Showing posts with label Aalto University. Show all posts
Showing posts with label Aalto University. Show all posts

Wednesday, August 28, 2013

Ruin Academy a Taipei

- Edit. Giacinto Cerviere



Ruin Academy (taipei 2010) è impostata per ripensare la città industriale e il rapporto tra l’uomo moderno e la natura nella urbanizzazione di Taipei basin. si approfondisce la conoscenza locale per trovare i semi della città di terza generazione.

Rovina è quando ciò che è stato fatto dall’uomo è diventato parte della natura. Questo è il desiderio inconscio della città industriale e il trauma collettivo dell’uomo moderno. Taipei attualmente presenta la più avanzata co-esistenza industriale di una città moderna e una incontrollabile anarchia biologica; la natura, inclusa quella umana, spinge attraverso la superficie industriale e trasforma la città secondo un disegno post-umano e una sensibilità ecologica che corrispondono alle politiche ambientali delineate da Erik Swyngedouw e Gilles Clément. Per capire questa forza, le consolidate e frammentate discipline accademiche non sono di alcuna utilità. Né lo è la politica centralizzata che non fornisce strumento alcuno. La comunicazione ha bisogno di trovare altre strade. 

Ruin Academy ha focalizzato la sua ricerca sui sistemi di vita non ufficiali all’interno della città meccanica ufficiale. Questi sistemi spontanei e generati dai cittadini stanno costantemente dissestando la Taipei ufficiale. Si tratta di sistemi che, attraverso interventi puntuali, rappresentano la fermentazione e il compostaggio della città. Dalla superficie organica superiore prodotta da questi composti emergerà la città di terza generazione, la rovina organica della città industriale, una macchina organica. Con le parole di Erik Swyngedouw: “la natura e la società sono in questo modo combinati per formare una ecologia politica urbana, un ibrido, un cyborg urbano che unisce la forza della natura con quella di classe, di sesso e di relazioni etniche. Le parti più maleodoranti della Taipei non ufficiale contengono il più alto livello di energia e di vitalità, ancora in relazione con la natura; nello stesso tempo, quelle dell’industrialismo ufficiale vanno verso una condizione sterile e completamente controllata. 

Questo riporta alla mente la massima di Andrei Tarkovskij in Stalker: “Quando un albero cresce, è tenero e duttile. Quando diventa secco e duro, muore. Durezza e forza sono compagni della morte. Duttilità e debolezza sono espressioni della freschezza della esistenza. Per questo ciò che si è indurito non vincerà mai.” 

Questi composti urbani sono gli angoli portanti, l’esrsenza della conoscenza locale, una interazione 
costruttiva di natura e natura umana nell’ambiente costruito. Questa conoscenza locale suggerisce le modalità processuali della riduzione a rovina di Taipei, conducendola verso la città di terza generazione.
Diverse discipline artistiche e scientifiche si incontrano all’interno della ruin accademy seguendo la ricerca multidisciplinare e la metodologia progettuale della Aalto University SGT Sustainable Global Technologies centre. La costruzione della conoscenza interdisciplinare si è dimostrata vitale nella ricerca della città di terza generazione. Ruin Academy collabora con il dipartimento di architettura della Tamkang University, il dipartimento di sociologia della National Taiwan University e con SGT della Aalto University . 

Oltre a questo, diversi team e singole persone hanno messo insieme il lavoro proveniente da vari e differenti 
ambiti disciplinari. Ruin Academy non è un’istituzione ufficiale, è duttile e debole, in contrasto con la forza e la durezza accademica. Ruin Academy è un rifugio fondamentale per accademici abusivi, priva di una focalizzazione disciplinare e di forza istituzionale. Molto importante è la connessione con la conoscenza locale, la sapienza site-specific della presenza umana sostenibile nel bacino di Taipei. Questa conoscenza è in collegamento diretto con la memoria collettiva della città di Prima generazione, quando l’ambiente umano costruito era dipendente e dominato dalla natura. La conoscenza locale è oggi la forza trainante della la penetrazione organica nello strato industriale del bacino di Taipei. La conoscenza locale è la forza che sintonizza la città all’organico. Il nostro centro di comunicazione è la sauna pubblica al 5 ° piano del palazzo della Ruin Academy.

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Marco Casagrande (1971) è un architetto Finlandese, artista ambientale e teorico sociale. Il suo lavoro e insegnamento si muovono liberamente all’interno e tra architettura, arte ambientale, urbanistica, progettazione ambientale e scienza, incrociandoli con il pensiero architettonico, la «commedia dell’architettura». Egli vede gli architetti come sciamani del progetto, semplici interpreti di ciò che trasmette lo spirito comune della 
grande natura

Monday, August 20, 2012

A MAN IN THE WOODS

 Marco Casagrande’s way from a young rebel to a revolutionary professor.


Text & Photos Mia Pajunen
Illustration Toni Halonen



It’s almost three o’clock at night. 18 years old Marco Casagrande is woken up by his father in a house at the edge of a forest in Karjaa.

-  Here’s your passport. It’s time to go.

 Beside high school Marco works in the local newspaper Etelä-Uusimaa. The Iron Curtain is cracking and the newspaper wants to send the young reporter to war areas. However, it’s the spring of Marco’s matric exams and his mother had hidden his passport.

Twenty-four years later Marco is barbequing corn and sausages on a terrace. His mom is watching the scene through a glass door, smiling. The son returned and started to study architecture. But the mom’s part hasn’t been the lightest. After two years studies in architecture Marco wanted to have a break. He left to Bosnia as a mercenary. About his war experiences he wrote a novel, which led into a war crime investigation. A bit after graduation, in the year 2003, Marco drove through Russia by a Land Rover and blogged about the trip:

“After stopping the car at the station we saw glass-eyed young guys in their army clothes coming out from the containers and circling our car -- we had mentioned we were heading to Khabarovsk, and were afraid of an ambush - - We left the street and drove along a caterpillar track into a forest - - At night we were awakened by roaring from the woods - - It was a bear.”

