style="letter-spacing: -0.1pt;"> </span>readier<span style="letter-spacing: 0.05pt;"> </span>for<span style="letter-spacing: 0.05pt;"> </span>a<span style="letter-spacing: -0.1pt;"> </span>larger<span style="letter-spacing: -0.05pt;">
</span>change.<o:p></o:p></p>
<p class="MsoBodyText" style="line-height: 150%; margin-left: 0cm; text-align: justify;">The city is a manifest of human-centered systems—economical, industrial,
philosophical, political,<span style="letter-spacing: 0.05pt;"> </span><span style="letter-spacing: -0.05pt;">and</span><span style="letter-spacing: -0.6pt;"> </span><span style="letter-spacing: -0.05pt;">religious</span><span style="letter-spacing: -0.55pt;">
</span><span style="letter-spacing: -0.05pt;">power</span><span style="letter-spacing: -0.65pt;"> </span>structures.<span style="letter-spacing: -0.6pt;"> </span>Bio-urbanism<span style="letter-spacing: -0.55pt;"> </span>is<span style="letter-spacing: -0.55pt;"> </span>an<span style="letter-spacing: -0.7pt;"> </span>animist<span style="letter-spacing: -0.55pt;">
</span>system<span style="letter-spacing: -0.75pt;"> </span>regulated<span style="letter-spacing: -0.55pt;"> </span>by<span style="letter-spacing: -0.6pt;"> </span>nature.<span style="letter-spacing: -0.65pt;"> </span>Human<span style="letter-spacing: -0.6pt;"> </span>nature<span style="letter-spacing: -2.6pt;"> </span>as part of nature, also within the urban
conditions. The era of pollution is the era of industrial<span style="letter-spacing: 0.05pt;"> </span>urbanism – the second generation city. The
next era has always been surviving within the industrial<span style="letter-spacing: 0.05pt;"> </span>city, like a positive cancer. The first-generation city never
died, it went underground, but the bio-<span style="letter-spacing: 0.05pt;"> </span>urban
processes are still surviving. The seeds of the Third Generation City are
present. Architecture<span style="letter-spacing: 0.05pt;"> </span>is not<span style="letter-spacing: -0.05pt;"> </span>an art of<span style="letter-spacing: -0.1pt;"> </span>human<span style="letter-spacing: -0.15pt;"> </span>control;<span style="letter-spacing: -0.05pt;"> </span>it<span style="letter-spacing: -0.05pt;"> </span>is<span style="letter-spacing: -0.1pt;"> </span>an<span style="letter-spacing: -0.05pt;"> </span>art<span style="letter-spacing: 0.05pt;"> </span>of<span style="letter-spacing: -0.15pt;"> </span>reality.
There<span style="letter-spacing: -0.05pt;"> </span>is no<span style="letter-spacing: -0.1pt;"> </span>other<span style="letter-spacing: -0.1pt;"> </span>reality than<span style="letter-spacing: -0.05pt;"> </span>nature.<o:p></o:p></p>
<p class="MsoBodyText" style="line-height: 150%; margin-left: 0cm;"><span style="font-size: 17.5pt; line-height: 150%; mso-bidi-font-size: 12.0pt;"><o:p> </o:p></span></p>
<p class="MsoBodyText" style="line-height: 150%; margin-left: 0cm;">References<o:p></o:p></p>
<p class="MsoBodyText" style="line-height: 150%; margin-left: 0cm;">Adorno, T. W.,
& Horkheimer, M. (2002). Dialectic of enlightenment. Stanford:<span style="letter-spacing: 0.05pt;"> </span>Stanford University<span style="letter-spacing: -2.6pt;"> </span>Press.<o:p></o:p></p>
<p class="MsoBodyText" style="line-height: 150%; margin-left: 0cm;">Bauwens, M.
(2010) The community gardens of Taipei. Taipei Organic Acupuncture, P2P<span style="letter-spacing: 0.05pt;"> </span>Foundation. <o:p></o:p></p>
<p class="MsoBodyText" style="line-height: 150%; margin-left: 0cm;">Campbell-Dollagham,
K. (2011). Illegal architecture in Taipei. Architizer, (3).<span style="letter-spacing: 0.05pt;"> </span>Casagrande<span style="letter-spacing: -0.2pt;"> </span>Laboratory.<span style="letter-spacing: -0.1pt;"> </span>(2010).<span style="letter-spacing: 0.1pt;"> </span>Anarchist<span style="letter-spacing: -0.15pt;">
</span>gardener.<span style="letter-spacing: -0.1pt;"> </span>Taipei:<span style="letter-spacing: 2.5pt;"> </span>Ruin<span style="letter-spacing: -0.15pt;"> </span>Academy.<span style="letter-spacing: -0.3pt;"> </span><o:p></o:p></p>
<p class="MsoNormal" style="line-height: 150%;"><span style="font-size: 12pt; line-height: 150%; mso-bidi-font-size: 11.0pt;">Casagrande, M. and Ross, M. (2004) <i style="mso-bidi-font-style: normal;">Trojan Rocking Horse Taipei. </i><o:p></o:p></span></p>
<p class="MsoNormal" style="line-height: 150%;"><span style="font-size: 12pt; line-height: 150%; mso-bidi-font-size: 11.0pt;">Casagrande,<span style="letter-spacing: -0.15pt;"> </span>M.<span style="letter-spacing: -0.05pt;"> </span>(2006)<span style="letter-spacing: -0.15pt;"> </span>Can’t<span style="letter-spacing: -0.05pt;">
</span>Push<span style="letter-spacing: -0.05pt;"> </span>a<span style="letter-spacing: -0.1pt;"> </span>River.<span style="letter-spacing: 0.15pt;"> </span><i style="mso-bidi-font-style: normal;">Taiwan<span style="letter-spacing: -0.15pt;"> </span>Architect
</i><u style="text-underline: #D13438;"><span style="color: #d13438;">Issue<span style="letter-spacing: -0.1pt;"> </span>4/2006</span></u><o:p></o:p></span></p>
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<w:wrap anchorx="page">
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</span><i style="mso-bidi-font-style: normal;">Taiwan Architect </i>Issue<u style="text-underline: #D13438;"><span style="color: #d13438;"> 10/2009.</span></u><span style="color: #d13438; letter-spacing: -2.6pt;"> </span><o:p></o:p></p>
<p class="MsoBodyText" style="line-height: 150%; margin-left: 0cm;">Casagrande, M.
(2011b) Urban Ecopuncture. <i style="mso-bidi-font-style: normal;">La Vie </i><u style="text-underline: #D13438;"><span style="color: #d13438;">Issue 90</span></u><span style="color: #d13438; letter-spacing: 0.05pt;"> </span><span style="mso-field-code: " HYPERLINK ";"></span><o:p></o:p></p>
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<w:wrap anchorx="page" anchory="page">
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<p class="MsoBodyText" style="line-height: 150%; margin-left: 0cm;">Casagrande, M.
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JUT<span style="letter-spacing: -2.6pt;"> </span>Foundation<span style="letter-spacing: -0.05pt;"> </span>for<span style="letter-spacing: 0.05pt;"> </span>Arts<span style="letter-spacing: 0.05pt;"> </span>&<span style="letter-spacing: -0.1pt;"> </span>Architecture.<o:p></o:p></p>Unknownnoreply@blogger.com2tag:blogger.com,1999:blog-4990227540840524753.post-3271758582537879982020-11-18T04:03:00.007-08:002020-11-18T04:04:50.570-08:00LAND(E)SCAPE <p>Casagrande & Rintala </p><blockquote style="border: none; margin: 0 0 0 40px; padding: 0px;"><div class="separator" style="clear: both; text-align: left;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgjeo1rbFHvdfJ9WhwnigTbS8I0-Oj9Imen8P9rlTqGjb27Wu9rBFOHjlA76taK78dYNH6KxnwaahAZqg3wFnDFNvM85ND_1eWwpIRdS_vXFWS3FnOe2Sf76AeHG7qBBvOYRNd-SDbu7OHZ/s1224/Casagrande+%2526+Rintala.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="952" data-original-width="1224" height="498" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgjeo1rbFHvdfJ9WhwnigTbS8I0-Oj9Imen8P9rlTqGjb27Wu9rBFOHjlA76taK78dYNH6KxnwaahAZqg3wFnDFNvM85ND_1eWwpIRdS_vXFWS3FnOe2Sf76AeHG7qBBvOYRNd-SDbu7OHZ/w640-h498/Casagrande+%2526+Rintala.jpg" width="640" /></a></div></blockquote><p><span face=""Segoe UI", "Segoe UI Web (West European)", "Segoe UI", -apple-system, BlinkMacSystemFont, Roboto, "Helvetica Neue", sans-serif" style="background-color: white; color: #201f1e; font-size: 15px;">Modern agricultural methods have ensured the demise of</span></p><div style="background-color: white; border: 0px; color: #201f1e; font-family: "Segoe UI", "Segoe UI Web (West European)", "Segoe UI", -apple-system, BlinkMacSystemFont, Roboto, "Helvetica Neue", sans-serif; font-size: 15px; font-stretch: inherit; font-variant-east-asian: inherit; font-variant-numeric: inherit; line-height: inherit; margin: 0px; padding: 0px; vertical-align: baseline;">many of the traditional wooden buildings seen on the edges</div><div style="background-color: white; border: 0px; color: #201f1e; font-family: "Segoe UI", "Segoe UI Web (West European)", "Segoe UI", -apple-system, BlinkMacSystemFont, Roboto, "Helvetica Neue", sans-serif; font-size: 15px; font-stretch: inherit; font-variant-east-asian: inherit; font-variant-numeric: inherit; line-height: inherit; margin: 0px; padding: 0px; vertical-align: baseline;">of the meadow clearings of the forest all over the country's</div><div style="background-color: white; border: 0px; color: #201f1e; font-family: "Segoe UI", "Segoe UI Web (West European)", "Segoe UI", -apple-system, BlinkMacSystemFont, Roboto, "Helvetica Neue", sans-serif; font-size: 15px; font-stretch: inherit; font-variant-east-asian: inherit; font-variant-numeric: inherit; line-height: inherit; margin: 0px; padding: 0px; vertical-align: baseline;">flat landscape. In these grey little barns, hay was stored,</div><div style="background-color: white; border: 0px; color: #201f1e; font-family: "Segoe UI", "Segoe UI Web (West European)", "Segoe UI", -apple-system, BlinkMacSystemFont, Roboto, "Helvetica Neue", sans-serif; font-size: 15px; font-stretch: inherit; font-variant-east-asian: inherit; font-variant-numeric: inherit; line-height: inherit; margin: 0px; padding: 0px; vertical-align: baseline;">and animals chosen to live through winter were gathered in</div><div style="background-color: white; border: 0px; color: #201f1e; font-family: "Segoe UI", "Segoe UI Web (West European)", "Segoe UI", -apple-system, BlinkMacSystemFont, Roboto, "Helvetica Neue", sans-serif; font-size: 15px; font-stretch: inherit; font-variant-east-asian: inherit; font-variant-numeric: inherit; line-height: inherit; margin: 0px; padding: 0px; vertical-align: baseline;">from the ferocious cold -- their less fortunate herd-mates</div><div style="background-color: white; border: 0px; color: #201f1e; font-family: "Segoe UI", "Segoe UI Web (West European)", "Segoe UI", -apple-system, BlinkMacSystemFont, Roboto, "Helvetica Neue", sans-serif; font-size: 15px; font-stretch: inherit; font-variant-east-asian: inherit; font-variant-numeric: inherit; line-height: inherit; margin: 0px; padding: 0px; vertical-align: baseline;">being slaughtered since there was not enough fodder to</div><div style="background-color: white; border: 0px; color: #201f1e; font-family: "Segoe UI", "Segoe UI Web (West European)", "Segoe UI", -apple-system, BlinkMacSystemFont, Roboto, "Helvetica Neue", sans-serif; font-size: 15px; font-stretch: inherit; font-variant-east-asian: inherit; font-variant-numeric: inherit; line-height: inherit; margin: 0px; padding: 0px; vertical-align: baseline;">keep them. Now that new industrialized farm structures</div><div style="background-color: white; border: 0px; color: #201f1e; font-family: "Segoe UI", "Segoe UI Web (West European)", "Segoe UI", -apple-system, BlinkMacSystemFont, Roboto, "Helvetica Neue", sans-serif; font-size: 15px; font-stretch: inherit; font-variant-east-asian: inherit; font-variant-numeric: inherit; line-height: inherit; margin: 0px; padding: 0px; vertical-align: baseline;">and new agricultural techniques have made the old</div><div style="background-color: white; border: 0px; color: #201f1e; font-family: "Segoe UI", "Segoe UI Web (West European)", "Segoe UI", -apple-system, BlinkMacSystemFont, Roboto, "Helvetica Neue", sans-serif; font-size: 15px; font-stretch: inherit; font-variant-east-asian: inherit; font-variant-numeric: inherit; line-height: inherit; margin: 0px; padding: 0px; vertical-align: baseline;">buildings redundant they are destroyed or simply allowed</div><div style="background-color: white; border: 0px; color: #201f1e; font-family: "Segoe UI", "Segoe UI Web (West European)", "Segoe UI", -apple-system, BlinkMacSystemFont, Roboto, "Helvetica Neue", sans-serif; font-size: 15px; font-stretch: inherit; font-variant-east-asian: inherit; font-variant-numeric: inherit; line-height: inherit; margin: 0px; padding: 0px; vertical-align: baseline;">to fall down.</div><div style="background-color: white; border: 0px; color: #201f1e; font-family: "Segoe UI", "Segoe UI Web (West European)", "Segoe UI", -apple-system, BlinkMacSystemFont, Roboto, "Helvetica Neue", sans-serif; font-size: 15px; font-stretch: inherit; font-variant-east-asian: inherit; font-variant-numeric: inherit; line-height: inherit; margin: 0px; padding: 0px; vertical-align: baseline;"><br /></div><div style="background-color: white; border: 0px; color: #201f1e; font-family: "Segoe UI", "Segoe UI Web (West European)", "Segoe UI", -apple-system, BlinkMacSystemFont, Roboto, "Helvetica Neue", sans-serif; font-size: 15px; font-stretch: inherit; font-variant-east-asian: inherit; font-variant-numeric: inherit; line-height: inherit; margin: 0px; padding: 0px; vertical-align: baseline;">Three of these abandoned barns 'were driven,' the</div><div style="background-color: white; border: 0px; color: #201f1e; font-family: "Segoe UI", "Segoe UI Web (West European)", "Segoe UI", -apple-system, BlinkMacSystemFont, Roboto, "Helvetica Neue", sans-serif; font-size: 15px; font-stretch: inherit; font-variant-east-asian: inherit; font-variant-numeric: inherit; line-height: inherit; margin: 0px; padding: 0px; vertical-align: baseline;">architects explained, to the point where they have had to</div><div style="background-color: white; border: 0px; color: #201f1e; font-family: "Segoe UI", "Segoe UI Web (West European)", "Segoe UI", -apple-system, BlinkMacSystemFont, Roboto, "Helvetica Neue", sans-serif; font-size: 15px; font-stretch: inherit; font-variant-east-asian: inherit; font-variant-numeric: inherit; line-height: inherit; margin: 0px; padding: 0px; vertical-align: baseline;">break their primeval union with the soil. Desolate, they</div><div style="background-color: white; border: 0px; color: #201f1e; font-family: "Segoe UI", "Segoe UI Web (West European)", "Segoe UI", -apple-system, BlinkMacSystemFont, Roboto, "Helvetica Neue", sans-serif; font-size: 15px; font-stretch: inherit; font-variant-east-asian: inherit; font-variant-numeric: inherit; line-height: inherit; margin: 0px; padding: 0px; vertical-align: baseline;">have risen on their shanks and are swaying toward the cities</div><div style="background-color: white; border: 0px; color: #201f1e; font-family: "Segoe UI", "Segoe UI Web (West European)", "Segoe UI", -apple-system, BlinkMacSystemFont, Roboto, "Helvetica Neue", sans-serif; font-size: 15px; font-stretch: inherit; font-variant-east-asian: inherit; font-variant-numeric: inherit; line-height: inherit; margin: 0px; padding: 0px; vertical-align: baseline;">of the south.'</div><div style="background-color: white; border: 0px; color: #201f1e; font-family: "Segoe UI", "Segoe UI Web (West European)", "Segoe UI", -apple-system, BlinkMacSystemFont, Roboto, "Helvetica Neue", sans-serif; font-size: 15px; font-stretch: inherit; font-variant-east-asian: inherit; font-variant-numeric: inherit; line-height: inherit; margin: 0px; padding: 0px; vertical-align: baseline;"><br /></div><div style="background-color: white; border: 0px; color: #201f1e; font-family: "Segoe UI", "Segoe UI Web (West European)", "Segoe UI", -apple-system, BlinkMacSystemFont, Roboto, "Helvetica Neue", sans-serif; font-size: 15px; font-stretch: inherit; font-variant-east-asian: inherit; font-variant-numeric: inherit; line-height: inherit; margin: 0px; padding: 0px; vertical-align: baseline;">Their structures were put together again and reinforced</div><div style="background-color: white; border: 0px; color: #201f1e; font-family: "Segoe UI", "Segoe UI Web (West European)", "Segoe UI", -apple-system, BlinkMacSystemFont, Roboto, "Helvetica Neue", sans-serif; font-size: 15px; font-stretch: inherit; font-variant-east-asian: inherit; font-variant-numeric: inherit; line-height: inherit; margin: 0px; padding: 0px; vertical-align: baseline;">internally. Then they were raised 10m high each on four</div><div style="background-color: white; border: 0px; color: #201f1e; font-family: "Segoe UI", "Segoe UI Web (West European)", "Segoe UI", -apple-system, BlinkMacSystemFont, Roboto, "Helvetica Neue", sans-serif; font-size: 15px; font-stretch: inherit; font-variant-east-asian: inherit; font-variant-numeric: inherit; line-height: inherit; margin: 0px; padding: 0px; vertical-align: baseline;">slender legs of unpeeled pine trunks braced with steel wire</div><div style="background-color: white; border: 0px; color: #201f1e; font-family: "Segoe UI", "Segoe UI Web (West European)", "Segoe UI", -apple-system, BlinkMacSystemFont, Roboto, "Helvetica Neue", sans-serif; font-size: 15px; font-stretch: inherit; font-variant-east-asian: inherit; font-variant-numeric: inherit; line-height: inherit; margin: 0px; padding: 0px; vertical-align: baseline;">-- and they began to march towards the cities of the south.</div><div style="background-color: white; border: 0px; color: #201f1e; font-family: "Segoe UI", "Segoe UI Web (West European)", "Segoe UI", -apple-system, BlinkMacSystemFont, Roboto, "Helvetica Neue", sans-serif; font-size: 15px; font-stretch: inherit; font-variant-east-asian: inherit; font-variant-numeric: inherit; line-height: inherit; margin: 0px; padding: 0px; vertical-align: baseline;">The humble had suddenly been given majesty, even a</div><div style="background-color: white; border: 0px; color: #201f1e; font-family: "Segoe UI", "Segoe UI Web (West European)", "Segoe UI", -apple-system, BlinkMacSystemFont, Roboto, "Helvetica Neue", sans-serif; font-size: 15px; font-stretch: inherit; font-variant-east-asian: inherit; font-variant-numeric: inherit; line-height: inherit; margin: 0px; padding: 0px; vertical-align: baseline;">degree of the sublime.</div><div style="background-color: white; border: 0px; color: #201f1e; font-family: "Segoe UI", "Segoe UI Web (West European)", "Segoe UI", -apple-system, BlinkMacSystemFont, Roboto, "Helvetica Neue", sans-serif; font-size: 15px; font-stretch: inherit; font-variant-east-asian: inherit; font-variant-numeric: inherit; line-height: inherit; margin: 0px; padding: 0px; vertical-align: baseline;"><br /></div><div style="background-color: white; border: 0px; color: #201f1e; font-family: "Segoe UI", "Segoe UI Web (West European)", "Segoe UI", -apple-system, BlinkMacSystemFont, Roboto, "Helvetica Neue", sans-serif; font-size: 15px; font-stretch: inherit; font-variant-east-asian: inherit; font-variant-numeric: inherit; line-height: inherit; margin: 0px; padding: 0px; vertical-align: baseline;">They were marching to their deaths. In early October,</div><div style="background-color: white; border: 0px; color: #201f1e; font-family: "Segoe UI", "Segoe UI Web (West European)", "Segoe UI", -apple-system, BlinkMacSystemFont, Roboto, "Helvetica Neue", sans-serif; font-size: 15px; font-stretch: inherit; font-variant-east-asian: inherit; font-variant-numeric: inherit; line-height: inherit; margin: 0px; padding: 0px; vertical-align: baseline;">cords of dry wood were assembled round their legs, and</div><div style="background-color: white; border: 0px; color: #201f1e; font-family: "Segoe UI", "Segoe UI Web (West European)", "Segoe UI", -apple-system, BlinkMacSystemFont, Roboto, "Helvetica Neue", sans-serif; font-size: 15px; font-stretch: inherit; font-variant-east-asian: inherit; font-variant-numeric: inherit; line-height: inherit; margin: 0px; padding: 0px; vertical-align: baseline;">all was set on fire -- just at the time when the beasts they</div><div style="background-color: white; border: 0px; color: #201f1e; font-family: "Segoe UI", "Segoe UI Web (West European)", "Segoe UI", -apple-system, BlinkMacSystemFont, Roboto, "Helvetica Neue", sans-serif; font-size: 15px; font-stretch: inherit; font-variant-east-asian: inherit; font-variant-numeric: inherit; line-height: inherit; margin: 0px; padding: 0px; vertical-align: baseline;">housed would have been slaughtered too.</div><div style="background-color: white; border: 0px; color: #201f1e; font-family: "Segoe UI", "Segoe UI Web (West European)", "Segoe UI", -apple-system, BlinkMacSystemFont, Roboto, "Helvetica Neue", sans-serif; font-size: 15px; font-stretch: inherit; font-variant-east-asian: inherit; font-variant-numeric: inherit; line-height: inherit; margin: 0px; padding: 0px; vertical-align: baseline;"><br /></div><div style="background-color: white; border: 0px; color: #201f1e; font-family: "Segoe UI", "Segoe UI Web (West European)", "Segoe UI", -apple-system, BlinkMacSystemFont, Roboto, "Helvetica Neue", sans-serif; font-size: 15px; font-stretch: inherit; font-variant-east-asian: inherit; font-variant-numeric: inherit; line-height: inherit; margin: 0px; padding: 0px; vertical-align: baseline;">The whole was in many ways a contemporary interpretation</div><div style="background-color: white; border: 0px; color: #201f1e; font-family: "Segoe UI", "Segoe UI Web (West European)", "Segoe UI", -apple-system, BlinkMacSystemFont, Roboto, "Helvetica Neue", sans-serif; font-size: 15px; font-stretch: inherit; font-variant-east-asian: inherit; font-variant-numeric: inherit; line-height: inherit; margin: 0px; padding: 0px; vertical-align: baseline;">of monument, poetic, moving, its only remaining presence</div><div style="background-color: white; border: 0px; color: #201f1e; font-family: "Segoe UI", "Segoe UI Web (West European)", "Segoe UI", -apple-system, BlinkMacSystemFont, Roboto, "Helvetica Neue", sans-serif; font-size: 15px; font-stretch: inherit; font-variant-east-asian: inherit; font-variant-numeric: inherit; line-height: inherit; margin: 0px; padding: 0px; vertical-align: baseline;">on film and video.</div><div style="background-color: white; border: 0px; color: #201f1e; font-family: "Segoe UI", "Segoe UI Web (West European)", "Segoe UI", -apple-system, BlinkMacSystemFont, Roboto, "Helvetica Neue", sans-serif; font-size: 15px; font-stretch: inherit; font-variant-east-asian: inherit; font-variant-numeric: inherit; line-height: inherit; margin: 0px; padding: 0px; vertical-align: baseline;"><br /></div><div style="background-color: white; border: 0px; color: #201f1e; font-family: "Segoe UI", "Segoe UI Web (West European)", "Segoe UI", -apple-system, BlinkMacSystemFont, Roboto, "Helvetica Neue", sans-serif; font-size: 15px; font-stretch: inherit; font-variant-east-asian: inherit; font-variant-numeric: inherit; line-height: inherit; margin: 0px; padding: 0px; vertical-align: baseline;">- WASH issue 4</div><div style="background-color: white; border: 0px; color: #201f1e; font-family: "Segoe UI", "Segoe UI Web (West European)", "Segoe UI", -apple-system, BlinkMacSystemFont, Roboto, "Helvetica Neue", sans-serif; font-size: 15px; font-stretch: inherit; font-variant-east-asian: inherit; font-variant-numeric: inherit; line-height: inherit; margin: 0px; padding: 0px; vertical-align: baseline;"><br /></div><div style="background-color: white; border: 0px; color: #201f1e; font-family: "Segoe UI", "Segoe UI Web (West European)", "Segoe UI", -apple-system, BlinkMacSystemFont, Roboto, "Helvetica Neue", sans-serif; font-size: 15px; font-stretch: inherit; font-variant-east-asian: inherit; font-variant-numeric: inherit; line-height: inherit; margin: 0px; padding: 0px; vertical-align: baseline;"><br /></div>Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-4990227540840524753.post-79647960789202836782019-04-22T05:26:00.000-07:002019-04-22T05:26:39.737-07:00OPEN FORM TAIWAN<br />
<div class="Default" style="line-height: 150%; text-align: justify; text-justify: inter-ideograph;">
<span style="mso-ansi-language: EN-GB;">My first contact with
Taiwan was in year 2000, when Architect Chi Ti-nan was representing Taiwan in
the Venice Biennale. I found his flyer on the ground and got curious about him.
This year we had the 60 Minute Man boat with forest in the Arsenale harbour. We
started a dialog with Chi and he invited me to Taipei to the Urban Flashes
symposium, 2001. Before Taiwan I had been working in Japan for various
projects, but Taipei was really the first Asian city for me where pollution was
so much part of the cityscape. There was a layer of dust on top of benches and
the river looked like dead. I could not understand, why the same people who
used the city so cleverly and self-organized, could let the natural environment
to become in such a bad shape. It felt like the city did not care or purely
ignored where it is growing in and growing from. On the airplane back to
Finland I wrote a letter to the Taipei City Government stating that they will
die, with simple set of one-liners, why. I did not receive any letter back.<o:p></o:p></span></div>
<div class="Default" style="line-height: 150%; text-align: justify; text-justify: inter-ideograph;">
<br /></div>
<div class="Default" style="line-height: 150%; text-align: justify; text-justify: inter-ideograph;">
<span style="mso-ansi-language: EN-GB;">In 2002 professor Roan
Ching-yueh was participating in the Urban Flashes in Lintz, Austria together
with architect Hsieh Ying-chun. I had written a small manifesto called Real
Reality and I guess Roan was the only one really reading it. It was rather
eye-opening also to follow Hsieh’s presentation about his communicative action
after the 228 earthquake with aboriginal people. Actually Roan moderated the
talks, also mine. Soon after this I received a letter back from the Taipei City
Government, where they started to invite me back to Taipei in order to start
thinking on some outlines for urban ecological restoration, not to die I
suppose. <o:p></o:p></span></div>
<div class="Default" style="line-height: 150%; text-align: justify; text-justify: inter-ideograph;">
<br /></div>
<div class="Default" style="line-height: 150%; text-align: justify; text-justify: inter-ideograph;">
<span style="mso-ansi-language: EN-GB;">I got back to Taipei
due to Roan’s lobbying and ended up to work in Treasure Hill with Hsieh. We had
200 students and Hsieh’s teams of aboriginal workers. I was mostly impressed
about the students and professors volunteering from the Tamkang University
Department of Architecture. I got adopted by Missis Chen, the matriarch of
Treasure Hill and she opened up some doors to the Local Knowledge of Taipei. It
was fascinating. These doors seemed to be gateways to same organic knowledge as
towards Professor Svein Hatloy, Bergen School of Architecture had walked me in,
Open Form. Roan talked about Dao, Treasure Hill was an organic constructive
mess and Missis Chen was dealing with the original ground. Biourbanism in
Taipei seemed to be possible. These people were Open Form. <o:p></o:p></span></div>
<div class="Default" style="line-height: 150%; text-align: justify; text-justify: inter-ideograph;">
<br /></div>
<div class="Default" style="line-height: 150%; text-align: justify; text-justify: inter-ideograph;">
<span style="mso-ansi-language: EN-GB;">After returning to
Finland I received an e-mail from Professor Chen Cheng-chen asking me to become
a Visiting Professor in Tamkang University. For some reason I though this to be
a joke and I woke up only after the third e-mail, that this might actually be
real. In autumn 2004 I started in Tamkang, which was a blessing. I tried to
drive to Taiwan from Finland with a KTM Paris-Dakar enduro motorcycle, but got
stuck in the Chinese border on the Gobi desert and had to fly the rest of the
journey. Tamkang was fully supportive for the development of the ideas of Urban
Acupuncture and the Third Generation City and I also found the Ruins there,
ending up living in the T-Factory ruin in Sanjhih. <o:p></o:p></span></div>
<div class="Default" style="line-height: 150%; text-align: justify; text-justify: inter-ideograph;">
<br /></div>
<div class="Default" style="line-height: 150%; text-align: justify; text-justify: inter-ideograph;">
<span style="mso-ansi-language: EN-GB;">It was in this ruin
where I found the cocoon of the Phimenes Sp., made out of weak concrete. Same
time Hsieh was experimenting weak concrete in Nantou. Roan said, that I should
show the cocoon to Mr. Aaron Lee, head of the JUT developers and so I got
introduced to him. Inspired by this Insect Architecture we realized the Bug
Dome bamboo cocoon in Shenzhen Biennale with Roan and Hsieh. Aaron flew in with
his brother to check out the work and after this he commissioned me to start
working with him in Taipei. So begun the Ultra-Ruin, Cicada, Ruin Academy and
Feng-Shui Snowman. Paracity also started with Aaron on his suggestion to think
of the possibility of a fragment of the Third Generation City on a flooded
island in the Xindian River. <o:p></o:p></span></div>
<div class="Default" style="line-height: 150%; text-align: justify; text-justify: inter-ideograph;">
<br /></div>
<div class="Default" style="line-height: 150%; text-align: justify; text-justify: inter-ideograph;">
<span style="mso-ansi-language: EN-GB;">These work and talks
are not mainly between people. There is some more grounding force pushing
through them, sweating through us. Some may refer to it as Dao or Open Form or
even Local Knowledge, but I think that it is a bit more complex than what can
be really named. It is kind of a will or requirement from the one mind of
Nature, the same will that is resonating behind the singing of the birds. The
will that is resonating behind the single moves of all the leaves in the
jungle, resonating behind anything that is part of the life-providing system.
Missis Chen was resonating this. Taipei is resonating this. Tuning up with this
resonation is the key to the Third Generation City, to Biourbanism and to Open
Form. Otherwise we are just pollution. Design is a secondary thing, resonating
is the main thing. It is wrong to say, that as architects we are doing
temporary things for the time being. When our things are resonating with
nature, there is no time; architecture and the city becomes part of nature.
Otherwise we are just pollution. <o:p></o:p></span></div>
<br />Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-4990227540840524753.post-42120328486262669532019-04-22T05:24:00.002-07:002019-04-22T05:24:43.666-07:00PORCUPINE<br />
<div class="Default" style="line-height: 150%; text-align: justify; text-justify: inter-ideograph;">
<span style="mso-ansi-language: EN-GB;">“What really happened
to the Porcupine?”<o:p></o:p></span></div>
<div class="Default" style="line-height: 150%; text-align: justify; text-justify: inter-ideograph;">
<span style="mso-ansi-language: EN-GB;">“One day he came back
from the Zone and became amazingly rich, amazingly rich. The next week he
hanged himself.”<o:p></o:p></span></div>
<div class="Default" style="line-height: 150%; text-align: justify; text-justify: inter-ideograph;">
<br /></div>
<div class="Default" style="line-height: 150%; text-align: justify; text-justify: inter-ideograph;">
<span style="mso-ansi-language: EN-GB;">The modern city is
drifting away. Together with industry it has proclaimed independence from
nature; mechanical man is self-sufficient. No more local knowledge, no more
pattern language, but a closed form tightly wrapped in the fictional cloth of
the development, the source of all pollution, the exponential one-way drive to
self-destruction.<span style="mso-spacerun: yes;"> </span><o:p></o:p></span></div>
<div class="Default" style="line-height: 150%; text-align: justify; text-justify: inter-ideograph;">
<br /></div>
<div class="Default" style="line-height: 150%; text-align: justify; text-justify: inter-ideograph;">
<span style="mso-ansi-language: EN-GB;">What are the trees
thinking, and the ants? Our roadside-picnic has accelerated the enlightenment
of colonialism into the final level, the big-bang, which we cannot even hear.
We, who so sensitive even to hear the resonating behind the singing of the
birds. We, savages and natives of the big mind, decide not to hear or feel, but
to be served numb by our own self-destruction, the development. <o:p></o:p></span></div>
<div class="Default" style="line-height: 150%; text-align: justify; text-justify: inter-ideograph;">
<br /></div>
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<span style="mso-ansi-language: EN-GB;">To develop into what?
It’s not the god’s own image, nor it is the nothingness. We say society and we
say country, we say god. And to serve these we say economy. Karl Marx was
horribly wrong stating that we must own the means of production. Production on
the cost of what? We need to scarify and vote, for what – the self-destruction
– the development? The wisest of us never develop, they resonate with the rest.
How many of us can really resonate; even with the trees? <o:p></o:p></span></div>
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<span style="mso-ansi-language: EN-GB;">So the space is the
answer, or aliens picking us up. Leaving all this trash behind, and flying away
with the angels. Of course the chosen ones. The chosen people. These guys are
bad. They are Hollywood, “entertaining” the human species. Entertaining from
what? We need to survive. First comes survival, then comes comfort, then comes
beauty. Architecture deals with all of this. Architects are not important, but
architecture is. We can survive in beauty along with this one mind.
Architecture is the art of reality; there is no other reality than nature. We all
resonate with this one mind, if we forget the forgetting – the development.<o:p></o:p></span></div>
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<span style="mso-ansi-language: EN-GB;">We have two specialties: destroying ourselves and destroying everything around us. What is
left is going into space. Anarchy? Taking control of ourselves instead of
production, exploitation. Controlling ourselves in order to be able to
resonate. Nation states must be able to go in order to let nature to step in as
our countries. Otherwise this is all nonsense. We don’t inhabit the land, we
grow from it. Just like the trees. <o:p></o:p></span></div>
<br />Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-4990227540840524753.post-40415533866991542172018-11-20T03:03:00.000-08:002018-11-20T03:03:00.242-08:00終極廢墟<br />
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<span lang="ZH-CN" style="font-family: DengXian; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;">譯/吳介禎</span><span lang="EN-US"><span style="mso-spacerun: yes;"> </span>Wu, Anderson C. J.<o:p></o:p></span></div>
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<span lang="ZH-CN" style="font-family: DengXian; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;">英文版原刊於</span><span lang="ZH-CN"> </span><span lang="ZH-CN" style="font-family: DengXian; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;">荷蘭</span><span lang="EN-US">archidea magazine #56<o:p></o:p></span></div>
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<span lang="EN-US"><o:p> <table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjAvAdvo7-LJFn0ORhsne3byjVtGhF6sb3GdC5J8OutD9mRtfXHE54HlVor2cxmzB6-65D0QtnvhTzcKUaAa5OMeiPz5QphJ1eAfPHSGUfNubc6Jk_QzyuaZQFCaojyT5gDHesxyfOSFPvM/s1600/Ultra-Ruin_Marco+Casagrande_2013.JPG" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="985" data-original-width="768" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjAvAdvo7-LJFn0ORhsne3byjVtGhF6sb3GdC5J8OutD9mRtfXHE54HlVor2cxmzB6-65D0QtnvhTzcKUaAa5OMeiPz5QphJ1eAfPHSGUfNubc6Jk_QzyuaZQFCaojyT5gDHesxyfOSFPvM/s400/Ultra-Ruin_Marco+Casagrande_2013.JPG" width="311" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Photos: AdDa Zei</td></tr>
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</o:p></span></div>
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<span lang="ZH-CN" style="font-family: DengXian; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;">很難想像〈終極廢墟〉的木構造屋頂、樓梯、牆、板凳、通道可以在一個建築師事務所的辦公室裡構思出來。然而細緻的外觀與細節,顯然還是經過深思熟慮規劃出來的結果。因為它們太奧秘、帶著太多暗示、具有太多主動性,設計無法在繪圖桌上或在電腦裡執行。它們有機地生長,就像〈終極廢墟〉周圍樹林裡的植物與藤蔓,進而包覆原來就在那裡的農舍殘跡。</span><span lang="EN-US"><o:p></o:p></span></div>
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<span lang="ZH-CN" style="font-family: DengXian; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;">事實上它們不是被設計出來,而是由芬蘭建築師馬可.卡薩格蘭與事務所同事們,對基地與廢墟即刻反應,進而而創造完成。從各面向來說,〈終極廢墟〉是馬可.卡薩格蘭工作方針的體現:放棄人為控制以開啟或創造可直覺接近、可聯繫建築與自然親密感的空間,以及實際在場作為感受基地動能的方法。更該強調,基地上所有棲居者的生活,都不能也不該與大自然的戲劇表演分隔,包括它的生命力、腐朽與死去。</span><span lang="EN-US"><o:p></o:p></span></div>
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<span lang="ZH-CN" style="font-family: DengXian; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;">〈終極廢墟〉是一家人的會所,偶爾外借舉辦會議。地點在台灣台北,位處一片梯田與樹林的交會處。馬可.卡薩格蘭稱這件作品為「弱建築」,空間規劃遵循他的開放形態原則。根據對於周遭樹林、廢棄的紅磚農舍與在地知識的直覺反應,在基地現場即興設計。</span><span lang="EN-US"><o:p></o:p></span></div>
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<span lang="ZH-CN" style="font-family: DengXian; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;">複合式的建築物有各種空間與平台,提供從起居到冥想等不同功能。介於室內外之間的空間連續性富有變動彈性、相互交織。房子深入樹林,樹林也伸入房子。這個把室內帶到室外,把室外帶入室內的方法,使〈終極廢墟〉成為調節自然與人最極致的建築工具。房子不需要封閉,不需要與自然隔絕。住在裡面的人必須與自然相處,珍惜自然的戲劇性與自然之美。</span><span lang="EN-US"><o:p></o:p></span></div>
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<span lang="ZH-CN" style="font-family: DengXian; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;">超越人為控制,〈終極廢墟〉是個有機的意外。馬可.卡薩格蘭放手建築設計的操作,迎接自然,容許人的錯誤發生。在他眼裡,建築不是獨立的語言,也不是大多數建築師所相信的自言自語。他認為建築需要自然,以成為自然的一部分,所以稱〈終極廢墟〉是一種後廢墟狀態:人們回到廢棄的房子裡,並與叢林與大自然共享空間。</span><span lang="EN-US"><o:p></o:p></span></div>
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<span lang="ZH-CN" style="font-family: DengXian; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;">〈終極廢墟〉根基於自</span><span lang="EN-US"> 2009 </span><span lang="ZH-CN" style="font-family: DengXian; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;">年起,持續不斷地與業主對話。最早的建築介入,是一張可以讓建築師與業主坐下來談的桌子。接下來是提供桌子遮蔽的結構。其餘的部份都從這裡開始一點一滴地成長,對話也一直持續,〈終極廢墟〉也一直有機地發展。建築是開放的,永遠不會停工,也永遠未完成。</span><span lang="EN-US"><o:p></o:p></span></div>
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<br />Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-4990227540840524753.post-71871236474690272122018-11-20T01:44:00.002-08:002018-11-20T03:58:06.220-08:00"IF YOU ARE NOT CONNECTED WITH NATURE, YOU PRODUCE POLLUTION"<br />
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<span lang="EN-CA" style="mso-ansi-language: EN-CA;">INTERVIEW
WITH MARCO CASAGRANDE OF CASAGRANDE LABORATORY<o:p></o:p></span></div>
Edzard Mik, ARCHIDEA #57 / 2018<br />
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<span lang="EN-CA" style="mso-ansi-language: EN-CA;"><b>Marco
Casagrande considers himself an animist architect. Architecture shouldn’t
impose itself on nature. Physical presence is the key. “I like to build a fire
before I start constructing. Sleeping at the site also helps me to get
connected with it.”</b></span><span lang="NL"><o:p></o:p></span></div>
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<tr><td class="tr-caption" style="text-align: center;">Photo: Ville Malja</td></tr>
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The
sensual entanglement of ruins and wooden structures, refurbishing an abandoned
building with provisions for trees and plants, an organic structure of willow
branches in between depressing residential towers: what stands out in the
provocative architecture of the Finish architect Marco Casagrande is an
ambivalent attitude towards design. His designs have a sophisticated quality,
yet he also seems to criticize design in his work.</div>
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<span style="text-indent: 35.4pt;">“I am not comfortable with architecture that
has become design,” he explained. “To me that kind of architecture feels like
pollution. Architecture should be connected with reality. Design stands on its
own. It tries to replace reality and to be independent of it, solely expressing
the designer’s point of view. I cannot put my thumb on the precise reason, but
I feel that design is my enemy.”</span><br />
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<i><span lang="EN-CA"><b>How can you possibly escape “design” while making architecture?</b></span></i></div>
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“I always try to ruin my own design. Architecture, real architecture, is not about imposing an artificial order on reality. It is about digging it out like an archaeologist. Therefore I work on a project until it starts to become itself. Sometimes, while designing, a moment comes when I feel that it is 'there'. Often it has to do with the site. I work at different places. I am like a parachutist, I am dropped in somewhere and then I have to open myself up to the place, to break myself open, to exhaust myself, until I reach a state of feeling the site. It's essential to get that feeling and to keep it. What I should do or shouldn’t do then starts to reveal itself. This process is not at all easy. And it isn’t necessarily pleasant. It can even be painful, especially if I try to rush at it. But I know that my own project first has to die. Every good project has to die at least once, and then it gets the chance to become more than you ever could think of beforehand. Of course, it mustn't die completely. But it has to die in such a way that you lose control over it. Control is another enemy, besides design.”</div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgdTRhAJq-szCiorlkRrZxjcDTQ-XUx0U19y3o-0h5utq3mxJ08SqVIgXjHJeZd4PQ4Gq9SJVSt6wutiXPDq3g_LJ5chf0vkOa6rVTFPvO8Uy_wzQUVKQGCqfAjy4jmdeU2SIhxWxNhXGz6/s1600/Landescape_Marco+Casagrande.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1024" data-original-width="734" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgdTRhAJq-szCiorlkRrZxjcDTQ-XUx0U19y3o-0h5utq3mxJ08SqVIgXjHJeZd4PQ4Gq9SJVSt6wutiXPDq3g_LJ5chf0vkOa6rVTFPvO8Uy_wzQUVKQGCqfAjy4jmdeU2SIhxWxNhXGz6/s400/Landescape_Marco+Casagrande.jpg" width="285" /></a></div>
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<tr><td class="tr-caption" style="text-align: center;">Drawing: Marco Casagrande</td></tr>
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<tr><td class="tr-caption" style="text-align: center;">Photo: Jussi Tiainen</td></tr>
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<tr><td class="tr-caption" style="text-align: center;">Photo: Sami Rintala</td></tr>
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<i style="mso-bidi-font-style: normal;"><span lang="EN-CA" style="mso-ansi-language: EN-CA;"><b><br />Do you have particular
strategies for giving up control?</b></span></i><span lang="NL"><o:p></o:p></span></div>
<div class="MsoNormalCxSpMiddle" style="text-indent: 35.4pt;">
<div style="text-align: justify;">
<span lang="EN-CA" style="mso-ansi-language: EN-CA;">“I like to
build a fire before I start constructing anything. Besides, I need a fire
because I have to eat, dry my clothes and repel mosquitoes. Building a fire is
a powerful method for connecting with the site. It means that I have to find
out where to gather wood and I have to check the direction of the wind, before
I can decide on the right place to build a fire. It often turns out in a later
phase of the project that this place is<span style="mso-spacerun: yes;">
</span>a meaningful place in the building. Sleeping at the site also helps me
to feel the connection. It teaches me where insects are coming from and how the
wind changes during the night. It generates encounters, for instance with local
people who sneak through the site, a grandmother who takes one brick because
she needs it for something.”</span><span lang="NL"><o:p></o:p></span></div>
</div>
<div class="MsoNormalCxSpMiddle" style="text-indent: 35.4pt;">
<br /></div>
<div class="MsoNormalCxSpMiddle">
<i style="mso-bidi-font-style: normal;"><span lang="EN-CA" style="mso-ansi-language: EN-CA;"><span style="mso-tab-count: 1;"> </span><b>Can
you apply that strategy equally well in the city?</b></span></i><span lang="NL"><o:p></o:p></span></div>
<div class="MsoNormalCxSpMiddle" style="text-indent: 35.4pt;">
<div style="text-align: justify;">
<span lang="EN-CA" style="mso-ansi-language: EN-CA;">“It definitely works in the city too. In the
Ruin Academy in Taipei, in an abandoned building, I took away all the windows.
But while sleeping there I found out that I had created an unpleasant acoustic
situation. The rooms echoed with noise from the traffic. So I had to grow
bamboo in the windows and make wooden structures to damp out the echoes.
Physical presence is the key. You can be present mentally, but you have to be
present physically as well. Site specific conditions materialize in your body;
you can only understand them through your body. Being together with others
physically, working and sweating together, is a significant tool for
communication because we all share a similar body. We share the same physical
sensations, independently of our culture.”</span><br />
<span lang="EN-CA" style="mso-ansi-language: EN-CA;"><br /></span></div>
</div>
<div class="MsoNormalCxSpMiddle" style="text-indent: 35.4pt;">
<span lang="EN-CA" style="mso-ansi-language: EN-CA;"><o:p><table cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjnO_lzYqeH4xkEjrBGRcF0WPB63w7THjFASnQZpFb2hbDLYAIMXyqdHe5spdiT6Tc4XKAePyY0SlQQC0sxkzqDkytDGR4asha2smKqzcGfdOdFCZjUTaVlc0ITp5DZ48x0ea6FIRLy8tFp/s1600/Treasure+Hill_Marco+Casagrande_2003.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="689" data-original-width="1024" height="268" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjnO_lzYqeH4xkEjrBGRcF0WPB63w7THjFASnQZpFb2hbDLYAIMXyqdHe5spdiT6Tc4XKAePyY0SlQQC0sxkzqDkytDGR4asha2smKqzcGfdOdFCZjUTaVlc0ITp5DZ48x0ea6FIRLy8tFp/s400/Treasure+Hill_Marco+Casagrande_2003.jpg" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Treasure Hill, Taipei, Taiwan (2003). Photo: Stephen Wilde</td></tr>
</tbody></table>
</o:p></span></div>
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgF4EtWgpR5IrfedlMWRwkPxvb4PjSabihC4i-hzC7cqj9d2M5eXKQb0ttbFsoPTaN1No5G5E7aBmlyA6AsqIQEdi264Ip6K6fVbYnMHHUBLm-XfDF3n7XMG90KcjdAtyPVOQwzI0kIP8QC/s1600/Treasure+Hill_Marco+Casagrande.JPG" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1072" data-original-width="1600" height="267" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgF4EtWgpR5IrfedlMWRwkPxvb4PjSabihC4i-hzC7cqj9d2M5eXKQb0ttbFsoPTaN1No5G5E7aBmlyA6AsqIQEdi264Ip6K6fVbYnMHHUBLm-XfDF3n7XMG90KcjdAtyPVOQwzI0kIP8QC/s400/Treasure+Hill_Marco+Casagrande.JPG" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Photo: Marco Casagrande</td></tr>
</tbody></table>
<div class="MsoNormalCxSpMiddle" style="text-indent: 35.4pt;">
<i style="mso-bidi-font-style: normal;"><span lang="EN-CA" style="mso-ansi-language: EN-CA;"><b><br /></b></span></i></div>
<div class="MsoNormalCxSpMiddle" style="text-indent: 35.4pt;">
<i style="mso-bidi-font-style: normal;"><span lang="EN-CA" style="mso-ansi-language: EN-CA;"><b>But in the end you are
constructing something, which means that you create a projection for the
future, beyond your presence in the here and now. </b></span></i><span lang="NL"><o:p></o:p></span></div>
<div class="MsoNormalCxSpMiddle" style="text-indent: 35.4pt;">
<span lang="EN-CA" style="mso-ansi-language: EN-CA;">“I am not so sure any more what time means. I
used to think of time as being born, growing up and dying. But now I am growing
more aware of different time scales, unconnected to my own lifespan. The times
of other people, of volcanic rocks and granite, of the ants that crawl through
the site and the plants and trees that grow there, of the wind and the
typhoons, the time of the Earth and the Moon. Each phenomenon has its own time,
and I want to understand them all and let them meet </span><span lang="EN-CA" style="font-family: "verdana" , sans-serif; mso-ansi-language: EN-CA; mso-bidi-font-family: Verdana; mso-fareast-font-family: Verdana;">‒</span><span lang="EN-CA" style="mso-ansi-language: EN-CA;"> for instance, to direct the wind so you are
touched by it while sleeping. Or to raise the floor so snakes can crawl under
it."</span></div>
<table cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgSY5JPRGwJrHPWGmvPUXYX-ps4MKnkBzUDwQJgZOZNFNpZLseRccuUoenbikmcVe_pqxR_Ym54P_sfmElkypimL7cMNeS46X2Ey1xaFFue0cqhA0CFamjH8UuZ9obbCVQxKLDOZ7aJw9H6/s1600/Chen+House+by+Marco+Casagrande.JPG" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="683" data-original-width="1024" height="266" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgSY5JPRGwJrHPWGmvPUXYX-ps4MKnkBzUDwQJgZOZNFNpZLseRccuUoenbikmcVe_pqxR_Ym54P_sfmElkypimL7cMNeS46X2Ey1xaFFue0cqhA0CFamjH8UuZ9obbCVQxKLDOZ7aJw9H6/s400/Chen+House+by+Marco+Casagrande.JPG" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Chen House, Sanjhih, Taipei County, Taiwan (2008). Photos: AdDa Zei</td></tr>
</tbody></table>
<div style="margin-left: 1em; margin-right: 1em; text-align: center; text-indent: 35.4pt;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhORPieDY8OLpsB19xegVaQcNZBPdn7cM6AOmYbBz2ZkG7On4wsuWXHPpeAU0u1nUogOwjOVFVvTtcRASukO6o_Fl-gM5agsPU3JgnR4CpFxdnJSeQmbo8rmLMYwnAWRccy77Bh-YdnKJJe/s1600/Chen+House_Marco+Casagrande_2008.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em; text-indent: 35.4pt;"><img border="0" data-original-height="768" data-original-width="789" height="308" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhORPieDY8OLpsB19xegVaQcNZBPdn7cM6AOmYbBz2ZkG7On4wsuWXHPpeAU0u1nUogOwjOVFVvTtcRASukO6o_Fl-gM5agsPU3JgnR4CpFxdnJSeQmbo8rmLMYwnAWRccy77Bh-YdnKJJe/s320/Chen+House_Marco+Casagrande_2008.JPG" width="320" /></a></div>
<div class="separator" style="clear: both; text-align: center;">
<br /></div>
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh-ZJLalcnJnt4l1iBXAioPy4FSm1XAvkoF4zRNnWyBG48NPmdl79mNB-e4jt0k67mveJZ7ZSR6hJgcSmkyUWLHa2jlAggbyBlYH-0JtO_Rfd-mAfco3Ly3SLMwFUKlUYYrfBkx1QutijR2/s1600/Chen+House_2008_Marco+Casagrande.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="752" data-original-width="1024" height="293" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh-ZJLalcnJnt4l1iBXAioPy4FSm1XAvkoF4zRNnWyBG48NPmdl79mNB-e4jt0k67mveJZ7ZSR6hJgcSmkyUWLHa2jlAggbyBlYH-0JtO_Rfd-mAfco3Ly3SLMwFUKlUYYrfBkx1QutijR2/s400/Chen+House_2008_Marco+Casagrande.JPG" width="400" /></a></div>
<div class="MsoNormalCxSpMiddle" style="text-indent: 35.4pt;">
<i style="mso-bidi-font-style: normal;"><span lang="EN-CA" style="mso-ansi-language: EN-CA;"><b><br /></b></span></i></div>
<div class="MsoNormalCxSpMiddle" style="text-indent: 35.4pt;">
<i style="mso-bidi-font-style: normal;"><span lang="EN-CA" style="mso-ansi-language: EN-CA;"><b>Do you mean that you
try to orchestrate different times?</b><o:p></o:p></span></i></div>
<div class="MsoNormalCxSpMiddle" style="text-indent: 35.4pt;">
<div style="text-align: justify;">
<span lang="EN-CA" style="mso-ansi-language: EN-CA;">“I know something about atmospheric circulation
and the course of the sun. But essentially, I don’t know what I am going to do
in advance. I trust in accidents. I try to make a platform for accidents. I dig
myself in and something gets constructed out of the mess. Treasure Hill in
Taipei was an illegal settlement in a complex of abandoned bunkers. The local
government commissioned me to develop an ecological master plan for Taipei
Basin, while the same government was destroying Treasure Hill. I found Treasure
Hill more interesting. I started a farm where a previous farm was destroyed by
government officials. But I did it in the wrong way because my model of farming
was Finnish, which means you put seeds in the ground and plants will grow. An
old lady who used to own the farm passed by and criticized my work. She told me
that a typhoon would wipe away everything I had done. She instructed me on the
right way to do it. I had to dig ditches and plant the seeds in specific
places. Finally the farm began to look like a farm. At the same time the whole
settlement was watching me. Together with the grandma instructing me, it became
a piece of theatre for them. They realized that she had accepted what I was
doing, rebuilding her farm. They lost their fear of the government, showed up
with tools and began replanting their own farms. An accidental encounter set
off the whole process of rebuilding farms and eventually Treasure Hill.”</span><span lang="NL"><o:p></o:p></span></div>
<div style="text-align: justify;">
<span lang="EN-CA" style="mso-ansi-language: EN-CA;"><br /></span></div>
<div class="MsoNormalCxSpMiddle" style="text-indent: 35.4pt;">
<i style="mso-bidi-font-style: normal;"><span lang="EN-CA" style="mso-ansi-language: EN-CA;"><b>Architecture is usually concerned with solving problems. Modernity can be seen in this light too. Do you consider your work as a criticism of modernity?</b></span></i><span lang="NL"><o:p></o:p></span></div>
<div style="text-align: justify;">
<span lang="EN-CA" style="mso-ansi-language: EN-CA;"></span></div>
<div class="MsoNormalCxSpMiddle" style="text-indent: 35.4pt;">
<span lang="EN-CA" style="mso-ansi-language: EN-CA;">“Modernity is the aesthetic representation of industrialism. But I try to think positively about industrialism, which is of very recent origin. Maybe it will learn to become part of nature some day. Maybe it will become an organic machine. To achieve that we must open ourselves up to site specific knowledge. I would not call it old knowledge, because knowledge is changing all the time. However, industrialism still assumes that it is independent of nature. Nature is often seen as something hostile, with its floods and typhoons. Through industrialism we create a machine that is completely functional and not related to nature, although it uses its resources. To me, nature is a specific mentality, a mind that thinks of just one thing: to maximize life in the given conditions. If you are not connected to nature, you produce pollution.”</span></div>
</div>
<div class="MsoNormalCxSpMiddle" style="text-indent: 35.4pt;">
<i style="mso-bidi-font-style: normal;"><span lang="EN-CA" style="mso-ansi-language: EN-CA;"><o:p> <table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjHpI22hfpL7Zq1N6TLM4E0tNszddGIVKiKWn4233q74met5hiSKrpxAp5AaP-Ve8ppZrz2QtCZfD_fXA5L6HhHgx-thN2PebAze2wvJbaBAm9xuvoyf_a-zSL8qTWPERr17kv2hR3IDnyH/s1600/Bug+Dome_Nikita+Wu.JPG" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1063" data-original-width="1600" height="265" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjHpI22hfpL7Zq1N6TLM4E0tNszddGIVKiKWn4233q74met5hiSKrpxAp5AaP-Ve8ppZrz2QtCZfD_fXA5L6HhHgx-thN2PebAze2wvJbaBAm9xuvoyf_a-zSL8qTWPERr17kv2hR3IDnyH/s400/Bug+Dome_Nikita+Wu.JPG" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Bug Dome, Shenzhen, China (2009). Photos: Nikita Wu</td></tr>
</tbody></table>
</o:p></span></i></div>
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhqywYj8p2PAHp981-VvcYpKgGS2Ia5pozEn6cpUAujTT4yeB95rasWQWbdyK0Yz2beOa24OAA7kxtiPfWEcBpwSel-6K4RLg14vcBdNFoiRK7Q_N-gkZ2rxX4Xy9dTKM_69xVo1DTASasj/s1600/Bug+Dome_WEAK_Casagrande.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="689" data-original-width="1600" height="273" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhqywYj8p2PAHp981-VvcYpKgGS2Ia5pozEn6cpUAujTT4yeB95rasWQWbdyK0Yz2beOa24OAA7kxtiPfWEcBpwSel-6K4RLg14vcBdNFoiRK7Q_N-gkZ2rxX4Xy9dTKM_69xVo1DTASasj/s640/Bug+Dome_WEAK_Casagrande.jpg" width="640" /></a></div>
<div class="MsoNormalCxSpMiddle" style="text-indent: 35.4pt;">
<br /></div>
<div class="MsoNormalCxSpMiddle" style="text-indent: 35.4pt;">
<i style="mso-bidi-font-style: normal;"><span lang="EN-CA" style="mso-ansi-language: EN-CA;"><b>How do you see your
work in relation to modernity? Is it a proposal to build differently, or is it
a kind of meditation on our attitude towards nature? In other words, is it more
like a work of art?</b></span></i><span lang="NL"><o:p></o:p></span></div>
<div class="MsoNormalCxSpMiddle" style="text-indent: 35.4pt;">
<span lang="EN-CA" style="mso-ansi-language: EN-CA;">“I consider myself an animist architect. First
of all I attempt to connect myself to the mind of a city. Because I can usually
communicate only with a limited number of people, I spread rumours through the
city. You cannot control rumours. They change all the time. They are like creatures.
You can only send them but not control them. Rumours are powerful. I think you
could design cities just by rumours. Often my work functions as the source of
rumours. People react to them easily. Sometimes I talk about urban acupuncture.
That is basically the same. I asked students of the Tamkang University in
Taipei to build Trojan horses in order to 'attack' the city. The hidden content
was of course not soldiers, but letters from citizens to the mayor expressing
their wishes, thoughts and complaints about the city. The rumours spread and we
collected thousands of letters. The media became interested. Finally the mayor
had no choice but to receive us and to read some of the letters aloud.”</span><span lang="NL"><o:p></o:p></span></div>
<div class="MsoNormalCxSpMiddle" style="text-indent: 35.4pt;">
<br /></div>
<div class="MsoNormalCxSpMiddle" style="text-indent: 35.4pt;">
<i style="mso-bidi-font-style: normal;"><span lang="EN-CA" style="mso-ansi-language: EN-CA;"><b>You did some projects
with ruins. What do you find attractive about ruins?</b><o:p></o:p></span></i></div>
<div class="MsoNormalCxSpMiddle" style="text-indent: 35.4pt;">
<span lang="EN-CA" style="mso-ansi-language: EN-CA;">“I find them hope-inspiring. There is a lot of
hope in ruins. A ruin is architecture that has become part of nature again.
Nature reads architecture easily. Mosses start to grow, then plants and trees.
To me that that is very beautiful. People usually try to seal their home
against the intrusion of nature. To keep nature out of the house, you have to
clean it and maintain it all the time. It's a form of control. But if you
abandon the house, nature will break in and the house will become part of a
life-providing system. I call this second generation architecture. What I am
interested in is third generation architecture, when you return and find that
the house has become part of nature. How can you live there?<span style="mso-spacerun: yes;"> </span>There is plenty of space left over, but
perhaps you have to accept that the interior has been penetrated by a tree and
plants are creeping out of the cracks. The house is no longer shielding you
from nature. It has become an intermediary between you and nature.”</span><span lang="NL"><o:p></o:p></span></div>
<div class="MsoNormalCxSpMiddle" style="text-indent: 35.4pt;">
<br /></div>
<div class="MsoNormalCxSpMiddle" style="text-indent: 35.4pt;">
<i style="mso-bidi-font-style: normal;"><span lang="EN-CA" style="mso-ansi-language: EN-CA;"><b>You went to live in a
ruin. Can you explain how that worked out practically?</b></span></i><span lang="NL"><o:p></o:p></span></div>
<div class="MsoNormalCxSpMiddle" style="text-indent: 35.4pt;">
<span lang="EN-CA" style="mso-ansi-language: EN-CA;">“When I was working at Tamkang University, I
told the Dean of the architectural department, professor Chen, that I didn’t
want to live in a house any more. I asked for a ruin instead. He found a
derelict rice packing factory for me next to a rice paddy. My wife Nikita
protested that we could not live there because rain came in through the roof.
So my first step was to build a roof above the bed, and the next was to provide
facilities for keeping ourselves clean. We could get water in buckets from the
nearby river. I fixed up a heater with a gas tank for hot water and cooking. We
went from one step to the next until finally we could move in.”</span><span lang="NL"><o:p></o:p></span></div>
<div class="MsoNormalCxSpMiddle" style="text-indent: 35.4pt;">
<br /></div>
<div class="MsoNormalCxSpMiddle" style="text-indent: 35.4pt;">
<i style="mso-bidi-font-style: normal;"><span lang="EN-CA" style="mso-ansi-language: EN-CA;"><b>You didn’t design
anything?</b><o:p></o:p></span></i></div>
<div class="MsoNormalCxSpMiddle" style="text-indent: 35.45pt;">
<span lang="EN-CA" style="mso-ansi-language: EN-CA;">“I don’t think you can really design architecture.
Of course, you can reach a certain level by drawing and making models. But that
does not get to the essence of architecture. I only understand what needs to be
done once I am occupied with building on the site and experiencing the space
growing around me. This teaches me, for example, to make a small adjustment so
that I can see the moon at night. If you base the construction of a building
only on drawings, you force it to comply with preconceptions. Then the
architecture becomes strangely crippled, growing out of nothing. Architecture
shouldn’t impose itself on nature. Architecture should be pliant, an undecided
form.”</span><span lang="NL"><o:p></o:p></span><br />
<span lang="EN-CA" style="mso-ansi-language: EN-CA;"><br /></span></div>
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi4TIDlXPah0LSbYwaOnYgDvHR28VG5ZsKmPW_IcmpYWGO9vLsBt4-uJ0UebS-Xpc8-ZRkR6IyTc91w6YcZTl7imibtS4eUyd_abFtDHPt_B6x_LgHIqLunb94D9UcH32EsVhN_QpbGdcI4/s1600/ARCHIDEA_Marco+Casagrande_2018.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="999" data-original-width="768" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi4TIDlXPah0LSbYwaOnYgDvHR28VG5ZsKmPW_IcmpYWGO9vLsBt4-uJ0UebS-Xpc8-ZRkR6IyTc91w6YcZTl7imibtS4eUyd_abFtDHPt_B6x_LgHIqLunb94D9UcH32EsVhN_QpbGdcI4/s400/ARCHIDEA_Marco+Casagrande_2018.jpg" width="307" /></a></div>
<br />Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-4990227540840524753.post-64756051083852094552016-11-03T08:14:00.002-07:002017-10-12T21:56:06.737-07:00Helsinki Architecture Firm Launches Prefab, Solar-Powered Homes That Fit in a Parking Spot<h2 class="dek" style="box-sizing: border-box; font-family: lato-light, "Helvetica Neue", helvetica, arial, sans-serif; font-size: 18px; font-weight: 300; letter-spacing: 0.01em; line-height: 24px; margin: 0px auto 40px; text-align: center;">
<a href="https://www.architecturaldigest.com/story/helsinki-tikku-prefab-solar-powered-homes-that-fit-in-a-parking-spot">Tikku takes modern minimalism to its logical conclusion, and could provide modular homes for many in the process</a></h2>
<div>
Tim Nelson / Architectural Digest</div>
<div>
October 12, 2017</div>
<div>
<br /></div>
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><img alt="The Tikku on display in Helsinki." height="300" src="https://media.architecturaldigest.com/photos/59df701cab1d923500d93ac8/4:3/w_384/16_Tikku.jpg" style="margin-left: auto; margin-right: auto;" width="400" /></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Tikku on display in Helsinki. Photo: Nikita Wu</td></tr>
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There’s been a lot of focus recently on affordable and sustainable housing concepts in Europe. Some private companies propose <a href="https://www.architecturaldigest.com/story/shed-lowe-guardians-startup-prefab-tiny-homes-help-solve-homelessness" style="box-sizing: border-box; color: black; font-style: italic;">spaces-within-spaces,</a> while others believe <a href="https://www.architecturaldigest.com/story/riba-britain-theresa-may-architecture-affordable-housing" style="box-sizing: border-box; color: black; font-style: italic;">massive government investment</a> is required. Finnish architect Marco Casagrande of <a href="http://www.casagrandelaboratory.com/" style="box-sizing: border-box; color: black; font-style: italic;">Casagrande Laboratory,</a> on the other hand, chose to simply plop down his "safe-house for neo-archaic biourbanism" in a Helsinki square and let his ingenious design do the talking.</div>
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With a footprint measuring just 2.5 x 5 meters, "Tikku" (Finnish for "stick") is built to fit within a single parking space. But its stacked three-story structure creates enough square footage for three distinct rooms, each of which can be modified to suit the desires of its occupant(s). The model that sprang up in a matter of hours outside of the Ateneum art museum during Helsinki design week features a floor for sleeping, a workspace, and a "greenhouse" for relaxing and soaking up natural light.</div>
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<tr><td style="text-align: center;"><img alt="Marco Casagrande with his building.