The projects of the architect Marco Casagrande haven’t been what the parents expected, not even in the finest stages. In 2000 Marco steered a wrecking ship packed with human shit to Venice Biennale. There was a little forest planted on the dirt. They loved it and invited him twice that after.

As a professor of architecture in Taipei Casagrande didn’t make it easy on himself. He moved into abandoned tea factory ruins, built a piece of roof and started teaching there. At night wandering ants made their way over the professor.

KNOWING THE BACKGROUND Marco’s life seems quite serene now.

-  Is it soon ready, the daughter asks.
The grill hisses.
-  Let’s check the other side. Isn’t it a HK’s sausage you want, the father says.

Marco and his Taiwanese wife have moved to Finland from Taipei. He has two children and the family is building a home next to Marco’s parents. Maybe the grandma is looking forward barbecuing together, adventuring the neighbouring woods and the nearby observatory.

Is it like this Marco?

I open you the door, says Casagrande pointing to the construction site. Have a look, I’ll be there in ten minutes.

That’s enough time to have a Saturday family lunch.

He arrives in time and talks like a war was still on. In this house nobody is listening behind a corner. There’s just one big space.

- I see myself as a Trojan horse in relation to the clients who are dazzled by the title architect. Inside the architectural horse I bring in the real work.
Though with a military posture.
-  The mission is always holy. If the mission is to build a sandworm of 45 meters, so be it.


SINCE THE YEAR 2001 Casagrande has worked in 18 different countries and in 52 different universities, more abroad than in Finland. The projects represent the wide working field of an architect from installations to metropolitan planning.

Casagrande is more interested in recreating an existing city than building completely new – planning how positive things can be strengthened and negative things changed by planning.

- I’m not attracted to build an ecocity from nothing. People are somewhat unpredictable. They pasture the city like anarchists breaking the stiff machine. For example in Taipei elderly ladies have stolen electricityand water, and are cultivating the land around the World Trade Centre. The same area that big companies have been fighting about for years.

- And when the official city closes for the night many streets change into different worlds, with fruit sellers, tai-chi trainings, under-bridge karaoke, parades – things people love. If one tries to plan that it turns banal.

THE URBAN ACUPUNCTURE THEORY defines many recent works of Casagrande. He’s considered as the inventor of the theory, which is close to Micro Urbanism.

- When people visit places, they describe them in terms based on their subconscious experiences: it’s nice atmosphere, safe, fun and so on. In official talk the city freezes into a mechanical reality. Urban Acupuncture aims to focus on the things that actually determine the human behavior. With the acupuncture needles the mechanical is bent to organic.



- In Taipei they are quite serious with the possibilities of Urban Acupuncture. It’s an urban river valley not able to dialogue with the nature. Many people in the city don’t even know that there’s a river flowing through.

In the dictator Chiang Kai-Shek’s time a reinforced concrete wall of 12 meters was built between the city and the river.

I’ve interviewed the fishermen, who used to fish in the river, it was drinkable water and used to washing as well. The river flooded, but there was enough floodplain. Then hyper-industrialisation came with chemicals, and after a while they started to tell the water makes you blind, and the wall was build. Was it build in order to turn the river into a drainage?

- All at once the wall can’t be demolished, but the planning process has started. Beneath the city there are also canals and streams, which are covered with concrete. It has been thought over how they could be opened so that the building of the ecological valley .

- Participatory planning is difficult in Taipei, because people tend to keep their faces. However, traditional building methods could be utilized better than nowadays. In Asia farmers keep on moving to the cities, and they are handy to build bamboo constructions. That is a great potential.

CASAGRANDE ENDED UP in Taiwan after meeting Chi Ti-Nan, a messenger of Micro Urbanism, in Venice Biennale. The Finnish background has been useful in Asia.

-  I have avoided the east-west-confrontation by telling I come from the north. A barbarian from the northern woods, they believe such a guy must have something to give! And they also like the Moomins.

The Finnish relation to forest can be more earthmoving than the fairy tales. Once Marco and the Taipei-born journalistwife were coming from Pieaksämäki. The bus stopped by a Teboil. Straight after the asphalt yard there were green grass and a forest. Marco noticed some trumpet mushrooms, rushed into the woods, where he found fish bones, a dock and fishermen. The shocked wife shuffled far behind.

- From outsiders point of view the Finnish character is such a strange one. Educated high-tech-people live at the countryside like barbarians and the land is a half a year frozen.

- Still the architecture in Finland is roughly expressed people in boxes and the surroundings strictly outside. Control is an easy but not an interesting starting point. Architecture – a closed tectonic thing must be broken. I keep on talking about ruins …

Wastelands Culture Tram. European Architecture Students Assembly 2012. 

TYPICALLY CASAGRANDE WORKS with students.

-  It’s good to work among students. They are not stucked by too much dull work, they take risks and work long days still passionate, even though eking out their living.

- There’s power in students and in universities. The university is much better environment than working life although it has lost kind of universality as a result of endless focusing.

Architecture students receive some critique as well.

- In Wastelands I wish to mix environmental artists and architects. The architects shouldn't stay just themselves. I have only good experiences about collaboration with engineering students. However, in my opinion the architecture students have got a bit boring. Environmentalart can challenge architecture completely, if architecture becomes only design and social jargon.

- But the symbiosis of environmental art and architecture could change both sociological and urban environment. In Finland there are resources to face these questions.

In 2010 Marco founded the Ruin Academy in Taipei city center. The Academy is a block of flats without inner walls. Water rains in . There are no windows, but agriculture inside. Marco visits the place once a month. With the students he’s waiting for the nature’s invasion.

- If you don’t know the nature, you don’t know the reality. The city is like an amusement park, where people start to quibble since they can’t find what they are searching for and need therapy. Fritz Lang states in his film Metropolis that architecture must be the heart, the intermediator between the man and the nature. Pure design can’t do that. Art instead includes falling and anarchism.

PROJECTS AND CONSTRUCTION WORKS dominate the life of Casagrande. During them he sacrifices everything in order to be present.

- I work on the planning phase desperately, like drifting in a forest with the consciousness there’s something to find until the building begins. When people start to gather, flying from all around, the I once again remember how things will get their form. During the two months the project alters all the way, it reveals levels that were hidden before.

In a creative process fear is a crucial feeling for Casagrande.

- I am afraid that all the possibilities of a work aren’t relieved. But fear is for good, it means the project is more important than the architect. It would be perverse peacocking to make any kind of shit and think that being an architect is the thing. The role must be deserved. All the time you have to sacrifice a part of you, die at least a bit.

-  And even though that’s the aim, I often think what on earth I’m doing. Sometimes I despise myself. I need to feel that I’m moving forward on the right way, preserve sensitivity.

- Maybe it’s for that: a ready made project is always a small death, you realize you cannot stop. You must carry on.

“ Builderguys, call the mechanic Lepistö” is written on a piece of plywood. This house – a ship heading to the forest – is soon ready. Where is it going?

In the end of 90’s Marco’s mum left a magazine Anna laying around. Marco found a depth interview of the professor Jaakko Hämeen-Anttila. The architecture student got impressed. Later they met, and Casagrande who was teaching in TAIK that time asked Hämeen-Anttila to give speech in the school. They still keep in touch: “I encourage you on your way to a revolution. Anyway, I recommend you to be careful, if you know what a revolution is about.” That’s the message of the friend for Casagrande

Friday, May 25, 2012

NOMAD CITY / AURORA OBERVATORY


Nomad City was a cross-disciplinary mix of environmental art, architecture, sociology and survival on top of the frozen Røssvatnet Lake (March 2012) up in the Scandinavian mountains near Mo i Rana in Norway. The nomad citizens come from the environmental art masters class of the Aalto University in Finland, from Lund University Department of Sustainable Urban Design in Sweden, from Madrid European University Department of Architecture, from Bauhaus University Department of Fine Arts in Germany and from Université Libre de Bruxelles Faculté d'architecture La Cambre–Horta in Belgium backed up with the local collage of construction experts from Mosjøen in Norway and the Varntresk community.

The students and professors represent all together 19 nationalities and were mostly urban nomads. They were driven to the frozen lake by determination of finding something primeval that can show them some new and fresh ropes within the disciplines of architecture, environmental art and urban design. After two weeks on the frozen lake they also got some fish.

Nomad Sauna on top of the frozen Røssvatnet Lake.
Fish is Real

Architecture is environmental art. The students were given a task to make a personal nomad shelter and collectively to build a movable Nomad Sauna on skies and an Aurora Observatory. Under the ice there were beautiful salmon related fishes - trout and arctic char. Local Knowledge was needed in order to get them up. The farmers around the lake were generous in helping the students and more than that curious to see if they could manage in the demanding Nordic winter conditions. For the course the survival was not enough - the students had to manage to construct in 1:1 scale and find beauty through their actions in the frozen environment. 

We had a cottage by the lake kindly supported by the Bjørnådal family. After opening up first time the cottage and building up the fire the students went in to dry their clothes and soaked souls and we realized that they will never come out. After that the cottage was highly regulated and the students had to rather do hard forestry work in small groups heating up the body to dry the clothes up from inside. There were partly two meters of snow and plenty of trees.

Nomad Sauna on skis.
After the daylight we got together at the Sæterstad farm which worked as our base camp to eat dinner and dry up clothes. This was also the natural time to talk and review their designs. To design is not enough. Design should not replace reality and there is only one real reality - nature. Step by step all the students were exposed to the elements and they started their modern archaeology towards the organic. Plans and design were changed; best of them were melted away. Some worked in the garage of the farmhouse, the most hard core students day after day on the frozen lake. They also got some fish and observed the aurora.

Without his Nomad Sauna modern man is just a common ape.
One evening we had a road kill ptarmigan for dinner. The students dried their socks hanging in the living room lamp. Young Agnes Born was singing us sensitive blues songs while the wings and legs of the ptarmigan were being frozen for her collection and getting rid of lice. Belgian guys made some Flemish pizza and the vegetarian students survived amazingly with muesli and risotto. At some point some of them were also reverted in eating raw meat. The Italian ladies made for us and the farmers tiramisu and chocolate cakes after Professor Bjørnådal corrected the group from selfish behaviour and advised that there existed also another kind of economy: giving.


Taking a healthy dip in the Nomad Sauna ice-hole corner.
The farmers accepted the students and the community took over the constructions. Now the Nomad Sauna is on skies during the winters and floating on the community's swimming beach during the summers. Ice fishers are using the Aurora Observatory which also has a fireplace to straight prepare the fresh fish. The individual structures are ending up around Varntresk tourist road as permanent works of environmental art. We got full support from the local people including fish and goat meat.

All in all the experience on the frozen lake was good. It was great to see the students from different disciplines working together and facing the same big voice of nature. Academic discipline means nothing. Nature means everything. Human nature as part of nature is the hardest discipline. 