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<tr><td class="tr-caption" style="text-align: center;">Marco Casagrande with his building. Photo: Jenni Gästgivar / Iltalehti<br /></td></tr>
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<span style="color: #2b2b2b; font-family: crimsontext-roman, Times, "Times New Roman", serif; font-size: 20px; letter-spacing: 0.2px;">Beyond the neat compartmentalization of its three floors, Tikku’s structural attributes are also impressive. Casagrande’s plan to have it sit in a parking space is no accident: built using cross-laminated timber, five times lighter than concrete. That allows each Tikku to exist as an almost foundationless structure, utilizing nothing more than a sand-box bottom and existing concrete in parking lots and other public spaces to stay upright. The cross-laminated timber is 20 centimeters thick, which means no extra insulation is required for occupants to comfortably withstand even harsh Scandinavian winters.</span></div>
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<tr><td class="tr-caption" style="text-align: center;">A view inside the structure's "greenhouse". Photo: Jenni Gästgivar / Iltalehti</td></tr>
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Given that Casagrande describes Tikku as "a needle of urban acupuncture, conquering the no-man’s land from the cars and tuning the city towards the organic," it’s unsurprising that he had sustainability in mind. Each unit will be equipped with solar panels, but amenities like running water will be absent, a necessary concession that will force occupants to rely on 'functions [that[ can be found in the surrounding city."</div>
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Tikku has the look of a viable, minimalist, and fast-fab housing concept. In Casagrande’s eyes, the fact that it will force us to reevaluate the relationship the conveniences of our contemporary urban lives and our planet’s resources is an added bonus. As he himself puts it, "Modern man has to die a bit in order to be reborn."</div>
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<a href="https://www.architecturaldigest.com/story/helsinki-tikku-prefab-solar-powered-homes-that-fit-in-a-parking-spot"><img alt="Kuvahaun tulos haulle architectural digest logo" height="640" src="http://16896-presscdn-0-13.pagely.netdna-cdn.com/wp-content/uploads/AD_LOGO_LARGE_BLACK.jpg" width="640" /></a></div>
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<span style="color: #2b2b2b; font-family: crimsontext-roman, Times, Times New Roman, serif;"><span style="font-size: 20px; letter-spacing: 0.2px;">https://www.architecturaldigest.com/story/helsinki-tikku-prefab-solar-powered-homes-that-fit-in-a-parking-spot</span></span></div>
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Unknownnoreply@blogger.com1tag:blogger.com,1999:blog-4990227540840524753.post-75107262035537312712016-11-03T08:14:00.001-07:002016-11-03T08:18:18.027-07:00Marco Casagrande - Oriana Persico on Urban Acupuncture<b><a href="http://link.springer.com/chapter/10.1007%2F978-3-319-43403-2_9">Dialog with <span style="color: red;">Oriana Persico</span>, published in the book "DIGITAL URBAN ACUPUNCTURE" by O.Persico & S.Iaconesi, Springer International Publishing 2016, ISBN 978-3-319-43403-2</a></b><br />
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<img src="https://images.springer.com/sgw/books/medium/9783319434025.jpg" /><b><br /></b><span style="color: red;"><br />1. Ruins constitute syncretic maps of urban environments, as they show the citizens’ usage patterns, imagination of lack of it, traversals, and behaviors. In short, they constitute the map of the city as seen from the composition of the myriads of micro-histories of its dwellers, and in its perpetual evolution and transformation. <br /><br />How important are these maps?<br /><br />What is their meaning and how can they be used. </span><br />
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These ruin maps are a pattern of urban acupuncture. They are small composts where the city is slowly fermenting. The surrounding city, at least the official city, may consider these composts as the smelly parts of the city and cannot really cope with them. The only solution which the official city seems to have is to erase them, turn the ruins into lawn or park, which was supposed to happen to Treasure Hill for example. The official city is in-sensitive for the energy and potential which these areas are suggesting. Normal people though are highly sensitive for urban energies and would be fully capable to operate the map of ruins. The ruins are insulting the official control, but on the other hand they have the capacity of offering the most fertile top-soil for organic urban development, which of course seeks to get rid of the centralized power structure. </div>
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These ruins are voids in the mechanical tissue of the centrally governed city. They are openings to different times, values, dreams and possibilities – like the attic of a house. It is very likely that the essence of the surrounding city would intensify within these voids and get mixed or at least in connection with other organic layers of the city, like in a black hole. Layers which are invisible for the official control. Ruins have the possibility of partly tuning the city towards the organic, towards the third generation city. </div>
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These ruins can be used in interpreting what the collective mind is transmitting. They can be sensitive platforms for local knowledge to emerge and evolve; as receivers. They can be hot-spots for new biourban knowledge building. One must be very careful with the relationship with the official city though. Once the political elements of the city will realize that something constructive, collectively touching and possibly media-sexy is cooking up in the formally smelly ruins, they will try to squeeze in and buy off the energy. In case the constructive energy of the ruins is sold, the construction will turn into destruction. The official city can only banalize the local knowledge. </div>
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<span style="color: red;">2. What you say that the Third Generation City is the ruin of the industrial city, you point into a really interesting direction, indicating how the emergent, spontaneous, energetic dynamics of the city and of its inhabitants are useful in gaining better understandings about the city, and about the ways in which it is interesting to create interventions in its fabric. Maybe even more useful than the information which is obtained through administrative, bureaucratic and commercial processes. <br /><br />This also places citizens in a new light, suggesting ways in which their active participation becomes of fundamental importance to understand the city, and to act in it. <br /><br />How do you imagine citizenship?<br /><br />How do you imagine institutions? </span><br />
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Every citizen is part of the big brain of the city. This collective conscious is complex, multi-layered and organic, but it is still a sensitive nervous system. The official city wants to flatten these layers into a simple two-dimensional map of the city, which is the official reality. Citizens however move much more flexibly, freely and multi-dimensionally in the city that what the official map would allow. The official city is just a background for the real citizen activities. Un-official information is powerful. Whole cities could be designed by rumors. Urban power structures want to flatten the multi-dimensional, resourceful and somehow mystical real citizen. He is too much in connection with nature, and the industrial city wants to claim independence from nature. Nature is seen as something hostile, something that wants to break the machine and the untamed natural citizen is an unpredictable agent of nature, an urban native that needs to get civilized, needs to be saved from himself. </div>
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Institutions should be the inner organs of the city to keep life pumping through it. They could also be partly the nervous nods, which are dealing with the information and other energy flows of the city, thinking of the collective mind. City is one brain. Also nature is only one brain. City should be part of the natural one brain and the institutions should take care of that. Now the institutions are human-focused in a controlling sense and separating the city form nature. The solution which the developed institutional city is offering to the citizens is mechanical and standardized life. City should be a biological man-made organism and part of nature, otherwise it is against nature, a mental disorder – a human error as one might say. Institutions should be organic and most likely modular. They should treat the urban organism through punctual interventions, which would then be connected with the nervous network of the urban brain. This cannot be based on control and hardness – those are death’s companions. City is not an institution, it is a living organism. Accident is greater than human control. </div>
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<span style="color: red;">3. Relation, conversation and flows. Your vision of the city is very focused on these themes. Even in unexpected ways, for example using the term of “urban rumors”. This is very interesting, as it does not imply a concept of beauty and value which is not centered on form, but, rather, on the presence of energy, dynamics, fluidness and emergence, and also on the harmonies and dissonances, the conflicts and consensus which are typical of living ecosystems.<br /><br />How can an urban planner, a public administrator, an architect, a designer or a citizen learn to recognize this new aesthetic and this value, and use them for collaboration, participation, action and performance in the city, with other people, institutions and organizations?<br /><br />How does this fit in with your connection of Urban Acupuncture?</span><br />
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A rather good example of this was the co-operation between the Ruin Academy, JUT Developers and the Taipei City Government. First of all the Ruin Academy was set up as an open platform for different universities, disciplines and professionals to participate in multi-disciplinary research & design workshops, courses and actions. The topics for these assignments would be developed together with the City Government and in the end we would also report to the City Government. Still again, this was all un-official. The City Government would not officially commission us and we would not be tied to any official nor academic bureaucracy. We would have access to the official data and intelligence, but we could operate much lighter and direct; more like the Special Forces. Our operations were financed and backed up by the JUT Developers and the participating universities, who would also benefit of our findings and developments. </div>
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All the participating universities, the Tamkang University Department of Architecture, National Taiwan University departments of Sociology and Anthropology and Aalto University SGT Sustainable Global Technologies research center, found it very fruitful to have an open academic operational platform, which did not belong to any university, but was more based on academic squatting. Our interface to the surrounding city was also more real than with the locked academic disciplines and the interaction with local knowledge proved to be vital to the new knowledge building of the Third Generation City. </div>
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City governments are full of departments and disciplines and every corner has a king. These kings don’t talk to each other, but still again they are the first ones to admit, that the highly regulated and protected administrative hierarchies are not optimal for mostly cross-disciplinary and multi-layered challenges and possibilities of the urban reality. They used the Ruin Academy to say things that they cannot say and to study things that they cannot study. We could have meetings in the evenings with the city officials, who could pass us the questions, interests or notions on which they wanted the Ruin Academy to react – almost as if they would be operating with a clandestine organization. We would be their interface to the un-official and to the underground, to the normal.</div>
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In some cases, like with Treasure Hill, the City Government was using me as kind of a joker, wild card. In Treasure Hill the Park Department of the City Government was already destroying the un-official settlement, when the Cultural Department of the same City Government was commissioning me to save Treasure Hill. In the end they were all evaluating, how did I succeed and decided to come smiling with the results. “This is exactly what we were commissioning you to do.” If I had failed, they would have just blamed the stupid foreigner and bulldozed down the place. </div>
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What I am trying to say is that we need to develop more un-conventional ways to deal with the urban problematics. We already have the city governments, administrations, organization, NGOs and universities, which are taking care of the official routines, but we need more flexible, straight-forward and light operators to work avant-garde and behind the lines, also underground. Operators who can make hearts-and-minds connections with the local knowledge and mobilize people to develop their city. Operators who can communicate with the shared mind, the collective urban conscious.</div>
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Urban Acupuncture is both a strategy for urban development through punctual interventions and straight-forward tactics. There are many holes and cracks in a city and these cracks can be used for cooking up the operations. In the end, the city of cracks is much more interesting and humane than the two-dimensional, flat, industrial-modern city. Urban Acupuncture is breaking the industrial control, but it is for good – it is constructive anarchy. </div>
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<span style="color: red;">4. What transformation comes into this scenario when many people in cities have integrated digital means in expressing their micro histories, relations, emotions, behaviors, in conscious of unconscious ways?</span><br />
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Commercial intelligence has been using the methodology of Urban Acupuncture for a long time. A good example is the network of 7-Eleven convenient stores in Taipei. They are located in carefully studied commercial acupuncture points around the city, building up the densest network of 7-Elevens anywhere in the world. Our actions, behaviors, wishes, desires and individual histories are constantly monitored, traced and processed based on our digital activities. Our digital networks have the power of launching rumors and revolutions, but they are also very easily manipulated. An interesting question is, what is the interface and dialog between this digital mind and nature? Can it support the organic knowledge as a portal for the collective mind to communicate? Are we now just looking at the simplified and flat prints of the digitally moving information the same way as the official city is flattening the informational space of the city into a two dimensional map? Would it be needed to penetrate through the thin layer of visual information surface to the actual digital space, where the countless informational layers are generating new streams of knowledge and how can we communicate with this digital subconscious? I think that this subconscious wants to surface on the city. It wants to take both form and be sensed through our physical presence and our natural mind. </div>
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<span style="color: red;">5. In your conception, the Third Generation City is itself a form of knowledge. This is yet another parallel with the concepts expressed in Digital Urban Acupuncture, where the Relational Ecosystem of the city, captured through data, information and knowledge exchanges, becomes a commons, available and accessible for everyone to use.<br /><br />How, in your opinion, should this knowledge be accessible and usable? <br /><br />And, on top of that: how is it possible to suggest and create the basis for the emergence of the imagination, sensibility and desire to use this knowledge?</span> <br />
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This knowledge is already now a source of intelligence for political and economic power speculations. It is also a form of new culture. Physically, millions of people are now migrating based on this data – migrants, refugees and people moving to cities. Big digitally formed and manipulated tribes and armies are in physical war and one of the main frontlines is digital. </div>
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The digital realm is one surface of individual and mass communication, but is it yet a form of new knowledge? The digital underground movements and paths seem somewhat hopeful, but the big data is just entertainment and commercially controlled – not very different from the official city. One should not be blindfolded by the online access to information and entertainment. Flesh is More. </div>
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<span style="color: red;">How can the literacy and sensibility which are needed to conceive the possibility of accessing the knowledge in the Third Generation City emerge in citizens? <br /><br />Through a school? An educational process? Peer-to-peer processes?<br /><br />The availability and accessibility of tools and methods?<br /><br />How?</span><br />
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The un-official community gardens and urban farms of Taipei are run by anarchist grandmothers. Also the urban farming communities are often matriarchal – like Treasure Hill. The ex-Soviet collective farms are by now run by babushkas. Modern city is a patriarchal structure as a form of industrialism. In Taipei the kids go to help on the collective farms – carry water, dig soil etc. Sometimes they come to the farms after school to do their home-work. They learn how to farm and the local knowledge becomes real for them. One step away is the official city. Modern man should take the liberty to travel a thousand years back in order to realize, that the things are the same. What is real cannot be speculated. What is real is valuable. There is no other reality than nature. </div>
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Maybe the digital realm is also nature. Possibly it is like the resonating behind the singing of the birds. We can either listen to the birds’ singing or we can feel and contemplate with the resonating behind it. Maybe we are resonating with the digital flows as well. We can feel the mind, but cannot really interpret it. Nature is a life providing system. My friend is a digital monk and he is very much tuned with nature as well. </div>
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Third generation citizens don’t need to be educated. They already exist. They are the ones connected with local knowledge and sensitive enough to feel the different pulses and messages of the city. They are the connection between the city and nature. We all have that quality, but we are educated to forget it. The third generation condition requires us to forget the forgetting. </div>
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Instead of education we need to learn, how to pay attention to the seeds of the Third Generation City. We need to document them, learn from them and let them grow. Most of all we have to stop ignoring them. These seeds are often cooking at the un-official layers of the city. City is a big compost, which needs to be turned around every now and then in order to keep it alive. The seeds of the 3G City are in connection with the local knowledge and they form a pattern of organic urban acupuncture to the static city trying to tune the urban development into biourbanism. The challenge is, that these seeds don’t necessarily support the economic speculations and can be quite contra dictionary to the established power hierarchies, which try to suffocate them. Hence the existence in underground. The digital realm may be a possibility for the local knowledge, for the seeds of the Third Generation City to communicate and connect with the larger mind of individual citizens. </div>
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How? Forget the forgetting. Industrialism is young and simple. Let the organic growth make a new layer on top of the industrial city. This coexistence will develop into the next step of urban industrialism, the city can learn to become an organic machine. In a sense we must ruin the mechanical city and open up the industrial control, so that nature can step in. Nature including human nature. </div>
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Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-4990227540840524753.post-4556393217192391532016-09-28T07:09:00.004-07:002016-09-28T07:10:54.945-07:00Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-4990227540840524753.post-87701237791710810912016-09-28T07:09:00.003-07:002016-10-03T06:17:15.169-07:00From Urban Acupuncture to the Third Generation City<div class="Nessunostileparagrafo">
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<i><span lang="EN-US" style="font-family: "times new roman" , serif; mso-ansi-language: EN-US;">Biourbanism,
IV</span></i><span lang="EN-US" style="font-family: "times new roman" , serif; mso-ansi-language: EN-US;">(1&2/2015), 29−42.<o:p></o:p></span></div>
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<b><span lang="EN-US" style="font-family: "times new roman" , serif; mso-ansi-language: EN-US;">ABSTRACT</span></b><span lang="EN-US" style="font-family: "times new roman" , serif; mso-ansi-language: EN-US;"><o:p></o:p></span></div>
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<span lang="EN-US" style="font-family: "times new roman" , serif; mso-ansi-language: EN-US;">The
crisis of urbanism is analyzed as a vital phenomenon that prepares the Third
Generation City—its connection with nature and its flesh. The industrial city
is, on the contrary, fictitious. The example of the settlement of Treasure
Hill, near Taipei, is given. As an organic ruin of the industrial city,
Treasure Hill is a biourban site of resistance and an acupuncture point of
Taipei, with its own design methodology based on Local Knowledge. This ruin is
the matter from which parasite urbanism composts the modern city. Another
example is offered by observing the daily life in Mumbai’s unofficial
settlements. Urban acupuncture, the Third Generation City, and the conceptual
model of paracity speak to the community that rests in the hands of its own
people.<b><i><o:p></o:p></i></b></span></div>
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<b><i><span lang="EN-US" style="font-family: "times new roman" , serif; mso-ansi-language: EN-US;">Keywords</span></i></b><span lang="EN-US" style="font-family: "times new roman" , serif; mso-ansi-language: EN-US;">: urban acupuncture, biourbanism, Third
Generation City, ruins, parasite urbanism, <o:p></o:p></span></div>
<div class="Paragrafobase" style="margin-left: 35.4pt; text-align: justify; text-indent: 35.4pt;">
<span lang="EN-US" style="font-family: "times new roman" , serif; mso-ansi-language: EN-US;">paracity, Local Knowledge<o:p></o:p></span></div>
<div class="Paragrafobase" style="margin-left: 35.4pt; text-align: justify; text-indent: 35.4pt;">
<span lang="EN-US" style="font-family: "times new roman" , serif; mso-ansi-language: EN-US;"><br /></span></div>
<div class="Paragrafobase">
<b><span lang="EN-US" style="font-family: "times new roman" , serif; mso-ansi-language: EN-US;">INTRODUCTION<o:p></o:p></span></b></div>
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<br /></div>
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<span lang="EN-US" style="font-family: "times new roman" , serif; mso-ansi-language: EN-US;">Missis
Chen is 84 years old. She has lived together with the Xindian River all her
life. Her family used to have a boat, like every Taipei family, and a water
buffalo. Sometimes the kids would cross the river on the back of the buffalo.
Sometimes an uncle might end up so drunk, that they hesitated, if they could
put him back on his boat after an evening together. Children, vegetables, and
laundry were washed in the river. The water was drinkable and the river was
full of fish, crabs, snails, clams, shrimp, and frogs to eat.<o:p></o:p></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhfxtdgwXn_8IOy46Ur1dnGsf5WyJSSrmvDJy8bfzFA0mmK_Vdk1D6Zxc1oMar1Y07MMWthA9eIJbVE1dkzko4H2pr5jSuZLRPF9m5s7-Jk1Y6LFzlIaueLtAsaWZZww6onUWW40Rqo8-s8/s1600/Fig0_MissisChen_p30.tif" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhfxtdgwXn_8IOy46Ur1dnGsf5WyJSSrmvDJy8bfzFA0mmK_Vdk1D6Zxc1oMar1Y07MMWthA9eIJbVE1dkzko4H2pr5jSuZLRPF9m5s7-Jk1Y6LFzlIaueLtAsaWZZww6onUWW40Rqo8-s8/s320/Fig0_MissisChen_p30.tif" width="268" /></a></div>
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<span lang="EN-US" style="font-family: "times new roman" , serif; mso-ansi-language: EN-US;">Missis
Chen used to work for sand harvesters, who dug sand out of the river bottom for
making concrete. She made food for them. Many of the sand harvesters lived in
the Treasure Hill settlement together with Missis Chen’s family. In the past,
the hill had been a Japanese Army anti-aircraft position, and it was rumored
that the Japanese had hidden a treasure of gold somewhere in their bunker
networks inside the hill—hence the name Treasure Hill. <o:p></o:p></span></div>
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<br /></div>
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<span lang="EN-US" style="font-family: "times new roman" , serif; mso-ansi-language: EN-US;">Xindian
River was flooding—like all Taipei rivers—when the frequent typhoons arrived in
summers and autumns. The flood was not very high, though—the Taipei Basin is a
vast flood plain and water has plenty of space to spread out. Houses were
designed so that the knee-high flood would not come in, or in some places, the
water was let into the ground floor while people continued to live on the upper
floors. In Treasure Hill, the flood would also come into the piggeries and
other light-weight structures on the river flood bank, but the houses with
people were a bit higher up on the hill. All of the flood bank was farmed, and
the farms and vegetable gardens were constructed so that they could live
together with the flood. Flooding was normal. This pulse of nature was a source
of life.<o:p></o:p></span></div>
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<br /></div>
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<span lang="EN-US" style="font-family: "times new roman" , serif; mso-ansi-language: EN-US;">Missis
Chen remembers when the river got polluted. “The pollution comes from
upstream,” she says, referring to the many illegal ‘Made in Taiwan’—factories
up on the mountains and river banks, which let all their industrial waste into
the river. “Now not even the dogs eat the fish anymore.” At some point, the
river became so polluted that Taipei children were taught not to touch the
water or they would go blind. The flood became poisonous for the emerging
industrial city, which could no longer live together with the river nature. The
city built a wall against the flooding river:
a 12 meters high, reinforced concrete flood wall separating the built
urban environment from nature.<o:p></o:p></span></div>
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<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg612XBOtS41aCPAV7I7a-OKcqs9rMdUOuRVZt5TzAkFchEZNssAWXwlHPqStwusIh5xWVwwWQeVIgkHfh9jQhe7Nnt1vrDQi_GMEMhSOw8fUTTsEofdvnqwfmuNqNvkSOWlrRU7jlq2Dsy/s1600/Fig1_p31.tif" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="424" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg612XBOtS41aCPAV7I7a-OKcqs9rMdUOuRVZt5TzAkFchEZNssAWXwlHPqStwusIh5xWVwwWQeVIgkHfh9jQhe7Nnt1vrDQi_GMEMhSOw8fUTTsEofdvnqwfmuNqNvkSOWlrRU7jlq2Dsy/s640/Fig1_p31.tif" width="640" /></a></div>
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<span lang="EN-US" style="font-family: "times new roman" , serif; mso-ansi-language: EN-US;">“One
day, the flood came to Chiang Kai-shek’s home and the Dictator got angry. He
built the wall. We call it the Dictator’s Wall,” an elderly Jiantai fisherman
recalls sitting in his bright blue boat with a painted white eye and red mouth
and continues to tell his stories describing which fish disappeared which year,
and when some of the migrating fishes ceased to return to the river. In one
lifetime, the river has transformed from a treasure chest of seafood into an
industrial sewer, which is once again being slowly restored towards a more
natural condition. The wall hasn’t moved anywhere. The generations of Taipei
citizens born after the 1960s don’t live in a river city. They live in an
industrially-walled urban fiction separated from nature.<o:p></o:p></span></div>
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<br /></div>
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<b><span lang="IT" style="font-family: "times new roman" , serif;">TREASURE HILL</span></b><span lang="IT" style="font-family: "times new roman" , serif;"><o:p></o:p></span></div>
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<br /></div>
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<span lang="EN-US" style="font-family: "times new roman" , serif; mso-ansi-language: EN-US;">In
2003, the Taipei City Government decided to destroy the unofficial settlement
of Treasure Hill. By that time, the community consisted of some 400 households
of mainly elderly Kuomintang veterans and illegal migrant workers. The
bulldozers had knocked down the first two layers of the houses of the terraced
settlement on the hillside. After that, the houses were standing too high for
the bulldozers to reach, and there were no drivable roads leading into the
organically built settlement. Then the official city destroyed the farms and
community gardens of Treasure Hill down by the Xindian River flood banks. Then
they cut the circulation between the individual houses—small bridges, steps,
stairs, and pathways. After that, Treasure Hill was left to rot, to die slowly,
cut away from its life sources.<o:p></o:p></span></div>
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<br /></div>
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<span lang="EN-US" style="font-family: "times new roman" , serif; mso-ansi-language: EN-US;">Roan
Chin-Yueh of the WEAK! managed so that the City Government Department of
Cultural Affairs invited me to Taipei. She introduced me to Treasure Hill’s
impressive organic settlement with a self-made root-cleaning system of gray
waters through patches of jungle on the hillside. Treasure Hill was composting
organic waste into fertilizer for the farms and using minimum amounts of
electricity, which was stolen from the official grid. There was even a central
radio system through which Missis Chen could transmit important messages to the
community, such as inviting them to watch old black and white movies in the
open-air cinema in front of her house. <o:p></o:p></span><br />
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<span lang="EN-US" style="font-family: "times new roman" , serif; mso-ansi-language: EN-US;">At
that point, the city had stopped to collect trash from Treasure Hill, and there
were lots of garbage bags in the alleys. I started to collect these garbage
bags and carried them down the hill into a pile close to a point that you could
reach with a truck. The residents did not speak to me, but instead they hid
inside their houses. One could feel their eyes on one’s back, though. Some
houses were abandoned and I entered them. The interiors and the atmospheres
were as if the owners had left all of a sudden. Even photo albums were there
and tiny altars with small gods with long beards. In one of the houses, I could
not help looking at the photo album. The small tinted black and white photos
started in mainland China, and all the guys wore Kuomintang military uniforms.
Different landscapes in different parts of China, and then at some point the
photos turned to color prints. The same guys were in Taiwan. Then there was a
woman, and an elderly gentleman posed with her in civil clothes by a fountain.
Photos of children and young people. Civil clothes, but the Kuomintang flag of
Taiwan everywhere. A similar flag was inside the room. Behind me, somebody
enters the house, which is only one room with the altar on the other end and a
bed on the other. The old man is looking at me. He is calm and observant,
somehow sad. He speaks and shows with his hand at the altar. Do not touch—I
understand. I look at the old man in the eyes and he looks into mine. I feel
like looking at the photo album. The owner of the house must have been his
friend. They have travelled together a long way from the civil war of China to
Taiwan. They have literally built their houses on top of Japanese concrete
bunkers and made their life in Treasure Hill. His friend has passed away. There
is a suitcase and I pack inside the absent owner’s trousers and his shirt, both
in khaki color. I continue collecting the garbage bags and carry the old man’s
bag around the village. The next day the residents start helping me with collecting
the garbage. Professor Kang Min-Jay organizes a truck to take the bags away.
After a couple of days, we organize a public ceremony together with some
volunteer students and Treasure Hill veterans, and declare a war on the
official city: Treasure Hill will fight
back and it is here to stay. </span><span lang="IT" style="font-family: "times new roman" , serif;">I’m
wearing the dead man’s clothes.<o:p></o:p></span></div>
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<br /></div>
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<span lang="EN-US" style="font-family: "times new roman" , serif; mso-ansi-language: EN-US;">We
have a long talk with Professor Roan about Treasure Hill and how to stop the
destruction. He suggests that Hsieh Ying-Chun (Atelier 3, WEAK!) will join us
with his aboriginal Thao tribe crew of self-learned construction workers. I
start touring at local universities giving speeches about the situation and try
to recruit students for construction work. In the end, we have 200 students
from Tamkang University Department of Architecture, Chinese Cultural
University, and National Taiwan University. A team of attractive girl students
manage to make a deal with the neighboring bridge construction site workers,
and they start offloading some of the construction material cargo to us from
the trucks passing us by. We mainly get timber and bamboo; they use mahogany
for the concrete molds.</span><span lang="IT" style="font-family: "times new roman" , serif;"><o:p></o:p></span></div>
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<br /></div>
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<span lang="EN-US" style="font-family: "times new roman" , serif; mso-ansi-language: EN-US;">With
the manpower and simple construction material, we start reconstructing the
connections between the houses of the settlement, but most importantly, we also
restart the farms. The bridge construction workers even help us with a digging
machine. Missis Chen comes to advise us about the farming and offers us food
and Chinese medicine. I am invited to her house every evening after the workday
with an interpreter. She tells her life story and I see how she is sending food
to many houses whose inhabitants are very old. Children from somewhere come to
share our dinners as well. Her house is the heart of the community. Treasure
Hill veterans join us in the farming and construction work. Rumors start
spreading in Taipei: things are cooking
in Treasure Hill. More people volunteer for the work, and after enough urban
rumors the media arrives suddenly. After the media, the politicians follow.
Commissioner Liao from the City Government Cultural Bureau comes to recite
poems. Later Mayor Ma Ying-Jeou comes jogging by with TV crews and gives us his
blessings. The City Government officially agrees that this is exactly why they
had invited me from Finland to work with the issue of Treasure Hill. The same
government had been bulldozing the settlement away 3 weeks earlier. <o:p></o:p></span></div>
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<br /></div>
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<span lang="EN-US" style="font-family: "times new roman" , serif; mso-ansi-language: EN-US;">One
can design whole cities simply with rumors.<o:p></o:p></span></div>
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<br /></div>
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<span lang="EN-US" style="font-family: "times new roman" , serif; mso-ansi-language: EN-US;">Working
in Treasure Hill had pressed an acupuncture point of the industrial Taipei
City. Our humble construction work was the needle that had penetrated through
the thin layer of official control and touched the original ground of<span style="letter-spacing: 1.2pt;"> </span>Taipei—collective topsoil where Local
Knowledge is rooting. Treasure Hill is an urban compost, which was considered a
smelly corner of the city, but after some turning is now providing the most
fertile topsoil for future development. The Taiwanese would refer to this
organic energy as “Chi.”<o:p></o:p></span></div>
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<br /></div>
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<br /></div>
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<b><span lang="IT" style="font-family: "times new roman" , serif;">URBAN ACUPUNCTURE</span></b><span lang="IT" style="font-family: "times new roman" , serif;"><o:p></o:p></span></div>
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<br /></div>
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<span lang="EN-US" style="font-family: "times new roman" , serif; mso-ansi-language: EN-US;">After
the initial discovery in Treasure Hill, the research of Urban Acupuncture
continued at the Tamkang University Department of Architecture, where Chairman
Chen Cheng-Chen under my professorship added it to the curriculum in the autumn
of 2004. In 2009, the Finnish Aalto University’s Sustainable Global
Technologies research center with Professor Olli Varis joined in to further
develop the multidisciplinary working methods of Urban Acupuncture in Taipei,
with focus on urban ecological restoration through punctual interventions. In
2010, the Ruin Academy was launched in Taipei with the help of the JUT
Foundation. The Academy operated as an independent multidisciplinary research
center moving freely in between the different disciplines of art and science
within the general framework of built human environment. The focus was on Urban
Acupuncture and the theory of the Third Generation City. Ruin Academy
collaborated with the Tamkang University Department of Architecture, the
National Taiwan University Department of Sociology, Aalto University SGT, the
Taipei City Government Department of Urban Development, and the International
Society of Biourbanism.<o:p></o:p></span></div>
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<br /></div>
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<span lang="EN-US" style="font-family: "times new roman" , serif; mso-ansi-language: EN-US;">Urban
Acupuncture is a biourban theory, which combines sociology and urban design
with the traditional Chinese medical theory of acupuncture. As a design
methodology, it is focused on tactical, small-scale interventions on the urban
fabric, aiming in ripple effects and transformation on the larger urban
organism. Through the acupuncture points, Urban Acupuncture seeks to be in
contact with the site-specific Local Knowledge. By its nature, Urban
Acupuncture is pliant, organic, and relieves stress and industrial tension in
the urban environment, thus directing the city towards the organic—urban nature
as part of nature. Urban Acupuncture produces small-scale, but ecologically and
socially catalytic development on the built human environment.<o:p></o:p></span></div>
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<br /></div>
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<span lang="EN-US" style="font-family: "times new roman" , serif; mso-ansi-language: EN-US;">Urban
Acupuncture is not an academic innovation. It refers to common collective Local
Knowledge practices that already exist in Taipei and other cities,
self-organized practices that are tuning the industrial city towards the
organic machine—the Third Generation City.<o:p></o:p></span></div>
<div class="Paragrafobase" style="mso-hyphenate: none; text-align: justify;">
<br /></div>
<div class="Paragrafobase" style="mso-hyphenate: none; text-align: justify;">
<span lang="EN-US" style="font-family: "times new roman" , serif; mso-ansi-language: EN-US;">In
Taipei, the citizens ruin the centrally governed, official mechanical city with
unofficial networks of urban farms and community gardens. They occupy streets
for night markets and second hand markets, and activate idle urban spaces for
karaoke, gambling, and collective exercises (dancing, Tai-Chi, Chi-Gong, et
cetera). They build illegal extensions to apartment buildings, and dominate the
urban no man’s land by self-organized, unofficial settlements, such as Treasure
Hill. The official city is the source of pollution, while the self-organized
activities are more humble in terms of material energy-flows and more tied with
nature through the traditions of Local Knowledge. There is a natural resistance
towards the official city. It is viewed as an abstract entity that seems to
threaten people’s sense of community, and separates them from the biological
circulations.<o:p></o:p></span></div>
<div class="Paragrafobase" style="mso-hyphenate: none; text-align: justify;">
<br /></div>
<div class="Paragrafobase" style="mso-hyphenate: none; text-align: justify; text-justify: distribute-all-lines;">
<div class="separator" style="clear: both; text-align: center;">
</div>
<span style="font-family: "times new roman" , serif; mso-ansi-language: FI; mso-fareast-language: ZH-CN; mso-no-proof: yes;"><!--[if gte vml 1]><v:shape
id="Picture_x0020_5" o:spid="_x0000_i1031" type="#_x0000_t75" style='width:298.8pt;
height:261pt;visibility:visible;mso-wrap-style:square'>
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o:title="Fig5_p35"/>
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<div class="Paragrafobase" style="mso-hyphenate: none; text-align: justify; text-justify: distribute-all-lines;">
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjNSZgZtjXBjkPTjCq66P1riYurYvzUZ24Il8fCjK4gS2Dbx-HX8seR04R-b_4L5Qys42fMM1uYdm-URWKiefeY_7KrkiRyvuHGkhn3rmdFUZU-7S2tuRO-Jybq1DJetSR8lma9Zw9KJ3dE/s1600/Fig5_p35.tif" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="558" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjNSZgZtjXBjkPTjCq66P1riYurYvzUZ24Il8fCjK4gS2Dbx-HX8seR04R-b_4L5Qys42fMM1uYdm-URWKiefeY_7KrkiRyvuHGkhn3rmdFUZU-7S2tuRO-Jybq1DJetSR8lma9Zw9KJ3dE/s640/Fig5_p35.tif" width="640" /></a></div>
<br /></div>
<div class="Paragrafobase" style="mso-hyphenate: none; text-align: justify;">
<span lang="EN-US" style="font-family: "times new roman" , serif; mso-ansi-language: EN-US;">Urban
Acupuncture is Local Knowledge in Taipei, which on a larger scale, keeps the
official city alive. The unofficial is the biological tissue of the mechanical
city. Urban Acupuncture is a biourban healing and development process
connecting modern man with nature.<o:p></o:p></span></div>
<div class="Paragrafobase" style="mso-hyphenate: none; text-align: justify;">
<br /></div>
<div class="Paragrafobase" style="mso-hyphenate: none; text-align: justify;">
<br /></div>
<div class="Paragrafobase" style="mso-hyphenate: none; text-align: justify;">
<b><span lang="EN-US" style="font-family: "times new roman" , serif; mso-ansi-language: EN-US;">THIRD
GENERATION CITY</span></b><span lang="EN-US" style="font-family: "times new roman" , serif; mso-ansi-language: EN-US;"><o:p></o:p></span></div>
<div class="Paragrafobase" style="mso-hyphenate: none; text-align: justify;">
<br /></div>
<div class="Paragrafobase" style="mso-hyphenate: none; text-align: justify;">
<span lang="EN-US" style="font-family: "times new roman" , serif; mso-ansi-language: EN-US;">The
first generation city is the one where the human settlements are in straight
connection with nature and dependent on nature. The fertile and rich Taipei
Basin provided a fruitful environment for such a settlement. The rivers were
full of fish and good for transportation, with the mountains protecting the
farmed plains from the straightest hits of the frequent typhoons.<o:p></o:p></span></div>
<div class="Paragrafobase" style="mso-hyphenate: none; text-align: justify;">
<br /></div>
<div class="Paragrafobase" style="mso-hyphenate: none; text-align: justify;">
<span lang="EN-US" style="font-family: "times new roman" , serif; mso-ansi-language: EN-US;">The
second generation city is the industrial city. Industrialism granted the
citizens independence from nature—a mechanical environment could provide
everything humans needed. Nature was seen as something unnecessary or as
something hostile—it was walled away from the mechanical reality.<o:p></o:p></span></div>
<div class="Paragrafobase" style="mso-hyphenate: none; text-align: justify;">
<br /></div>
<div class="Paragrafobase" style="mso-hyphenate: none; text-align: justify;">
<span lang="EN-US" style="font-family: "times new roman" , serif; mso-ansi-language: EN-US;">The
Third Generation City is the organic ruin of the industrial city, an open form,
organic machine tied with Local Knowledge and self-organized community actions.