Nomad Sauna. Marco Casagrande

LINK: VIDEO

This is how Lund University Department of Sustainable Urban Design students Guoda Bardauskaite and Suzanne van Niekerk review the experience in Norway:


SURVIVAL ARCHITECTURE WORKSHOP IN NORWAY



In the words of environmental architect and anarchist Marco Casagrande, ‘survival is just the first step in discovering true beauty.’ The Lapland native believes in an almost cruel method to his medium, where human intentions come naturally second to nature’s. It is with this in mind that one needs to approach his workshop on the frozen lake of Røssvatnet in subarctic Norway. Over the course of ten days, students were to join in on the creation of a nomadic city on the ice, both weathering and embracing the cold and wind, and alternating blizzards and slush.

Lund University Department of Sustainable Urban Design students with their nomad  shelter on the frozen lake.
There were twenty of us in total. In addition to Marco himself, his wife, Taiwanese journalist Nikita Wu, his long time friend, Norwegian architect Hans-Petter Bjørnådal, and Czech masters student and carpenter-extraordinaire, Jan Tyrpekl, made up the organizational team. The sixteen students, comprising of a whopping nineteen nationalities, came from four universities and four different artistic disciplines: Environmental Art students from Aalto University in Helsinki, Sustainable Urban Design students from Lund University in Sweden, Architecture students from UEM in Madrid, Spain and one Fine Art student from Bauhaus University in Weimar, Germany.

Kate Balcerowska' personal shaman symbols on the drum of the frozen lake.
Together we were going to create, explained Marco over generous helpings of Finnish vodka, a city of subtle proportions: a mobile city for nomads to respect and be humbled by nature. Individually, the students would make their own small ice fishing shelters come aurora observatories, but together we would create two key communal focal points: a large scale observatory and a sauna. As Marco liked to point out, a sauna is, simultaneously and contradictory, both an indicator of civilization and a chance for humans to return to a more bass nature.


Shaman drum playing in the Aurora Observatory.

Fish is Real. Aurora Observatory and a freshly caught arctic char.
From the beginning, the workshop was spontaneous and intuitive. The students were unaccustomed to each other, building process and materials were unsecured, and we camped in the local schoolhouse for the first two nights after our original accommodations fell through. Despite the circumstances though, there was an underlying sense of optimism present from day one. The workshop attracted a certain kind of spirit, and without complaint, we quickly came to appreciate the quirks of having road kill for dinner, wearing garbage bags as rain protection without the slightest sense of irony, and the joy of merely being out of the wind, even while being completely soaked to the core.
Shuchin Shen's dream storage. 
This was also a workshop about doing. We were encouraged to lay down our pencils and start experimenting with structures. It was about self-discovery, and Marco left us to our own devices. If we needed a consultation, he could be found on the ice, quietly fishing. There was no lack of inspiration, though. There is a rich heritage present in the Sami culture, and many of the citizens of Hattfjelldal were keen to talk with us. Every evening around a fire, Marco too would tell us tales of nomadic culture and myths and stories of his childhood. Perhaps the most prolific, though, nature affected both our design and our design implementation. 

Harri Piispanen building his Ice Sagcophagus / Anti-Sauna.
We experienced a massive range of weather conditions; from beautiful, clear sunny days with crisp snow underfoot, to sleet and hail, soggy snow, and powerful winds. With the former solid ice surface of the lake turning into a continuing series of thigh-high pools of slushy ice water, it took an afternoon to move the sauna the hundred or so metres from the shore on to the site. We had envisioned an easy and graceful move, hoping a helicopter pilot at the farm would transport it for us, dropping it into place without so much as a fuss. Of course, that was not to be, and instead it took the combined effort of ingenuity and raw strength of the entire group. And when it finally was settled, with the observatory in place next to it, we felt an overwhelming sense of accomplishment.

Georgia Psyrri's rocking chair and coffee
As the weather continued to worsen, Marco grew consistently cheerier. Keeping in line with his philosophy, it was almost as if the weather were conspiring with him to teach us the importance of survival. According to him, every architect needs the foundation of working with primitive tools under harsh conditions for their education. It should not be easy. But in truth, some things were made extremely convenient for us. The residents of Hattfjelldal treated us to their incredibly warm generosity. They taught us how to fish, provided us with materials, lent us tools, and avidly followed our progress by reporting on it in the local paper. Our hosts on the farm where we stayed organized a meeting with the local community where we had the opportunity to present our work and answer questions. 

The interest was so great that we learned that over 200 people, including the mayor, planned on attending the opening of our city. Which turned out to be an interesting, complicated day. From five in the morning, we were awake and on the ice, finishing our work in what can only be described as miserable weather. As midday – the scheduled opening time – approached, we sincerely wondered if all these people would still attend, in the gale force winds and relentless sleet. Yet they did come – some wading through the ice water, and some on snowmobiles and skis, and all with contagious good moods. Moss, a Greenlandic drummer, played while a young girl sang ritual Sami songs; the mayor, instead of opening the city with a ribbon cutting, drilled a hole in the ice, and we all indulged in the most exquisite local cuisine of hot fish soup and goat
sandwiches.

Lill Maria Hansen's lean-to.
In retrospect, it is tricky to evaluate the effectiveness of the workshop considering the prevailing chaos and not particularly polished final result. After such an inconsistent, unpredictable and uncontrollable process, it is not surprising that the nomadic city ended up looking like a haphazard collection of random shapes, reminiscent of ruins. But can one wish that a workshop centralized on survival be done in an orderly fashion? According to Marco’s philosophy, ruins are a tipping point when man-made becomes part of nature. Even the news that one student’s ice structure had melted into nothingness by the time of the opening was met with satisfaction – as we impose ourselves on nature, we have a responsibility to leave as small a trace as possible. Ultimately, it was about the process. Everyone had vastly different outcomes in their structures and artworks, but that is a positive thing. What this workshop really gave us was an opportunity to live and work for ten days in a place devoid of contrivances and ego, a “true reality”.

Site:

Participating universities:
Mosjøen College / Construction

Workshop leaders:

Kindly supported by: 
Varntresk Community


Sunday, October 2, 2011

TURKU BEING A TARGET OF POSITIVE TERRORISM

ART STUDENTS FROM CHINA AND GERMANY PARTICIPATING IN THE COLLECTIVE EFFORT OF SAVING THE CATHEDRAL SQUARE
Anni Teppo / Turun Sanomat 1.10.2011


On should not call the emergency number immediately, when seeing a lady drilling holes into the Uudenmaankatu-street or a man lighting up lumberjacks candles around the Turku Cathedral. The acts as part of environmental art works by two students from the Aalto University (Deparment of Environmental Art), and the students are operating with a legal permission – at least almost.

Chinese Shuchin Shen and German Ronny Korn want to wake up the citizens to realize the value of their home city’s and especially of its heart, the old Cathedral Square and its surroundings.

“We are treating Turku with urban acupuncture. Our art works are acupuncture needles and will hopefully generate positive reactions.” Shen and Kord are explaining.

Aalto University Environmental Art students Shuchin Shen, middle and Ronny Korn, explaining their methods of performing urban acupuncture to Turku.

Their individual means of acupuncture are very different. During the night Shen has been drilling holes into the Uudenmaankatu-street and into the holes she has been planting dandelions, which will root deep into the “old Turku”, she hopes.

Korn was burning during Friday 15 lumberjacks candles (jätkänkynttilä, a traditional Finnish self-standing one log fire) around the Cathedral and the Cathedral Square.

”I wonder, if I could in a way burn Turku again and return the city to its form before the traffic disturbances”, Korn is smiling.

ARCHITECT FROM TURKU AS THE INSPIRER

But how have the young students from China and Germany ended up saving Turku? Behind the action is operating Aalto University educator Marco Casagrande, an architect from Turku who has been concerned a longer time of the Cathedral Square situation and how the traffic problem of the Uudenmaankatu-street could be solved.

In architect Marco Casagrande's opinion the surroundings of the Turku Cathedral and the Cathedral Square should be respect in a way that would lead into a car-free environment.

“The realization of the Vähätori Square (opposite side of the Aura River form the Cathedral Square) to its present form was a wonderful success. The Cathedral Square is a harder challenge though.”

Shuchin Shen: Urban Acupuncture - dandelion holes drilled through the Uudenmaakatu Street hoping to roof deep into the old Turku.

But how can the Turku city allow drilling holes to its streets?

“Well it can’t and actually the police did stop Missis Shen during the night and wondered what she was doing. Shen has been practising positive terrorism, so to say, and actually been operating without a legal permission, but on the other hand the drilling of the holes is giving a suggestion for a possible solution what could be done on this site in a bigger scale. Lowering the road into a tunnel going under the Aura River would free the heart of Turku from cars for good. And Turku is worth it. “ Casagrande says.

The sudents are realizing their action in co-operation with the Turku Touring and the Park Department, among others. Casagrande says that he is surprised by the positive support that they have been receiving from many sources form inside the city.

Anne-Marget Niemi, the chief of Turku tourism was thrilled about the project immediately.

“We have been talking with Marco a longer time about the situation of the Cathedral Square and everything exiting like this is welcome.”

One of Ronny Korn's lumberjacks candles on the Turku Cathedral Square.

The jätkänkynttilä-fires will burn off probably by Saturday, but the effects of Shuchin Shen’s dandelion acupuncture might start working with a longer perspective.



The Aalto University Environmental Art workshop is kindly supported by Turku, European Cultural Capital 2011.

SET OF PHOTOS @ FACEBOOK

SET OF PHOTOS @ FLICKR




Monday, May 2, 2011

Ultimate River - Positive Terrorism

Aalto University Department of Environmental Art

Mustionjoki Natural River Restoration - Cultural River Restoration

Mustionjoki River runs in South-Finland from Lake Lohja to Pohjanpitäjänlahti Fjord in the Baltic Sea. It is 25 km long and today the river is closed by 4 hydroelectric power plants. In history the river used to be the most important salmon fishing river in South-Finland until 1950s when the river was finally closed by the Åminnefors dam, close to the river-mouth.

Mustionjoki River is running from the Lake Lohja to the Pohjanpitäjänlahti Fjord in the Baltic Sea. Illustration Aalto SGT 2010.

Besides salmon also whitefish, trout and eel belong to the original migrating species of the river. According to the Finnish Environmental Agency Mustionjoki is still the most important mussel river in Finland, but the mussels need salmon related fishes to reproduce. They have been waiting for more than 50 years now.

The original culture of the Mustionjoki River valley was build around the river. It powered the pre-industrial iron mills in Mustio and Billnäs and it gave fish. In those days mechanical power existed together with the natural river ecosystem – the so-called “Kings Channel” was reserved for the fishes to run, the river was never completely closed. After building up the Åminnefors dam and closing the river the migrating fishes seized to exist and the river lost its value in the heart of the culture of the river valley. People forgot the river.

Today is no more post-war 50s. Now it is time to forget the forgetting. The river must be back. Salmon must be back. Mussels must have sex.

Power Company FORTUM, who owns the hydroelectric power plants, is now studying the possibilities of building natural fish ways to pass its 4 dam areas. To make this happen we need to focus people’s minds on the river. This is where YOU come into picture.

We need positive terrorism. The cause is clear: natural river restoration and so: cultural river restoration. Environmental art works detonating the chain reaction for the river to come back in its full entity.

The course will offer the students basic accommodation and a rowing boat.




Mädäntynyt Kuha, George Lovett, 2002. "Kuulin mie mereltä itkun, Poikki joen juorotuksen."

Envionmental art MA -students

The course is located in Billnäs, south west of Finland

Teacher
Marco Casagrande
marco@clab.fi

Project Secretary
Inka Finell
inka.finell@taik.fi

ANATOMY

Time: 10.-15.5.2011
- The workshop will start at the Karjaa railway station 10.5.2011 at around 10 am after the train from Helsinki arrives.