The community gardens of Taipei are fragments of third generation urbanism when
they exist together with their industrial surroundings. Local Knowledge is
present in the city, and this is where Urban Acupuncture is rooting. Among the
anarchist gardeners are the Local Knowledge professors of Taipei.<o:p></o:p></span></div>
<div class="Paragrafobase" style="mso-hyphenate: none; text-align: justify;">
<br /></div>
<div class="Paragrafobase" style="mso-hyphenate: none; text-align: justify;">
<span lang="EN-US" style="font-family: "times new roman" , serif; mso-ansi-language: EN-US;">The
Third Generation City is a city of cracks. The thin mechanical surface of the
industrial city is shattered, and from these cracks emerge the new biourban
growth, which will ruin the second generation city. Human-industrial control is
opened up in order for nature to step in. A ruin is when the manmade has become
part of nature. In the Third Generation City, we aim at designing ruins. The
Third Generation City is true when the city recognizes its local knowledge and
allows itself to be part of nature. <o:p></o:p></span></div>
<div class="Paragrafobase">
<br /></div>
<div class="Paragrafobase">
<span lang="EN-US" style="font-family: "times new roman" , serif; mso-ansi-language: EN-US;">“To find a
form that accommodates the mess, that is the task of the artist now” (Samuel
Beckett).<o:p></o:p></span></div>
<div class="Paragrafobase" style="mso-hyphenate: none; text-align: justify;">
<br /></div>
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<br /></div>
<div class="Paragrafobase" style="mso-hyphenate: none; text-align: justify;">
<b><span lang="EN-US" style="font-family: "times new roman" , serif; mso-ansi-language: EN-US;">PARASITE
URBANISM</span></b><span lang="EN-US" style="font-family: "times new roman" , serif; mso-ansi-language: EN-US;"><o:p></o:p></span></div>
<div class="Paragrafobase" style="mso-hyphenate: none; text-align: justify;">
<br /></div>
<div class="Paragrafobase" style="mso-hyphenate: none; text-align: justify;">
<span lang="EN-US" style="font-family: "times new roman" , serif; mso-ansi-language: EN-US;">The
emerging biourban cities are not homogeneous platforms for single cultures,
races, economical doctrines, timelines, or other ways of life or being. They
are urban composts where organic knowledge is floating into the cracks of the
industrially developed surroundings. This organic knowledge has the ability to treat
and heal the surrounding city as a positive parasite. It can suck in and treat
urban and even industrial waste, and it is able to build bridges between the
modern man and nature. It can grow to places where the industrial city cannot
go and through punctual interventions, it can tune the whole urban development
towards the organic; built human nature as part of nature. <o:p></o:p></span></div>
<div class="Paragrafobase" style="mso-hyphenate: none; text-align: justify;">
<br /></div>
<div class="Paragrafobase" style="mso-hyphenate: none; text-align: justify;">
<span lang="EN-US" style="font-family: "times new roman" , serif; mso-ansi-language: EN-US;">This
symbiotic coexistence between the “official” and “developed” city, and the
unofficial, self-built and organic parasite biourbanism has been existing
already for a long time with slums, favelas, camps of migrating workers,
unofficial settlements, urban enclaves of resistance, community gardens and
urban farms, and even refugee camps. These strongholds of urban nomads are
harvesting the surrounding city from what it calls waste, surplus material
streams of the industrial life. Without these urban nomads, these material
streams will end up in nature as what we call pollution. The unofficial is the
buffer zone between development and nature—trying to save the city from itself.
<o:p></o:p></span></div>
<div class="Paragrafobase" style="mso-hyphenate: none; text-align: justify;">
<br /></div>
<div class="Paragrafobase" style="mso-hyphenate: none; text-align: justify;">
<span lang="EN-US" style="font-family: "times new roman" , serif; mso-ansi-language: EN-US;">This
parasite urbanism should be encouraged to grow on the expense of industrial
efficiency. It should eat the urban industrialism away up until a point, where
the city is in tune with the life-providing systems of nature. Within this new
biourban human mangrove, the relicts of the industrial hardness will emerge as
islands, ridges or hills, maybe volcanoes. This urban compost is the Third
Generation City. It already exists in many places and on many scales, from
Jakarta to Rio, and from the collective urban farms of Taipei to the buffalo
sheds of Mumbai. It is not a utopia, but a way in which the different material
cycles of cities have coexisted for much longer than industrialism. <o:p></o:p></span></div>
<div class="Paragrafobase" style="mso-hyphenate: none; text-align: justify;">
<br /></div>
<div class="Paragrafobase" style="mso-hyphenate: none; text-align: justify;">
<span lang="EN-US" style="font-family: "times new roman" , serif; mso-ansi-language: EN-US;">For
example, in Mumbai there have always been countless buffalo sheds along the
monsoon floodwater streams. The respected animal gives fuel (dung-cakes) and
milk to the surrounding city. Here, the river or stream is an essential part of
this symbiosis. The buffalo dung is pushed to the low water stream, where women
mix it by foot with straw before it gets transported back to the sheds for the
making and drying of the dung-cakes. The buffaloes also need to get washed
every day. The buffalo caretakers are living on decks above the animals. <o:p></o:p></span></div>
<div class="Paragrafobase" style="mso-hyphenate: none; text-align: justify;">
<br /></div>
<div class="Paragrafobase" style="mso-hyphenate: none; text-align: justify;">
<span lang="EN-US" style="font-family: "times new roman" , serif; mso-ansi-language: EN-US;">People
have always brought their household waste from the surrounding city to the
buffalo sheds in exchange for the milk and energy. The first one to eat from
this organic waste is the buffalo, which will pick up the best parts. Then
comes the goat, which can even eat paper. After the goat comes the dog, who
goes through the possible small remnants of bones, skins, and meat. The last
one in the chain is the pig, who will eat even rotten meat and already digested
material. The surrounding city cannot live without the buffalo sheds. This
chain of animals worked perfectly before the age of industrial materials. Then,
materials started to appear in the trash bags that even a pig could not
consume—plastics, aluminum, et cetera. </span><span lang="IT" style="font-family: "times new roman" , serif;">The city needed a new animal: man. <o:p></o:p></span></div>
<div class="Paragrafobase" style="mso-hyphenate: none; text-align: justify;">
<br /></div>
<div class="Paragrafobase" style="mso-hyphenate: none; text-align: justify;">
<span lang="EN-US" style="font-family: "times new roman" , serif; mso-ansi-language: EN-US;">The
slums of Mumbai have grown around the buffalo sheds. Millions of people have
been transported from the poorest areas of India to take care of the developed
city. Only in the Owhiwara River chain of slums is there estimated to live some
700,000 inhabitants. The recycling stations and illegal factories are situated
here, just next door to Bollywood. What cannot be recycled or treated ends up
in the river, just like in Jakarta it ends up in the bay. Monsoon will flush
the toilet. <o:p></o:p></span></div>
<div class="Paragrafobase" style="mso-hyphenate: none; text-align: justify;">
<br /></div>
<div class="Paragrafobase" style="mso-hyphenate: none; text-align: justify;">
<span lang="EN-US" style="font-family: "times new roman" , serif; mso-ansi-language: EN-US;">The
buffalo sheds are the original acupuncture needles of Mumbai. Now, together
with slums, they present a strong culture of parasite urbanism. The harvesting,
processing, and recycling of the urban waste is harmful for the people who do
it and for nature. The Third Generation City is looking towards a situation where
the parasite urbanism has reached another level presenting a biourban balance
between the rivers, slums, and the surrounding city. <o:p></o:p></span></div>
<div class="Paragrafobase" style="mso-hyphenate: none; text-align: justify;">
<br /></div>
<div class="Paragrafobase" style="mso-hyphenate: none; text-align: justify;">
<br /></div>
<div class="Paragrafobase" style="mso-hyphenate: none; text-align: justify;">
<b><span lang="EN-US" style="font-family: "times new roman" , serif; mso-ansi-language: EN-US;">PARACITY</span></b><span lang="EN-US" style="font-family: "times new roman" , serif; mso-ansi-language: EN-US;"><o:p></o:p></span></div>
<div class="Paragrafobase" style="mso-hyphenate: none; text-align: justify;">
<br /></div>
<div class="Paragrafobase">
<span lang="EN-US" style="font-family: "times new roman" , serif; mso-ansi-language: EN-US;">Learning
from the cases of Taipei and Mumbai, we have developed a conceptual model to
further study the possibilities of parasite urbanism: Paracity (2014).<o:p></o:p></span></div>
<div class="Paragrafobase" style="mso-hyphenate: none; text-align: justify;">
<br /></div>
<div class="Paragrafobase" style="mso-hyphenate: none; text-align: justify;">
<span lang="EN-US" style="font-family: "times new roman" , serif; mso-ansi-language: EN-US;">Paracity
is a biourban organism that is growing on the principles of Open Form: individual design-built actions generating
spontaneous communicative reactions on the surrounding built human environment.
This organic constructivist dialogue leads to self-organized community
structures, sustainable development, and knowledge building. Open Form is close
to the original Taiwanese ways of developing the self-organized and often
“illegal” communities. These micro-urban settlements contain a high volume of
Local Knowledge, which we believe will start composting in Paracity, once the
development of the community is in the hands of the citizens.<o:p></o:p></span></div>
<div align="center" class="Paragrafobase" style="mso-hyphenate: none; text-align: center;">
<span style="font-family: "times new roman" , serif; mso-ansi-language: FI; mso-fareast-language: ZH-CN; mso-no-proof: yes;"><!--[if gte vml 1]><v:shape id="Picture_x0020_6"
o:spid="_x0000_i1030" type="#_x0000_t75" style='width:288.6pt;height:3in;
visibility:visible;mso-wrap-style:square'>
<v:imagedata src="file:///C:/Users/Marco/AppData/Local/Temp/msohtmlclip1/01/clip_image011.png"
o:title="Fig6_p36"/>
</v:shape><![endif]--><!--[if !vml]--><!--[endif]--></span><span lang="EN-US" style="font-family: "times new roman" , serif; mso-ansi-language: EN-US;"><o:p></o:p></span></div>
<div class="Paragrafobase" style="mso-hyphenate: none; text-align: justify;">
<span lang="EN-US" style="font-family: "times new roman" , serif; mso-ansi-language: EN-US;">The
agritectural organism of the Paracity is based on a primary wooden
three-dimensional structure, an organic grid with spatial modules of 6 x 6 x 6
meters, constructed out of CLT (cross-laminated timber) beams, and columns.
This simple structure can be modified and developed by the community members.
The primary structure can grow even in neglected urban areas such as flood
plains, hillsides, abandoned industrial areas, storm water channels, and slums.
Paracity is perfectly suited for flooding and tsunami risk areas and the CLT
primary structure is highly fire-resistant and capable of withstanding
earthquakes.<o:p></o:p></span></div>
<div align="center" class="Paragrafobase" style="mso-hyphenate: none; text-align: center;">
<span style="font-family: "times new roman" , serif; mso-ansi-language: FI; mso-fareast-language: ZH-CN; mso-no-proof: yes;"><!--[if gte vml 1]><v:shape id="Picture_x0020_7"
o:spid="_x0000_i1029" type="#_x0000_t75" style='width:482.4pt;height:137.4pt;
visibility:visible;mso-wrap-style:square'>
<v:imagedata src="file:///C:/Users/Marco/AppData/Local/Temp/msohtmlclip1/01/clip_image013.png"
o:title="Paracity_Section_1_1"/>
</v:shape><![endif]--><!--[if !vml]--><!--[endif]--></span><span lang="EN-US" style="font-family: "times new roman" , serif; mso-ansi-language: EN-US;"><o:p></o:p></span></div>
<div class="Paragrafobase" style="mso-hyphenate: none; text-align: justify;">
<span lang="EN-US" style="font-family: "times new roman" , serif; mso-ansi-language: EN-US;">Paracity
provides the skeleton, but the citizens create the flesh. Design should not
replace reality—Flesh is More. Paracitizens will attach their individual,
self-made architectural solutions, gardens, and farms on the primary structure,
which will offer a three- dimensional building grid for DIY architecture. The
primary structure also provides the main arteries of water and human
circulation, but the finer Local Knowledge nervous networks are weaved in by
the inhabitants. Large parts of Paracity is occupied by wild and cultivated
nature following the example of Treasure Hill and other unofficial communities in
Taipei. <o:p></o:p></span></div>
<div class="Paragrafobase" style="mso-hyphenate: none; text-align: justify;">
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgonlumtl7SiyI2KmuWiyHHPPEB5MCweubqQZ4hQmHLidJPffbgiTrFCsljPQEXSpFm0xN3KOSgMPcrXxcxPE6TihsUE0LeyXMKWXyOB_2siXTYd7retOupDWpAmu60MXKwFNlelYXmYEkJ/s1600/Fig6_p36.tif" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="478" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgonlumtl7SiyI2KmuWiyHHPPEB5MCweubqQZ4hQmHLidJPffbgiTrFCsljPQEXSpFm0xN3KOSgMPcrXxcxPE6TihsUE0LeyXMKWXyOB_2siXTYd7retOupDWpAmu60MXKwFNlelYXmYEkJ/s640/Fig6_p36.tif" width="640" /></a></div>
<br /></div>
<div class="Paragrafobase" style="mso-hyphenate: none; text-align: justify;">
<span lang="EN-US" style="font-family: "times new roman" , serif; mso-ansi-language: EN-US;">Paracity’s
self-sustainable biourban growth is backed up by off-the-grid modular
environmental technology solutions, providing methods for water purification,
energy production, organic waste treatment, waste water purification, and
sludge recycling. These modular plug-in components can be adjusted according to
the growth of the Paracity, and moreover, the whole Paracity is designed not
only to treat and circulate its own material streams, but to start leeching
waste from its host city and thus becoming a positive urban parasite following
the similar kinds of symbiosis as in-between slums and the surrounding city. In
a sense, Paracity is a high-tech slum, which can start tuning the industrial
city towards an ecologically more sustainable direction. Paracity is a Third
Generation City, an organic machine urban compost, which assists the industrial
city to transform itself into being part of nature.<o:p></o:p></span><br />
<div class="separator" style="clear: both; text-align: center;">
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<span lang="EN-US" style="font-family: "times new roman" , serif; mso-ansi-language: EN-US;"><br /></span></div>
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o:title="Paracity_concept+sketch_Casagrande+Laboratory+CURE"/>
</v:shape><![endif]--><!--[if !vml]--><!--[endif]--><span lang="EN-US" style="font-family: "times new roman" , serif; mso-ansi-language: EN-US;"><o:p></o:p></span></div>
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<span lang="EN-US" style="font-family: "times new roman" , serif; mso-ansi-language: EN-US;">The
pilot project of the Paracity grows on an urban farming island of Danshui
River, Taipei City. The island is located between the Zhongxing and Zhonxiao
bridges and is around 1,000 meters long and 300 meters wide. Paracity Taipei
celebrates the original first generation Taipei urbanism with a high level of
“illegal” architecture, self-organized communities, urban farms, community
gardens, urban nomads, and constructive anarchy.<o:p></o:p></span><br />
<span lang="EN-US" style="font-family: "times new roman" , serif; mso-ansi-language: EN-US;"><br /></span>
<span lang="EN-US" style="font-family: "times new roman" , serif; mso-ansi-language: EN-US;"><br /></span></div>
<div align="center" class="Paragrafobase" style="mso-hyphenate: none; text-align: center;">
<span style="font-family: "times new roman" , serif; mso-ansi-language: FI; mso-fareast-language: ZH-CN; mso-no-proof: yes;"><!--[if gte vml 1]><v:shape id="Picture_x0020_9"
o:spid="_x0000_i1027" type="#_x0000_t75" style='width:279.6pt;height:186pt;
visibility:visible;mso-wrap-style:square'>
<v:imagedata src="file:///C:/Users/Marco/AppData/Local/Temp/msohtmlclip1/01/clip_image017.png"
o:title="Fig9_p39"/>
</v:shape><![endif]--><!--[if !vml]--><!--[endif]--></span><span lang="EN-US" style="font-family: "times new roman" , serif; mso-ansi-language: EN-US;"><o:p></o:p></span></div>
<div class="Paragrafobase" style="mso-hyphenate: none; text-align: justify;">
<span lang="EN-US" style="font-family: "times new roman" , serif; mso-ansi-language: EN-US;">After
the Paracity has reached critical mass, the life-providing system of the CLT
structure will start escalating. It will cross the river and start taking root
on the flood plains. It will then cross the 12 meters high Taipei flood wall
and gradually grow into the city. The flood wall will remain in the guts of the
Paracity, but the new structure enables Taipei citizens to fluently reach the
river. Paracity will reunite the river reality and the industrial urban
fiction. Paracity is a mediator between the modern city and nature. Seeds of
the Paracity will start taking root within the urban acupuncture points of
Taipei: illegal community gardens, urban
farms, abandoned cemeteries, and wastelands. From these acupuncture points,
Paracity will start growing by following the covered irrigation systems such as
the Liukong Channel, and eventually the biourban organism and the static city
will find a balance—the Third Generation Taipei.<o:p></o:p></span></div>
<div class="Paragrafobase" style="mso-hyphenate: none; text-align: justify;">
<br /></div>
<div class="Paragrafobase" style="mso-hyphenate: none; text-align: justify;">
<span lang="EN-US" style="font-family: "times new roman" , serif; mso-ansi-language: EN-US;">Paracity
has a lot of holes, gaps, and nature between houses. This is a city of cracks.
The system ventilates itself like a large-scale beehive of post-industrial
insects. The different temperatures of the roofs, gardens, bodies of water and
shaded platforms will generate small winds between them, and the hot roofs will
start sucking in breeze from the cooler river. The individual houses should
also follow the traditional principles of bioclimatic architecture and not rely
on mechanical air-conditioning.<o:p></o:p></span></div>
<div class="Paragrafobase" style="mso-hyphenate: none; text-align: justify;">
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjmoKovH_Cs2dQy9J36ZYpSYPelIaDVNBnQHgzJVvqNZVxUAWK2L5fPAm8ZW7PWyA2ccKIRWNOP33Ks48k9vEwWqjLHY1azjX7cBm_mcX5K_0d6rjA0hy2Y84TXk1tMm7ZC3N7OVVRyyNxQ/s1600/Fig10_p39.tif" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="438" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjmoKovH_Cs2dQy9J36ZYpSYPelIaDVNBnQHgzJVvqNZVxUAWK2L5fPAm8ZW7PWyA2ccKIRWNOP33Ks48k9vEwWqjLHY1azjX7cBm_mcX5K_0d6rjA0hy2Y84TXk1tMm7ZC3N7OVVRyyNxQ/s640/Fig10_p39.tif" width="640" /></a></div>
</div>
<div class="Paragrafobase" style="mso-hyphenate: none; text-align: justify;">
<span lang="EN-US" style="font-family: "times new roman" , serif; mso-ansi-language: EN-US;">The
biourbanism of the Paracity is as much landscape as it is architecture. The
all-encompassing landscape-architecture of Paracity includes organic layers for
natural water purification and treatment, community gardening, farming, and
biomass production as an energy source. Infrastructure and irrigation water
originates from the polluted Danshui River and will be both chemically
(bacteria-based) and biologically purified before being used in the farms,
gardens, and the houses of the community. The bacteria/chemically purified
water gets pumped up to the roof parks on the top level of the Paracity, from
where it will by gravity start circulating into the three-dimensional irrigation
systems.<o:p></o:p></span></div>
<div class="Paragrafobase" style="mso-hyphenate: none; text-align: justify;">
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgsqUWXyx6BnSAsLQorkDrDHuQ4HO2DdyccQOtDHcRtc8nN2VfL7wO2PfpqNrlBygse7xvKzH_SGJ_GX8YH6s2sAqSxwDHZLbncVT4GgaMv8y9wwZpnyId92Xar0u7D9cWbJj1hHtc_rrAF/s1600/Paracity_CASAGRANDE.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="418" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgsqUWXyx6BnSAsLQorkDrDHuQ4HO2DdyccQOtDHcRtc8nN2VfL7wO2PfpqNrlBygse7xvKzH_SGJ_GX8YH6s2sAqSxwDHZLbncVT4GgaMv8y9wwZpnyId92Xar0u7D9cWbJj1hHtc_rrAF/s640/Paracity_CASAGRANDE.png" width="640" /></a></div>
<br /></div>
<div class="Paragrafobase" style="mso-hyphenate: none; text-align: justify;">
<span lang="EN-US" style="font-family: "times new roman" , serif; mso-ansi-language: EN-US;">Paracity
is based on free flooding. The whole city stands on stilts, allowing the river
to pulsate freely with the frequent typhoons and storm waters. The Paracity is
actually an organic architectural flood itself, ready to cross the flood wall
of Taipei and spread into the mechanical city.<o:p></o:p></span></div>
<div align="center" class="Paragrafobase" style="mso-hyphenate: none; text-align: center;">
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgX6aB5UkbA9HpDo18ADP9F5kmDB3tjFVdRHBxfLvVjFBibRGqFq2xt2SaVlvos6ZCzTf0jMHLv6HRz0Hc8dU6GTVrJzLABae0KXCGd9APteKnVVgD-SHFpORDtY-7dQ4Wznf_V6HMILd7y/s1600/Paracity_Render_flood.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="480" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgX6aB5UkbA9HpDo18ADP9F5kmDB3tjFVdRHBxfLvVjFBibRGqFq2xt2SaVlvos6ZCzTf0jMHLv6HRz0Hc8dU6GTVrJzLABae0KXCGd9APteKnVVgD-SHFpORDtY-7dQ4Wznf_V6HMILd7y/s640/Paracity_Render_flood.jpg" width="640" /></a></div>
<br /></div>
<div class="Paragrafobase" style="mso-hyphenate: none; text-align: justify;">
<span lang="EN-US" style="font-family: "times new roman" , serif; mso-ansi-language: EN-US;">Paracity
Taipei will be powered mostly by bioenergy that uses the organic waste,
including sludge, taken from the surrounding industrial city and by farming
fast-growing biomass on the flood banks of the Taipei river system. Paracity
Taipei will construct itself through impacts of collective consciousness, and
it is estimated to have 15,000–25,000 inhabitants.<o:p></o:p></span></div>
<div class="Paragrafobase" style="mso-hyphenate: none; text-align: justify;">
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgM4YFCxER3laxNu2XLyl0fwbslXbeBMexacXE3dbLwmXEXHiAU1UupcT12C-LDOfh0bLUrKFID5nJm8AjaCly1VOGjuLSskP9jZ95TVoCDXKzEcS1iHRMC4YElO6Ww_hzimB2fyuJQzYcP/s1600/Fig9_p39.tif" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="426" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgM4YFCxER3laxNu2XLyl0fwbslXbeBMexacXE3dbLwmXEXHiAU1UupcT12C-LDOfh0bLUrKFID5nJm8AjaCly1VOGjuLSskP9jZ95TVoCDXKzEcS1iHRMC4YElO6Ww_hzimB2fyuJQzYcP/s640/Fig9_p39.tif" width="640" /></a></div>
<br /></div>
<div class="Paragrafobase" style="mso-hyphenate: none; text-align: justify;">
<span lang="EN-US" style="font-family: "times new roman" , serif; mso-ansi-language: EN-US;">The
wooden primary structure and the environmental technology solutions will remain
pretty much the same no matter in which culture the Paracity starts to grow,
but the real human layer of self-made architecture and farming will follow the
Local Knowledge of the respective culture and site. Paracity is always
site-specific and it is always local. Other Paracities are emerging in North
Fukushima in Japan and the Baluchistan Coast in Pakistan.<o:p></o:p></span></div>
<div class="Paragrafobase" style="mso-hyphenate: none; text-align: justify;">
<br /></div>
<div class="Paragrafobase" style="mso-hyphenate: none; text-align: justify;">
<br /></div>
<div class="Paragrafobase" style="mso-hyphenate: none; text-align: justify;">
<b><span lang="EN-US" style="font-family: "times new roman" , serif; mso-ansi-language: EN-US;">CONCLUSION</span></b><span lang="EN-US" style="font-family: "times new roman" , serif; mso-ansi-language: EN-US;"><o:p></o:p></span></div>
<div class="Paragrafobase" style="mso-hyphenate: none; text-align: justify;">
<br /></div>
<div class="Paragrafobase" style="mso-hyphenate: none; text-align: justify;">
<span lang="EN-US" style="font-family: "times new roman" , serif; mso-ansi-language: EN-US;">The
way towards the Third Generation City is a process of becoming a collective
learning and healing organism and of reconnecting the urbanized collective
consciousness with nature. In Taipei, the wall between the city and the river
must go. This requires a total transformation from the city infrastructure and
from the centralized power control. Otherwise, the real development will be
unofficial. Citizens on their behalf are ready and are already breaking the
industrial city apart by themselves. Local knowledge is operating independently
from the official city and is providing punctual third generation surroundings
within the industrial city: urban
acupuncture for the stiff official mechanism.<o:p></o:p></span></div>
<div class="Paragrafobase" style="mso-hyphenate: none; text-align: justify;">
<br /></div>
<div class="Paragrafobase" style="mso-hyphenate: none; text-align: justify;">
<span lang="EN-US" style="font-family: "times new roman" , serif; mso-ansi-language: EN-US;">The
weak signals of the unofficial collective consciousness should be recognized as
the futures’ emerging issues; futures that are already present in Taipei. The
official city should learn how to enjoy acupuncture, how to give up industrial
control in order to let nature step in.<o:p></o:p></span></div>
<div class="Paragrafobase" style="mso-hyphenate: none; text-align: justify;">
<br /></div>
<div class="Paragrafobase" style="mso-hyphenate: none; text-align: justify;">
<span lang="EN-US" style="font-family: "times new roman" , serif; mso-ansi-language: EN-US;">The
Local Knowledge-based transformation layer of Taipei is happening from inside
the city, and it is happening through self-organized punctual interventions.
These interventions are driven by small-scale businesses and alternative
economies benefiting from the fertile land of the Taipei Basin, and of leeching
the material and energy streams of the official city. This acupuncture makes
the city weaker, softer, and readier for a larger change.<o:p></o:p></span></div>
<div class="Paragrafobase" style="mso-hyphenate: none; text-align: justify;">
<br /></div>
<div class="Paragrafobase" style="mso-hyphenate: none; text-align: justify;">
<span lang="EN-US" style="font-family: "times new roman" , serif; mso-ansi-language: EN-US;">The
city is a manifest of human-centered systems—economical, industrial,
philosophical, political, and religious power structures. Biourbanism is an
animist system regulated by nature. Human nature as part of nature, also within
the urban conditions. The era of pollution is the era of industrial urbanism.
The next era has always been within the industrial city. The first generation
city never died. The seeds of the Third Generation City are present.
Architecture is not an art of human control; it is an art of reality. There is
no other reality than nature.<o:p></o:p></span></div>
<div class="Paragrafobase" style="mso-hyphenate: none; text-align: justify;">
<br /></div>
<div class="Paragrafobase" style="mso-hyphenate: none; text-align: justify;">
<br /></div>
<div class="Paragrafobase">
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<span lang="EN-US" style="font-family: "times new roman" , serif; mso-ansi-language: EN-US;">Adorno, T.
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<span lang="EN-US" style="font-family: "times new roman" , serif; mso-ansi-language: EN-US;"> Retrieved from
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<br /></div>
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<span lang="EN-US" style="font-family: "times new roman" , serif; mso-ansi-language: EN-US;">Pajunen, M.
(2012, August 24). A man from the woods. <i>Wastelands Magazine</i>. Retrieved
from <o:p></o:p></span></div>
<div class="Paragrafobase" style="mso-hyphenate: none; text-indent: 35.4pt;">
<span lang="EN-US" style="font-family: "times new roman" , serif; mso-ansi-language: EN-US;">http://casagrandetext.blogspot.fi/2012/08/a-man-in-woods.html<o:p></o:p></span></div>
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<span lang="EN-US" style="font-family: "times new roman" , serif; mso-ansi-language: EN-US;">Pommer, E.
(Producer), & Lang, F. (Director). (1927). <i>Metropolis</i> [Motion
picture]. Germany: <o:p></o:p></span></div>
<div class="Paragrafobase">
<span lang="EN-US" style="font-family: "times new roman" , serif; mso-ansi-language: EN-US;"> Universum Film AG.<o:p></o:p></span></div>
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<div class="Paragrafobase">
<span lang="EN-US" style="font-family: "times new roman" , serif; mso-ansi-language: EN-US;">Richardson,
P. (2011). From the ruins, Taipei to Detroit. <i>Archetcetera</i>. Retrieved
from <o:p></o:p></span></div>
<div class="Paragrafobase">
<span lang="EN-US" style="font-family: "times new roman" , serif; mso-ansi-language: EN-US;"> http://archetcetera.blogspot.com/2011/01/from-ruins-taipei-to-detroit.html14<o:p></o:p></span></div>
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<br /></div>
<div class="Paragrafobase">
<span lang="EN-US" style="font-family: "times new roman" , serif; mso-ansi-language: EN-US;">Shen, S.
(2014). <i>AW Architectural Worlds,</i> <i>29</i>(156). Shenzhen: Haijian Printing Co. Retrieved from <o:p></o:p></span></div>
<div class="Paragrafobase">
<span lang="EN-US" style="font-family: "times new roman" , serif; mso-ansi-language: EN-US;"> http://issuu.com/clab-cure/docs/casagrande_laboratory___architectua/1?e=11086647%2<o:p></o:p></span></div>
<div class="Paragrafobase">
<span lang="EN-US" style="font-family: "times new roman" , serif; mso-ansi-language: EN-US;"> F10750378<o:p></o:p></span></div>
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<div class="Paragrafobase">
<span lang="EN-US" style="font-family: "times new roman" , serif; mso-ansi-language: EN-US;">Stevens, P.
(2014, October 14). Interview with Marco Casagrande, principal of C-LAB.<o:p></o:p></span></div>
<div class="Paragrafobase">
<i><span lang="EN-US" style="font-family: "times new roman" , serif; mso-ansi-language: EN-US;"> Designboom</span></i><span lang="EN-US" style="font-family: "times new roman" , serif; mso-ansi-language: EN-US;">.
Retrieved from http://www.designboom.com/architecture/marco-casa<o:p></o:p></span></div>
<div class="Paragrafobase">
<span lang="EN-US" style="font-family: "times new roman" , serif; mso-ansi-language: EN-US;"> grande-laboratory-interview-10-14-2014/<o:p></o:p></span></div>
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<div class="Paragrafobase">
<span lang="EN-US" style="font-family: "times new roman" , serif; mso-ansi-language: EN-US;">Strugatsky,
A., & Strugatsky, B. (1971). <i>Roadside picnic</i>. London: McMillan.<i><o:p></o:p></i></span></div>
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<br /></div>
<div class="Paragrafobase">
<span lang="EN-US" style="font-family: "times new roman" , serif; mso-ansi-language: EN-US;">White, R.
(1995). <i>The organic machine: The remaking
of the Columbia River</i>. New York: <i><o:p></o:p></i></span></div>
<div class="Paragrafobase">
<span lang="EN-US" style="font-family: "times new roman" , serif; mso-ansi-language: EN-US;"> Hill and Wang.<o:p></o:p></span></div>
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<span lang="EN-US" style="font-family: "times new roman" , serif; mso-ansi-language: EN-US;">Yudina, A. <s>it’s
anarchical it’s acupunctural</s>, well it’s both / marco casagrande. </span><i><span lang="IT" style="font-family: "times new roman" , serif;">Monitor, 68</span></i><span lang="IT" style="font-family: "times new roman" , serif;">. </span><span lang="EN-US" style="font-family: "times new roman" , serif; mso-ansi-language: EN-US;"><o:p></o:p></span></div>
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<span lang="IT" style="font-family: "times new roman" , serif;"> </span><span lang="EN-US" style="font-family: "times new roman" , serif; mso-ansi-language: EN-US;">Retrieved
from http://casagrandetext.blogspot.fi/2012/09/its-anarchical-its-acupunctural-<o:p></o:p></span></div>
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<span lang="EN-US" style="font-family: "times new roman" , serif; mso-ansi-language: EN-US;"> well.html<o:p></o:p></span></div>
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<a href="https://www.blogger.com/blogger.g?blogID=4990227540840524753" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"></a><a href="https://www.blogger.com/blogger.g?blogID=4990227540840524753" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"></a><br /></div>
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<b><span lang="EN-US" style="font-family: "times new roman" , serif; mso-ansi-language: EN-US;">Figure 0. </span></b><span lang="EN-US" style="font-family: "times new roman" , serif; mso-ansi-language: EN-US; mso-bidi-font-weight: bold;">(Missis Chen Drawing) / No Caption<b><o:p></o:p></b></span></div>
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<b><span lang="EN-US" style="font-family: "times new roman" , serif; mso-ansi-language: EN-US;">Figure 1.</span></b><span lang="EN-US" style="font-family: "times new roman" , serif; mso-ansi-language: EN-US;"> Taipei flood wall (Photograph
by the Author).<o:p></o:p></span></div>
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<b><span lang="EN-US" style="font-family: "times new roman" , serif; mso-ansi-language: EN-US;">Figure 2.</span></b><span lang="EN-US" style="font-family: "times new roman" , serif; mso-ansi-language: EN-US;">
Treasure Hill (Photograph by Stephen Wilde).<o:p></o:p></span></div>
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<b><span lang="EN-US" style="font-family: "times new roman" , serif; mso-ansi-language: EN-US;">Figure 3.</span></b><span lang="EN-US" style="font-family: "times new roman" , serif; mso-ansi-language: EN-US;">
Collective farm in Treasure Hill (Photograph by Stephen Wilde).<o:p></o:p></span></div>
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<b><span lang="EN-US" style="font-family: "times new roman" , serif; mso-ansi-language: EN-US;">Figure 4. </span></b><span lang="EN-US" style="font-family: "times new roman" , serif; mso-ansi-language: EN-US;">Reconstructed
steps in Treasure Hill (Photograph by Stephen Wilde).<o:p></o:p></span></div>
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<b><span lang="EN-US" style="font-family: "times new roman" , serif; mso-ansi-language: EN-US;">Figure 5. </span></b><span lang="EN-US" style="font-family: "times new roman" , serif; mso-ansi-language: EN-US;">Unofficial
community gardens and urban farms of the Taipei Basin, the real map of Urban
Acupuncture (Image sourced by the Author).<o:p></o:p></span></div>
<div class="Paragrafobase">
<b><span lang="EN-US" style="font-family: "times new roman" , serif; mso-ansi-language: EN-US;">Figure 6. </span></b><span lang="EN-US" style="font-family: "times new roman" , serif; mso-ansi-language: EN-US;">Paracity,
model (Photograph by the Author).<o:p></o:p></span></div>
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<b><span lang="EN-US" style="font-family: "times new roman" , serif; mso-ansi-language: EN-US;">Figure 7. </span></b><span lang="EN-US" style="font-family: "times new roman" , serif; mso-ansi-language: EN-US;">Image
sourced by the Author.<o:p></o:p></span></div>
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<b><span lang="EN-US" style="font-family: "times new roman" , serif; mso-ansi-language: EN-US;">Figure 8. </span></b><span lang="EN-US" style="font-family: "times new roman" , serif; mso-ansi-language: EN-US;">Drawing
by Niilo Tenkanen / Casagrande Laboratory.<o:p></o:p></span></div>
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<b><span lang="EN-US" style="font-family: "times new roman" , serif; mso-ansi-language: EN-US;">Figure 9.</span></b><span lang="EN-US" style="font-family: "times new roman" , serif; mso-ansi-language: EN-US;">
Paracity CLT-module, 6 x 6 x 6m (Photograph by Jan Feichtinger / Casagrande
Laboratory).<o:p></o:p></span></div>
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<b><span lang="EN-US" style="font-family: "times new roman" , serif; mso-ansi-language: EN-US;">Figure 10.</span></b><span lang="EN-US" style="font-family: "times new roman" , serif; mso-ansi-language: EN-US;">
Agritecture of the Paracity (Drawing by Niilo Tenkanen / Casagrande
Laboratory).<o:p></o:p></span></div>
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<b><span lang="EN-US" style="font-family: "times new roman" , serif; mso-ansi-language: EN-US;">Figure 11.</span></b><span lang="EN-US" style="font-family: "times new roman" , serif; mso-ansi-language: EN-US;"> Paracity,
flood-water scenario (Image sourced by the Author).<o:p></o:p></span></div>
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Unknownnoreply@blogger.com9tag:blogger.com,1999:blog-4990227540840524753.post-8245002012988188362016-05-17T06:26:00.001-07:002016-05-17T22:13:17.438-07:00MARCO CASAGRANDE VIIDETTÄ KERTAA VENETSIAN BIENNAALIIN<div align="center" class="MsoNormal" style="line-height: 150%; text-align: center;">
<span style="font-size: 14.0pt; line-height: 150%; mso-bidi-font-family: "Times New Roman"; mso-fareast-font-family: SimSun; mso-fareast-theme-font: major-fareast;">MARCO
CASAGRANDE VIIDETTÄ KERTAA VENETSIAN BIENNAALIIN<o:p></o:p></span></div>
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<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><img height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgF4QA8fWL_HeHI22x05y3wFz4EfHjows9yHuKva_c46IiSPrZhUotqpA54IadTCuKz6PPvd62FE3jw7rea-fhXJ2FVirahBsMKx9NFcHdqyoyuwoyG_xGMil24D6V-I9-zdFLtMVF0LAsN/s640/Apelle+with+Aurora_Casagrande.jpg" style="margin-left: auto; margin-right: auto;" width="636" /></td></tr>
<tr><td class="tr-caption" style="text-align: center;">APELLE</td></tr>
</tbody></table>
</div>
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<span style="font-family: "calibri light" , sans-serif; font-size: 13pt; line-height: 150%;">Suomalainen arkkitehti Marco
Casagrande (1971) esittelee töitään viidettä kertaa Venetsian
Arkkitehtuuribiennaalissa. Pohjoismaiden paviljongissa esitellään Karjaalle
toteutettu puinen omakotitalo <i><a href="http://www.casagrandelaboratory.com/portfolio/apelle/">Apelle</a></i>,
sekä Pohjois-Norjaan suksien päälle rakennettu <i><a href="http://www.casagrandelaboratory.com/portfolio/nomad-sauna/">Nomadisauna</a></i>. Siirreltävä sauna on rakennettu yhdessä Aalto
yliopiston ympäristötaiteen opiskelijoiden kanssa (Nomad Sauna, Marco
Casagrande + Hans-Petter </span><span style="background: white; font-family: "calibri light" , sans-serif; font-size: 13pt; line-height: 150%;">Bjørnådal<span class="apple-converted-space">,
2012)</span></span><span style="font-family: "calibri light" , sans-serif; font-size: 13pt; line-height: 150%;">.
Pohjoismaiden paviljongin kuraattorina toimii maailman suosituimman
arkkitehtuurisivuston <a href="http://www.archdaily.com/">Arch Dailyn</a> päätoimittaja David Basulto. Venetsian
Biennaali on nykyarkkitehtuurin merkittävin katsaus maailmanlaajuisesti ja
Casagranden viides osallistuminen Biennaaliin suomalaisessa
arkkitehtuurihistoriassa ainutlaatuinen.</span></div>
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<span style="font-family: "calibri light" , sans-serif; font-size: 13.0pt; line-height: 150%;"><br /></span></div>
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<span style="font-family: "calibri light" , sans-serif; font-size: 13.0pt; line-height: 150%;">Casagranden ensiesiintyminen
Biennaalissa oli vuonna 2000, jolloin hän pystytti yhdessä Sami Rintalan kanssa
hylättyyn proomuun tammimetsän kompostoidun ihmisulosteen päälle. Teos <i><a href="http://www.casagrandelaboratory.com/portfolio/60-minute-man/">60 Minute Man</a></i> avattiin puistoksi
Arsenalen satamassa ja valittiin Biennaalin parhaaksi työksi The New York Times
-lehdessä. Biennaalin pääkuraattori Massimilliano Fuksas ehdotti Casagrande
& Rintalalle Venetsian Biennaalin Kultaista Leijonaa, joka kuitenkin
myönnettiin Jean Nouvelille. Vuonna 2004 Casagrande edusti Biennaalissa Tanskaa
suunnitelmallaan<i> <a href="http://postindustrialfleet.blogspot.fi/">Post Industrial Fleet</a> </i>(CREW*31),
jossa käytöstä poistettuja rahtilaivoja hyödynnetään pysyvinä julkisina tiloina
satamakaupungeissa. Vuoden 2006 Biennaalissa Casagrande edusti Taiwania, jossa
toimi tuolloin arkkitehtuurin professorina ja rakensi Venetsian vanhaan
vankilaan <a href="http://yuoyuan.blogspot.fi/"><i>CityZen Garden</i></a> Zen-puutarhan kierrätetystä lasista. Vuoden 2014 Biennaalissa oli
esitteillä kopio Casagranden yhdessä WEAK! työryhmän kanssa toteuttamasta
bambupaviljongista Kiinan Shenzheniin, jossa paviljonki <i><a href="http://www.casagrandelaboratory.com/portfolio/bug-dome/">Bug Dome</a></i> toimii siirtotyöläisten epävirallisena yhteisökeskuksena. <o:p></o:p></span></div>
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<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg66Msu9j_P-JZqQEkqjyDtS3VPi56iMK4FngD5I21V6bikdrvusfTL7-Z_WJXIddspPtQM46x-7t_bsCGO3L9oibXdIx7-Tk3Y77UXD4PQhDalwv35VufPQSAvEl8zjzRXLSudcq2aTxYB/s1600/Nomad+Sauna_Casagrande+%252B+Bjornadal.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="424" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg66Msu9j_P-JZqQEkqjyDtS3VPi56iMK4FngD5I21V6bikdrvusfTL7-Z_WJXIddspPtQM46x-7t_bsCGO3L9oibXdIx7-Tk3Y77UXD4PQhDalwv35VufPQSAvEl8zjzRXLSudcq2aTxYB/s640/Nomad+Sauna_Casagrande+%252B+Bjornadal.jpg" width="640" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">NOMAD SAUNA</td></tr>
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<span style="font-family: "calibri light" , sans-serif; font-size: 13.0pt; line-height: 150%;"><br /></span></div>
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<span style="font-family: "calibri light" , sans-serif; font-size: 13.0pt; line-height: 150%;">Venetsian Arkkitehtuuribiennaali
on avoinna yleisölle 28.5. – 27.11.2016. <o:p></o:p></span></div>
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<span style="font-family: "calibri light" , sans-serif; font-size: 13.0pt; line-height: 150%;">Lisätietoja
</span><a href="http://www.casagrandelaboratory.com/"><span style="font-family: "calibri light" , sans-serif; font-size: 13.0pt; line-height: 150%;">www.casagrandelaboratory.com</span></a><span style="font-family: "calibri light" , sans-serif; font-size: 13.0pt; line-height: 150%;"> </span><span style="font-family: "calibri light" , sans-serif; font-size: 13.0pt; line-height: 150%;"> </span><a href="http://casagrandeworks.blogspot.fi/"><span style="font-family: "calibri light" , sans-serif; font-size: 13.0pt; line-height: 150%;">casagrandeworks.blogspot.fi</span></a><span style="font-family: "calibri light" , sans-serif; font-size: 13.0pt; line-height: 150%;"><o:p></o:p></span></div>
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<span lang="EN-GB" style="color: #1a1a1a; font-family: "calibri light" , sans-serif; font-size: 13.0pt; line-height: 150%;">Project
Manager Nikita Wu +358 458 637 370 </span><u><span lang="EN-GB" style="color: #103cc0; font-family: "calibri light" , sans-serif; font-size: 13.0pt; line-height: 150%;">nikita.wu@casagrandelaboratory.com</span></u><span lang="EN-GB" style="color: #1a1a1a; font-family: "calibri light" , sans-serif; font-size: 13.0pt; line-height: 150%;"> <o:p></o:p></span></div>
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<img src="http://arts.columbia.edu/files/soa/content/News/NEWS_VA_Biennale_Logo.jpg" height="234" width="320" /></div>
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<u><span style="font-family: "calibri light" , sans-serif; font-size: 13.0pt; line-height: 150%;">Valokuvia: <o:p></o:p></span></u></div>
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<span style="font-family: "calibri light" , sans-serif; font-size: 13.0pt; line-height: 150%;"><a href="http://apellecasagrande.blogspot.fi/">APELLE</a><o:p></o:p></span></div>
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<span style="font-family: "calibri light" , sans-serif; font-size: 13pt; line-height: 150%;"><a href="https://www.flickr.com/photos/sweetsecret/albums/72157629876509208/with/7261650436/">NOMAD SAUNA </a></span><br />
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Unknownnoreply@blogger.com1tag:blogger.com,1999:blog-4990227540840524753.post-50459944431166493182016-01-18T23:56:00.002-08:002016-01-18T23:59:09.833-08:00MARCO CASAGRANDE: KOLMANNEN SUKUPOLVEN KAUPUNKI - TEOLLISEN KAUPUNGIN RAUNIO<div class="thumbnail" style="background: rgb(238, 238, 238); border: 0px; color: #2c2c2c; font-family: Times, 'Times New Roman', serif; font-size: 12px; height: 333px; line-height: 12px; margin: 0px 0px 10px; outline: 0px; padding: 0px; position: relative; vertical-align: baseline; width: 500px;">
<img alt="Marco Casagrande: Kolmannen sukupolven kaupunki – teollisen kaupungin raunioMarco Casagrande on yksi tunnetuimmista suomalaisista nykyarkkitehdeista, sekä ympäristötaiteilija ja arkkitehtuuriteoreetikko. Casagrande on toiminut vuosina 2004–2009 ekologisen kaupunkisuunnittelun professorina Taiwanissa ja luennoinut yhteensä 25:ssa maassa.Casagranden työ on poikkitieteellistä, ja hän yhdistelee teoksissaan vapaasti elementtejä arkkitehtuurista, ympäristötaiteesta ja kaupunkisuunnittelusta. Casagrande pyrkii kaupunkisuunnittelussaan teollisen kaupungin luonnonmukaiseen restauraatioon ja hän näkee lohdullisina ne prosessit, joissa ihmiset raunioittavat luonnostaan teollisuuskaupunkia. Tällaisia “orgaanisia sosiaalisia keskuksia” ovat esimerkiksi spontaanit kollektiiviset kaupunkiviljelykset ja “anarkistipuutarhat”, joiden kautta ensimmäisen sukupolven kaupunki jälleensyntyy. Kolmannen sukupolven kaupunki on osallistuvaan suunnitteluun perustuva “ihmisräme” tai “orgaaninen kone”; teollisen kaupungin orgaaninen raunio.Casagranden arkkitehtuurin ja taiteen välimaastossa liikkuvia töitä on valittu Venetsian biennaaliin neljä kertaa, ja hän on voittanut Euroopan arkkitehtuuripalkinnon 2013 ja Unescon kestävän arkkitehtuurin palkinnon 2015. Perjantai 15.1. klo 18.00-19.20 Karl Lindahl -sali (1,5. kerros)Kuva: Ville Malja " data-highres="http://36.media.tumblr.com/089c2c020f4eea56387bc1636209b24f/tumblr_o0g2fzvjxW1qexxlqo1_1280.jpg" src="http://41.media.tumblr.com/089c2c020f4eea56387bc1636209b24f/tumblr_o0g2fzvjxW1qexxlqo1_500.jpg" style="background: rgb(119, 119, 119); border: 0px; display: block; font-family: inherit; font-style: inherit; font-weight: inherit; height: auto; margin: 0px auto; max-width: 100%; outline: 0px; padding: 0px; vertical-align: baseline; width: 500px;" /></div>
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<b style="font-size: 16px; letter-spacing: 0.2em; line-height: 18px; margin: 0px 0px 10px; padding-top: 2px; text-transform: uppercase;"><a href="http://www.nufit.fi/post/136625319223/marco-casagrande-kolmannen-sukupolven-kaupunki">MARCO CASAGRANDE: KOLMANNEN SUKUPOLVEN KAUPUNKI – TEOLLISEN KAUPUNGIN RAUNIO</a></b></div>
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Marco Casagrande on yksi tunnetuimmista suomalaisista nykyarkkitehdeista, sekä ympäristötaiteilija ja arkkitehtuuriteoreetikko. Casagrande on toiminut vuosina 2004–2009 ekologisen kaupunkisuunnittelun professorina Taiwanissa ja luennoinut yhteensä 25:ssa maassa.</div>
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Casagranden työ on poikkitieteellistä, ja hän yhdistelee teoksissaan vapaasti elementtejä arkkitehtuurista, ympäristötaiteesta ja kaupunkisuunnittelusta. Casagrande pyrkii kaupunkisuunnittelussaan teollisen kaupungin luonnonmukaiseen restauraatioon ja hän näkee lohdullisina ne prosessit, joissa ihmiset raunioittavat luonnostaan teollisuuskaupunkia. Tällaisia “orgaanisia sosiaalisia keskuksia” ovat esimerkiksi spontaanit kollektiiviset kaupunkiviljelykset ja “anarkistipuutarhat”, joiden kautta ensimmäisen sukupolven kaupunki jälleensyntyy. Kolmannen sukupolven kaupunki on osallistuvaan suunnitteluun perustuva “ihmisräme” tai “orgaaninen kone”; teollisen kaupungin orgaaninen raunio.</div>
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Casagranden arkkitehtuurin ja taiteen välimaastossa liikkuvia töitä on valittu Venetsian biennaaliin neljä kertaa, ja hän on voittanut Euroopan arkkitehtuuripalkinnon 2013 ja Unescon kestävän arkkitehtuurin palkinnon 2015.<i> </i></div>
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<i><b>Perjantai 15.1. klo 18.00-19.20 Karl Lindahl -sali (1,5. kerros)</b></i></div>
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<i>Kuva: Ville Malja </i><br />
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Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-4990227540840524753.post-58546971890866177632016-01-07T04:34:00.002-08:002016-01-13T22:46:43.905-08:00ULTRA-RUIN<div>
<span style="font-size: x-small;">ARKKITEHTI 6/2015 Finnish Architectural Review</span><br />
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<span lang="ES-TRAD" style="font-family: "Myriad Pro"; font-size: 12.0pt; line-height: 200%; mso-ansi-language: ES-TRAD;">teksti | text <b>Marco
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<span style="font-family: Arial, Helvetica, sans-serif;">Architecture gives the commands and architects listen. Actually, nature gives the commands and architecture takes form. An architect is a design shaman who communicates with this reality. Design cannot replace reality or nature. Human control must be opened up in order to let nature step in. Architecture must be ruined. Ruin is when man-made has become part of nature.</span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhxYro4UQPrTcSvYYLcPV2qzSqtSJ1e4yfGzY16e7nAdJER5DLal53X_TGA148Pn8GI0QCgGInJYvfIAe-cdt35W7TFuct7eT5Ris6WRSxxJrnPvJPMEtVb3HwerLVKCPbimBCcWJofahJe/s1600/Ultra+Ruin+by+Marco+Casagrande.jpg" imageanchor="1"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhxYro4UQPrTcSvYYLcPV2qzSqtSJ1e4yfGzY16e7nAdJER5DLal53X_TGA148Pn8GI0QCgGInJYvfIAe-cdt35W7TFuct7eT5Ris6WRSxxJrnPvJPMEtVb3HwerLVKCPbimBCcWJofahJe/s640/Ultra+Ruin+by+Marco+Casagrande.jpg" width="502" /></a></div>
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<span style="font-family: Arial, Helvetica, sans-serif;">Architecture is a site-specific instrument through which the great voice of nature starts to resonate and find form. This great voice is weak and needs great presence, sacrifice and sensitivity to be heard. An architect is one of the sensitive beings to hear this voice and protect the sound. Architecture either is or it isn’t. It cannot be speculated. Architecture is a real reality.</span></div>
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“What really happened to Porcupine?”<br />
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“One day he came back from the Zone and became amazingly rich, amazingly rich. The next week he hanged himself.”<br />
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– Stalker, Andrei Tarkovsky<br />
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<span style="font-family: Verdana, sans-serif;"><br /></span><span style="font-family: Verdana, sans-serif;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhG4Nd5NEw8uaQl_nFR5VEWblI7846gj8D95rDI-QCF5VlNblcCJ-StTIvQcyjpzGNHNOO6xSsY09ngma-YrqRRMTN-VEadug9mMapXHdTcOKsN01iwYLAR7ks8u832LnwyO9URIlSFHF5W/s1600/Ultra-Ruin_model_3_Casagrande+Marco.jpg" imageanchor="1"><img border="0" height="450" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhG4Nd5NEw8uaQl_nFR5VEWblI7846gj8D95rDI-QCF5VlNblcCJ-StTIvQcyjpzGNHNOO6xSsY09ngma-YrqRRMTN-VEadug9mMapXHdTcOKsN01iwYLAR7ks8u832LnwyO9URIlSFHF5W/s640/Ultra-Ruin_model_3_Casagrande+Marco.jpg" width="640" /></a></span><br />
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<span style="font-family: Verdana, sans-serif;"><br /></span><span style="font-family: Verdana, sans-serif;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgLSxXasRSvPo0DUTs7AD9C61yVEtsTcOB1bh4x97Ck0aIk83ZJPU9r7wOaG5KTPMawtHDeoibsyMdM0yyIcxi9av5fE9I-5gXK1_SPNRD3P0dNxSEdXiP3LnRQQ8v39GflVaFg0xeVNaR-/s1600/Ultra-Ruin_model_2_Casagrande.jpg" imageanchor="1"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgLSxXasRSvPo0DUTs7AD9C61yVEtsTcOB1bh4x97Ck0aIk83ZJPU9r7wOaG5KTPMawtHDeoibsyMdM0yyIcxi9av5fE9I-5gXK1_SPNRD3P0dNxSEdXiP3LnRQQ8v39GflVaFg0xeVNaR-/s640/Ultra-Ruin_model_2_Casagrande.jpg" width="426" /></a></span><br />
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<span style="font-family: Arial, Helvetica, sans-serif;">People live in space and this connection can be art, a higher thing than what could be designed. Architecture is an accident, which is a higher thing than human control. In order to understand the accident and to let life run through it, one must be present. To be present is the key of all art. This crack in human control is the acupuncture point through which the organism of architecture can grow. Biourbanism is a city of cracks. Architecture is a mediator between man and nature, connecting human nature with the rest of nature, reality. Architecture is the art of reality.</span></div>
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</span><img height="345" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhQEJq9LQA64E_oTZQgu0Fefd_UdHmuLBn4v149-9uhiR16c0RkZcuX__xVVqjyF7c7JcDZBkrvr7Q56jKctIIQiwB_uyPa9FnaF2oL9jGuqDLLC4MVpBOxleNwVz8cB1ENBzzO8MErsHA/s640/Ultra-Ruin_Facade_Marco+Casagrande.jpg" style="text-align: justify;" width="640" /></div>
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<span style="font-family: Arial, Helvetica, sans-serif;">Ultra-Ruin is a wooden architectural organism growing from the ruins of an abandoned red brick farmhouse in the meeting place of terraced farmlands and the jungle. The weak architecture follows the principles of Open Form and is improvised on the site based on instincts reacting to the presence of jungle, ruin and local knowledge.</span></div>
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<span style="font-family: Verdana, sans-serif;"><br /></span><span style="font-family: Verdana, sans-serif;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjpDFarwhYyr5k2vBP1FBQuRRZXUFxwoCSd-Y7ziw3WIAYGpy1eSZlkd8mQe0F2CU4o1aG9QyfANJ7O102QPkOPNwM-ymsswXJqcvE_j4ZZ0Yz2DIDwOVucH8U54D29C4DtPoaSO6GY2ZCX/s1600/Ultra-Ruin_entry_Casagrande.JPG" imageanchor="1"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjpDFarwhYyr5k2vBP1FBQuRRZXUFxwoCSd-Y7ziw3WIAYGpy1eSZlkd8mQe0F2CU4o1aG9QyfANJ7O102QPkOPNwM-ymsswXJqcvE_j4ZZ0Yz2DIDwOVucH8U54D29C4DtPoaSO6GY2ZCX/s640/Ultra-Ruin_entry_Casagrande.JPG" width="604" /></a></span><br />
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<span style="font-family: Verdana, sans-serif;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj8nCtG-PVwxHxZl-c5TaDA26sOGod_OwFvD3bGlNIAwDVQXrxw88eDpXHbHzmL-cmTGOfcUVdWtzTnbUeu8b_Cao8l0lWSx9E8ARRbPA-ASGGMQuBEtA9iRum4BaxTLIPpvnkMrFOlfdLC/s1600/Ultra-Ruin_stove_Casagrande.JPG" imageanchor="1"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj8nCtG-PVwxHxZl-c5TaDA26sOGod_OwFvD3bGlNIAwDVQXrxw88eDpXHbHzmL-cmTGOfcUVdWtzTnbUeu8b_Cao8l0lWSx9E8ARRbPA-ASGGMQuBEtA9iRum4BaxTLIPpvnkMrFOlfdLC/s640/Ultra-Ruin_stove_Casagrande.JPG" width="474" /></a></span><br />
<span style="font-family: Verdana, sans-serif;"><br /></span><span style="font-family: Verdana, sans-serif;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjGgdEGXcCCiCxlMmCRJgGD0OEeAYocMmEEY_-7KUSinv2KyKxyOIn7F_Zcg0Bxg6FqqlCrXdawaTkb67CC-Kk_eDkMEsHIHXcPJM7CmDQIXB7of05Lm0XIVZF46r5k6p2VNdKL8baZBRTp/s1600/Ultra-Ruin_detail+1_Casagrande.jpg" imageanchor="1"><img border="0" height="426" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjGgdEGXcCCiCxlMmCRJgGD0OEeAYocMmEEY_-7KUSinv2KyKxyOIn7F_Zcg0Bxg6FqqlCrXdawaTkb67CC-Kk_eDkMEsHIHXcPJM7CmDQIXB7of05Lm0XIVZF46r5k6p2VNdKL8baZBRTp/s640/Ultra-Ruin_detail+1_Casagrande.jpg" width="640" /></a></span><br />
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<span style="font-family: Arial, Helvetica, sans-serif;">The complex has a variety of multi-functional spaces and platforms that can be activated for different living functions as well as meditation. The spatial continuity between interior and exterior spaces is flexible – the inside is also outside and the jungle is in the house. Ultra-Ruin is an architectural instrument played by nature including human nature. The main user is a private family, but occasionally the space is opened up for larger meetings.</span></div>
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<tr><td><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhPrtsLsKhjnuE7vugQ5skGRagXZNw7CM6nQ6eSwuIlruJ-zHypimdvD1CRPk_bOM2Cr6s3jR1y5upQBVQlfvSyeHjgoPkznW1Stym3-syRF1nqHFs6eHdX9xSGD3a_ycAePvcqsKQcxKAU/s1600/Ultra-Ruin_Floor+plan_Marco+Casagrande.png" imageanchor="1" style="margin-left: auto; margin-right: auto;"><span style="font-family: Arial, Helvetica, sans-serif;"><img border="0" height="452" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhPrtsLsKhjnuE7vugQ5skGRagXZNw7CM6nQ6eSwuIlruJ-zHypimdvD1CRPk_bOM2Cr6s3jR1y5upQBVQlfvSyeHjgoPkznW1Stym3-syRF1nqHFs6eHdX9xSGD3a_ycAePvcqsKQcxKAU/s640/Ultra-Ruin_Floor+plan_Marco+Casagrande.png" width="640" /></span></a></td></tr>
<tr><td class="tr-caption" style="font-size: 12.8px;"><span style="font-family: Arial, Helvetica, sans-serif;"><span style="color: red;">a</span> - lower deck, <span style="color: red;">b</span> - courtyard, <span style="color: red;">c</span> - loft, <span style="color: red;">d</span> - hall, <span style="color: red;">e</span> - kitchen, <span style="background-color: white;"><span style="color: red;">f</span></span> - sauna,<span style="color: red;"> g</span> - pool, <span style="color: red;">h</span> - tower</span></td></tr>
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<span style="font-family: Arial, Helvetica, sans-serif;">Ultra-Ruin is more of an organic accident than based on industrial control. Architectural control has been opened up in order to let nature step in and human error take place. Architecture is not an independent language and architecture is not talking alone. Architecture needs nature to become part of nature. Ultra-Ruin is a post-ruin condition, where the human has come back to the ruin-house and shares the same space with the jungle.</span></div>
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<span style="font-family: Verdana, sans-serif;"><br /></span><span style="font-family: Verdana, sans-serif;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjRpYDGJp1wDP5rrVr_2C5TyF6iQWG_aPawIojYWkh7pqJlw0OQ7z-L-scK9Ig0jJJOVSLKWIV3XnSOgIIyWpcFB0Za5R60T_Juk0-Mt4I8E0nVi1YqU08KyuH31qGC3IDENvjbTWLtGUsl/s1600/Marco+Casagrande+%2540+Ultra-Ruin.jpg" imageanchor="1"><img border="0" height="424" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjRpYDGJp1wDP5rrVr_2C5TyF6iQWG_aPawIojYWkh7pqJlw0OQ7z-L-scK9Ig0jJJOVSLKWIV3XnSOgIIyWpcFB0Za5R60T_Juk0-Mt4I8E0nVi1YqU08KyuH31qGC3IDENvjbTWLtGUsl/s640/Marco+Casagrande+%2540+Ultra-Ruin.jpg" width="640" /></a></span></div>
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<span style="font-family: Verdana, sans-serif;"><br /></span><span style="font-family: Verdana, sans-serif;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiPnln0oML3cM-FRHEPWiDNUYs3F-WUspbkvC_YsuEDO_6AVEXOjsTmPozZ_xcMo0dKlZDfeq0d1QKUCv-SfU_VuJle3NCEMWMNE1sb1jwchiI5IO1KOv7ayiknEh5q40v3fJEs0ZlryXot/s1600/Ultra-Ruin_kitchen_Casagrande.JPG" imageanchor="1"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiPnln0oML3cM-FRHEPWiDNUYs3F-WUspbkvC_YsuEDO_6AVEXOjsTmPozZ_xcMo0dKlZDfeq0d1QKUCv-SfU_VuJle3NCEMWMNE1sb1jwchiI5IO1KOv7ayiknEh5q40v3fJEs0ZlryXot/s640/Ultra-Ruin_kitchen_Casagrande.JPG" width="474" /></a></span><br />
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<span style="font-family: Arial, Helvetica, sans-serif;">Ultra-Ruin has been developed since 2009 in close and still ongoing dialog with the client. The first architectural reaction was to build a table around which we could talk, then to build a shelter for this table. The rest of Ultra-Ruin has grown up around this initial impact. We still keep talking and Ultra-Ruin keeps growing as an open form. </span><span style="font-family: Verdana, sans-serif;"><span style="color: red;"><b><i>ark</i></b></span></span><br />
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<b><span lang="EN-US" style="font-family: "Myriad Pro"; font-size: 12.0pt; line-height: 200%; mso-ansi-language: EN-US;">asuintalo |
private house<o:p></o:p></span></b></div>
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<span lang="EN-US" style="font-family: "Myriad Pro"; font-size: 12.0pt; line-height: 200%; mso-ansi-language: EN-US;">arkkitehdit | architects <b>Marco Casagrande</b><o:p></o:p></span></div>
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<span lang="EN-US" style="font-family: "Myriad Pro"; font-size: 12.0pt; line-height: 200%; mso-ansi-language: EN-US;">osoite | address <b>Yangming
Mountain, Taipei, Taiwan</b><o:p></o:p></span></div>
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<span style="font-family: "Myriad Pro"; font-size: 12.0pt; line-height: 200%; mso-ansi-language: FI;">laajuus | gross area <b>210 m<sup>2</sup>
+<sup> </sup>520 m<sup>2</sup></b> (terassit | terraces)<sup><o:p></o:p></sup></span></div>
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<span style="font-family: "Myriad Pro"; font-size: 12.0pt; line-height: 200%; mso-ansi-language: FI;">valmistuminen | completion <b>2013</b><o:p></o:p></span></div>
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<span style="color: red;"><br /></span><span style="color: red;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjoXCnZYLN6g5zlqz09GS5JWu26zekvi57cMx03wojrg5-0REH0ASmQoiXcv6Li1uQmxjTK0YhRhkglDwyTybPQuKZnAoGUwCsdOlmSgXjKUHczqRtUUu6ZxXZjDKjxPPI2haFmE1zpLEnb/s1600/Ultra-Ruin_loft+deck_Casagrande.JPG" imageanchor="1"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjoXCnZYLN6g5zlqz09GS5JWu26zekvi57cMx03wojrg5-0REH0ASmQoiXcv6Li1uQmxjTK0YhRhkglDwyTybPQuKZnAoGUwCsdOlmSgXjKUHczqRtUUu6ZxXZjDKjxPPI2haFmE1zpLEnb/s640/Ultra-Ruin_loft+deck_Casagrande.JPG" width="520" /></a></span></div>
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Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-4990227540840524753.post-71769643487368866312015-12-28T06:04:00.001-08:002015-12-30T03:51:10.554-08:00ULTRA-RUIN<div>
<span style="font-size: x-small;">ARKKITEHTI 6/2015</span></div>
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<span style="font-size: x-small;">VALOKUVAT <b>ADDA ZEI</b></span></div>
<span style="font-size: x-small;">TEKSTI <b>MARCO CASAGRANDE</b></span><br />
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<span style="font-family: Verdana, sans-serif;"><b><i>Arkkitehtuuri puhuu</i></b> ja arkkitehdit kuuntelevat. Itse asiassa luonto puhuu, ja arkkitehtuuri hakee siitä muotonsa. Arkkitehti on suunnittelija-shamaani, välittäjä tähän todellisuuteen. Suunnittelu ei voi korvata todellisuutta, luontoa. Inhimillinen kontrolli täytyy avata, jotta luonto voi astua sisään. Arkkitehtuuri pitää raunioittaa. Raunioituminen tapahtuu, kun ihmisen luoma muuttuu osaksi luontoa.</span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhxYro4UQPrTcSvYYLcPV2qzSqtSJ1e4yfGzY16e7nAdJER5DLal53X_TGA148Pn8GI0QCgGInJYvfIAe-cdt35W7TFuct7eT5Ris6WRSxxJrnPvJPMEtVb3HwerLVKCPbimBCcWJofahJe/s1600/Ultra+Ruin+by+Marco+Casagrande.jpg" imageanchor="1"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhxYro4UQPrTcSvYYLcPV2qzSqtSJ1e4yfGzY16e7nAdJER5DLal53X_TGA148Pn8GI0QCgGInJYvfIAe-cdt35W7TFuct7eT5Ris6WRSxxJrnPvJPMEtVb3HwerLVKCPbimBCcWJofahJe/s640/Ultra+Ruin+by+Marco+Casagrande.jpg" width="502" /></a></div>
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<span style="font-family: Verdana, sans-serif;">Arkkitehtuuri on paikkaan sidottu instrumentti, jossa tilan ääni saa kaikupohjan ja jonka kautta se saa muodon. Arkkitehtuurin oma ääni on hento, ja tullakseen kuulluksi se tarvitsee vahvaa läsnäoloa, herkkyyttä ja uhrauksia. Arkkitehti on yksi niistä herkistä olennoista, jotka kuulevat tämän äänen ja osaavat vaalia sen sointia. Arkkitehtuuri joko on tai se ei ole. Sitä ei voi spekuloida. Arkkitehtuuri on todellinen todellisuus. </span></div>
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<span style="color: #20124d; font-family: Verdana, sans-serif;">”Mitä Piikkisialle oikein tapahtui?” </span></div>
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<span style="font-family: Verdana, sans-serif;"><span style="color: #20124d;">”Yhtenä päivänä hän palasi <i>vyöhykkeeltä</i> ja tuli valtavan rikkaaksi, valtavan rikkaaksi. Seuraavalla viikolla hän hirtti itsensä.” </span></span><br />
<span style="font-family: Verdana, sans-serif;">– <i>Stalker</i>, Andrei Tarkovski</span><br />
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<span style="font-family: Verdana, sans-serif;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhG4Nd5NEw8uaQl_nFR5VEWblI7846gj8D95rDI-QCF5VlNblcCJ-StTIvQcyjpzGNHNOO6xSsY09ngma-YrqRRMTN-VEadug9mMapXHdTcOKsN01iwYLAR7ks8u832LnwyO9URIlSFHF5W/s1600/Ultra-Ruin_model_3_Casagrande+Marco.jpg" imageanchor="1"><img border="0" height="450" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhG4Nd5NEw8uaQl_nFR5VEWblI7846gj8D95rDI-QCF5VlNblcCJ-StTIvQcyjpzGNHNOO6xSsY09ngma-YrqRRMTN-VEadug9mMapXHdTcOKsN01iwYLAR7ks8u832LnwyO9URIlSFHF5W/s640/Ultra-Ruin_model_3_Casagrande+Marco.jpg" width="640" /></a></span><br />