Place: Mustionjoki River valley / Billnäs


The students are required a capacity for independent environmental art work 1:1 scale in public space.

The students will be responsible in maintaining a high physical and mental condition during the intensive six day 24/7 workshop.

The historical Billnäs iron mill early industrial area by the Mustionjoki River. The workhsop will use Billnäs as the base camp. Illustration: Aalto SGT 2010

The Billnäs community will provide the students a place to sleep.

Be prepared:
• Warm clothes for outdoor working, rubber boots, rain gear
• Warm sleeping bag and sleeping madras
• Personal documentation material
• Paper, pens, paints…
• Favorite tools
• Food


TASK


We will be working in the river area between the Karjaa Church and the River Mouth. In-between will be the Billnäs historical industrial area and village, Åminnefors dam and Karjaa.

The students will react on the present day river reality and express their individual reactions through a 1:1 scale environmental art work. The students will take care of the materials used.

The works are due be ready by Sunday 15.5.2011.



Pay extra care for nature. No rubbish, no cutting of living branches. The artworks must be removed from nature by 20.00 on Sunday 15.5.

Saturday, March 26, 2011

TAIPEI FROM THE RIVER


Marco Casagrande / Ruin Academy / 26.3.2011

Taipei is here because of the river. The clear, drinkable water of the Keelong, Danshui and Xindian Rivers is still in the living memory of the communities along the rivers. For these people and for Taipei the rivers have been the everyday source of life. This is time before the flood walls and time before the city was separated from its natural environment. Taipei still carries the river in its collective memory and so the city has not yet become a total industrial fiction. But new memories need to be made and fast. The rivers must become again the lifeline and nerve system of the urbanized Taipei Basin. A new kind of urbanism must be created living in straight dialog with the river nature; landscape urbanism from the viewpoint of the river: Taipei River Urbanism.


LOCAL KNOWLEDGE

The Jiantai fishermen have been operating on the Keelong and Danshui Rivers for generations fishing, crabbing and transporting cargo and people on the rivers. They used to carry their Local God with his temple to higher grounds when the river was flooding. The river was so clean that they could drink the water. Flood came every year, the boat building master told us, but it was not so bad since there was no flood walls: the water have plenty of space to spread around. He showed the level below his knee where the water used to rise during the typhoon.

Local Knowlege of the Taipei rivers: Jiantai fishermen.

Then one time the dictator’s home was flooded. He tells us referring to Chiang Kai-Shek. The dictator got mad to the nature and build the walls. The Jiantai fishermen remained with their shrinking settlement close to the river, while as the mad dictator with his city was walled up from the river. Still today the fishermen don’t find a reason why to build the walls.

The dictator's wall separating the city from the rivers.

“The Japanese had better ideas for the rivers. They for example thought of digging the Keelong River deeper. When KMT came the river got polluted and then came the wall.”

Missis Chen, the 86-years old leader of the Treasure Hill original community.

Missis Chen has been living together with the Xindian River all her life. She and her husband used to work for a construction company that harvested sand from the river bottom. Missis Chen participated in the work and she also cooked tea for the working men. These working men founded the Treasure Hill community together with the KMT veterans from Mainland China.

Treasure Hill community by the Xindian River in Taipei.

The illegal community by the river built their own houses and farmed all the flood plain from Treasure Hill to the river. The water was so clear that on low water they could walk to the other side of the river because they could see all the time the bottom and where to step. Children used to cross the river on top of buffaloes. All the families also had to have a boat according to Missis Chen, to visit their relatives and to go on markets to sell their vegetables. “Sometimes an uncle was so drunk that we didn’t know how to send him home in the dark to the other side of the river with his little boat.”

Because of the flood the Treasure Hill settlers did not build valuable properties to the flood area down the hill, but used that for secondary buildings such as pig houses and storages, but even then the government wanted to “protect” them and bulldozed the houses away and in the end forbid them from farming.

"Even the dogs don't eat the fish today."

The pollution comes from the up-stream, Missis Chen says. Suddenly the river got so dirty that they could not eat the fish anymore. Even the dogs don’t eat the fish today. Before the pollution they drank the river water, washed their clothes and vegetables in the river and ate the fish and crabs. River was their everyday life.

The Amis spokesman in his organic urban village.

The Amis spokesman of the Xi Zhou village is a representative of a very brave riverside community. The descendants of the original three families from Taidong Amis the community have been fighting for their rights to live along the river. First the government destroyed their riverside farms and build a bicycle track instead. Same pattern as with Treasure Hill.

Amis ladies preparing food for the community.

Then the officials tried to kick the Amis from their homes and “resettle” them, as they did with the Treasure Hill’s original community. The Amis refused and have been fighting ever since. Now they are in a dialog with the government, who has proposed to move the village a bit further from the river and build to them new homes. The Amis think that the government houses will be nothing compared to their self build houses that form a unique organic community that is as much a garden as it is architecture. The Amis prefer to build their new homes by themselves too in the same organic way as the community is built now and keeping the same dialog with the neighbors and collective spaces.

River + community farms at the up-stream of the Xindian River.

The Spokesman is 37 years old and tells us that he spent all his childhood with the river, who provided the community its everyday food. The collective farming along the river was as essential to the community sense as the river itself and those two cannot be separated in the Spokesman’s childhood memory. Then: the river got polluted.

OFFICIAL MISTAKE

The Official aims in coming in-between human and nature; also in-between human and human nature. The official city is modern and inhumane. It wants to clean up the back-alleys of Taipei and beautify them.

Beautify.