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<span style="font-family: Verdana, sans-serif;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgLSxXasRSvPo0DUTs7AD9C61yVEtsTcOB1bh4x97Ck0aIk83ZJPU9r7wOaG5KTPMawtHDeoibsyMdM0yyIcxi9av5fE9I-5gXK1_SPNRD3P0dNxSEdXiP3LnRQQ8v39GflVaFg0xeVNaR-/s1600/Ultra-Ruin_model_2_Casagrande.jpg" imageanchor="1"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgLSxXasRSvPo0DUTs7AD9C61yVEtsTcOB1bh4x97Ck0aIk83ZJPU9r7wOaG5KTPMawtHDeoibsyMdM0yyIcxi9av5fE9I-5gXK1_SPNRD3P0dNxSEdXiP3LnRQQ8v39GflVaFg0xeVNaR-/s640/Ultra-Ruin_model_2_Casagrande.jpg" width="426" /></a></span><br />
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<span style="font-family: Verdana, sans-serif;">Ihmiset elävät tilassa, ja tämä yhteys voi olla taidetta, jotain sellaista, mitä ei voi suunnitella. Arkkitehtuuri on sattuma, eikä se ole ihmisen hallittavissa. Ymmärtääkseen sattuman ja päästääkseen elämän virtaamaan sen läpi ihmisen täytyy olla läsnä. Läsnäolo on kaiken taiteen ydin. Tämä särö ihmisen hallinnassa on akupunktiopiste, jonka kautta arkkitehtuurin organismi voi kasvaa. Biourbanismi on säröjen kaupunki. Arkkitehtuuri on ihmisen ja luonnon välinen välittäjä, joka yhdistää ihmisluonnon muuhun luontoon, todellisuuteen. Arkkitehtuuri on todellisuuden taidetta.</span><br />
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<img height="345" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhQEJq9LQA64E_oTZQgu0Fefd_UdHmuLBn4v149-9uhiR16c0RkZcuX__xVVqjyF7c7JcDZBkrvr7Q56jKctIIQiwB_uyPa9FnaF2oL9jGuqDLLC4MVpBOxleNwVz8cB1ENBzzO8MErsHA/s640/Ultra-Ruin_Facade_Marco+Casagrande.jpg" width="640" /></div>
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<span style="font-family: Verdana, sans-serif;">Ultra-Ruin on puusta tehty arkkitehtuuriorganismi, joka kasvaa hylätyn punatiilisen maalaistalon raunioista paikassa, jossa pengerretyt viljelysmaat kohtaavat viidakon. Heiveröinen arkkitehtuuri noudattaa avoimen muodon periaatteita, ja se on improvisoitu paikan päällä, reagoimalla vaistonvaraisesti viidakkoon, raunioihin ja paikallistietoon.</span></div>
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<span style="font-family: Verdana, sans-serif;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjpDFarwhYyr5k2vBP1FBQuRRZXUFxwoCSd-Y7ziw3WIAYGpy1eSZlkd8mQe0F2CU4o1aG9QyfANJ7O102QPkOPNwM-ymsswXJqcvE_j4ZZ0Yz2DIDwOVucH8U54D29C4DtPoaSO6GY2ZCX/s1600/Ultra-Ruin_entry_Casagrande.JPG" imageanchor="1"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjpDFarwhYyr5k2vBP1FBQuRRZXUFxwoCSd-Y7ziw3WIAYGpy1eSZlkd8mQe0F2CU4o1aG9QyfANJ7O102QPkOPNwM-ymsswXJqcvE_j4ZZ0Yz2DIDwOVucH8U54D29C4DtPoaSO6GY2ZCX/s640/Ultra-Ruin_entry_Casagrande.JPG" width="604" /></a></span><br />
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<span style="font-family: Verdana, sans-serif;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj8nCtG-PVwxHxZl-c5TaDA26sOGod_OwFvD3bGlNIAwDVQXrxw88eDpXHbHzmL-cmTGOfcUVdWtzTnbUeu8b_Cao8l0lWSx9E8ARRbPA-ASGGMQuBEtA9iRum4BaxTLIPpvnkMrFOlfdLC/s1600/Ultra-Ruin_stove_Casagrande.JPG" imageanchor="1"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj8nCtG-PVwxHxZl-c5TaDA26sOGod_OwFvD3bGlNIAwDVQXrxw88eDpXHbHzmL-cmTGOfcUVdWtzTnbUeu8b_Cao8l0lWSx9E8ARRbPA-ASGGMQuBEtA9iRum4BaxTLIPpvnkMrFOlfdLC/s640/Ultra-Ruin_stove_Casagrande.JPG" width="474" /></a></span><br />
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<span style="font-family: Verdana, sans-serif;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjGgdEGXcCCiCxlMmCRJgGD0OEeAYocMmEEY_-7KUSinv2KyKxyOIn7F_Zcg0Bxg6FqqlCrXdawaTkb67CC-Kk_eDkMEsHIHXcPJM7CmDQIXB7of05Lm0XIVZF46r5k6p2VNdKL8baZBRTp/s1600/Ultra-Ruin_detail+1_Casagrande.jpg" imageanchor="1"><img border="0" height="426" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjGgdEGXcCCiCxlMmCRJgGD0OEeAYocMmEEY_-7KUSinv2KyKxyOIn7F_Zcg0Bxg6FqqlCrXdawaTkb67CC-Kk_eDkMEsHIHXcPJM7CmDQIXB7of05Lm0XIVZF46r5k6p2VNdKL8baZBRTp/s640/Ultra-Ruin_detail+1_Casagrande.jpg" width="640" /></a></span><br />
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<span style="font-family: Verdana, sans-serif;">Kokonaisuuteen kuuluu useita monikäyttöisiä tiloja ja tasoja, joita voidaan käyttää elämisen erilaisiin toimintoihin tai meditaatioon. Ulko- ja sisätilojen jatkumo on joustava – ulkonakin on sisätilaa ja viidakko on sisällä talossa. Ultra-Ruin on arkkitehtoninen instrumentti, jota luonto – myös ihmisluonto – soittaa. Rakennus on pääasiallisesti yhden perheen yksityiskäytössä, mutta toisinaan siellä järjestetään laajempia kokoontumisia.</span></div>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhPrtsLsKhjnuE7vugQ5skGRagXZNw7CM6nQ6eSwuIlruJ-zHypimdvD1CRPk_bOM2Cr6s3jR1y5upQBVQlfvSyeHjgoPkznW1Stym3-syRF1nqHFs6eHdX9xSGD3a_ycAePvcqsKQcxKAU/s1600/Ultra-Ruin_Floor+plan_Marco+Casagrande.png" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="452" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhPrtsLsKhjnuE7vugQ5skGRagXZNw7CM6nQ6eSwuIlruJ-zHypimdvD1CRPk_bOM2Cr6s3jR1y5upQBVQlfvSyeHjgoPkznW1Stym3-syRF1nqHFs6eHdX9xSGD3a_ycAePvcqsKQcxKAU/s640/Ultra-Ruin_Floor+plan_Marco+Casagrande.png" width="640" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="color: red;">a</span> - lower deck, <span style="color: red;">b</span> - courtyard, <span style="color: red;">c</span> - loft, <span style="color: red;">d</span> - hall, <span style="color: red;">e</span> - kitchen, <span style="background-color: white;"><span style="color: red;">f</span></span> - sauna,<span style="color: red;"> g</span> - pool, <span style="color: red;">h</span> - tower</td></tr>
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<span style="font-family: Verdana, sans-serif;">Ultra-Ruin perustuu pikemminkin orgaaniseen sattumaan kuin teolliseen hallintaan. Arkkitehtoninen kontrolli on avattu, jotta luonto voi astua sisään ja inhimillisiä erehdyksiä voi tapahtua. Arkkitehtuuri ei ole itsenäinen kieli, eikä se myöskään puhu yksin. Arkkitehtuuri tarvitsee luontoa tullakseen osaksi luontoa. Ultra-Ruin edustaa raunioitumisen jälkeistä tilaa, jossa ihminen on palannut rauniotaloon ja jakaa tilan viidakon kanssa. </span><br />
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<span style="font-family: Verdana, sans-serif;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjRpYDGJp1wDP5rrVr_2C5TyF6iQWG_aPawIojYWkh7pqJlw0OQ7z-L-scK9Ig0jJJOVSLKWIV3XnSOgIIyWpcFB0Za5R60T_Juk0-Mt4I8E0nVi1YqU08KyuH31qGC3IDENvjbTWLtGUsl/s1600/Marco+Casagrande+%2540+Ultra-Ruin.jpg" imageanchor="1"><img border="0" height="424" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjRpYDGJp1wDP5rrVr_2C5TyF6iQWG_aPawIojYWkh7pqJlw0OQ7z-L-scK9Ig0jJJOVSLKWIV3XnSOgIIyWpcFB0Za5R60T_Juk0-Mt4I8E0nVi1YqU08KyuH31qGC3IDENvjbTWLtGUsl/s640/Marco+Casagrande+%2540+Ultra-Ruin.jpg" width="640" /></a></span></div>
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<span style="font-family: Verdana, sans-serif;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjTqGZ2I9K62lFL6ytvXRtI4y2q8YZ5wP0oUxwBkOiHLTfE8CHYGlZc4qvBNDt5pSzomBTBWMGQiVCt33XuyiG1OcVUYtRvR4JGGtRQVxjIHJZMUTpsz3Hif1sLCipaJ26YZfQyBBqJkdFk/s1600/Ultra-Ruin_sauna+and+tower_Casagrande.JPG" imageanchor="1"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjTqGZ2I9K62lFL6ytvXRtI4y2q8YZ5wP0oUxwBkOiHLTfE8CHYGlZc4qvBNDt5pSzomBTBWMGQiVCt33XuyiG1OcVUYtRvR4JGGtRQVxjIHJZMUTpsz3Hif1sLCipaJ26YZfQyBBqJkdFk/s640/Ultra-Ruin_sauna+and+tower_Casagrande.JPG" width="472" /></a></span><br />
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<span style="font-family: Verdana, sans-serif;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiPnln0oML3cM-FRHEPWiDNUYs3F-WUspbkvC_YsuEDO_6AVEXOjsTmPozZ_xcMo0dKlZDfeq0d1QKUCv-SfU_VuJle3NCEMWMNE1sb1jwchiI5IO1KOv7ayiknEh5q40v3fJEs0ZlryXot/s1600/Ultra-Ruin_kitchen_Casagrande.JPG" imageanchor="1"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiPnln0oML3cM-FRHEPWiDNUYs3F-WUspbkvC_YsuEDO_6AVEXOjsTmPozZ_xcMo0dKlZDfeq0d1QKUCv-SfU_VuJle3NCEMWMNE1sb1jwchiI5IO1KOv7ayiknEh5q40v3fJEs0ZlryXot/s640/Ultra-Ruin_kitchen_Casagrande.JPG" width="474" /></a></span><br />
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<span style="font-family: Verdana, sans-serif;">Ultra-Ruin on kehittynyt vuodesta 2009 alkaen arkkitehdin ja asiakkaan läheisessä yhteistyössä, ja tämä yhteistyö jatkuu edelleen. Ensimmäinen arkkitehtoninen reaktio suunnittelutyöhön oli rakentaa pöytä, jonka ympärillä voitiin keskustella. Seuraavaksi rakennettiin suoja pöydän päälle. Tämän ympärille Ultra-Ruin on kehittynyt. Keskustelut jatkuvat, ja niin jatkuu myös Ultra-Ruinin kehitys avoimena muotona. <span style="color: red;"><b><i>ark</i></b></span></span><br />
<br /></div>
<div>
<span style="color: red;">asuintalo</span></div>
<div>
<span style="color: red;">Marco Casagrande</span></div>
<div>
<span style="color: red;">Yangmingshanin kansallispuisto, Taipei, Taiwan</span></div>
<div>
<span style="color: red;">210 m2 + 520 m2 (terassit)</span></div>
<div>
<span style="color: red;">2013</span><br />
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<span style="color: red;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjB2XAgiTmIbIQp5wb2lz6XrXhBIyOUo5Y0w5R2OK8jjiREA5sktCz-J0Rzi_1AhT8X2ihjOgXnCE-A0vkDiZWLF4AoTWLHyYoqb9Yj7GhpqYViXEx4ZZcXqr3kn0dbAVEoRUffxmhE-0th/s1600/Ultra-Ruin_dinner+table_Casagrande.JPG" imageanchor="1"><img border="0" height="268" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjB2XAgiTmIbIQp5wb2lz6XrXhBIyOUo5Y0w5R2OK8jjiREA5sktCz-J0Rzi_1AhT8X2ihjOgXnCE-A0vkDiZWLF4AoTWLHyYoqb9Yj7GhpqYViXEx4ZZcXqr3kn0dbAVEoRUffxmhE-0th/s640/Ultra-Ruin_dinner+table_Casagrande.JPG" width="640" /></a></span><br />
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<span style="color: red;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjoXCnZYLN6g5zlqz09GS5JWu26zekvi57cMx03wojrg5-0REH0ASmQoiXcv6Li1uQmxjTK0YhRhkglDwyTybPQuKZnAoGUwCsdOlmSgXjKUHczqRtUUu6ZxXZjDKjxPPI2haFmE1zpLEnb/s1600/Ultra-Ruin_loft+deck_Casagrande.JPG" imageanchor="1"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjoXCnZYLN6g5zlqz09GS5JWu26zekvi57cMx03wojrg5-0REH0ASmQoiXcv6Li1uQmxjTK0YhRhkglDwyTybPQuKZnAoGUwCsdOlmSgXjKUHczqRtUUu6ZxXZjDKjxPPI2haFmE1zpLEnb/s640/Ultra-Ruin_loft+deck_Casagrande.JPG" width="520" /></a></span></div>
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<a href="https://www.safa.fi/cache/eb073a00b108a03c2e1ed800ff19eedc.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://www.safa.fi/cache/eb073a00b108a03c2e1ed800ff19eedc.jpg" /></a></div>
<span style="color: red;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgykdyX7_Oj5LPBMPJc5ouT7zwkC7negP7sqPs2Doj17SUZDECwqqsdEqCZ9e9T48gkhQ0Ro0o2RG6WE3A82XTE7BZsZ0WBaoGmdgH_S7jVEpw0c3SobrnBcJTVqcJ16kCjCiZnPk6qN5bC/s1600/Ultra-Ruin_roof+of+kitchen_Casagrande.jpg" imageanchor="1"><img border="0" height="426" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgykdyX7_Oj5LPBMPJc5ouT7zwkC7negP7sqPs2Doj17SUZDECwqqsdEqCZ9e9T48gkhQ0Ro0o2RG6WE3A82XTE7BZsZ0WBaoGmdgH_S7jVEpw0c3SobrnBcJTVqcJ16kCjCiZnPk6qN5bC/s640/Ultra-Ruin_roof+of+kitchen_Casagrande.jpg" width="640" /></a></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg_wgKUtOQjYRn7yUS8gNesM1_B_dE32iOkkQJ9Pj-wnDQZ24zyp5f7NLveOmJgL4CZgLU43JQpNokXUah9mfqozfbzWI_D_PAu8YHG9EBmOKJjggDJLc-7F2GoaEnHhONnVUr_prvWh34I/s1600/Ultra-Ruin_jungle_Casagrande.jpg" imageanchor="1"><img border="0" height="426" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg_wgKUtOQjYRn7yUS8gNesM1_B_dE32iOkkQJ9Pj-wnDQZ24zyp5f7NLveOmJgL4CZgLU43JQpNokXUah9mfqozfbzWI_D_PAu8YHG9EBmOKJjggDJLc-7F2GoaEnHhONnVUr_prvWh34I/s640/Ultra-Ruin_jungle_Casagrande.jpg" width="640" /></a></div>
Unknownnoreply@blogger.com1tag:blogger.com,1999:blog-4990227540840524753.post-56273969632532179752015-11-26T00:34:00.002-08:002015-11-26T07:38:16.425-08:00Marco Casagrande: Architecture must be pliant and weak like a willow<div class="MsoNormal" style="line-height: 150%; text-align: justify;">
<span lang="EN-GB"><i>Published in the MAJA Estonian architectural review 3-2015</i></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgxnUxI1TLrDxz84QPQ4OStpwhAbrIb3r0njT-B-nipCZbCqfJYeFpJG-BSzxI3wXNk56j0gQJuCa6lgO2eaBwHPOtLSk40l765buVwyKf49e1dMCJUylr7glwruKD8LDs0JuPU0O0zFA4m/s1600/Marco+Casagrande.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgxnUxI1TLrDxz84QPQ4OStpwhAbrIb3r0njT-B-nipCZbCqfJYeFpJG-BSzxI3wXNk56j0gQJuCa6lgO2eaBwHPOtLSk40l765buVwyKf49e1dMCJUylr7glwruKD8LDs0JuPU0O0zFA4m/s640/Marco+Casagrande.jpg" width="470" /></a></div>
<b><span lang="EN-GB"><br /></span></b></div>
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<b><span lang="EN-GB">Finnish architect and environmental artist Marco Casagrande participated in Tallinn Architecture Biennale with his experimental project "Paracity". A few months before the biennale he had a conversation with the chairman of Estonian Centre of Architecture Raul Järg.</span></b></div>
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<b><span lang="EN-GB"><br /></span></b></div>
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<b><span lang="EN-GB">At first I would like
to ask you about the beginning of your career. You said that the architect
inside you committed hara-kiri. How did you become an environmental artist?<o:p></o:p></span></b></div>
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<b><span lang="EN-GB"><br /></span></b></div>
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<span lang="EN-GB">During my studies I had built so much belief in architecture that I somehow
could not separate the idea of architecture and the architect. I saw them as
one thing. When we set up the office and started working with clients, I
thought that everybody would have the same idea about architecture – how great
architecture is and how much it has to offer. I thought that the client would
be totally aware of this and that they would come to have an architect help them
with the processes so that these ideas could become true. But it was not like
that at all. The clients were used to thinking that the architect is a tool,
the guy who gets the permission, who makes the city allow them to do what they
want to do. But that has nothing to do with architecture. They call it development,
but usually it’s a kind of building pollution. Architects work together with
money and so this bad development happens. And we were part of that. I started
feeling sick of betraying my own dreams and beliefs so fast that in half a year
I had become everything I always hated and then I wanted to kill this person. <o:p></o:p></span></div>
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<span lang="EN-GB"><br /></span></div>
<div class="MsoNormal" style="line-height: 150%; text-align: justify;">
<b><span lang="EN-GB">How did you do it?<o:p></o:p></span></b></div>
<div class="MsoNormal" style="line-height: 150%; text-align: justify;">
<b><span lang="EN-GB"><br /></span></b></div>
<div class="MsoNormal" style="line-height: 150%; text-align: justify;">
<span lang="EN-GB">Now looking back it seems that I never lost my belief in architecture
but only in the architect. Together with my friend Sami Rintala, with whom I
was working at that time, we decided that we will do it in a very graceful way,
honoring the big idea of architecture. In Japan this kind of suicide is called
hara-kiri. So we tried to commit architectural hara-kiri. We put the little
money that we owned into one project and decided that in this case there will
be nobody else telling us what to do. We had to be the client to ourselves, make
the design, get the permission and build it. Step by step we completed our
first big architectural scale landscape installation in Savonlinna. It is
amazing how much people believed in us. The construction workers were our
friends; they volunteered to come in for weeks. The city gave permission immediately.
There was no business, no speculations – people just helped us. It touched them
and that was a big surprise for us. Then we did this big work and actually
burnt it at the end – which was the hara-kiri. I guess some sort of honesty was
so much around that this started our career.<o:p></o:p></span></div>
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<span lang="EN-GB"><br /></span>
<br />
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEinpjW4P9DwFNACM97edONOrl-EMaQOJHqLSNkEsQbVRey8Nufd3nAwwjU86yUa19f_NIG7RGwzJojqmS1rEWmKvL96EFXmcVLxUmNW_ZcnYFYZEGl6kMwU9i1psGG_amMF5nlt4vKj6dZX/s1600/Land%2528e%2529scape+by+Marco+Casagrande+and+Sami+Rintala.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEinpjW4P9DwFNACM97edONOrl-EMaQOJHqLSNkEsQbVRey8Nufd3nAwwjU86yUa19f_NIG7RGwzJojqmS1rEWmKvL96EFXmcVLxUmNW_ZcnYFYZEGl6kMwU9i1psGG_amMF5nlt4vKj6dZX/s640/Land%2528e%2529scape+by+Marco+Casagrande+and+Sami+Rintala.jpg" width="640" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><i>Land(e)scape by Casagrande & Rintala, Savonlinna, Finland 1999</i></td></tr>
</tbody></table>
<span lang="EN-GB"><br /></span>
<b style="line-height: 150%;"><span lang="EN-GB">You started to get
invitations from different places.</span></b></div>
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<b><span lang="EN-GB"><br /></span></b></div>
<div class="MsoNormal" style="line-height: 150%; text-align: justify;">
<span lang="EN-GB">Yes, and from places we were not even aware of. And that there were other
layers in the architectural world, like biennales, magazines, some organizations
that were actually working with the core of architecture. And it is pretty much
the same idea we had in university. <o:p></o:p></span></div>
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<span lang="EN-GB"><br /></span></div>
<div class="MsoNormal" style="line-height: 150%; text-align: justify;">
<b><span lang="EN-GB">You have done very
different kinds of projects and art projects. What would you like to bring out
yourself?<o:p></o:p></span></b></div>
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<b><span lang="EN-GB"><br /></span></b></div>
<div class="MsoNormal" style="line-height: 150%; text-align: justify;">
<span lang="EN-GB">I have done maybe about 70 projects since 1999. Many of them are just opportunities
that arose somewhere. Most of the cases are not financed. Those aren’t commissions
in a sense that you are invited, how many square meters are needed, what is the
budget and time-frame. They are more like opportunities where something good can
be done. Sometimes I see an opportunity and have to find a client for myself –
make someone else see this opportunity. Sometimes it’s like a Trojan horse – I’m
doing something for the client, who is maybe even paying for it and getting
what he wants, but besides that I’m doing something else too and that’s the
real work. Sometimes the strategy works two ways. If the city doesn’t want to
risk too much and commission me to do the real work, they ask me to do
something else. And they know that I’m doing the "real" work too. If
it becomes politically too risky for them, they will talk about only the work
that they commissioned. But when the "real" work becomes good, they
focus on it. Like in Treasure Hill. <o:p></o:p></span></div>
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<span lang="EN-GB"><br /></span></div>
<div class="MsoNormal" style="line-height: 150%; text-align: justify;">
<b><span lang="EN-GB">Can you tell me some more
about this project?<o:p></o:p></span></b></div>
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<b><span lang="EN-GB"><br /></span></b></div>
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<span lang="EN-GB">With Treasure Hill, I realized how windy the power structures are. Reality
is total and it cannot be speculated. But when you deal with fictional power,
it is always based on speculations. The city government had started destroying
Treasure Hill, but when we started the counteraction and gained so much
publicity that it started to gain political momentum, the same politicians
changed completely. They saw that they can use it for their own good. If at the
beginning they were 100% against Treasure Hill and wanted to destroy it, then
after 3 weeks they forgot this completely. Before I used to think that destruction
and construction are on opposite sides of an axis, but it’s more like a circle
that is made up of both destruction and construction. <o:p></o:p></span><br />
<span lang="EN-GB"><br /></span>
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<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgGNm9tcTTq-oJIf-9PW77p_e4jRZgUdps_qzIrt7vveukkVKw3InbqZbaGWZa8VgzrKVoUuv-0ZC-iFUNCbTl9rt4vlCLzinwaVOf0REgASwASV31ngV9metQQBNUq2kZcjhOspYvPkdKp/s1600/Treasure+Hill_Marco+Casagrande_Taipei.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="334" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgGNm9tcTTq-oJIf-9PW77p_e4jRZgUdps_qzIrt7vveukkVKw3InbqZbaGWZa8VgzrKVoUuv-0ZC-iFUNCbTl9rt4vlCLzinwaVOf0REgASwASV31ngV9metQQBNUq2kZcjhOspYvPkdKp/s640/Treasure+Hill_Marco+Casagrande_Taipei.jpg" width="640" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><i>Treasure Hill in Taipei</i></td></tr>
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<span lang="EN-GB"><br /></span></div>
<div class="MsoNormal" style="line-height: 150%; text-align: justify;">
<b style="line-height: 150%;"><span lang="EN-GB">Was the name of the
place also Treasure Hill before?</span></b></div>
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<b><span lang="EN-GB"><br /></span></b></div>
<div class="MsoNormal" style="line-height: 150%; text-align: justify;">
<span lang="EN-GB">Yes, it was Treasure Hill. It used to be an anti-aircraft position for
the Japanese army. After WW II, when Kuomintang was retreating from
mainland China to Taiwan, they took over the Japanese army positions and
Treasure Hill was one of those. When Kuomintang’s soldiers came to Treasure
Hill there had already been civil war in China for 25 years. It’s a very long
time. Then they came there, put up their anti-aircraft guns and were waiting
for the Maoist planes from mainland China that never came. So it was boring.
Then they started to find wives in Taiwan, got married and had children. The wives
started complaining that living in the bunkers was ridiculous. So they started
to decorate the bunkers and build houses on top of the bunkers. They became
homes and when at some point Kuomintang said that Treasure Hill had lost its
strategic value and they must move somewhere else, the soldiers refused. Treasure
Hill became a slum, an unofficial settlement of soldiers and their families. <o:p></o:p></span></div>
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<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: left; margin-right: 1em; text-align: left;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiTC9eXoLPnKrPF-ZuBEsM68xw-tFhFGVOSjLw36jPPa8_423VgGaEvcT2p7OrdC8e69ZFF8O2gT5tAFmDJcgqp0ROjZHcZLQRWMY6XuH1EEJvjLocmZ7YP6-17Bx5Ptm9rQX2Q-Yc4vTEX/s1600/Treasure+Hill_steps_1_Casagrande.jpg" imageanchor="1" style="clear: left; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" height="505" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiTC9eXoLPnKrPF-ZuBEsM68xw-tFhFGVOSjLw36jPPa8_423VgGaEvcT2p7OrdC8e69ZFF8O2gT5tAFmDJcgqp0ROjZHcZLQRWMY6XuH1EEJvjLocmZ7YP6-17Bx5Ptm9rQX2Q-Yc4vTEX/s640/Treasure+Hill_steps_1_Casagrande.jpg" width="640" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><i>Fast constructed steps in Treasure Hill, Marco Casagrande - Hsieh Ying-Chun, 2003.</i></td></tr>
</tbody></table>
<b style="line-height: 150%;"><span lang="EN-GB">At one point the officials
wanted to demolish the site.</span></b><span lang="EN-GB"></span></div>
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<b><span lang="EN-GB"></span></b><br /><b><span lang="EN-GB"></span></b></div>
<div class="MsoNormal" style="line-height: 150%; text-align: justify;">
<span lang="EN-GB">Yes, in 2002 they started the demolition and in 2003 I was in Taiwan and
started to stop it. <o:p></o:p></span></div>
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<span lang="EN-GB"></span><br /><span lang="EN-GB"></span></div>
<div class="MsoNormal" style="line-height: 150%; text-align: justify;">
<b><span lang="EN-GB">At the end of the day
it became like a tourist attraction. <o:p></o:p></span></b></div>
<div class="MsoNormal" style="line-height: 150%; text-align: justify;">
<b><span lang="EN-GB"></span></b><br /><b><span lang="EN-GB"></span></b></div>
<div class="MsoNormal" style="line-height: 150%; text-align: justify;">
<span lang="EN-GB">Yes, that’s a shame. I had a very idealistic view of it. The Treasure
Hill community was old – 80 year-old war veterans. On one hand, it was a wonderful
3-dimensional settlement without any cars. But actually it needed quite a lot
of physical effort to use it – carrying the water to the hill and the garbage
down. There were many empty houses because people moved away or died. So I
thought that for the continuity of Treasure Hill and this very nice community
way of living they need a new plan. The empty houses can be used by students or
artists and they don’t have to pay rent but instead serve the old people. That
was the idea. When they started moving in, it turned out different. They got so
much attention, because great artists were there. The focus shifted from
Treasure Hill’s original community to the new community. It gave a totally new
vibe to the place and in the eyes of the official city it was so sexy so they
changed step-by-step the whole of Treasure Hill into a place for artists. And
then the original community died. <o:p></o:p></span><br />
<span lang="EN-GB"></span><br /><span lang="EN-GB"></span></div>
<div class="MsoNormal" style="line-height: 150%; text-align: justify;">
<span lang="EN-GB"><b style="line-height: 150%;"><span lang="EN-GB">But maybe it gave new
life to it anyway?</span></b></span></div>
<div class="MsoNormal" style="line-height: 150%; text-align: justify;">
<b><span lang="EN-GB"><br /></span></b></div>
<div class="MsoNormal" style="line-height: 150%; text-align: justify;">
<span lang="EN-GB">Yeah, the officials probably think of it that way. And it is true that
the old community was so old that they died naturally. But the continuity
became something different, now it’s fully artistic. <o:p></o:p></span></div>
<div class="MsoNormal" style="line-height: 150%; text-align: justify;">
<span lang="EN-GB"><br /></span></div>
<div class="MsoNormal" style="line-height: 150%; text-align: justify;">
<b><span lang="EN-GB">It’s not only this
place where artists have taken over. <o:p></o:p></span></b></div>
<div class="MsoNormal" style="line-height: 150%; text-align: justify;">
<b><span lang="EN-GB"><br /></span></b></div>
<div class="MsoNormal" style="line-height: 150%; text-align: justify;">
<span lang="EN-GB">Yeah, it’s kind of a normal thing to happen, I guess. <o:p></o:p></span></div>
<div class="MsoNormal" style="line-height: 150%; text-align: justify;">
<span lang="EN-GB"><br /></span></div>
<div class="MsoNormal" style="line-height: 150%; text-align: justify;">
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiSHf5ibjawngGJ8M9DmMOtAoCGqFHpvHarcVmh5dogy0YlL53S39j3dptXZprcLvwU1VDQQcPWw_j4Beglm9myiUsa5-yokipeNgvSYB8VV_MNtvaI9ywPwt-eayp_TcZhWLOFsOTs2jQE/s1600/Treasure+Hill_garden_Marco+Casagrande.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="422" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiSHf5ibjawngGJ8M9DmMOtAoCGqFHpvHarcVmh5dogy0YlL53S39j3dptXZprcLvwU1VDQQcPWw_j4Beglm9myiUsa5-yokipeNgvSYB8VV_MNtvaI9ywPwt-eayp_TcZhWLOFsOTs2jQE/s640/Treasure+Hill_garden_Marco+Casagrande.jpg" width="640" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><i>Community garden in Treasure Hill.</i></td></tr>
</tbody></table>
<b style="line-height: 150%;"><span lang="EN-GB">Let’s talk about your
recent idea – Paracity. Tell me the story behind it.</span></b></div>
<div class="MsoNormal" style="line-height: 150%; text-align: justify;">
<b><span lang="EN-GB"><br /></span></b></div>
<div class="MsoNormal" style="line-height: 150%; text-align: justify;">
<span lang="EN-GB">Paracity was born because of Treasure Hill. After Treasure Hill I got a professorship
in Taiwan for 5 years, and then I was researching all kinds of settlements and
local knowledge and getting deeper into that. The city government and the JUT<span style="color: red;"> </span>developers at some point asked me to think
about the potential for building floodplains on the Taipei river systems. When
typhoons are coming the rivers rise a lot. There is a lot of land that is not
developed. And on the other hand, the city is totally disconnected from the
river environment. They wanted me to think about structures that could both
develop these river bank areas and floodplains in an ecological way but also
reconnect the city with the river. It was kind of no man’s land we were
operating with: an island – 1 km long and 300 metres wide – that always disappears
when the river is flooded so there are no houses. The city wanted us to make an
urban structure there for 15,000 to 25,000 people. From the beginning I wanted
to do a modular platform for people to actually build their own homes. In
Taiwan there is a really high number of illegal buildings and illegal building
extensions. People take it for granted that if they get an apartment house and
it’s 5 floors, for sure they can build 2 floors more just by themselves. The
facades become humorous. So it’s always been. It’s the same thing with the unofficial
communities, they are fantastic – totally self-built and self-organized. So I
thought that I wouldn’t even try to do a city that is ready or totally
controlled. Like in Treasure Hill, people will come and start building their
homes, and communities will start coming organically. <o:p></o:p></span></div>
<div class="MsoNormal" style="line-height: 150%; text-align: justify;">
<span lang="EN-GB"><br /></span>
<br />
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi6c9m3zZ9NxJMip5RpRQ1fwJmSRFlXYlmLENIU4TvTl9z1PgBv4w4uhrdjZ6qMYsK2oeMH_ejj4qJVqXc5_P31emuVA8C-vBhPaBUTQqzuDt_6Mj2OLnZwi1Uq4Mgfafs1z1b7FXLYdQup/s1600/Paracity%2540Tallinn+Architecture+Biennale_Casagrande.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="424" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi6c9m3zZ9NxJMip5RpRQ1fwJmSRFlXYlmLENIU4TvTl9z1PgBv4w4uhrdjZ6qMYsK2oeMH_ejj4qJVqXc5_P31emuVA8C-vBhPaBUTQqzuDt_6Mj2OLnZwi1Uq4Mgfafs1z1b7FXLYdQup/s640/Paracity%2540Tallinn+Architecture+Biennale_Casagrande.jpg" width="640" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><i>Paracity at the Tallinn Architecture Biennale 2015. </i></td></tr>
</tbody></table>
<span style="line-height: 150%;">The idea was very simple – we need to develop the primary structure of
the city, kind of a scaffolding, where people can attach their communities. At
the beginning I was thinking of steel because I admire the high-rise buildings
in Taiwan when they are under construction: steel frames look really good and
full of potential, but when the building is ready, it gets boring. Later I
found out about this material CLT – cross laminated timber, and I got really
interested in that because it would be ever more ecological if we could take
this kind of wood from the Northern forest. In 2014 they opened the first CLT
factory in Finland, so now we can get the material there. Now Paracity is a
wooden structure. The dimensions of each module is 6x6x6 m and then put cubes
on top of each other to make a village or a city. The wood element is 50 cm
thick, which means it burns slowly. The charcoal surfaces take such a long time
for the wood to burn so that it’s more or less fireproof and it has also excellent
earthquake performance.</span></div>
<div class="MsoNormal" style="line-height: 150%; text-align: justify;">
<br />
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjQoD6Qk9U8FBRHbbYX3uZOToa1cOOzQAq1Vj1TIMOBiG7Le7WxzCEn4rT-AtX2NVOmUX0w_gocMVRK_-cR_AtIME9GRkxpFweaD8lNXSInMDsuGHmb1VODNERAkELY_qvffRLlm_uQYEcV/s1600/Ruin+Academy_Section_Marco+Casagrande.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="452" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjQoD6Qk9U8FBRHbbYX3uZOToa1cOOzQAq1Vj1TIMOBiG7Le7WxzCEn4rT-AtX2NVOmUX0w_gocMVRK_-cR_AtIME9GRkxpFweaD8lNXSInMDsuGHmb1VODNERAkELY_qvffRLlm_uQYEcV/s640/Ruin+Academy_Section_Marco+Casagrande.jpg" width="640" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><i>Ruin Academy in Taipei</i></td></tr>
</tbody></table>
<b style="line-height: 150%;"><span lang="EN-GB">In what phase are you
with this project?</span></b></div>
<div class="MsoNormal" style="line-height: 150%; text-align: justify;">
<b><span lang="EN-GB"><br /></span></b></div>
<div class="MsoNormal" style="line-height: 150%; text-align: justify;">
<span lang="EN-GB">I hope it’s going to be built. Taipei is the first case study and we
start building earliest in 2016. Another interesting pile of projects has come
from North Fukushima in Japan. I’m going there to see three different sites
they are considering a Paracity to be built in the tsunami area. Then there are
other calls from Jakarta, Rio de Janeiro and interestingly from Pakistan. But
nothing is built yet. One to one scale we have already built one module in
Finland to test how fast it is going to come together and that the wooden
joints are working and so on. In Tallinn we are doing 15 modules. It will be the
first in the biennale to serve the Paracity idea, but it will certainly have an
afterlife, become a permanent structure for something. <o:p></o:p></span></div>
<div class="MsoNormal" style="line-height: 150%; text-align: justify;">
<span lang="EN-GB"><br /></span></div>
<div class="MsoNormal" style="line-height: 150%; text-align: justify;">
<b><span lang="EN-GB">So it’s a kind of
platform for people to construct their own houses on.<o:p></o:p></span></b></div>
<div class="MsoNormal" style="line-height: 150%; text-align: justify;">
<b><span lang="EN-GB"><br /></span></b></div>
<div class="MsoNormal" style="line-height: 150%; text-align: justify;">
<span lang="EN-GB">My ideal is for it to become a slum but in a way that it’s both
ecologically okay and healthy. To make that happen we have to put some environmental
technology inside. Paracity becomes "positive cancer" in the city –
receives the leftovers from the city, treat them and turn them into resources.
Just what slums are actually doing right now. But we make it more efficient and
for that the environmental technology is needed. We are just copying how the
unofficial settlements are already living or how slums live in symbiosis with
the city. <o:p></o:p></span></div>
<div class="MsoNormal" style="line-height: 150%; text-align: justify;">
<span lang="EN-GB"><br /></span></div>
<div class="MsoNormal" style="line-height: 150%; text-align: justify;">
<span lang="EN-GB">I studied for quite a long time a chain of slums with 700,000 people in
Mumbai, settled along the river. There the waste that can be treated, turned
into resources, but all the rest gets dumped into the river. Then they wait for
the monsoon and it becomes like flushing the toilet of the city. But in Paracity
we don’t have to flush the toilet. <o:p></o:p></span></div>
<div class="MsoNormal" style="line-height: 150%; text-align: justify;">
<span lang="EN-GB"><br /></span>
<br />
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgD4v5_uAnU8Fw8rYos06G-KSFOcDs7vpyc2jf96-0_skG0wXdXpp_g6HjBKEBKr_awyKfr0HQCiAWWoXd2Pq722Psu5gc5CmBSwk7EIXkIBWpujpa9mEOPun3Y94LvRg54In2oKhJ1PUt4/s1600/Nikita+%2540+Ruin+Academy.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="498" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgD4v5_uAnU8Fw8rYos06G-KSFOcDs7vpyc2jf96-0_skG0wXdXpp_g6HjBKEBKr_awyKfr0HQCiAWWoXd2Pq722Psu5gc5CmBSwk7EIXkIBWpujpa9mEOPun3Y94LvRg54In2oKhJ1PUt4/s640/Nikita+%2540+Ruin+Academy.jpg" width="640" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><i>Nikita sleeping at Ruin Academy. </i></td></tr>
</tbody></table>
<b style="line-height: 150%;"><span lang="EN-GB">Those concepts are
more for cities in the East, or can they also be used for Northern or Western
cities?</span></b></div>
<div class="MsoNormal" style="line-height: 150%; text-align: justify;">
<b><span lang="EN-GB"><br /></span></b></div>
<div class="MsoNormal" style="line-height: 150%; text-align: justify;">
<span lang="EN-GB">These concepts can also apply to Western cities. When you think of the
method of Paracity, it is like urban acupuncture. Even in the West cities are a
source of pollution. Small-scale interventions could also start affecting the
cumulative development in Western cities. The biggest environmental questions
are still in regard to emerging cities. In the West, the urbanization has already
happened, but if you look at other places this is on a scale that it has never existed
before. So Paracity could live together with the emerging city and act as the
buffer zone.<o:p></o:p></span></div>
<div class="MsoNormal" style="line-height: 150%; text-align: justify;">
<span lang="EN-GB"><br /></span>
<br />
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhuH3EiJ4UoUAF1EUX97_9uAHfJOwD5wn_bTug6yJOygys45nOWvWrTlCW7yf7cOLPHnq8y04W6fSuXCCfU1ssfrjCA8Co5pz-nWWLbx1VXElaXUBgIQbPG0vqA2XSSNbMsrOA3ql5maUaE/s1600/Ruin+Academy_vegetable+garden_Marco+Casagrande.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="426" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhuH3EiJ4UoUAF1EUX97_9uAHfJOwD5wn_bTug6yJOygys45nOWvWrTlCW7yf7cOLPHnq8y04W6fSuXCCfU1ssfrjCA8Co5pz-nWWLbx1VXElaXUBgIQbPG0vqA2XSSNbMsrOA3ql5maUaE/s640/Ruin+Academy_vegetable+garden_Marco+Casagrande.jpg" width="640" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><i>Vegetable garden, Ruin Academy</i></td></tr>
</tbody></table>
<b style="line-height: 150%;"><span lang="EN-GB">This concept is connected
with your idea of third generation cities.</span></b></div>
<div class="MsoNormal" style="line-height: 150%; text-align: justify;">
<b><span lang="EN-GB"><br /></span></b></div>
<div class="MsoNormal" style="line-height: 150%; text-align: justify;">
<span lang="EN-GB">I have made it very simple in my thinking. A first generation city is
totally based on nature. A second generation city is an industrial city. A third
generation city would be kind of a ruin of the industrial city. Identifying how
an industrial city can become an organic machine. Ruin for me is when something
manmade has become part of nature. In architecture it happens actually quite
easily if you lose enough human control. On an urban scale the question is even
more interesting. Paracity is kind of a method for ruining the industrial city.
I would like it to grow into an industrial city from these acupuncture points
and then start ruining the industrial city. And when this nowadays industrial core
and these new organic layers find a certain balance, that is the third
generation city. <o:p></o:p></span></div>
<div class="MsoNormal" style="line-height: 150%; text-align: justify;">
<span lang="EN-GB"><br /></span></div>
<div class="MsoNormal" style="line-height: 150%; text-align: justify;">
<b><span lang="EN-GB">Is that why you named
one of your projects Ruin academy?<o:p></o:p></span></b></div>
<div class="MsoNormal" style="line-height: 150%; text-align: justify;">
<b><span lang="EN-GB"><br /></span></b></div>
<div class="MsoNormal" style="line-height: 150%; text-align: justify;">
<span lang="EN-GB">In Tamkang University I was studying the phenomenon of ruins and doing
research on how nature is reading architecture. Then it just opened up more and
more. Taiwan is easy because nature is so fast. There are trees that are
growing on steps. Nature uses the man-made structures. I felt that I would like
to move into a ruin and live there for a longer time, in order to have time to
adjust my needs. So I informed the Tamkang University professor Chen who is the
dean of the architectural department. We went to meet Mister Lee, who owns a
small place half an hour from the university. There’s a river valley and rice
farming. They had clean water coming from the mountains so they could make tea,
a tea factory. But at one point it had burned so there was no roof, just the
ruins. Also the rice factory was ruined. <o:p></o:p></span></div>
<div class="MsoNormal" style="line-height: 150%; text-align: justify;">
<span lang="EN-GB"><br /></span>
<br />
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhmFUDw6TitANQuhCHWQYG4VYzL38RkkXCLenImHlxmr-xAS0evQIht0FGlRmPEZohBa22ke-ROFAoZHUtr8BGucyeiswsAyumvVdM032OseQZ5ueNMHL1W34jDDO3fQpcd6z04ndTpKJaa/s1600/Ruin+Academy+by+Marco+Casagrande.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="426" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhmFUDw6TitANQuhCHWQYG4VYzL38RkkXCLenImHlxmr-xAS0evQIht0FGlRmPEZohBa22ke-ROFAoZHUtr8BGucyeiswsAyumvVdM032OseQZ5ueNMHL1W34jDDO3fQpcd6z04ndTpKJaa/s640/Ruin+Academy+by+Marco+Casagrande.jpg" width="640" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><i>Ground floor, Ruin Academy</i></td></tr>
</tbody></table>
<span style="line-height: 150%;">I chose the rice factory, the tea factory I left for the students. So I
didn’t go to the school any more but the students came there. First I had to decide
where I can put my bed, but since there was no roof, I had to make it. And when
I was building the roof I saw that below me there was a plant and it was
growing there because there was no roof. So I fixed not all the roof, but kept
a hole for the plant. Soon I took my wife Nikita there and then we stayed there
for a couple of nights and finally she moved in too. Then I had to make ways to
clean ourselves – there is a small river, so I can have cold water, but how to make
hot water? How to make food? Like a civilization. It was of course very primitive
but we stayed there. It was functional. I made the students live in the tea
factory, not always, but they had to make shelters for themselves.</span></div>
<div class="MsoNormal" style="line-height: 150%; text-align: justify;">
<span lang="EN-GB"><br /></span>
<br />
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiUZPzRZzR2tEy9AyBJGn3UoURrOS1UF-UBjAa_fVPEW9qkAooE_WLA2lUQtyftzAln61UAY1osT9l-LGqAjQw3LfbwC-kkfhvedAdYBzuw2wAa6wWqzguBLiPnLg6MpxDYNxTh2xAc2NZ2/s1600/Ruin+Academy_legs_Marco+Casagrande.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiUZPzRZzR2tEy9AyBJGn3UoURrOS1UF-UBjAa_fVPEW9qkAooE_WLA2lUQtyftzAln61UAY1osT9l-LGqAjQw3LfbwC-kkfhvedAdYBzuw2wAa6wWqzguBLiPnLg6MpxDYNxTh2xAc2NZ2/s640/Ruin+Academy_legs_Marco+Casagrande.jpg" width="500" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><i>Penetrations, Ruin Academy</i></td></tr>
</tbody></table>
<b style="line-height: 150%;"><span lang="EN-GB">How long did you stay
in the ruins?</span></b></div>
<div class="MsoNormal" style="line-height: 150%; text-align: justify;">
<b><span lang="EN-GB"><br /></span></b></div>
<div class="MsoNormal" style="line-height: 150%; text-align: justify;">
<span lang="EN-GB">One year, maybe a bit more. <o:p></o:p></span></div>
<div class="MsoNormal" style="line-height: 150%; text-align: justify;">
<span lang="EN-GB">In many cases rumors are powerful. The whole valley knew what I was
doing. The rumors spread along the river so that one farmer from upstream came
to me and said that we know why you are here and what you’re doing, so can you
design us the house – we want to live in the ruin too. And I designed them the
Chen house. It’s a designed ruin. After the Chen house one developer asked if I
know some ruins in Taipei city and step by step it became a Ruin Academy. <o:p></o:p></span></div>
<div class="MsoNormal" style="line-height: 150%; text-align: justify;">
<span lang="EN-GB"><br /></span></div>
<div class="MsoNormal" style="line-height: 150%; text-align: justify;">
<b><span lang="EN-GB">I remember you once
described the house as a boat. <o:p></o:p></span></b></div>
<div class="MsoNormal" style="line-height: 150%; text-align: justify;">
<b><span lang="EN-GB"><br /></span></b></div>
<div class="MsoNormal" style="line-height: 150%; text-align: justify;">
<span lang="EN-GB">Yes, the Chen House was also like that. It is like you have a site and
it’s not just putting the building there but you somehow have to sail the
building. You have to know where the big winds are coming from and how it’s
changing. Also you find some natural shelters. So you consider these natural
conditions and you sail this ship to the harbor. <o:p></o:p></span></div>
<div class="MsoNormal" style="line-height: 150%; text-align: justify;">
<span lang="EN-GB"><br /></span>
<br />
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjsdjmRxNSNZGBVO_6zeQ7wSBHAbnLrzzHlAngO1tbzRnw322U5VrRi6L8fbyAo1ApqEGtnoC_FKrW9C845OvjYGlA_GWbX4ISM-4MzNw3nsjF8Mraoyo1_bw-Qiy7MaVP6XGs1tr6ooKxp/s1600/Chen+House_Marco+Casagrande_Taiwan.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="426" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjsdjmRxNSNZGBVO_6zeQ7wSBHAbnLrzzHlAngO1tbzRnw322U5VrRi6L8fbyAo1ApqEGtnoC_FKrW9C845OvjYGlA_GWbX4ISM-4MzNw3nsjF8Mraoyo1_bw-Qiy7MaVP6XGs1tr6ooKxp/s640/Chen+House_Marco+Casagrande_Taiwan.jpg" width="640" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><i>Chen House at the Datun Mountains of Taiwan</i></td></tr>
</tbody></table>
<b style="line-height: 150%;"><span lang="EN-GB">In the beginning you
talked about how you wanted to kill the architect, but the architect inside you
is now reborn, you are getting commissions and real projects. So did you make
the space around you, so the issues that bothered you before, are actual now?</span></b></div>
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<b><span lang="EN-GB"><br /></span></b></div>
<div class="MsoNormal" style="line-height: 150%; text-align: justify;">
<span lang="EN-GB">No, they are not addressed so much any more. I’m getting a little bit
freer. More and more people are starting to make apartment buildings out of
wood. If I were making them out of concrete it would be a different story. Now
everything out of the forest comes into the city. <o:p></o:p></span></div>
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<span lang="EN-GB"><br /></span></div>
<div class="MsoNormal" style="line-height: 150%; text-align: justify;">
<b><span lang="EN-GB">You are working on "real"
projects again. <o:p></o:p></span></b></div>
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<b><span lang="EN-GB"><br /></span></b></div>
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<span lang="EN-GB">Yes, we are doing quite large-scale CLT wooden apartment buildings in
Finland. <o:p></o:p></span></div>
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<span lang="EN-GB"><br /></span>
<br />
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg3Rv-0wuZTnqvL-STIZal5OxIqe_aNqeLchuFgj3_aaav8aAGgRcmYtnm409k3-ZGZhVo9mMuW-7qYlxsFaQuW4l5BYqrrOY15M11CKShX3yCBo2HrpyeMrfdtR34GctWSYT4Zpgwcw3CW/s1600/Chen+House_Bathroom_Marco+Casagrande.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg3Rv-0wuZTnqvL-STIZal5OxIqe_aNqeLchuFgj3_aaav8aAGgRcmYtnm409k3-ZGZhVo9mMuW-7qYlxsFaQuW4l5BYqrrOY15M11CKShX3yCBo2HrpyeMrfdtR34GctWSYT4Zpgwcw3CW/s640/Chen+House_Bathroom_Marco+Casagrande.jpg" width="426" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><i>Bathroom, Chen House</i></td></tr>
</tbody></table>
<b style="line-height: 150%;"><span lang="EN-GB">There are not many
environmental artists in Finland.</span></b></div>
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<b><span lang="EN-GB"><br /></span></b></div>
<div class="MsoNormal" style="line-height: 150%; text-align: justify;">
<span lang="EN-GB">No, but I think that architecture is an environmental art. <o:p></o:p></span></div>
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<span lang="EN-GB"><br /></span></div>
<div class="MsoNormal" style="line-height: 150%; text-align: justify;">
<b><span lang="EN-GB">Let's finish the talk
with another project. Did the Sandworm work come after the Ruin Academy? How did
this idea come to your mind?<o:p></o:p></span></b></div>
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<b><span lang="EN-GB"><br /></span></b></div>
<div class="MsoNormal" style="line-height: 150%; text-align: justify;">
<span lang="EN-GB">In 2009 I was working in Shenzhen with a project called Bug Dome. There I
built a similar kind of structure out of bamboo. The migrating workers came
from Guanxi province and I was asking them about their local knowledge. They
said that they can do anything out of bamboo. You need just bamboo, water and
fire. Then I improvised this building called Bug Dome. It’s very similar to the
later one. Then I got an invitation from Belgium and I went to the site and I
found that they are using willow a lot. Willow structures for canals are their
local knowledge. Then I turned it upside down – used it above the ground. <o:p></o:p></span></div>
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<span lang="EN-GB"><br /></span></div>
<div class="MsoNormal" style="line-height: 150%; text-align: justify;">
<b><span lang="EN-GB">It was a nice story,
how people started to use it in different ways. <o:p></o:p></span></b></div>
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<b><span lang="EN-GB"><br /></span></b></div>
<div class="MsoNormal" style="line-height: 150%; text-align: justify;">
<span lang="EN-GB">Yes, that is also something that quite often happens. You say form
follows function. But I didn’t want to follow any function. The dunes are
always the same shape because of the wind, so there already existed an
architecture. This was actually just copying one dune. <o:p></o:p></span></div>
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<span lang="EN-GB"><br /></span></div>
<div class="MsoNormal" style="line-height: 150%; text-align: justify;">
<b><span lang="EN-GB">But people afterwards
find the function. <o:p></o:p></span></b></div>
<div class="MsoNormal" style="line-height: 150%; text-align: justify;">
<b><span lang="EN-GB"><br /></span></b></div>
<div class="MsoNormal" style="line-height: 150%; text-align: justify;">
<span lang="EN-GB">Yes, they called it the 'willow cathedral'. Some people got married
there, kids were playing, there were a lot of picnics – like they would use the
beach anyhow. It was not an interior or exterior space, but just a space. It
was still a beach. <o:p></o:p></span></div>
<div class="MsoNormal" style="line-height: 150%; text-align: justify;">
<span lang="EN-GB"><br /></span>
<br />
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhTkOh_cywBdoLZeqZplA281daeKHrksJeWizl9cAAzTzUBig7dXYT4PqhW4-t1_E3gJt0P1QQNf7xrhDY3R_6eby0b7NXWtxrxlg4Xhi0htitPMRkosu9lBWUN3U22HjUvWwSghOPRP8sD/s1600/Sandworm+by+Marco+Casagrande.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="366" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhTkOh_cywBdoLZeqZplA281daeKHrksJeWizl9cAAzTzUBig7dXYT4PqhW4-t1_E3gJt0P1QQNf7xrhDY3R_6eby0b7NXWtxrxlg4Xhi0htitPMRkosu9lBWUN3U22HjUvWwSghOPRP8sD/s640/Sandworm+by+Marco+Casagrande.jpg" width="640" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><i>Sandworm at the Wenduine dunes, Belgium.</i></td></tr>
</tbody></table>
<b style="line-height: 150%;"><span lang="EN-GB">It was there only for
one summer. Are most of your artistic projects temporary?</span></b></div>
<div class="MsoNormal" style="line-height: 150%; text-align: justify;">
<b><span lang="EN-GB"><br /></span></b></div>
<div class="MsoNormal" style="line-height: 150%; text-align: justify;">
<span lang="EN-GB">Quite often yes. Some stay, but many of them are not even meant to stay.
<o:p></o:p></span></div>
<div class="MsoNormal" style="line-height: 150%; text-align: justify;">
<br /></div>
<div class="MsoNormal" style="line-height: 150%; text-align: justify;">
<span lang="EN-GB">Temporary is an interesting quality. It seems to allow architecture
much more freedom and psyche than a totally controlled, a totally fixed
building. Tarkovsky’s Stalker says that strength is death’s companion –
whatever comes stiff and strong will die. In this sense architecture must be
pliant and weak, like a willow. It doesn’t help much if you are meant to “last
forever”, but you are dead from the beginning. <o:p></o:p></span></div>
<div class="MsoNormal" style="line-height: 150%; text-align: justify;">
<span lang="EN-GB"><br /></span></div>
<div class="MsoNormal" style="line-height: 150%; text-align: justify;">
<span lang="EN-GB">For example cities are alive, they are collective human organism and
also expressions of collective mind. But we treat them as something designed,
regulated and controlled – expressions of mechanical human control, industrial
laziness. This is a fundamental mistake and the source of stress and
pollution. As architects, we don´t know
how to negotiate with the collective mind, and we definitely don’t try – we are
cheap. We have shifted away from nature, including human nature. We have become
pollution, death’s companions… <o:p></o:p></span></div>
<br />
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<br /></div>
Unknownnoreply@blogger.com1tag:blogger.com,1999:blog-4990227540840524753.post-71169069591180646222015-11-23T21:00:00.000-08:002015-11-24T23:57:46.835-08:00PARACITY: KOLMANNEN SUKUPOLVEN KAUPUNKI<i>Julkaistu ARKKITEHTI lehdessä, marraskuu 2015</i><br />
<b style="line-height: 200%;"><span style="font-family: "myriad pro"; font-size: 12.0pt; line-height: 200%; mso-bidi-font-family: "Times New Roman";">Marco
Casagrande</span></b><br />
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<br /></div>
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<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgecxruPoqrCn_0NGQITeLq6fVy_NRNLLkbqfwZa2a3g-Y-ajB_hEPEewmS0cRyTtAlre7pWeyYU-wV7YWy8IXSA1qzATdO9yLPlcurVUXzLEXQQqU-JHO5TdO7SrEJ1wMAt5kkZFsWk_u7/s1600/Paracity%2540Tallinn+Architecture+Biennale_Casagrande.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="424" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgecxruPoqrCn_0NGQITeLq6fVy_NRNLLkbqfwZa2a3g-Y-ajB_hEPEewmS0cRyTtAlre7pWeyYU-wV7YWy8IXSA1qzATdO9yLPlcurVUXzLEXQQqU-JHO5TdO7SrEJ1wMAt5kkZFsWk_u7/s640/Paracity%2540Tallinn+Architecture+Biennale_Casagrande.jpg" width="640" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><i>Paracity at Tallinn Architecture Biennale 2015</i></td></tr>
</tbody></table>
<br /></div>
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<a href="https://www.blogger.com/null"><b><i><span style="font-family: "myriad pro"; font-size: 12.0pt; line-height: 200%; mso-bidi-font-family: "Times New Roman";">Avoin muoto mahdollistaa biourbaanin kaupungin. Luonnosta
näennäisen riippumattoman teollisen kaupungin korvaa elävä organismi.</span></i></b></a><span class="MsoCommentReference"><span style="font-size: 9.0pt; line-height: 200%;"></span></span></div>
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<br /></div>
<div class="MsoNormal" style="line-height: 200%; margin-bottom: 36pt; text-align: justify;">
<span style="font-family: "myriad pro"; font-size: 12.0pt; line-height: 200%; mso-bidi-font-family: "Times New Roman";">Paracity on modulaariseen laminoituun massiivipuurunkoon
perustuva kaupunkirakennejärjestelmä, primääristruktuuri, johon kaupunkilaiset
itse rakentavat omat kotinsa, yhteisönsä ja viljelyksensä. Orgaaninen Paracity
kykenee kasvamaan itsenäisesti kaupunkien jättömaille, kuten tulvatasangoille tai
slummeihin. Itsenäisen biourbaanin kasvun mahdollistaa modulaarinen
ympäristöteknologia, joka tuottaa syntyville yhdyskunnille niiden tarvitsemat
sisäelimet. Paracity vastaanottaa, käsittelee ja muuntaa resursseiksi
ympäröivän kaupungin tuottaman jätteen. Se toimii positiivisena
akupunktioneulana saastuttavalle kaupungille.</span></div>
<div class="MsoNormal" style="line-height: 200%; margin-bottom: 36.0pt;">
<b><span style="font-family: "myriad pro"; font-size: 12.0pt; line-height: 200%; mso-bidi-font-family: "Times New Roman";">Avoin
muoto<o:p></o:p></span></b></div>
<div class="MsoNormal" style="line-height: 200%; margin-bottom: 36pt; text-align: justify;">
<span style="font-family: "myriad pro"; font-size: 12.0pt; line-height: 200%; mso-bidi-font-family: "Times New Roman";">Paracity noudattaa orgaanisessa kasvussaan avoimen muodon
(Open Form) metodologiaa, <a href="https://www.blogger.com/null">jonka Oskar Hansen nosti esiin CIAMissa vuonna 1959 ja jota
Svein Hatløy on 2000-luvulle asti kehittänyt. </a></span><span class="MsoCommentReference"><span style="font-size: 9.0pt; line-height: 200%;"> </span></span><span style="font-family: "myriad pro"; font-size: 12.0pt; line-height: 200%; mso-bidi-font-family: "Times New Roman";">Siinä yhteisöt kasvavat spontaaneiden ja toinen toisiaan agitoivien
suunnitteluratkaisujen kautta. Avoin muoto on käytännössä hyvin lähellä esimerkiksi
taiwanilaista alku-urbaania tapaa rakentaa itseorganisoituvia ja usein epävirallisia
yhdyskuntia. Nämä mikrourbaanit yhteisöt ovat paikallisen tiedon keskittymiä, mikä
on myös Paracityn kasvuvoima. Paracity on paikallisen tiedon komposti, jonka
energia ruokkii kaupunkiyhteisöjen syntymistä. <o:p></o:p></span></div>
<div class="MsoNormal" style="line-height: 200%; margin-bottom: 36pt; text-align: justify;">
<span style="font-family: "myriad pro"; font-size: 12.0pt; line-height: 200%; mso-bidi-font-family: "Times New Roman";">Paracity tarjoaa yhteisökehitykselle kasvualustan, johon
kaupunkilaiset rakentavat itse omat inhimilliset tasonsa. Design ei pyri
korvaamaan todellisuutta. Flesh is More. Primääristruktuuri koostuu joko 6 tai
3 metriä pitkistä liimapuupalkeista ja jäykistävistä CLT-levyistä. Palkit
liittyvät toisiinsa puuliitoksin, ja kaupunkilaiset voivat halutessaan itse
kasvattaa primäärirunkoa. CLT:llä on erinomaiset maanjäristyksen- ja
palonkesto-ominaisuudet. <o:p></o:p></span></div>
<div class="MsoNormal" style="line-height: 200%; margin-bottom: 36pt; text-align: justify;">
<span style="font-family: "myriad pro"; font-size: 12.0pt; line-height: 200%; mso-bidi-font-family: "Times New Roman";">Paracity on alkujaan suunniteltu tulva- ja
tsunamiriskialueille. Koko kaupunkirakenne seisoo CLT-tolppien päällä, ja vesi
pääsee vapaasti nousemaan ensimmäiseen kerrokseen, joka on jätetty tyhjäksi.
Kuivana aikana maantasokerros toimii asukkaiden yhteisenä olohuoneena ja
tarjoaa puitteet taijille, meditoinnille, karaokelle, veneiden korjaukselle,
yömarkkinoille ja muille spontaaneille kaupunkienergian ilmentymille.</span><br />
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEizin1VCn6CqXwF2ciGRNt7ZtrVRY5dRDbjjJXEUGXIwDESQhObsvEx5JnHUn1aIIxs_pJqKtqGrXBtyJfdb88up_wJwUYs9FRhGx2XA23-rIGikn9rVkatt7WX0aqW6TJIiPiYBli-q49o/s1600/Paracity+%2540+CAFAM+Biennale+2014.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="475" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEizin1VCn6CqXwF2ciGRNt7ZtrVRY5dRDbjjJXEUGXIwDESQhObsvEx5JnHUn1aIIxs_pJqKtqGrXBtyJfdb88up_wJwUYs9FRhGx2XA23-rIGikn9rVkatt7WX0aqW6TJIiPiYBli-q49o/s640/Paracity+%2540+CAFAM+Biennale+2014.jpg" width="640" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><i>Paracity model at the CAFAM Biennale, China 2014</i></td></tr>
</tbody></table>
<b style="line-height: 200%;"><span style="font-family: "myriad pro"; font-size: 12.0pt; line-height: 200%; mso-bidi-font-family: "Times New Roman";">Biourbanismi</span></b></div>
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<span style="font-family: "myriad pro"; font-size: 12.0pt; line-height: 200%; mso-bidi-font-family: "Times New Roman";">Paracityn biourbanismi kasvaa osaksi luontoa – rakenne
raunioittaa itse itsensä. Paracity on ihmisräme tai komposti, jossa eri
orgaaniset tasot limittyvät ja sekoittuvat keskenään agritektuuriksi, jonka
kehityksessä luonto toimii yhteistyöarkkitehtina.<o:p></o:p></span></div>
<div class="MsoNormal" style="line-height: 200%; margin-bottom: 36pt; text-align: justify;">
<span style="font-family: "myriad pro"; font-size: 12.0pt; line-height: 200%; mso-bidi-font-family: "Times New Roman";">Paracity elää ympäröivän kaupungin tuottamista
materiaalivirroista. Jopa saastunut joki on voimanlähde tälle biourbaanille
sisäelimelle. Paracity elää ympäröivän kaupungin kanssa samankaltaisessa
symbioosissa kuin slummit: kaupunkinomadit puhdistavat staattista kaupunkia sen
kuonasta. Paracityssä prosessia on ainoastaan tehostettu modulaarisella
ympäristöteknologialla. Periaatteesa Paracity on high-tech-slummi. <o:p></o:p></span></div>
<div class="MsoNormal" style="line-height: 200%; margin-bottom: 36pt; text-align: justify;">
<a href="https://www.blogger.com/null"><span style="font-family: "myriad pro"; font-size: 12.0pt; line-height: 200%; mso-bidi-font-family: "Times New Roman";">Suunnitelmassamme Paracityn pilottikohteeksi Taipeissa </span></a><span style="font-family: "myriad pro"; font-size: 12.0pt; line-height: 200%; mso-bidi-font-family: "Times New Roman";">käyttövesi ja viljelysten kasteluvesi puhdistetaan
saastuneesta jokivedestä. Esip<a href="https://www.blogger.com/null">uhdistettu</a></span><span style="font-family: "myriad pro"; font-size: 12.0pt; line-height: 200%; mso-bidi-font-family: "Times New Roman";"> vesi pumpataan Paracityn kattotasanteille, missä se
hapetetaan ja edelleen juurakkopuhdistetaan kasvukenttien läpi. Juurakkopuhdistus
on jätevesien biologinen puhdistusmenetelmä, jossa käytetään hyväksi
tarkoitukseen soveltuvien kasvien juurakkoja. Katoilta puhdas vesi valuu
painovoimaisesti yhteisöpuutarhoille ja kaupunkiviljelyksille. Kaupungin
pääenergianlähteenä toimii joen runsasravinteisilla tulvatasangoilla nopeasti kasvatettava
biomassa. <o:p></o:p></span></div>
<div class="MsoNormal" style="line-height: 200%; margin-bottom: 36pt; text-align: justify;">
<span style="font-family: "myriad pro"; font-size: 12.0pt; line-height: 200%; mso-bidi-font-family: "Times New Roman";">Juurruttuaan tulvatasangoille ja saavutettuaan kasvussaan
kriittisen massan Paracity ylittää Taipein 12-metrisen tulvamuurin, joka
nykyisellään erottaa teollisesti rakennetun ihmisympäristön jokiluonnosta.