It prevents people from farming on the river banks. In fact it forbids any kind of plantations on the river banks, because they belong to the flood protection area. Missis Chen has been farming all her life on the Xindian River flood plains. So have the Amis settlers. For them the flood is natural and they kept on farming until the government came to “protect” them, as the school head-master came to protect naughty Alex “from himself”. (Stanley Kubrick: A Clockwork Orange) In official point of view when human gets close to nature including human nature, he approaches danger. He can get out of control.

Mangrove trees near Guandu in Danshui River.

River can get out of control - at least out of human control. It is almost as if it supposed not to be controlled by human. Industrial city is an ultimate manifest of human control, a machinery to regulate human life. This machine and the hydraulics of nature seem to be in some sort of conflict trying to fit together in the same Taipei Basin.

The river is flooding, which is something that the city doesn’t want and the city is polluting which is something that the river doesn’t want. An easy, almost fast-food solution was to build a wall between the city and the river. The flood and the rest of the water is supposed to stay on the other, “organic” side of the city-river coexistence and the wall also keeps the stinky and polluted water out of sight. Out of sight, out of mind.

The flood wall in the middle separating the industrial machine from the organic machine.

The wall has been up already a couple of generations. For the young Taipei citizens the river hardly exists, nature has become a fiction. Now the city government has admitted that building the wall and polluting the river has been kind of an “official mistake” and tries to find strategies to make this up for the citizens. They build bicycle ways to the river banks and paint official graffiti on the wall. Riverside parks are being created and citizens are encouraged to cherish the “blue highway”. Same time citizens are not allowed to create spontaneous community farms along the rivers and the wall has not moved anywhere. River is allowed to exist only under the official control as the citizens are only allowed to be with the river under the same official control.

Existence Maximum.

Taiwanese nature, as any nature is against any kind of control. The only rule of nature is existence maximum, to produce maximal life in the given conditions. This goes for the jungle and this goes for the communities in the Taipei Basin. Organic human settlements can find a way how to coexist with the rest of the nature. This has been the reality also in Taipei before the hyper-industrialism.

Jiantai fishermen taking the Aalto University's SGT researchers to a see the city from the viewpoint of the river.

With the industrial-economic growth the co-existence with nature has been forgotten and the people and communities living along the environment are seen as garbage. Now that the environmental consciousness has become an “international trend” also Taipei has become to realize, that it is actually a river city.

An illegal vegetable garden hiding in the bushes by the Danshui River. Photo: Wayne Gretton.

Now the big question with this urban ecological awakening is whether urban nature (river, mountains, jungle, wetlands…) is continued to be seen as an almost virtual ecological amusement park, or can the official Taipei accept nature to be real? Can the river be real and are the citizens allowed to do real things with real nature? Is a grandmother allowed to establish a vegetable garden along the river and take clean water from the stream?

PARTICIPATORY PLANNING

A lot of water needs to go through a city in order to keep it alive. In Taipei it goes like this:

A dam by the Wulai fresh water reservoir that provides drinking water to 5 million people in the Taipei Basin.

1. Fresh water from the mountains is collected to the sweet-water reservoirs of Wulai and Taoyuen from where it is directed to the purification plants in a couple of points around the city. From these water centers the drinking water is the directed to the households and other water consumer units.

The manager of the Dihua sewage treatment facility proudly presenting his tools.

2. After the consumption dirty water including sewage and grey waters are collected to the Dihua, Neihu and Bali sewage treatment plants from where the clean water is again released either to the rivers or into the Taiwan Strait.

Officially 37% sick.

Officially 63 % of the Taipei Basin is connected to the sewage treatment system. The rest 37 % is still released straight into the rivers and these are “official numbers”. The un-official real volume of river pollution is higher. According to the Dihua sewage treatment plant “there is a lot of small factories in the mountains who release their pollution to the rivers at nights.”

Taipei City Government Department of Hydraulics representatives with the SGT researchers and JUT foundation operators.

The natural river restoration in Taipei’s urban conditions requires knew kind of socio-ecological knowledge building and decision making. The different river related departments of the city government (river, hydraulic, environmental protection, urban development, urban design, public works etc.) admit that they are lacking cross-disciplinary co-operation and that they don’t see any participatory planning around the urban river restoration issue, but that they want this. They want to get out from their corners and also give space for the other department to come to their territories. They want to co-operate, but the problem is: every corner has a king.

Every corner has a king.

These kings lay down the disciplines and official power hierarchies that cannot tolerate any changes and that feel every spontaneous move as a threat. These kings make sure their officials protect their territories against the other department. “No, you cannot plant here anything: the river banks belong to the river department.” And to make things even more complicated around the river is not only all the Taipei City departments but also the Taipei County and the Central Government fighting for their rights to control. Meanwhile: nothing happens.

The Taipei Basin participatory planning facility mounted on a bio-ship on the Danshui River.

In the middle of the Danshui River should be set up a boat. A new Noah’s Ark where the representatives of the shareholders of the river would gather for participatory planning. Besides the different city, county and central government officials there would be scholars, scientists, NGO’s and the representatives of the Local Knowledge. Missis Chen would be there, the Jiantai fishermen and the Amis.

Miss Emmi, SGT: "A passion for exploring the intersections of culture, space and place."

This participatory planning would lead into decision making concerning the river restoration and the relationship between the city and the river. Maybe the participatory planning would be chaired by United Nations? The UN-HABITAT is looking for an urban river case that could be used as an example for other similar kind of cases around the world. Taipei could lead the way. Cleaning the river and creating sustainable River Urbanism is not a technological question, it is a question of communication and participatory planning.

FIVE ELEMENTS

The Taipei River Urbanism will be cooked up with five elements: Local Knowledge, Collective Ownership, Environmental Technology, Natural River Restoration and Architecture.

Local Knowledge anchors the future Taipei sustainable development to the real memories and site-specific knowledge of living together with the river nature.