Tulvamuuri jää teolliseksi reliktiksi Paracityn sisuksiin, mutta uusi
orgaaninen kaupunkirakenne mahdollistaa teollisen kaupungin ja jokiluonnon
kohtaamisen ja yhteiselon. Paracity toimii välittäjänä kaupungistuneen
ihmisluonnon ja luonnon välissä. <o:p></o:p></span></div>
<div class="MsoNormal" style="line-height: 200%; margin-bottom: 36pt; text-align: justify;">
<span style="font-family: "myriad pro"; font-size: 12.0pt; line-height: 200%; mso-bidi-font-family: "Times New Roman";">Paracityn fragmentit ympäri Taipeita muodostavat
kaupunkiakupunktuurin verkoston, joka säätää teollista kehitystä kohti
orgaanista konetta. Se raunioittaa teollista kaupunkia ja pyrkii saattamaan sen
osaksi luontoa, kohti ”kolmannen sukupolven kaupunkia”.</span><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjr7Sku_J7Z3Sftijo7J4WvuuMB6DujK_B28cGXY9GA_PkWJOyUVgDS1NLzpDK__JGRoOnElwpKi4SldgzMKf-cn5v0k3u-mZHfSvl2hwYX9JnQCmnRBAtAtMLcDfqrH3qW3yO2JwPcYoWv/s1600/Paracity_Section_Casagrande+Laboratory.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="182" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjr7Sku_J7Z3Sftijo7J4WvuuMB6DujK_B28cGXY9GA_PkWJOyUVgDS1NLzpDK__JGRoOnElwpKi4SldgzMKf-cn5v0k3u-mZHfSvl2hwYX9JnQCmnRBAtAtMLcDfqrH3qW3yO2JwPcYoWv/s640/Paracity_Section_Casagrande+Laboratory.png" width="640" /></a></div>
<b style="line-height: 200%;"><span style="font-family: "myriad pro"; font-size: 12.0pt; line-height: 200%; mso-bidi-font-family: "Times New Roman";">Kolmannen
sukupolven kaupunki</span></b></div>
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<span style="font-family: "myriad pro"; font-size: 12.0pt; line-height: 200%; mso-bidi-font-family: "Times New Roman";">Ensimmäisen sukupolven kaupunki on rakennettu ihmisyhteisö,
joka elää välittömässä vuorovaikutuksessa luonnon kanssa ja on ympäröivästä
luonnosta riippuvainen. Taipein hedelmällinen tulvatasanko on tarjonnut
puitteet tiiviille asutukselle, joki on tuottanut ruokaa ja väylän liikkumiselle,
ja tasankoa ympäröivät vuoret ovat suojanneet kaupunkia taifuunien suorilta
iskuilta. <o:p></o:p></span></div>
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<span style="font-family: "myriad pro"; font-size: 12.0pt; line-height: 200%; mso-bidi-font-family: "Times New Roman";">Toisen sukupolven kaupunki on teollinen kaupunki, joka elää
näennäisen itsenäisenä, riippumattomana luonnosta. Itse asiassa luonto toimii
haitallisesti mekaaniselle koneelle, esimerkiksi tulvat tuntuvat haluavan
hajottaa koneen. Sen vuoksi Taipeihin on rakennettu tulvamuuri. <o:p></o:p></span></div>
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<span style="font-family: "myriad pro"; font-size: 12.0pt; line-height: 200%; mso-bidi-font-family: "Times New Roman";">Kolmannen sukupolven kaupunki on teollisen kaupungin
orgaaninen raunio. Symbioosi Taipein kollektiivipuutarhojen, kaupunkiviljelysten
ja laittomien asuinalueiden sekä ympäröivän kaupungin välillä ovat kolmannen
sukupolven kaupungin fragmentteja. Nämä alueet ovat kaupungin
akupunktiopisteitä, jotka pureutuvat teollisen kuoren läpi kosketuksiin
paikallisen tiedon kanssa. Kolmannen sukupolven kaupunki sitoutuu paikalliseen
tietoon ja sitä kautta kasvaa osaksi luontoa. <strong><span style="font-weight: normal;"><o:p></o:p></span></strong></span></div>
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<span style="background: white; color: #252525; font-family: "myriad pro"; font-size: 12.0pt; line-height: 200%; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-weight: bold;">Kaupunkiakupunktio</span><span class="apple-converted-space"><span style="background: white; color: #252525; font-family: "myriad pro"; font-size: 12.0pt; line-height: 200%; mso-bidi-font-family: "Times New Roman";"> </span></span><span style="background: white; color: #252525; font-family: "myriad pro"; font-size: 12.0pt; line-height: 200%; mso-bidi-font-family: "Times New Roman";">on ekologisen<span class="apple-converted-space"> </span></span><span style="background: white; font-family: "myriad pro"; font-size: 12.0pt; line-height: 200%; mso-bidi-font-family: "Times New Roman";">kaupunkisuunnittelun<span class="apple-converted-space"><span style="color: #252525;"> </span></span><span style="color: #252525;">teoria, joka yhdistää kaupunkisuunnittelua ja perinteistä
kiinalaista akupunktiolääketieteen teoriaa.<span class="apple-converted-space"> </span>Lähtökohtaisesti
se käsittelee kaupunkeja monitasoisina elävinä<span class="apple-converted-space"> </span></span>organismeina<span style="color: #252525;">, joista se pyrkii määrittämään kuntoutusta vaativia
alueita ja kokonaisuuksia. Paikalliseen traditioon sitoutuvat<span class="apple-converted-space"> ja </span></span>kestävän kehityksen<span class="apple-converted-space"><span style="color: #252525;"> </span></span><span style="color: #252525;">mukaiset projektit toimivat akupunktioneuloina, jotka
elvyttävät kokonaisuutta parantamalla sen osia.</span></span><span style="font-family: "myriad pro"; font-size: 12.0pt; line-height: 200%; mso-bidi-font-family: "Times New Roman";"><o:p></o:p></span></div>
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<span style="font-family: "myriad pro"; font-size: 12.0pt; line-height: 200%; mso-bidi-font-family: "Times New Roman";">Raunio on arkkitehtuurin katharsis, jossa ihmisen luomasta
tulee osa luontoa. Raunio on teollisen kaupungin alitajuinen tavoite ja
modernin ihmisen trauma. Taipei tarjoaa kehittyneen symbioosimallin, jossa mekaaninen
kaupunki elää yhteiseloa epävirallisten asuinalueiden, kollektiivipuutarhojen,
kaupunkiviljelysten ja kaupunkinomadien kanssa. Kaavoitus on jätetty
puolitiehen, ja ihmiset ovat viimeistelleet kaupungin. <o:p></o:p></span></div>
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<span style="font-family: "myriad pro"; font-size: 12.0pt; line-height: 200%; mso-bidi-font-family: "Times New Roman";">Paracity on kolmannen sukupolven kaupungin siemen. Modulaarinen
biourbaani organismi kasvaa ihmisten tarpeiden mukaan ja raunioittaa ympäröivää
teollista kaupunkia. Paracityn siemeniä alkaa itää Taipein sisällä nykyisissä <a href="https://www.blogger.com/null">kollektiivipuutarhoissa</a></span><span class="MsoCommentReference"><span style="font-size: 9.0pt; line-height: 200%;"><!--[if !supportAnnotations]--><a class="msocomanchor" href="file:///C:/Users/Marco/Desktop/Text/casagrande_paracity_0928_edit%20(1).docx#_msocom_5" id="_anchor_5" language="JavaScript" name="_msoanchor_5">[MB5]</a><!--[endif]--> </span></span><span style="font-family: "myriad pro"; font-size: 12.0pt; line-height: 200%; mso-bidi-font-family: "Times New Roman";">, laittomilla asuinalueilla, hylätyillä hautausmailla ja muissa
rakentamattomissa pisteissä. Siemenet alkavat vaikuttaa ympäröivän kaupungin
biologiseen kuntouttamiseen kaupunkiakupunktion keinoin. Näistä pisteistä
Paracity levittäytyy kaupunkiin seuraten katettuja joki- ja
kastelujärjestelmäuomia. Lopulta biourbaani organismi ja staattinen kaupunki
saavuttavat biologisesti kestävän tasapainon ja siitä muodostuu kolmannen
sukupolven kaupunki. <b><i>ark</i></b></span><br />
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhMVXeaPFSJqB9LXqYVK3ZqzB9_VTJEvEHjjHfMENzGOwnk-4oSta0eAagIFJTVSHxZZh110h71jhYY1-VwVwAwrMAIUyS0Gr4BRwl1JjHPrtjubckeROgNyfnZhTZQB_CpYoUAsoc4DCwA/s1600/Paracity_Taipei_Casagrande+Laboratory.png" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="480" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhMVXeaPFSJqB9LXqYVK3ZqzB9_VTJEvEHjjHfMENzGOwnk-4oSta0eAagIFJTVSHxZZh110h71jhYY1-VwVwAwrMAIUyS0Gr4BRwl1JjHPrtjubckeROgNyfnZhTZQB_CpYoUAsoc4DCwA/s640/Paracity_Taipei_Casagrande+Laboratory.png" width="640" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><i>Paracity, Casagrande Laboratory</i></td></tr>
</tbody></table>
<i style="line-height: 200%;"><span style="font-family: "myriad pro"; font-size: 12.0pt; line-height: 200%; mso-bidi-font-family: "Times New Roman";"><br /></span></i>
<i style="line-height: 200%;"><span style="font-family: "myriad pro"; font-size: 12.0pt; line-height: 200%; mso-bidi-font-family: "Times New Roman";">Marco
Casagrande (s. 1971), arkkitehti, kaupunkisuunnittelija, Suomi. Työskentelee
Paracityn suunnittelusta vastaavassa Casagrande Laboratoryssä, sekä opettaa ja
tutkii kolmannen sukupolven kaupungin ja kaupunkiakupunktion teoriaa.</span></i><br />
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgZe-QEwFzqmNTwTNzAReX02GIcIifM2yztKr9kjjad40Yb9InGcP1fqWagKxyaeDWm2dcqnowDq2Bt7_RBKDznCfLRV4fOpW3mYhbRg_NSKiZ_63moQaA2gILR14x0UynNdHkxsAzwHZpd/s1600/ARK.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgZe-QEwFzqmNTwTNzAReX02GIcIifM2yztKr9kjjad40Yb9InGcP1fqWagKxyaeDWm2dcqnowDq2Bt7_RBKDznCfLRV4fOpW3mYhbRg_NSKiZ_63moQaA2gILR14x0UynNdHkxsAzwHZpd/s400/ARK.jpg" width="322" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><i>Arkkitehti, Finnish Architectural Review 5/2015</i></td></tr>
</tbody></table>
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Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-4990227540840524753.post-69949605390760856882015-11-23T20:51:00.000-08:002017-10-23T05:39:17.045-07:00BIOURBANISM OF THE PARACITY<i>Published in the ARKKITEHTI / FINNISH ARCHITECTURAL REVIEW, November 2015</i><br />
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<b><span lang="EN-GB" style="font-family: "myriad pro"; font-size: 12.0pt; line-height: 200%;">Marco
Casagrande<o:p></o:p></span></b></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjI1udDrBKw8oJJk4aSre4FEjqLW3vRYRLRUTz0yYGjElgUGnDMtnxX8ldzSV-Rgj7iDpR4prxrD2euBr8fEuwgf_cvM9f-CwKrdRMGf1PSR-7ptQCJk9jgLotd2wvj6tFZ81yjFYtFpbKQ/s1600/Paracity+%2540+Tallinn_Casagrande+Laboratory.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="424" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjI1udDrBKw8oJJk4aSre4FEjqLW3vRYRLRUTz0yYGjElgUGnDMtnxX8ldzSV-Rgj7iDpR4prxrD2euBr8fEuwgf_cvM9f-CwKrdRMGf1PSR-7ptQCJk9jgLotd2wvj6tFZ81yjFYtFpbKQ/s640/Paracity+%2540+Tallinn_Casagrande+Laboratory.jpg" width="640" /></a></div>
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<b><i><span lang="EN-GB" style="font-family: "myriad pro"; font-size: 12.0pt; line-height: 200%;">Open form enables the biourban city. An industrial city seemingly
independent of its natural environment is replaced by a living organism.</span></i></b><b><i><span lang="EN-GB" style="font-family: "myriad pro"; font-size: 12.0pt; line-height: 200%;"><o:p></o:p></span></i></b></div>
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<span lang="EN-GB" style="font-family: "myriad pro"; font-size: 12.0pt; line-height: 200%;">Paracity is a
modular urban structure system based on the use of a glue-laminated solid wood
grid, a sort of primary framework, within which people can build their homes,
create communities and establish cultivations. Organic by nature, Paracity is
capable of growing unaided on urban wastelands such as flood lands or slums.
This autonomous biourban growth is made possible by modular environmental
technology, which provides the necessary ’internal organs’ for the communities
created in the process. Paracity is designed to receive, process and convert
the waste generated by urban centres into a resource. It serves as an
acupuncture needle in the side of a polluting city.</span><br />
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgSbwVStG5L3GmZ6TXneEc1a2OvHztHwmsP-c1t30rTYB6BSnI2YEzjsPcW34f-IpIP-NFtFZZJCK2XEmDgtuDvOyr0oF47zJdD8j2ggOyOl5zVU3fLlcXbo4zTMWKUH98c9Uf9c2hi0nil/s1600/Paracity+%2540+Habitare.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="681" data-original-width="1024" height="424" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgSbwVStG5L3GmZ6TXneEc1a2OvHztHwmsP-c1t30rTYB6BSnI2YEzjsPcW34f-IpIP-NFtFZZJCK2XEmDgtuDvOyr0oF47zJdD8j2ggOyOl5zVU3fLlcXbo4zTMWKUH98c9Uf9c2hi0nil/s640/Paracity+%2540+Habitare.jpg" width="640" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">6 x 6 x 6 m Paracity module at Habitare. </td></tr>
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<b><span lang="EN-GB" style="font-family: "myriad pro"; font-size: 12.0pt; line-height: 200%;">Open form</span></b><b><span lang="EN-GB" style="font-family: "myriad pro"; font-size: 12.0pt; line-height: 200%;"><o:p></o:p></span></b></div>
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<span lang="EN-GB" style="font-family: "myriad pro"; font-size: 12.0pt; line-height: 200%;">As it grows,
Paracity obeys the laws of Open Form introduced by Oskar Hansen at CIAM in 1959
and developed further by Svein Hatløy in the 2000s. The methodology is based on
the idea of communities growing spontaneously through reciprocally stimulating
design concepts. Actually, Open Form is very close to the Taiwanese pre-urban
tradition of creating self-organising and often unofficial communities. These
micro-urban communities are centres of knowledge, which also serves as fuel of growth
for Paracity. Paracity is a compost of local knowledge generating the energy
that gives birth to urban communities. <o:p></o:p></span><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgzxrfRbQD1bYTKafAoKU6msi-mjpJyktr2KZFNKFcXz7LJihbURrTRpR9dTPAZr_cSZ6v-8fOKaetyHhEB1O6DWMfJy4FGszPFBc37eeoZm0qX3NVuKGTcafJNPlMKq1ISqVE9SZq872Kz/s1600/Paracity+%2540+CAFAM+Biennale+2014.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="476" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgzxrfRbQD1bYTKafAoKU6msi-mjpJyktr2KZFNKFcXz7LJihbURrTRpR9dTPAZr_cSZ6v-8fOKaetyHhEB1O6DWMfJy4FGszPFBc37eeoZm0qX3NVuKGTcafJNPlMKq1ISqVE9SZq872Kz/s640/Paracity+%2540+CAFAM+Biennale+2014.jpg" width="640" /></a></div>
<span style="font-family: "myriad pro"; font-size: 12pt; line-height: 200%;">Paracity supplies
a growth medium for the development of the community framework to which people
add their own human elements. Design does not seek to replace reality. Flesh is
More. The primary structure consists of a grid of six or three-meter long
glue-laminated beams with CLT panels serving as bracing. The beams are
inter-connected using wood joints making it possible for people to extend the
primary framework as they wish. CLT possesses excellent earthquake and
fire-resistance properties.</span></div>
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<span lang="EN-GB" style="font-family: "myriad pro"; font-size: 12.0pt; line-height: 200%;">Originally,
Paracity was designed for areas prone to floods and tsunamis. The entire urban
structure rests on CLT posts allowing the water level to rise freely up to the
ground floor which is left empty. In the dry season, the ground floor serves as
a common living area providing facilities for the exercise of tai-chi,
meditation, karaoke, boat repairs, midnight markets and other spontaneous
expressions of urban energy.</span></div>
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<b><span lang="EN-GB" style="font-family: "myriad pro"; font-size: 12.0pt; line-height: 200%;">Biourbanism</span></b><b><span lang="EN-GB" style="font-family: "myriad pro"; font-size: 12.0pt; line-height: 200%;"><o:p></o:p></span></b></div>
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<span lang="EN-GB" style="font-family: "myriad pro"; font-size: 12.0pt; line-height: 200%;">Paracity’s
biourbanism grows to be assimilated into nature – the structure is auto-ruining.
Paracity is a human marshland or compost where the various organic levels
overlap and mix to create ‘agritecture’ with nature serving as the collaborative
architect.<o:p></o:p></span></div>
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<span lang="EN-GB" style="font-family: "myriad pro"; font-size: 12.0pt; line-height: 200%;">Paracity feeds
on the flows of materials generated by the surrounding city. Even a polluted
river serves as a source of energy for this biourban internal organ. Paracity
lives and breathes side by side with the surrounding city in a symbiosis like
slums: the urban nomads purge the city from the slag produced by it. Paracity
represents just an enhancement of the process through the use of modular
environmental technology. Paracity is basically a high-tech slum. <o:p></o:p></span><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjd2EmrdRikLZhx0quqPmPTazEfFIZe1A6op2Y5WJm2ni3KuZFsxFL-OWspDohCXr-qxqSGI0Os_PARVy53D23ZxX8lU-obTACUmpVuOxrJE1MazUrDu_RsDkTd8afAB0nvDs7zRmNtjey3/s1600/Paracity_CLT+Structure_Casagrande+Laboratory+CURE.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="480" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjd2EmrdRikLZhx0quqPmPTazEfFIZe1A6op2Y5WJm2ni3KuZFsxFL-OWspDohCXr-qxqSGI0Os_PARVy53D23ZxX8lU-obTACUmpVuOxrJE1MazUrDu_RsDkTd8afAB0nvDs7zRmNtjey3/s640/Paracity_CLT+Structure_Casagrande+Laboratory+CURE.jpg" width="640" /></a></div>
<span style="font-family: "myriad pro"; font-size: 12pt; line-height: 200%;">In the Paracity
pilot project we have proposed in Taipei, household and irrigation water is
drawn from the polluted local river and purified. Pre-purified water is pumped
to the roof terraces where it is oxidised and root-purified by plants selected
for this purpose. From the green areas on the roofs, the water flows down to
the community gardens and urban cultivations. Paracity’s main source of energy
is the fast-growing biomass that thrives on the fertile flood lands along the
river.</span></div>
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<span lang="EN-GB" style="font-family: "myriad pro"; font-size: 12.0pt; line-height: 200%;">Once it has
properly struck root and achieved its critical mass, Paracity will reach over
Taipei’s 12-metre high flood wall currently separating the industrially
produced urban housing from the river and its environs. The flood wall will
remain as an industrial relic within Paracity while the new organic urban
structure permits peaceful co-existence between the industrial city and the
river. Paracity will serve as a mediator between the industrialised human
environment and nature. <o:p></o:p></span><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi60Mv96380gfKItKPp2vkZMS9liKmdH_ARBlDATwmCO_voeffubCylOd8fc42jWoL-xabcE6JVLpAvb7l_cY7nf1J4r4YmVD2D7SvGUAXhJWZsH4HXgTp_SjSvTWGlvdgeA3oAyZVutCMV/s1600/Paracity+crossing+the+flood+wall_Casagrande+Laboratory+CURE.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi60Mv96380gfKItKPp2vkZMS9liKmdH_ARBlDATwmCO_voeffubCylOd8fc42jWoL-xabcE6JVLpAvb7l_cY7nf1J4r4YmVD2D7SvGUAXhJWZsH4HXgTp_SjSvTWGlvdgeA3oAyZVutCMV/s640/Paracity+crossing+the+flood+wall_Casagrande+Laboratory+CURE.png" width="640" /></a></div>
<span style="font-family: "myriad pro"; font-size: 12pt; line-height: 200%;">The fragments
of Paracity scattered around Taipei form a network of urban architecture that
steers industrial development towards an organic machine. By ruining the
industrialised city, it seeks to reclaim it to become part of nature and a
‘third-generation city’.</span></div>
<div class="MsoNormal" style="line-height: 200%; margin-bottom: 36.0pt;">
<b><span lang="EN-GB" style="font-family: "myriad pro"; font-size: 12.0pt; line-height: 200%;">Third-generation
city</span></b><span lang="EN-GB" style="font-family: "myriad pro"; font-size: 12.0pt; line-height: 200%;"><o:p></o:p></span></div>
<div class="MsoNormal" style="line-height: 200%; margin-bottom: 36pt; text-align: justify;">
<span lang="EN-GB" style="font-family: "myriad pro"; font-size: 12.0pt; line-height: 200%;">The
first-generation city is a built-up human community living in immediate
interaction with and depending on the natural environment. Taipei’s fertile flood
lands have offered favorable conditions for compact housing and the river has provided
food and a means of transportation while the mountains flanking the plains have
protected the city from the full force of typhoons.<o:p></o:p></span><br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj6flUf7pwF270FWrJj4IEGjtlHZT6Z1ME-BeIXqbM7so8ySaMEyHOH_7OZCC1jHuWggJTn9wDBwtnqSEgHp84JUW7xFylpEWUD1pqiLwjgQpwMZ3qP4Tr1ABKAkMwIWyCGgfW7GbTY2uDK/s1600/Paracity_section+axo_Casagrande+Laboratory+CURE.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="446" data-original-width="960" height="296" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj6flUf7pwF270FWrJj4IEGjtlHZT6Z1ME-BeIXqbM7so8ySaMEyHOH_7OZCC1jHuWggJTn9wDBwtnqSEgHp84JUW7xFylpEWUD1pqiLwjgQpwMZ3qP4Tr1ABKAkMwIWyCGgfW7GbTY2uDK/s640/Paracity_section+axo_Casagrande+Laboratory+CURE.jpg" width="640" /></a></div>
<span style="font-family: "myriad pro"; font-size: 12pt;">The
second-generation city is an industrial city, seemingly independent from the
natural environment surrounding it. In fact, nature seems to be harmful to this
mechanical machine, as if the floods, for example, intend to destroy it. To
prevent this, Taipei has built the flood wall.</span></div>
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<span lang="EN-GB" style="font-family: "myriad pro"; font-size: 12.0pt; line-height: 200%;">The
third-generation city represents the organic ruins of the industrialised city.
The existing symbioses between Taipei’s collective gardens, urban cultivations
and illegal settlements and the surrounding city are fragments of the
third-generation city. These areas serve as the city’s acupuncture points
piercing through its industrial skin to reach local knowledge. Drawing upon and
committed to this resource, the third-generation city grows to become part of
nature.<strong><span style="font-weight: normal;"><o:p></o:p></span></strong></span><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjz0NeKZ45mpP4lYtqoP-nk4AtEQFi8SVzEyRxzJfjJmSOwqiRKlIoxg-sVdXZDT8CRpOn8DEgs7nuq3mcvkx21Kh2Lg_g0THFX611Af2Mcj4qtNyJpvFISGPrtMTtVN-xh4KDATb8EA1ZN/s1600/Paracity_grid_draft.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="376" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjz0NeKZ45mpP4lYtqoP-nk4AtEQFi8SVzEyRxzJfjJmSOwqiRKlIoxg-sVdXZDT8CRpOn8DEgs7nuq3mcvkx21Kh2Lg_g0THFX611Af2Mcj4qtNyJpvFISGPrtMTtVN-xh4KDATb8EA1ZN/s640/Paracity_grid_draft.jpg" width="640" /></a></div>
<span lang="EN-GB" style="background: white; color: #252525; font-family: "myriad pro"; font-size: 12.0pt; line-height: 200%;">Urban acupuncture is a theory of ecological urban
planning that seeks to combine urban planning with the ideas of traditional
Chinese medicine. Fundamentally, it perceives cities as multi-tiered living </span><span lang="EN-GB" style="background: white; font-family: "myriad pro"; font-size: 12.0pt; line-height: 200%;">organisms<span style="color: #252525;"> and tries to identify areas and districts ripe for an
upgrade and reconditioning. Projects relying on the local traditions<span class="apple-converted-space"> and </span></span>based on the principles of
sustainable development <span style="color: #252525;">serve as acupuncture
needles that stimulate the entire organism by curing parts of it.</span></span></div>
<div class="MsoNormal" style="line-height: 200%; margin-bottom: 36pt; text-align: justify;">
<span lang="EN-GB" style="font-family: "myriad pro"; font-size: 12.0pt; line-height: 200%;">A ruin is the
catharsis of architecture where something man-made reverts to nature. A ruin is
the subconscious goal of the industrialised city and the trauma of modern man.
Taipei offers an advanced model for the symbiosis where the mechanised city
co-exists with unofficial residential areas, collective gardens, city
cultivations and urban nomads. With zoning only half-finished, the final
touches to the city are put by its residents.</span><br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjLcXMYMux8jw0CN3vwetxMtjVZT93innIR7ccpdkIgdzmhUbwyjo1TyPfpSc7u-aDZ_lmgU1Ou9T25dd0DFoO5TIeFWiEHOubfApXI_WgmULMfGXQXwK-f8x362jgJnyx9pLBQHE3adMps/s1600/Paracity_rooftop+perspective_Casagrande+Laboratory.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="436" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjLcXMYMux8jw0CN3vwetxMtjVZT93innIR7ccpdkIgdzmhUbwyjo1TyPfpSc7u-aDZ_lmgU1Ou9T25dd0DFoO5TIeFWiEHOubfApXI_WgmULMfGXQXwK-f8x362jgJnyx9pLBQHE3adMps/s640/Paracity_rooftop+perspective_Casagrande+Laboratory.png" width="640" /></a></div>
<span style="font-family: "myriad pro"; font-size: 12pt; line-height: 200%;">Paracity is the
seed of a third-generation city. A modular biourban organism grows in response
to human needs while at the same time ruining the surrounding industrial city.
Seeds of Paracity are germinating within Taipei in the collective gardens,
illegal settlements, abandoned burial grounds and other undeveloped sites.
These seeds will contribute to the biological rehabilitation of the surrounding
city through urban acupuncture. From these points, Paracity will spread out
along the covered river and irrigation channels. Ultimately, the biourban
organism and the static city will reach a biologically sustainable equilibrium
that will give birth to the third-generation city. </span><b style="font-family: 'myriad pro'; font-size: 12pt; line-height: 200%;"><i>ark</i></b><br />
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgizc3NK1E8BoV_lMjAPGQe1BWAFTAG-WhmJgWjO_g5el1dppiS1u8V7AN0lJ7wUVeHYbDkW1d70yc-PP7yWZWlTKup8l30OOKk-NkMWmveimaoKTJyzEJB1cRiHKZ0mLvOcCybhVVzZauI/s1600/ARK.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgizc3NK1E8BoV_lMjAPGQe1BWAFTAG-WhmJgWjO_g5el1dppiS1u8V7AN0lJ7wUVeHYbDkW1d70yc-PP7yWZWlTKup8l30OOKk-NkMWmveimaoKTJyzEJB1cRiHKZ0mLvOcCybhVVzZauI/s640/ARK.jpg" width="516" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><i>ARK, Finnish Architectural Review</i></td></tr>
</tbody></table>
<b style="font-family: 'myriad pro'; font-size: 12pt; line-height: 200%;"><i><br /></i></b></div>
Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-4990227540840524753.post-580121461023716612015-10-16T01:45:00.000-07:002015-10-16T01:45:14.562-07:00Talvisodan muistoksi MetsäkirkkoKUHMOLAINEN - Perjantaina 16. lokakuuta 2015<br />
Marjatta Kurvinen<br />
marjatta.kurvinen@slpmedia.fi<br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj0D3TF5GrQy76bxmKecIt96S9YZIYGFJrZ23MkZwAIpw6y-bp-GSyvYoT21HKyTl1ZGsnmXnmEMks1EB1urUsULVrFYt3PLXSh2FU3mZXpdsbuE8TFxSosW9xWEbzHC-49ckE2v9LVr_yZ/s1600/Mets%25C3%25A4kirkko_Casagrande+Laboratory.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="480" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj0D3TF5GrQy76bxmKecIt96S9YZIYGFJrZ23MkZwAIpw6y-bp-GSyvYoT21HKyTl1ZGsnmXnmEMks1EB1urUsULVrFYt3PLXSh2FU3mZXpdsbuE8TFxSosW9xWEbzHC-49ckE2v9LVr_yZ/s640/Mets%25C3%25A4kirkko_Casagrande+Laboratory.jpg" width="640" /></a></div>
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<br />
<b>Arkkitehti Marco Casagrande esitti idean, jonka toteuttamista kaupunginhallitus pian miettii. </b><br />
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Kuhmon kaupunki suunnittelee talvisotamuistomerrkiä. </div>
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<br /></div>
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Idean uudesta muistomerkistä on peräisin Kantolan kestävää kehityssuunnitelmaa laativalta arkkitehti Marco Casagrandelta. </div>
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Hän on ideoinut seinätöntä ja katotonta Metsäkirkkoa, joka tehtäisiin varttuneeseen petäjikköön. Kirkkoon rakennettaisiin puiset penkkirivistöt kuhmolaisesta puusta. </div>
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Metsäkirkko olisi kooltaan noin 1500 neliötä. Alueelle sijoitettaisiin kaksi penkkirivistöä, joiden mitoituksessa olisi huomioitu Kuhmossa edesmenneiden sankarivainajien lukumäärä, yhteensä 1618 nuorta miestä. Kyse on maailmanlaajuisestikin ainutlaatuisen suuresta määrästä yhdellä paikkakunnalla. Miehet olivat kotoisin 300 eri paikkakunnalta. </div>
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Metsäkirkon rakentamista käsitellään kaupunginhallituksen kokouksessa 16. lokakuuta, johon saataneen jo alustava arvio suunnitelman toteuttamisen kustannuksista. </div>
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Jos hanke toteutetaan, se voisi olla yksi Kuhmon pitäjän 150-vuotishankkeista. Juhlavuosi on ensi vuonna. </div>
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Toteuttamisesta ei päätetä ennen kuin lopulliset kustannukset ja rahoitusvaihtoehdot ovat tiedossa.</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Asiaa valmistellut kaupunginjohtaja <b>Eila Valtanen</b> esittää kaupunginhallitukselle, että hanketta valmistelemaan nimettäisiin työryhmä, jossa olisi myös veteraani- tai reserviläisjärjestöjen, Metsähallituksen, seurakunnan ja Puolustusvoimien edustajat. </div>
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Työryhmän tehtäviin kuuluisi etsiä Metsäkirkolle sopiva paikka, jonka pitäisi olla luonnonkaunis, rauhallinen ja helposti saavutettavissa. </div>
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<br /></div>
<div style="text-align: justify;">
Alttaritauluna voisi olla esimerkiksi järvimaisema.</div>
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<br /></div>
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Alueen lähellä pitäisi olla kohtuullinen paikoitusalue. </div>
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Veteraanijärjestöjen edustajat ja Casagrande ovat jo käyneet etsiskelemässä sopivaa paikkaa Kalevalankankaalta ja Jyrkänkoskelta. Molempiin paikkoihin kuitenkin kuuluvat häiritsevästi liikenteen äänet. </div>
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Hanketta valmistellut kaupunginjohtaja toteaa, että puiset penkit ja luonnontilaisuus tukevat Kuhmon strategiaa.</div>
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<div style="text-align: justify;">
Hän myös uskoo, että sotamatkailijat ovat tärkeä ja kasvava osa Kuhmon tulevasta matkailijavirrasta. </div>
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<br /></div>
<h2>
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjMBE8R2a6oIBKmPuAp46DFzWHyifAoQLLkQrXBRpeI7ptZEoQDVBMGq5NiQ5vpGiZA5ktxBQJ_W6AxKF2N_hisOouBdWK6-x7UEvZ_jws_kqCMqpAtQa6-azBMWgl6Ofk5auGdomKdez5h/s1600/Kuhmo+Mets%25C3%25A4kirkko.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjMBE8R2a6oIBKmPuAp46DFzWHyifAoQLLkQrXBRpeI7ptZEoQDVBMGq5NiQ5vpGiZA5ktxBQJ_W6AxKF2N_hisOouBdWK6-x7UEvZ_jws_kqCMqpAtQa6-azBMWgl6Ofk5auGdomKdez5h/s640/Kuhmo+Mets%25C3%25A4kirkko.jpg" width="638" /></a><span style="background-color: #ffd966;">KUKA?</span></h2>
<span style="background-color: #ffd966;"><br /></span>
<span style="background-color: #ffd966;">- Marco Casagrande on suomalainen ympäristötaiteilija, arkkitehti ja arkkitehtuurikriitikko.</span><br />
<span style="background-color: #ffd966;"><br /></span>
<span style="background-color: #ffd966;">- Hän on toiminut vuosina 2004 - 2009 ekologisen kaupunkisuunnittelun professorina Taiwanissa. </span><br />
<span style="background-color: #ffd966;"><br /></span>
<span style="background-color: #ffd966;">- Casagrande tekee Kuhmon kaupungin Kantolan teollisuusalueen kestävää kehityssuunnitelmaa. </span><br />
<span style="background-color: #ffd966;"><br /></span>
<span style="background-color: #ffd966;">- Hän toimii myös yhteistyössä Elementti Sammon ja CrossLamin kanssa. </span><br />
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<br />Unknownnoreply@blogger.com0