Scooter-farmer, the anarchist gardener of Taipei.

Urban farming and community gardens have always existed together with the river. This Taiwanese phenomenon should be encouraged as a vital part of the River Urbanism. The gardens can be connected to more complex systems of citizen initiated constructions and even alternative communities along the rivers following the examples of the Amis and the Treasure Hill.

Ocean fishing boats at the river mouth of the Danshui River on Bali side.

Fishing, crabbing and aquaculture will restart automatically after the water quality reaches an acceptable level as will boating, swimming and other physical activities with the rivers.

SGT researchers exploring the tidal banks of the Danshui River.

Collective Ownership binds the citizens to the restoration process by taking them into the development as shareholders. The ownership sense is critical to the reunion of the city and the river. In case the citizens do not feel as the shareholders of the future river nature the city will remain behind the wall and the river as drive-in amusement park.

The Beitou incinerator.

Environmental Technology will provide solutions for various sectors of the River Urbanism with sustainable energy production, pollution control and treatment and flood management.

The fertile river banks along the Taipei rivers offer a big potential for biomass production for bio-energy and natural river restoration.

Different sustainable energy solutions will be examined in the river corridors. Small scale wind energy can power local installations such as community gardens and alternative communities. Tidal energy can be an alternative in the river mouth area where the tidal pulse effects the river all the way to Zhuwei-Guandu. Fast growing bio-mass can be grown on the river banks and harvested from boats to fuel bio-energy plants in selected locations. The Taipei climate and the fertile river banks are optimal for bio-mass cultivation. The biomass and tidal energy must be tuned together with the free flooding plan. Too fast steps may increase the flood level while the flood-walls still exist. Solar energy can be produced also on floating installations.

Environmental technology will increase the effectiveness of the existing sewage treatment plants and help to take care of the remaining sources of pollution. Local purification installations and dry toilet systems can be offered to the areas still out of the sewage grid.

Mangrove trees enjoying the tidal sea water pulse in the Guandu-Zhuwei are of the Danshui River.

Natural River Restoration will apply the existing knowledge of river restoration but in urban conditions. The River Restoration is based on free flooding which will eventually mean the removal of the flood walls after the community scale flood control infrastructure is completed in Taipei.

The reinforced concrete flood walls of Taipei rise up to 12 meters effectively cutting the city of from the river nature.

The sedimentation pollution will be removed from the river bottoms and treated. The river bank soil will be either removed and treated or the pollutants will be tied into vegetation as for example part of the biomass production. Wetland areas will be introduced together with riverbank vegetation and eventually connected to the mountain jungles as green corridors in order to increase bio diversity and to treat the water and soil.

High water scenario at the free flooding river city. SGT Guandu, 2009.

Probably the most challenging part of the natural river restoration will be the element of free flooding. Community scale underground storm water reservoirs will be built in the flood areas of the Taipei Basin rendering the Tokyo underground typhoon reservoir mega-structures but as a de-centralized system. After the underground storm water capacity is in function the flood-walls will be removed; city and the river will be reunited.

An Amis house made of doors.

Architecture will still define the human built environment of the Taipei River Urbanism, but in closer connection with the organic growth and the water movement. The Local Knowledge will give solutions into more organic construction and community sense.

Organic self constructed mangrove architecture. SGT Guandu, 2009.

The free flooding will present new challenges for housing and infrastructure where also the static and industrially built architecture has to give up in order to let nature to step in. The urban environmental conditions will not be aimed to be fixed and controlled, but flexible and Open Form.

Treasure Hill. Photo: Stephen Wilde.

Taipei and Taiwan has a high standard of illegal citizen built architecture. This spontaneous culture or gardening buildings should be encouraged and supported. The River Urbanism will step back from the developer or official initiated construction and make more room for citizen architecture. The DIY architecture can start in small scale on the river banks as part of the community gardens and it can also start building mediating areas over the flood wall connecting the city to the organic side.

TAIWANESE SOLUTION

The natural river restoration and taking the city back to the river is not a mystery. This is in the minds of the Taipei City Government and in the Central Government. There is the will and the technology exists. Normal people feel a bit lost though. For them how the city goes and what has happened to the rivers seems to be out touch. They have not been part of this process before and they find it hard to develop tools to negotiate with the official side of the community. Participatory planning will offer the tool for the Local Knowledge to be part of the decision making and the Knowledge Building of the Taipei River Urbanism.

Aalto University SGT + Tamkang Architecture + NTU Sociology = Taipei River Urbanism.

The ecological restoration of the urbanized Taipei Basin must be a Taiwanese solution, not a copy from Tokyo or Europe. The river city Taipei must keep looking unique and local. Probably the urban solution will be a bit messier than Tokyo, but so is the jungle. The big ecological restauration process will be broken up into networks of local community scale solutions, such as the underground storm water tanks.

Partners for environmental technology and participatory planning are easy to be found from Finland or elsewhere in Europe, maybe Japan can play a role too. Working with UN-HABITAT is something certainly worth thinking and through UN the solution and knowledge that are developed with the case of Taipei can be easierly used for similar cities around the world. Taipei should lead the way.

SGT + JUT operators with the Jiantai fisheman guid at Danshui River.

The presentation at the Ruin Academy, Taipei 26.3.2011 is a result of a research and workshop conducted in co-operation between the Aalto University SGT Sustainable Global Technologies, Finland + Tamkang University Department of Architecture, Taiwan + National Taiwan University Department of Sociology.

The Taipei River Urbanism workshop team at the Ruin Academy 26.3.2011.

Sincere thanks to all the researchers, students and professors – especially Professor Chen Cheng-Chen from Tamkang and Professor Tseng Yen-Fen from NTU.

The Taipei River Urbanism workshop and research is kindly supported by the JUT Foundation for Arts and Architecture.